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Dipinti di Jim Goldberg: i 16 più famosi, attraverso lo sguardo di una galleria
Aggiornato Novembre 2026 · classificato in base al nostro punteggio di popolarità (ricerche, visite e ordini per ogni opera) · 16 opere di Jim Goldberg nel nostro catalogo
In breve
Per la galleria, il dipinto più famoso di Jim Goldberg è Untitled We are allways very affectionate together Mary. My mom looks pretty I look scared Wayne, from the series Rich and Poor (1980). Untitled My family is O.K. I think Im stupid I always do somethingwrong Lonnie Lynch Lonnie Me Moom Wayne This is my family I love them I like moms drezz the Hotel is rotten I want to move, from the series Rich and Poor (1982) e Untitled What I really want is a real home with nice furniture, also a van to drive. I also would like to give my son what I didn't get in life. Which includes love. Sharon D. Butts, from the series Rich and Poor (1982) completano il trio che ogni occhio riconosce. Dei 16 lavori di Jim Goldberg nel nostro catalogo, la galleria presenta di seguito i 16 più famosi, ognuno originale con il proprio anno, il proprio museo e ciò che lo rende unico.
nato nel 1953, New Haven
Documentary photography
Più opere: San Francisco Museum of Modern Art
1. Untitled We are allways very affectionate together Mary. My mom looks pretty I look scared Wayne, from the series Rich and Poor 1980
2. Untitled My family is O.K. I think Im stupid I always do somethingwrong Lonnie Lynch Lonnie Me Moom Wayne This is my family I love them I like moms drezz the Hotel is rotten I want to move, from the series Rich and Poor 1982
3. Untitled What I really want is a real home with nice furniture, also a van to drive. I also would like to give my son what I didn't get in life. Which includes love. Sharon D. Butts, from the series Rich and Poor 1982
I 10 migliori dipinti di Jim Goldberg nella galleria
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Dipinti di Jim Goldberg, classificati dal 11 all' 16
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Untitled This picture says that we are a very emotional tight family, like the three musketteers. Poverty sucks, but it brings us closer together. Linda Benko, from the series Rich and Poor1982
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Untitled I love the picture I am a homosexual maybe if I send one of the pictures you gave to me jim to my nephew he will understand how hard his uncle is struggling Ferdinand Monette, from the series Rich and Poor1982
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Untitled Its kind of stinky living in this hotel I dont have nothing only 10 I keep waiting for someone to come in my door and give me money but nobody ever will. Joe Peterson, from the series Rich and Poor1982
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Untitled I wish I could see more softness within myself most of the time, as though in limbo, I feel caught between an iceberg and a desert. Elizabeet, from the series Rich and Poor1982
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Untitled Look at me.I have nothing to hide I'm fuckin lonely insecure I'm stuck in this hotel I need a drink to forget to make me feel secure William H. '82, from the series Rich and Poor1982
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Watching Oprah2004 · San Francisco Museum of Modern Art
Untitled This picture says that we are a very emotional tight family, like the three musketteers. Poverty sucks, but it brings us closer together. Linda Benko, from the series Rich and Poor1982
12Untitled I love the picture I am a homosexual maybe if I send one of the pictures you gave to me jim to my nephew he will understand how hard his uncle is struggling Ferdinand Monette, from the series Rich and Poor1982
13Untitled Its kind of stinky living in this hotel I dont have nothing only 10 I keep waiting for someone to come in my door and give me money but nobody ever will. Joe Peterson, from the series Rich and Poor1982
14Untitled I wish I could see more softness within myself most of the time, as though in limbo, I feel caught between an iceberg and a desert. Elizabeet, from the series Rich and Poor1982
15Untitled Look at me.I have nothing to hide I'm fuckin lonely insecure I'm stuck in this hotel I need a drink to forget to make me feel secure William H. '82, from the series Rich and Poor1982
16Watching Oprah2004 · San Francisco Museum of Modern Art
I soggetti che hanno catturato lo sguardo di Jim Goldberg
I quattro soggetti che ricorrono più spesso in questi originali, ognuno con il suo esempio più raffinato.
