Claude Cahunの肖像画

世界的に有名なClaude Cahunの名作12点、そのすべてが唯一無二の芸術品

11月 2026 更新 · 当サイトの人気スコア(各作品の検索数、閲覧数、注文数)に基づくランキング · 12点の Claude Cahunの作品がカタログにあります

要約すると

SelfportraitはClaude Cahunの作品の中で最も注目を集めている絵画です。原画はエッセンの美術館フォルクヴァングに所蔵されています。 その後、視線はUntitled (1928)とUntitled (Claude Cahun in Le Mystère D’Adam) (1929)へと移ります。 当カタログに含まれるClaude Cahunの12点の作品のうち、これら12点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。

1894 – 1954, Nantes Surrealism 最多収蔵館: テート・ブリテン

ギャラリーの視点で選ぶ、Claude Cahunによるトップ10作品

1
Selfportrait による Claude Cahun

Selfportrait

Black and White Photography · 美術館フォルクヴァング, エッセン

The gaze meets us through "Selfportrait," a profound work by Lucy Renee Mathilde Schwob. In this image, the artist turns the lens upon herself, capturing a moment of intense personal inquiry. Born in 1894 in Nantes, France, Schwob navigates the boundaries of identity through her lens. She moves through the world under a different name, having adopted the pseudonym Claude Cahun. This choice of identity becomes a central part of…

2
Untitled (1928) による Claude Cahun

Untitled

1928 · Gelatin Silver Print

Untitled is a photograph created in 1928 by Claude Cahun and Marcel Moore. This work emerged from a collaborative practice between the two artists, who shared a life and a commitment to disrupting conventional representations of identity.

3
Untitled (Claude Cahun in Le Mystère D’Adam) (1929) による Claude Cahun

Untitled (Claude Cahun in Le Mystère D’Adam)

1929 · Gelatin Silver Print

The gaze meets a figure caught in a moment of profound transformation within the photograph titled Untitled (Claude Cahun in Le Mystère D’Adam). Created in 1929, this work emerges from the collaborative spirit of Claude Cahun and Marcel Moore. The image exists as a silver gelatin print, a medium that captures the subtle shifts of light and shadow across a carefully constructed persona. It is a piece where the boundaries…

4
Untitled (1936) による Claude Cahun

Untitled

1936 · Black and White Photography · テート・ブリテン, ロンドン

Claude Cahun, born in Nantes, France, in 1894, crafted Untitled around 1936. This photographic work emerges from a period of intense experimentation within the Surrealist movement. The artist, who lived until 1954, used the lens to navigate the boundaries of identity. In this specific piece, the camera captures a stillness that feels both deliberate and strange.

5
Self Portrait 1950 (1950) による Claude Cahun

Self Portrait 1950

1950 · Black and White Photography

Self Portrait 1950 is a work by the artist Claude Cahun. This piece is a self-portrait that captures the artist in a moment of personal inquiry. The individual depicted is the creator herself, using the lens to document her own presence. The image is a monochromatic study of form and light, presented in black and white.

6
Studies for a keepsake (1926) による Claude Cahun

Studies for a keepsake

1926 · Black and White Photography

Studies for a keepsake is a Surrealist work created by Claude Cahun. The artist, born Lucy Renée Mathilde Schwob, used this pseudonym to navigate the boundaries of identity. The piece emerged about 1925. It exists as a quiet interrogation of the self through the lens of the Surrealism movement.

7
Self-portrait, 1928 (1928) による Claude Cahun

Self-portrait, 1928

1928 · Photography

In this 1928 photographic print, titled Self-portrait, 1928, we encounter the deliberate and staged presence of Claude Cahun. This work belongs to the Surrealist movement, a period defined by an interest in the subconscious and the disruption of conventional reality. Cahun, a figure who navigated the boundaries of identity with profound intent, uses this medium to document a specific, constructed persona.

8
I am in training, don't kiss me (1927) による Claude Cahun

I am in training, don't kiss me

1927 · Black and White Photography

Created in 1927, I am in training, don't kiss me is a self-portrait by the French artist Claude Cahun. In this work, the artist adopts the persona of a weight trainer. The subject is positioned with a barbell resting on the lap, presenting a figure that challenges traditional gendered archetypes through a combination of masculine and feminine signifiers.

9
What do you want from me? (1928) による Claude Cahun

What do you want from me?

1928 · Gelatin Silver Print · メトロポリタン美術館, ニューヨーク

What do you want from me? is a Gelatin Silver Print Photographic Print created by Lucy Renee Mathilde Schwob. The artist, who adopted the pseudonym Claude Cahun, produced this work in 1928. This piece is a significant example of Surrealist photography, reflecting the artist's lifelong interrogation of identity and the fluid boundaries of the self.

Claude Cahunの名作、11〜12点目

Claude Cahunが心を惹かれた主題

これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。

Claude Cahunの原画を所蔵する美術館

このページに掲載されている絵画を最も多く所蔵している 4 の美術館

美術館 都市 Claude Cahunの作品 このリストの絵画
テート・ブリテン, ロンドンテート・ブリテン ロンドン 2 Untitled, I Extend My Arms
美術館フォルクヴァング, エッセン美術館フォルクヴァング エッセン 1 Selfportrait
メトロポリタン美術館, ニューヨークメトロポリタン美術館 ニューヨーク 1 What do you want from me?
Arts Council Collection, ロンドンArts Council Collection ロンドン 1 Drunken Bellarmine

