11月 2026 更新 · 当サイトの人気スコア（各作品の検索数、閲覧数、注文数）に基づくランキング · 60点の エミール・フリアンの作品がカタログにあります
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The Rowers of the Meurthe (1888)はエミール・フリアンの作品の中で最も注目を集めている絵画です。原画はNancyのmusée de l'École de Nancyに所蔵されています。 その後、視線はWoman with a lion (1919)とPortrait de sa mère épluchant un navet, devant une fenêtre (1887)へと移ります。 当カタログに含まれるエミール・フリアンの60点の作品のうち、これら60点は最も有名な作品です。制作年、所蔵美術館、そして時代を超えて愛される理由とともに、一点もののオリジナル作品をご紹介します。
In this 1888 oil on canvas, we find ourselves invited into a quiet, intimate moment of social connection. The scene depicts a group of people gathered around a dining table, their presence suggesting a shared meal and the easy rhythm of conversation. There is a sense of stillness here, as if we have just stepped into the room to find them mid-sentence. The composition is populated by at least thirteen…
In this 1919 portrait, we find ourselves in the presence of a woman and a lion, a pairing that suggests a profound, unspoken connection. She sits with a composed grace, one hand resting thoughtfully against her chin while the other finds a place upon the lion's head. There is a stillness here, a moment of repose that transcends the typical tension one might expect from such an unlikely companionship. The…
Portrait de sa mère épluchant un navet devant une fenêtre : Une Œuvre Réaliste au Cœur de Nancy Émile Friant, né à Dieuze en 1863, est une figure marquante ayant tissé les liens entre le réalisme du XIXe siècle et les mouvements artistiques émergents du début du XXe siècle. Son parcours vitifié par les bouleversements politiques et sociaux de son temps témoigne d'une sensibilité profondément ancrée dans la réalité française…
Émile Friant's "A Student," painted in 1885, is more than just a portrait; it’s a poignant glimpse into the quiet contemplation of a young man grappling with his studies and perhaps, with something deeper within himself. This oil painting, currently residing at the Musée des Beaux-Arts in Nancy, France, offers a remarkably intimate portrayal of a figure lost in thought, rendered with Friant's signature blend of realism and subtle emotional…
The air in the painting feels heavy, thick with the scent of dust and impending silence. A man in a black robe hangs from the gallows, his body a dark silhouette against the tension of the scene. He is a priest, his clerical garments marking him as a figure of spiritual weight amidst the secular violence. Around him, the crowd gathers like a slow-moving tide. Some faces are pressed close…
In "The Tramp" by Émile Friant, we find ourselves observing a solitary figure seeking refuge within the mouth of a dark cave. The composition is dominated by the heavy, textured mass of the rocky overhang, which creates a palpable sense of enclosure and isolation. This weight of stone presses down from above, framing the subject within a narrow, sheltered space. The color palette is muted and earthy, relying on ochres,…
In the quiet intimacy of 1878, a young Émile Friant turned his gaze inward, capturing not just a likeness, but a moment of profound self-reflection. His Self Portrait serves as a captivating window into the late 19th century, presenting a man poised between the rigid formalities of his era and the burgeoning psychological depth that would define his later career. Dressed in the dignified attire of the period—a meticulously rendered…
In the soft, diffused light of a late nineteenth-century afternoon, Émile Friant invites us into a space of profound intimacy and domestic stillness. Portrait of my mother peeling a turnip, in front of a window is not merely a depiction of a mundane chore; it is a masterful study of presence and the beauty found within the ordinary. The scene unfolds before a large, rectangular window that serves as both…
The oil on canvas titled Polynices Cursed by Oedipus captures a heavy, suspended moment of tragedy. Created about 1883, the work is a product of the hand of Émile Friant. The scene is fixed in a stillness that feels as weighted as the shadows cast across the figures' skin.