Family portrait 2 opere
#5 Untitled When I look at this picture I feel alone it makes me want to reach out to Patty and make our relationship work. Cowboy Stanley, from the series Rich and Poor
#11 Untitled This picture says that we are a very emotional tight family, like the three musketteers. Poverty sucks, but it brings us closer together. Linda Benko, from the series Rich and Poor
American life 2 opere
#5 Untitled When I look at this picture I feel alone it makes me want to reach out to Patty and make our relationship work. Cowboy Stanley, from the series Rich and Poor
#11 Untitled This picture says that we are a very emotional tight family, like the three musketteers. Poverty sucks, but it brings us closer together. Linda Benko, from the series Rich and Poor
Poverty 2 opere
#5 Untitled When I look at this picture I feel alone it makes me want to reach out to Patty and make our relationship work. Cowboy Stanley, from the series Rich and Poor
#11 Untitled This picture says that we are a very emotional tight family, like the three musketteers. Poverty sucks, but it brings us closer together. Linda Benko, from the series Rich and Poor
Intimacy 2 opere
#12 Untitled I love the picture I am a homosexual maybe if I send one of the pictures you gave to me jim to my nephew he will understand how hard his uncle is struggling Ferdinand Monette, from the series Rich and Poor
#5 Untitled When I look at this picture I feel alone it makes me want to reach out to Patty and make our relationship work. Cowboy Stanley, from the series Rich and Poor
I musei che conservano gli originali di Jim Goldberg
Il museo che custodisce la maggior parte dei dipinti presenti in questa pagina.
| Musei | Città | Opere di Jim Goldberg | Dipinti di questo elenco |
|---|---|---|---|
 San Francisco Museum of Modern Art |
San Francisco | 1 | Watching Oprah |
Jim Goldberg, i dipinti iconici di ogni anno
25 anni dell'arte di Jim Goldberg, da 1980 a 2004: la galleria li segue anno dopo anno, attraverso i loro originali più famosi.
Opere per anno
Scegli un anno per vedere gli originali.
1982
#3 Untitled What I really want is a real home with nice furniture, also a van to drive. I also would like to give my son what I didn't get in life. Which includes love. Sharon D. Butts, from the series Rich and Poor
#4 Untitled I am going to build an empire. Clyde Norbert, from the series Rich and Poor
#5 Untitled When I look at this picture I feel alone it makes me want to reach out to Patty and make our relationship work. Cowboy Stanley, from the series Rich and Poor
#6 Untitled We are a contemporary family. We don't want to be part of the masses. We want to live with style Jo Ann Roberts, from the series Rich and Poor
#7 Untitled I love David. But he is to fragile for a rough father like me Larry J Benbo, from the series Rich and Poor
#8 Untitled Me and Bobby been together for two weeks and we're still happy Susie in 54, from the series Rich and Poor
#9 Untitled To me life seems so messed up but lilttel by lilttel i amtrying to over come that. Because it is hard being a women and to accept me as i am. T.J., from the series Rich and Poor
#10 Untitled I wish that Stanley and I could like each other when we are together but we don't. Patty Braun, from the series Rich and Poor
#11 Untitled This picture says that we are a very emotional tight family, like the three musketteers. Poverty sucks, but it brings us closer together. Linda Benko, from the series Rich and Poor
#12 Untitled I love the picture I am a homosexual maybe if I send one of the pictures you gave to me jim to my nephew he will understand how hard his uncle is struggling Ferdinand Monette, from the series Rich and Poor
#13 Untitled Its kind of stinky living in this hotel I dont have nothing only 10 I keep waiting for someone to come in my door and give me money but nobody ever will. Joe Peterson, from the series Rich and Poor
#14 Untitled I wish I could see more softness within myself most of the time, as though in limbo, I feel caught between an iceberg and a desert. Elizabeet, from the series Rich and Poor
#15 Untitled Look at me.I have nothing to hide I'm fuckin lonely insecure I'm stuck in this hotel I need a drink to forget to make me feel secure William H. '82, from the series Rich and Poor
Untitled My family is O.K. I think Im stupid I always do somethingwrong Lonnie Lynch Lonnie Me Moom Wayne This is my family I love them I like moms drezz the Hotel is rotten I want to move, from the series Rich and Poor
Età 29
14 opere quest'anno
Altro da 1982
#3 Untitled What I really want is a real home with nice furniture, also a van to drive. I also would like to give my son what I didn't get in life. Which includes love. Sharon D. Butts, from the series Rich and Poor
#4 Untitled I am going to build an empire. Clyde Norbert, from the series Rich and Poor
#5 Untitled When I look at this picture I feel alone it makes me want to reach out to Patty and make our relationship work. Cowboy Stanley, from the series Rich and Poor
#6 Untitled We are a contemporary family. We don't want to be part of the masses. We want to live with style Jo Ann Roberts, from the series Rich and Poor
#7 Untitled I love David. But he is to fragile for a rough father like me Larry J Benbo, from the series Rich and Poor
