Aggiornato Novembre 2026 · classificato in base al nostro punteggio di popolarità (ricerche, visite e ordini per ogni opera) · 31 opere di Charles Phillips nel nostro catalogo
In breve
Tra tutti gli originali lasciati da Charles Phillips, il più famoso è Frederick, Prince of Wales (1707-51) (1737), nella collezione del Hampton Court Palace, Londra. Subito dopo troviamo Frederick, Prince of Wales, with the Members of the 'La Table Ronde' (1732) e Frederick, Prince of Wales (1731). Il nostro catalogo contiene 31 opere di Charles Phillips; la galleria ha conservato le 31 che il mondo ammira di più, ognuna presentata con la sua data, il suo museo e la sua storia.
The Prince stands centrally in this full-length portrait, his posture commanding the space with a quiet, heavy dignity. He faces the viewer directly, though his body is turned slightly to the right, creating a sense of poised readiness. The light catches the high cheekbones of his face and the soft, powdered texture of his hair, pulling him forward from a dark, atmospheric background of muted greens and browns. Every detail…
Augusta, Princess of Wales (1719-1772)1737 · Hampton Court Palace
12
HRH Frederick Lewis (1707–1751), Prince of Wales1737 · La Biblioteca e il Museo di Massoneria
13
William Coventry, 5th Earl of Coventry (c. 1676-1751), Elizabeth Allenm Countess of Coventry (d. 1738), the Hon. E.D. Coventry, Thomas Henry Coventry, Viscount Deerhurst (1721-1744) and John Bulkeley1730
14
The Strong Family1732 · Metropolitan Museum of Art
15
Outdoor Conversation Piece of Thomas Hill (Harwood) (1693–1782), and His First Family1730 · Attingham Park
16
John Harvey Thursby (1709–1764), of Abington Abbey1737
17
Conversation Piece of the Warren Family1734 · Casa del Paese dei Bambini di Sudbury
18
Honor Thursby (1713–1781), Wife of John Thursby1737
19
Admiral Edward 'Grog' Vernon (1684–1757)1743 · Casa del Paese dei Bambini di Sudbury
20
John Brewster the Younger (1722–1804)1737
21
Augusta of Saxe Gotha, Princess of Wales1736 · National Portrait Gallery
22
William Gylby1740 · Lincoln Guildhall
23
Admiral Edward Vernon (1684–1757)1743 · Museo Nazionale Marittimo
24
William Warburton1737 · National Portrait Gallery
25
Portrait of an Unknown Eighteenth Century Gentleman (presented as George Frideric Handel)1740 · Royal Academy of Music
26
George II (1683–1760), in the Library of St James's Palace1750
27
Thomas Becke (1690–1757)Usher Gallery
28
The Russell and Revett Families with Fishing Rods and GameChequers Court
29
Thomas Wilson (1663–1755), DD, Bishop of Sodor and Man (1698–1755)Manx Museum
30
Edward Vernon (1684–1757), AdmiralCollezione d'Arte del Governo
31
‘Syllabub straight from the Cow’ (The Russell and Revett Families in a Landscape)Chequers Court
I quattro soggetti che ricorrono più spesso in questi originali, ognuno con il suo esempio più raffinato.
I 8 musei che ospitano la maggior parte dei dipinti presenti in questa pagina.
| Musei | Città | Opere di Charles Phillips | Dipinti di questo elenco |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 3 | Frederick, Prince of Wales, Tea Party at Lord Harrington's House, St. James', The Watson-Wentworth and Finch Familie |
 Hampton Court Palace |
Londra | 2 | Frederick, Prince of Wales (1707-51), Augusta, Princess of Wales (1719-1772) |
 National Gallery of Ireland |
Dublino | 2 | Portrait of Mrs Thomas Congreve (née Anna Catherine Handasyde), Portrait of Thomas Congreve (1714-1777) |
 Casa del Paese dei Bambini di Sudbury |
Ashbourne | 2 | Conversation Piece of the Warren Family, Admiral Edward 'Grog' Vernon (1684–1757) |
 National Portrait Gallery |
Londra | 2 | Augusta of Saxe Gotha, Princess of Wales, William Warburton |
 Chequers Court |
Aylesbury | 2 | The Russell and Revett Families with Fishing Rods and Game, ‘Syllabub straight from the Cow’ (The Russell and Revett Families in a Landscape) |
 Royal Collection |
Londra | 1 | Frederick, Prince of Wales, with the Members of the 'La Table Ronde' |
 National Trust |
Clevedon | 1 | Sir Abraham Elton (1703–1761), 3rd Bt |
La selezione copre l'opera di Charles Phillips nell'arco di 14 anni, da 1730 a 1743, conservando i migliori originali di ogni anno.
Scegli un anno per vedere gli originali.
