Ludwig Passiniの肖像画

ギャラリー厳選、Ludwig Passiniによる最も有名な16の絵画

10月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 16点の Ludwig Passiniの作品がカタログにあります

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Ludwig Passiniが遺した数多くのオリジナル作品の中で、最も有名なものはThe young Comtessa with an ermine scarf on New Year's Eve (1847)です。 それに次いで、Emperor Joseph II Riding (1850)とPrincess Rospigliosi and Baroness Baude (1863)が続きます。 Ludwig Passiniによる16点の作品をカタログに掲載しています。当ギャラリーでは、世界が称賛する16点を選定し、制作年、所蔵美術館、そしてその背景にある物語とともにご紹介しています。

1832 – 1903, Vienna Academicism 最多収蔵館: ナショナル・ギャラリー・オブ・アート

Ludwig Passiniの代表作10選:ギャラリー厳選の作品集

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A bridge in Venice (1876) による Ludwig Passini

A bridge in Venice

1876

Ludwig Johann Passini’s “A Bridge in Venice,” painted in 1876, offers a captivating snapshot of daily life within the iconic Italian city. This horizontal canvas transports viewers to a bustling scene on one of Venice’s famed bridges, capturing a moment brimming with activity and character. More than just a depiction of architecture, it's a window into the vibrant social fabric of 19th-century Venetian society.

9
Monks Buying Fish before the Portal of the Madonna della Misericordia (1855) による Ludwig Passini

Monks Buying Fish before the Portal of the Madonna della Misericordia

1855 · Acrylic On Canvas · ナショナル・ギャラリー・オブ・アート, ワシントン

Ludwig Johann Passini's “Monks Buying Fish before the Portal of the Madonna della Misericordia,” painted in 1855, isn’t merely a depiction of a marketplace scene; it’s a carefully constructed tableau brimming with quiet spirituality and the everyday rhythms of Venetian life. The painting transports us to a sun-drenched corner of the city, where the mundane act of purchasing fish becomes imbued with a profound sense of reverence. Passini, a master…

Ludwig Passiniのセレクションが続きます、11から16まで

Ludwig Passiniが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Ludwig Passiniの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 1 の美術館

美術館 都市 Ludwig Passiniの作品 このリストの絵画
ナショナル・ギャラリー・オブ・アート, ワシントンナショナル・ギャラリー・オブ・アート ワシントン 1 Monks Buying Fish before the Portal of the Madonna della Misericordia

Ludwig Passiniの年代別名作:各時代を象徴するオリジナル作品

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Ludwig Passiniの絵画に関するコレクターからの質問

Ludwig Passiniの代表作は何ですか?答えを見る

The young Comtessa with an ermine scarf on New Year's Eve (1847)。続いてEmperor Joseph II Riding (1850)、Princess Rospigliosi and Baroness Baude (1863)が続きます。

The young Comtessa with an ermine scarf on New Year's Eveが制作されたとき、Ludwig Passiniは何歳でしたか?答えを見る

15歳:The young Comtessa with an ermine scarf on New Year's Eveは1847年の作品で、Ludwig Passiniの生年は1832年です。

Ludwig Passiniの最も有名な10作品とは?答えを見る

The young Comtessa with an ermine scarf on New Year's Eve, Emperor Joseph II Riding, Princess Rospigliosi and Baroness Baude, A shared confidence, On the Riva Dei Schiavoni a procession in Venice, Figures on a Venetian canal, A bridge in Venice, The Basilica of San Marco in Venice, Monks Buying Fish before the Portal of the Madonna della Misericordia と Young Venetian woman at the fountain。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Ludwig Passiniが遺した作品数は?答えを見る

当カタログには、1847年から1893年にかけて制作されたLudwig Passiniによる16点の作品が収められています。

Ludwig Passiniの名作は、どの美術館に収蔵されていますか?答えを見る

主にナショナル・ギャラリー・オブ・アート (ワシントン)に所蔵されています。上記の美術館一覧にすべて記載されています。

Ludwig Passiniが最も有名な作品を多く描いたのは何年ですか?答えを見る

1870s年:このページにある全16作品のうち、3作品がその時期に制作されました。そのうちA shared confidence作品が含まれます。

Ludwig Passiniによる最初と最後の代表的なオリジナル作品は何ですか?答えを見る

このページでは、最も古い作品はThe young Comtessa with an ermine scarf on New Year's Eve (1847)、最新の作品はFigures on a Venetian canal (1893)です。