#8 Untitled Me and Bobby been together for two weeks and we're still happy Susie in 54, from the series Rich and Poor
#9 Untitled To me life seems so messed up but lilttel by lilttel i amtrying to over come that. Because it is hard being a women and to accept me as i am. T.J., from the series Rich and Poor
#10 Untitled I wish that Stanley and I could like each other when we are together but we don't. Patty Braun, from the series Rich and Poor
#11 Untitled This picture says that we are a very emotional tight family, like the three musketteers. Poverty sucks, but it brings us closer together. Linda Benko, from the series Rich and Poor
#12 Untitled I love the picture I am a homosexual maybe if I send one of the pictures you gave to me jim to my nephew he will understand how hard his uncle is struggling Ferdinand Monette, from the series Rich and Poor
#13 Untitled Its kind of stinky living in this hotel I dont have nothing only 10 I keep waiting for someone to come in my door and give me money but nobody ever will. Joe Peterson, from the series Rich and Poor
#14 Untitled I wish I could see more softness within myself most of the time, as though in limbo, I feel caught between an iceberg and a desert. Elizabeet, from the series Rich and Poor
#15 Untitled Look at me.I have nothing to hide I'm fuckin lonely insecure I'm stuck in this hotel I need a drink to forget to make me feel secure William H. '82, from the series Rich and Poor
I dipinti di Jim Goldberg: le risposte della galleria
Quale dipinto di Jim Goldberg è il più famoso di tutti?Scopri la risposta
Untitled We are allways very affectionate together Mary. My mom looks pretty I look scared Wayne, from the series Rich and Poor (1980). Seguono Untitled My family is O.K. I think Im stupid I always do somethingwrong Lonnie Lynch Lonnie Me Moom Wayne This is my family I love them I like moms drezz the Hotel is rotten I want to move, from the series Rich and Poor (1982) e Untitled What I really want is a real home with nice furniture, also a van to drive. I also would like to give my son what I didn't get in life. Which includes love. Sharon D. Butts, from the series Rich and Poor (1982).
Che età aveva Jim Goldberg quando ha completato Untitled We are allways very affectionate together Mary. My mom looks pretty I look scared Wayne, from the series Rich and Poor?Scopri la risposta
27 anni: Untitled We are allways very affectionate together Mary. My mom looks pretty I look scared Wayne, from the series Rich and Poor risale al 1980, e Jim Goldberg è nato/a nel 1953.
Quali sono i 10 dipinti più famosi di Jim Goldberg?Scopri la risposta
Untitled We are allways very affectionate together Mary. My mom looks pretty I look scared Wayne, from the series Rich and Poor, Untitled My family is O.K. I think Im stupid I always do somethingwrong Lonnie Lynch Lonnie Me Moom Wayne This is my family I love them I like moms drezz the Hotel is rotten I want to move, from the series Rich and Poor, Untitled What I really want is a real home with nice furniture, also a van to drive. I also would like to give my son what I didn't get in life. Which includes love. Sharon D. Butts, from the series Rich and Poor, Untitled I am going to build an empire. Clyde Norbert, from the series Rich and Poor, Untitled When I look at this picture I feel alone it makes me want to reach out to Patty and make our relationship work. Cowboy Stanley, from the series Rich and Poor, Untitled We are a contemporary family. We don't want to be part of the masses. We want to live with style Jo Ann Roberts, from the series Rich and Poor, Untitled I love David. But he is to fragile for a rough father like me Larry J Benbo, from the series Rich and Poor, Untitled Me and Bobby been together for two weeks and we're still happy Susie in 54, from the series Rich and Poor, Untitled To me life seems so messed up but lilttel by lilttel i amtrying to over come that. Because it is hard being a women and to accept me as i am. T.J., from the series Rich and Poor e Untitled I wish that Stanley and I could like each other when we are together but we don't. Patty Braun, from the series Rich and Poor. La classifica sopra riporta l'anno e il museo di ciascuna opera.
Quante opere ha creato Jim Goldberg?Scopri la risposta
Il nostro catalogo comprende 16 opere di Jim Goldberg, datate da 1980 a 2004.
Dove sono esposti gli originali più famosi di Jim Goldberg?Scopri la risposta
Principalmente in San Francisco Museum of Modern Art (San Francisco). La tabella dei musei sopra li elenca tutti.
Quando ha realizzato i suoi dipinti più famosi Jim Goldberg?Scopri la risposta
In 1982: 14 delle 16 opere in questa pagina sono state realizzate in quel periodo, tra cui Untitled My family is O.K. I think Im stupid I always do somethingwrong Lonnie Lynch Lonnie Me Moom Wayne This is my family I love them I like moms drezz the Hotel is rotten I want to move, from the series Rich and Poor.
Quali sono le prime e le ultime opere celebri di Jim Goldberg?Scopri la risposta
In questa pagina, il più antico risale al Untitled We are allways very affectionate together Mary. My mom looks pretty I look scared Wayne, from the series Rich and Poor (1980) e il più recente al Watching Oprah (2004).
Quali soggetti ha trattato più spesso Jim Goldberg?Scopri la risposta
Family portrait (2), American life (2) e Poverty (2), tra le 16 opere in questa pagina.