Altro da 1730
#7 The Cromwell and Thornhill Families Taking Tea
#13 William Coventry, 5th Earl of Coventry (c. 1676-1751), Elizabeth Allenm Countess of Coventry (d. 1738), the Hon. E.D. Coventry, Thomas Henry Coventry, Viscount Deerhurst (1721-1744) and John Bulkeley
#15 Outdoor Conversation Piece of Thomas Hill (Harwood) (1693–1782), and His First Family
The Prince stands centrally in this full-length portrait, his posture commanding the space with a quiet, heavy dignity. He faces the viewer directly, though his body is turned slightly to the right, creating a sense of poised readiness. The light catches the high cheekbones of his face and the soft, powdered texture of his hair, pulling him forward from a dark, atmospheric background of muted greens and browns. Every detail…
Altro da 1737
Altro da 1739
Frederick, Prince of Wales (1707-51) (1737), Hampton Court Palace, Londra. Seguono Frederick, Prince of Wales, with the Members of the 'La Table Ronde' (1732) e Frederick, Prince of Wales (1731).
29 anni: Frederick, Prince of Wales (1707-51) risale al 1737, e Charles Phillips è nato/a nel 1708.
Frederick, Prince of Wales (1707-51), Frederick, Prince of Wales, with the Members of the 'La Table Ronde', Frederick, Prince of Wales, Tea Party at Lord Harrington's House, St. James', The Watson-Wentworth and Finch Familie, Sir Abraham Elton (1703–1761), 3rd Bt, The Cromwell and Thornhill Families Taking Tea, Lady Elizabeth ('Betty') Berkeley (1680–1769), Lady Germain, Portrait of Mrs Thomas Congreve (née Anna Catherine Handasyde) e Portrait of Thomas Congreve (1714-1777). La classifica sopra riporta l'anno e il museo di ciascuna opera.
Il nostro catalogo comprende 31 opere di Charles Phillips, datate da 1730 a 1743.
Principalmente in Yale Center for British Art (New Haven), Hampton Court Palace (Londra) e National Gallery of Ireland (Dublino). La tabella dei musei sopra li elenca tutti.
In 1737: 7 delle 31 opere in questa pagina sono state realizzate in quel periodo, tra cui Frederick, Prince of Wales (1707-51).
In questa pagina, il più antico risale al Tea Party at Lord Harrington's House, St. James' (1730) e il più recente al Admiral Edward 'Grog' Vernon (1684–1757) (1743).
18th century (6), Portraiture (5) e Aristocracy (2), tra le 31 opere in questa pagina.
Neoclassicism e Rococo, a giudicare dagli originali presenti in questa pagina.
Frederick, Prince of Wales, Tea Party at Lord Harrington's House, St. James' e The Watson-Wentworth and Finch Familie: il Yale Center for British Art, New Haven custodisce 3 delle opere presenti in questa pagina.
Charles Philips, a celebrated english artist of the eighteenth century, emerged around 1703 in london, inheriting his father richard philips’s profession as a portraitist. This familial connection undoubtedly instilled within him an early appreciation for visual representation and artistic skill.
Philips' formative years were marked by diligent study and experimentation with various techniques, primarily focused on producing small portraits and conversation pieces—a popular genre amongst the aristocratic elite of his time. These initial endeavors quickly garnered recognition and acclaim, establishing him as a rising talent within london’s art scene.
A particularly noteworthy commission arrived in 1732: a portrait for the duchess of portland and the duke of somerset. This artwork, now housed in a private collection (view similar artworks at /it/art/show/art-d3cl2x-it/ - "a journey through art history with OriginalUniqueArt’s extensive collection"), exemplifies philips' mastery of chiaroscuro—the dramatic interplay of light and shadow—a technique favored by baroque painters.
Philips’s artistic reputation soared further in 1737 when he undertook the monumental task of painting the prince and princess of wales—a commission that cemented his position as one of the era’s most sought-after portraitists.
These canvases showcased philips' exceptional draughtsmanship and compositional prowess, capturing the regal dignity and solemn beauty of the royal couple with remarkable precision. The resulting portraits are now treasured possessions of buckingham palace—a testament to philips’s enduring influence on british art.
Despite his tragically brief life – he passed away in london in 1747 – charles philips left an indelible mark on the artistic landscape of his time. His work served as inspiration for subsequent generations of painters, who adopted similar stylistic approaches and embraced the expressive power of chiaroscuro.
Philips’s contribution to portraiture is particularly significant because he skillfully blended elements of baroque grandeur with neoclassical restraint—a hallmark of the period's artistic evolution. He demonstrated a profound understanding of how light could convey emotion and create visual drama, establishing himself as a pioneer in manipulating tonal values for expressive purposes.
- Baptized in the combined parish of st mildred, poultry with st mary colechurch.
- Married to mary francis in 1737.
- Notable patrons include the royal family and noble figures.
Explore more about charles philips' life and works at https://OriginalUniqueArt.com/@/charles philips (view his artworks, including "the strong family" and "la table ronde"). Discover the broader context of 18th-century art at OriginalUniqueArt's collection: /it/art/show/art-d3cl2x-it/
conclusion charles philips, though his career was cut short, nonetheless achieved considerable renown for his artistic accomplishments and established himself as a pivotal figure in the history of british portraiture.