The Study by Émile Friant, created about 1885, presents a medium shot of two figures within a well-appointed interior. A man sits in the foreground, his attention directed toward the act of drawing or sketching. Positioned before him is a woman who stands with her back turned toward the viewer, acting as the subject of his work. The arrangement of these figures creates a sense of depth, placing the subjects…
Presentation of the Odalisques to the Sultan1881 · ナンシー美術館
12
Portrait of Georges Jeanniot1884 · ディジョン美術館
13
Les artistes Mathias Schiff et Camille Martin1880
14
A Wood-Line1885
15
Memories1891 · プチ・パレ
16
The Garden Walk1889 · フィラデルフィア美術館
17
Spinner from El Kantara1892
18
Spring1888
19
The Bread1894
20
Voyage a l'Infini1899
21
Portrait of Aimé Morot1905
22
Émile Hinzelin1908 · Musée d'Art Moderne et Contemporain de Strasbourg
23
Devant la psyché1912 · ナンシー美術館
24
The Familiar Birds1921
25
Portrait of Jean Scherbeck1928
26
Guillaume Dubufe1905 · オルセー美術館
27
Self portraitナンシー美術館
28
The Frugal Repast
29
Tube of Gouache1877 · ナンシー美術館
30
Self portrait1877
31
Self-portrait at twenty years of three quarters1883
32
Portrait of Madame Petitjean1883 · ナンシー美術館
33
The Landscape Painter in his Studio1885
34
The Entrance of the Clowns1881
35
Jeanniot peignant la Ligne de feu1886
36
Soir d'automne (also known as Study for Les amoreux)1888
37
Portrait of Camille Majorelle1888 · musée de l'École de Nancy
38
Douleur1898 · ナンシー美術館
39
Self-portrait1893
40
Portrait de M. Paul1896 · ナンシー美術館
41
A Child's Dissapointment1897 · The Frick Pittsburgh
42
Self-portraitmusée de l'École de Nancy
43
Portrait of Young Girl
44
Coquelin Senior in the Role of Jean Dacier
45
Young girl
46
Studio Visit
47
Portrait of M. Sidrot1881 · ナンシー美術館
48
Les Buveurs1884 · ナンシー美術館
49
Portrait of Sculptor Ernest Bussière (also known as Interior of the Studio)1884 · ナンシー美術館
50
Maternal Tenderness1906
51
Madame Coquelin Mere
52
Political Dicussion1889
53
Dress with Knitted CoatKunstgewerbemuseum
54
Draft of Dress with Knitted CoatKunstgewerbemuseum
55
Lovers1888 · ナンシー美術館
56
Young Woman of Nancy in a Winter Landscape1887 · ナンシー美術館
57
The Small Boatナンシー美術館
58
All Saints' Day1888 · オルセー美術館
59
Ombres portées1891 · オルセー美術館
60
Wrestling1889 · ミュゼ・ファーブル
これらのオリジナル作品に繰り返し描かれている4つの主題と、それぞれの最高傑作。
このページに掲載されている絵画を最も多く所蔵している 8 の美術館
| 美術館 | 都市 | エミール・フリアンの作品 | このリストの絵画 |
|---|---|---|---|
 ナンシー美術館 |
ナンシー | 15 | Portrait de sa mère épluchant un navet, devant une fenêtre, A Student (also known as Self-portrait), Presentation of the Odalisques to the Sultan |
 musée de l'École de Nancy |
Nancy | 3 | The Rowers of the Meurthe, Portrait of Camille Majorelle, Self-portrait |
 オルセー美術館 |
パリ | 3 | Guillaume Dubufe, All Saints' Day, Ombres portées |
 Kunstgewerbemuseum |
ベルリン | 2 | Dress with Knitted Coat, Draft of Dress with Knitted Coat |
 Art Gallery of Hamilton |
ハミルトン | 1 | The Expiation |
 国立美術館 |
ストックホルム | 1 | The Tramp |
 la Cour D'or |
Metz | 1 | Self portrait |
 Musée des Beaux-Arts de Nancy |
ナンシー | 1 | Portrait of my mother peeling a turnip, in front of a window |
その時代を象徴する名作を見るために、年代を選択してください。
In the quiet intimacy of 1878, a young Émile Friant turned his gaze inward, capturing not just a likeness, but a moment of profound self-reflection. His Self Portrait serves as a captivating window into the late 19th century, presenting a man poised between the rigid formalities of his era and the burgeoning psychological depth that would define his later career. Dressed in the dignified attire of the period—a meticulously rendered…