A quale movimento è associato Jim Goldberg?Scopri la risposta
Documentary photography, a giudicare dagli originali presenti in questa pagina.
Jim Goldberg: l'artista
L'obiettivo dell'empatia: il mondo visionario di Jim Goldberg
Nel vasto panorama della fotografia contemporanea, pochi artisti possiedendo la profonda capacità di colmare l'abisso tra l'osservatore e l'osservato con la stessa intimità di Jim Goldberg. Nato nel 1953 a New Haven, Connecticut, Goldberg ha trascorso la sua carriera trascendendo i confini tradizionali della fotografia documentaria, andando oltre la semplice documentazione verso una forma di narrazione sociale profondamente collaborativa. La sua opera non si limita a guardare le persone; le ascolta. Intrecciando l'immagine visiva con le testimonianze grezze e scritte a mano dei suoi soggetti, Goldberg crea una narrazione multidimensionale che cattura l'essenza stessa della vulnerabilità, della resilienza e dell'identità umana.
Il percorso artistico di Goldberg affonda le radici in un impegno verso coloro che vivono ai margini della società: gli emarginati, i trascurati e gli invisibili. Gli anni formativi e i successivi studi presso il San Francisco Art Institute, dove ha studiato sotto la guida del fotografo dalla visione concettuale Larry Sultan, gli hanno fornito il rigore tecnico e il quadro intellettuale necessari per affrontare temi sociali complessi. Tuttavia, è stata la sua evoluzione verso una metodologia più partecipativa a definire definitivamente la sua eredità. Ha sviluppato uno stile spesso descritto come cinema sociale, in cui la fotografia funge da palcoscenico per un dialogo molto più ampio e complesso tra il fotografo e la comunità.
Un'eredità di narrazioni collaborative
La pietra miliare della monumentale carriera di Goldberg è il suo approccio rivoluzionario alla serie fotografica, evidente soprattutto nella sua opera seminale, Rich and Poor (1985). In questo ambizioso progetto, Goldberg utilizzò una fotocamera Rolleiflex per documentare le realtà drasticamente diverse delle famiglie di Los Angeles. Ciò che ha trasformato questo progetto da un documentario standard in un capolavoro di impegno sociale è stata l'invito rivolto ai soggetti a scrivere i propri commenti direttamente sulle stampe. Questa fusione tra immagine e testo ha permesso alle voci dei poveri e degli abbienti di risuonare con pari peso, rivelando verità profonde sulla classe sociale, il potere e la condizione umana.
Questo spirito di collaborazione è proseguito attraverso altre opere fondamentali che hanno segnato la traiettoria dell'arte documentaria moderna:
- Raised by Wolves (1995): Un'esplorazione di una bellezza struggente dei bambini di strada a San Francisco e Los Angeles, in cui Goldberg ha integrato disegni, lettere e fotografie di famiglia per ricostruire le vite frammentate di giovani che affrontano l'abbandono e l'abuso.
- Open See (2009): Parte del suo progetto "New Europeans", quest'opera esamina l'esperienza dell'immigrazione in Europa, catturando la tensione tra l'abbandono di una patria devastata dalla guerra e il tentativo di forgiare una nuova identità in un paesaggio sconosciuto.
- Nursing Home and Hospice: Progetti che scavano nelle transizioni silenziose e spesso ignorate della vita, conferendo dignità e visibilità agli anziani e a chi affronta la fine della propria esistenza.
Riconoscimenti e importanza storica
L'impatente dell'opera di Goldberg si estende ben oltre le pareti delle gallerie, influenzando il modo in cui percepiamo l'etica della rappresentazione nella fotografia. La sua capacità di restituire dignità e voce ai suoi soggetti gli ha fatto guadagnare alcuni dei più alti onori nel mondo fotografico. Membro della prestigiosa agenzia Magnum Photos dal 2002, Goldberg è stato destinatario di tre National Endowment for the Arts Fellowships, una borsa di studio Guggenheim, il premio Henri Cartier-Bresson e il Deutsche Börse Photography Prize. Questi riconoscimenti sottolineano il suo ruolo non solo di fotografo, ma di vitale storico dello spirito umano.
Oggi, Jim Goldberg è Professore Emerito presso il California College of the Arts, continuando a ispirare nuove generazioni di narratori visivi. La sua importanza storica risiede nel rifiuto di mantenere quella distanza "oggettiva" spesso richiesta dal giornalismo tradizionale. Al contrario, ha promosso una verità più radicale ed empatica: una verità che riconosce come per vedere davvero un'altra persona, sia necessario essere disposti ad ascoltare la sua storia e a condividere le sue lotte. Attraverso il suo obiettivo, i margini della società diventano il centro di un dramma umano profondo e universale.