Claude Cahunの数十年にわたる軌跡:それぞれに唯一無二のオリジナル作品を

年代別作品数

その時代を象徴する名作を見るために、年代を選択してください。

Claude Cahunの絵画:ギャラリーへの質問

Claude Cahunの最も有名な作品は何ですか?答えを見る

Selfportrait(美術館フォルクヴァング, エッセン)。次いでUntitled (1928)、Untitled (Claude Cahun in Le Mystère D’Adam) (1929)が続きます。

Claude Cahunの最も有名な10作品は何ですか?答えを見る

Selfportrait, Untitled, Untitled (Claude Cahun in Le Mystère D’Adam), Untitled, Self Portrait 1950, Studies for a keepsake, Self-portrait, 1928, I am in training, don't kiss me, What do you want from me? と Self Portrait。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。

Claude Cahunの既知の作品数は?答えを見る

当カタログには、1926年から1950年にかけて制作されたClaude Cahunによる12点の作品が収められています。

最も有名なClaude Cahunのオリジナル作品はどこで見ることができますか?答えを見る

主にテート・ブリテン (ロンドン), 美術館フォルクヴァング (エッセン) と メトロポリタン美術館 (ニューヨーク)に所蔵されています。上記の美術館一覧にすべて記載されています。

Claude Cahunが最も有名な作品を制作したのは、どの時期ですか?答えを見る

1920s年:このページにある全12作品のうち、6作品がその時期に制作されました。そのうちUntitled作品が含まれます。

Claude Cahunの有名な絵画の中で、最も古い作品と最も新しい作品はどれですか?答えを見る

このページでは、最も古い作品はStudies for a keepsake (1926)、最新の作品はSelf Portrait 1950 (1950)です。

Claude Cahunが好んだ主題は何ですか?答えを見る

このページに掲載されている12点の作品におけるBlack and white (8), Person (5) と Face (4)

Claude Cahunが最も多く使用した画材は何ですか?答えを見る

このページに掲載されている全12作品のうち、5作品のBlack and White Photography

Claude Cahunの作品は、どの芸術運動に属していますか?答えを見る

このページに掲載されているオリジナル作品から判断すると、Surrealismです。

テート・ブリテンでは、Claude Cahunのオリジナル作品を何点鑑賞できますか?答えを見る

Untitled と I Extend My Arms:テート・ブリテン, ロンドンには、このページに掲載されている作品のうち2点が所蔵されています。

Claude Cahun:アーティストの肖像画

Claude Cahun: A Surrealist Pioneer Challenging Gender Conventions

Claude Cahun (Lucy Renée Mathilde Schwob), born Nantes, France in 1894, was a singular figure in the surrealist movement and beyond—a photographer, sculptor, writer, and performer who relentlessly interrogated notions of identity and gender. Her artistic practice wasn’t merely about depicting images; it was about embodying them, inhabiting multiple personas, and actively disrupting societal expectations. Cahun adopted the pseudonym ‘claude cahun’ in 1914, a deliberate act of defiance that signaled her commitment to exploring fluid boundaries between male and female experience.
  • Early Life & Influences:
  • Born into an aristocratic family with liberal leanings, Cahun's upbringing fostered intellectual curiosity and a rebellious spirit. She studied at the École Supérieure des Beaux-Arts in Paris alongside Marcel Moore, whose influence would prove crucial to her artistic vision—particularly his advocacy for collage as a method of disrupting conventional representation.

Surrealist Photography & Collage Technique

Cahun’s photographic work stands apart from its contemporaries. Rejecting the polished realism favored by many artists, she embraced a deliberately unsettling aesthetic—often employing double exposures and photomontage to create images that simultaneously reveal and conceal. As Cahun herself stated, “The abstraction, the dream, are as limited for me as the concrete and the real.” This approach mirrored the broader surrealist preoccupation with accessing subconscious realms and challenging rational thought. Her collages weren’t simply assembled images; they were carefully constructed narratives designed to destabilize viewers' perceptions and provoke contemplation about gender roles and societal norms. The use of found objects and manipulated textures underscored her belief in transforming everyday materials into instruments of artistic expression.

Performance & Persona: “Elle” as a Constant Presence

Perhaps Cahun’s most distinctive contribution to art was her exploration of performance and persona. She consistently referred to herself as ‘elle,’ asserting that her true gender was fluid—a concept radical for the time. This deliberate adoption of feminine pronouns wasn't merely stylistic; it represented a profound philosophical stance against binary categorization. Cahun wrote extensively about inhabiting multiple identities, crafting elaborate costumes and theatrical presentations that questioned conventional notions of masculinity and femininity. Her performances served as a powerful critique of patriarchal structures and an affirmation of individual autonomy.

Resistance During WWII & Artistic Legacy

During World War II, Cahun actively participated in the French Resistance movement, utilizing her artistic skills to disseminate propaganda and support underground networks. She created clandestine photographs documenting the plight of refugees and prisoners of war—images imbued with compassion and defiance. Her work during this period exemplifies her unwavering commitment to social justice and her belief in art’s capacity to inspire action. Cahun's legacy extends beyond her visual creations; she remains an icon for gender equality and artistic experimentation, inspiring generations of artists to challenge conventions and embrace ambiguity.

Notable Works & Recognition

Cahun’s oeuvre includes iconic photographs like “I Extend My Arms” and “Selfportrait,” which exemplify her signature style—characterized by meticulous detail, unsettling juxtapositions, and a masterful manipulation of light and shadow. Her photomontages, such as “Untitled,” are considered seminal examples of surrealist collage technique. Cahun’s work has been exhibited internationally and celebrated for its intellectual depth and emotional resonance. She continues to be studied and admired as one of the most innovative and courageous artists of her era—a true pioneer who reshaped our understanding of gender identity and artistic expression.