In this 1888 oil on canvas, we find ourselves invited into a quiet, intimate moment of social connection. The scene depicts a group of people gathered around a dining table, their presence suggesting a shared meal and the easy rhythm of conversation. There is a sense of stillness here, as if we have just stepped into the room to find them mid-sentence. The composition is populated by at least thirteen…
In "The Tramp" by Émile Friant, we find ourselves observing a solitary figure seeking refuge within the mouth of a dark cave. The composition is dominated by the heavy, textured mass of the rocky overhang, which creates a palpable sense of enclosure and isolation. This weight of stone presses down from above, framing the subject within a narrow, sheltered space. The color palette is muted and earthy, relying on ochres,…
The air in the painting feels heavy, thick with the scent of dust and impending silence. A man in a black robe hangs from the gallows, his body a dark silhouette against the tension of the scene. He is a priest, his clerical garments marking him as a figure of spiritual weight amidst the secular violence. Around him, the crowd gathers like a slow-moving tide. Some faces are pressed close…
In this 1919 portrait, we find ourselves in the presence of a woman and a lion, a pairing that suggests a profound, unspoken connection. She sits with a composed grace, one hand resting thoughtfully against her chin while the other finds a place upon the lion's head. There is a stillness here, a moment of repose that transcends the typical tension one might expect from such an unlikely companionship. The…
In "The Familiar Birds" by Émile Friant, a quiet intimacy unfolds as a seated woman rests amidst a gathering of exotic birds. The composition centers entirely on her figure, drawing the eye to her relaxed, asymmetrical pose. She sits with one leg tucked inward while the other extends outward, creating a sense of ease within the frame. Around her, the birds interact closely, their presence blurring the line between a…
The Rowers of the Meurthe (1888)（musée de l'École de Nancy, Nancy）。次いでWoman with a lion (1919)、Portrait de sa mère épluchant un navet, devant une fenêtre (1887)が続きます。
25歳：The Rowers of the Meurtheは1888年の作品で、エミール・フリアンの生年は1863年です。
The Rowers of the Meurthe, Woman with a lion, Portrait de sa mère épluchant un navet, devant une fenêtre, A Student (also known as Self-portrait), The Expiation, The Tramp, Self portrait, Portrait of my mother peeling a turnip, in front of a window, Polynices Cursed by Oedipus と The Study。上記のランキングには、それぞれの制作年と所蔵美術館が記載されています。
当カタログには、1877年から1928年にかけて制作されたエミール・フリアンによる60点の作品が収められています。
主にナンシー美術館 (ナンシー), musée de l'École de Nancy (Nancy) と オルセー美術館 (パリ)に所蔵されています。上記の美術館一覧にすべて記載されています。
1880s年：このページにある全60作品のうち、27作品がその時期に制作されました。そのうちThe Rowers of the Meurthe作品が含まれます。
このページでは、最も古い作品はTube of Gouache (1877)、最新の作品はPortrait of Jean Scherbeck (1928)です。
このページに掲載されている60点の作品におけるMan (12), Woman (10) と Portrait (8)
このページに掲載されている全60作品のうち、21作品のOil On Canvas
このページに掲載されているオリジナル作品から判断すると、Realism と Contemporary realismです。
Portrait de sa mère épluchant un navet, devant une fenêtre, A Student (also known as Self-portrait) と Presentation of the Odalisques to the Sultan：ナンシー美術館, ナンシーには、このページに掲載されている作品のうち15点が所蔵されています。