Ludwig Passini が最も多く描いた主題は何ですか?答えを見る

このページに掲載されている16点の作品における19th century society (2), Historical figures (2) と Venice (2)

Ludwig Passiniはどの芸術運動に属していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Academicismです。

Ludwig Passini:生涯と作品

The Venetian Soul: The Life and Art of Ludwig Johann Passini

In the golden light of the nineteenth century, few artists captured the rhythmic pulse of Mediterranean life with as much tenderness and precision as Ludwig Johann Passini. Born in Vienna on July 9, 1832, Passini was a man of dual heritage, an Austrian by birth whose artistic soul became irrevocably entwined with the canals and cobblestones of Italy. His journey began under the watchful eye of his father, Johann Nepomuk Passini, a skilled engraver who provided the young artist with a foundational mastery of line and visual craftsmanship. This early exposure to the meticulous world of printmaking would later manifest in the exquisite detail and narrative clarity that define his most celebrated works.

The trajectory of Passini’s life was shaped by movement and cosmopolitan discovery. Following his family's relocation to Trieste in 1850, he was exposed to a melting pot of cultures that would broaden his artistic horizons far beyond the borders of his native Austria. His formal training at the prestigious Vienna Academy of Art brought him into the orbit of masters such as Joseph von Führich and Leopold Kupelwieser, where he refined a classical sensibility. Yet, it was the encouragement of Führich that propelled him toward Leipzig and eventually to the heart of Italy, setting the stage for a career defined by the pursuit of light, atmosphere, and the human condition.

A Mastery of Genre and the Venetian Spirit

Passini’s artistic evolution is a testament to his ability to adapt his technique to the spirit of his surroundings. During his years in Rome between 1853 and 1870, his work took on a profound narrative quality. He focused intensely on the human figure, placing characters within rich architectural settings and interior spaces that whispered stories of daily existence. It was during this period that he mastered the art of the genre scene—paintings that do not merely depict a moment, but breathe life into the social fabric of the era.

< p>However, it was his permanent move to Venice in 1873 that unlocked his most enduring creative period. Settling for three decades in the magnificent Palazzo Vendramin Calergi, Passini became a cornerstone of an illustrious artist colony. Alongside contemporaries such as Henry Woods and August von Pettenkofen, he participated in a vibrant intellectual exchange that pushed the boundaries of realism. His Venetian oeuvre is a breathtaking collection of watercolors and oils that serve as a visual chronicle of the city. Whether capturing the bustling activity on a bridge or the quiet, spiritual reverence of monks purchasing fish near a cathedral portal, Passini possessed a rare ability to find the extraordinary within the ordinary.

Technique, Legacy, and Artistic Significance

The brilliance of Passini’s work lies in his seamless blend of realism and poetic atmosphere. His technique was characterized by a meticulous attention to detail—the texture of sun-drenched brickwork, the subtle shimmer of water, and the intricate folds of period clothing—all rendered with a sensitivity that avoids the coldness of mere documentation. In his watercolors, he achieved a luminous quality that captured the fleeting effects of light, while his oil paintings, such as the evocative A Bridge in Venice, utilized masterful composition to draw the viewer into the heart of the scene.

Beyond his technical prowess, Passini’s historical significance rests in his role as a bridge between classical tradition and the burgeoning interest in modern, everyday life. He did not seek the grandiosity of historical epics; instead, he sought the truth in a child's play or a merchant's trade. His legacy is preserved in the way he immortalized a vanishing way of life, providing future generations with a window into the vibrant, social tapestry of 19th-century Italy. Today, his works remain cherished for their ability to evoke nostalgia and a profound sense of human connection, ensuring that the name Ludwig Johann Passini remains synonymous with the timeless beauty of the Venetian spirit.