periodo

movimento

1. Girls Amid Plants — Raphael Kirchner
2. Smoking Women — Raphael Kirchner, 1904
3. Deadly Sins — Raphael Kirchner
4. Smoking Women — Raphael Kirchner, 1904
5. Lulu — Raphael Kirchner
6. Girls with purple surrounds — Raphael Kirchner, 1900
7. Girls with flowers at feet — Raphael Kirchner, 1902
8. Powder of Ris — Raphael Kirchner, 1911
9. Deadly Sins — Raphael Kirchner
10. A half of a Virgin — Raphael Kirchner, 1901
11. Deadly Sins — Raphael Kirchner

atmosfera

temi

1. Smoking Women — Raphael Kirchner, 1904
2. Smoking Women — Raphael Kirchner, 1904
3. A half of a Virgin — Raphael Kirchner, 1901
4. Girls Amid Plants — Raphael Kirchner
5. Girls with flowers at feet — Raphael Kirchner, 1902
6. Tre donne alla fontana (studio) — Pablo Picasso, 1921

parole chiave

tono

colore principale

1. Girls with flowers at feet — Raphael Kirchner, 1902
2. Quattro Donne Bretoni (conosciute anche come Donne Bretoni che Parlano) — eugène henri paul gauguin, 1886
3. Smoking Women — Raphael Kirchner, 1904
4. Smoking Women — Raphael Kirchner, 1904
5. Anger — Raphael Kirchner
6. Powder of Ris — Raphael Kirchner, 1911
7. Tre donne alla fontana (studio) — Pablo Picasso, 1921
8. Vecchie donne ad Arles (anche conosciuta come Donne da Arles nei giardini pubblici, Il Mistral) — eugène henri paul gauguin, 1888
9. Deadly Sins — Raphael Kirchner
10. A half of a Virgin — Raphael Kirchner, 1901
11. Due donne nude — Pablo Picasso, 1920
12. Deadly Sins — Raphael Kirchner
13. Lulu — Raphael Kirchner
14. Study Of Russian Village Women — philip william may
15. Girls with purple surrounds — Raphael Kirchner, 1900
16. Deadly Sins — Raphael Kirchner

altro

1. Donne che si appoggiano su una ringhiera — hilaire-germain-edgar degas
2. Giovani donne che si riposano in un campo — hilaire-germain-edgar degas, 1882
3. Tre donne alla fontana (studio) — Pablo Picasso, 1921
4. Cantante verde — hilaire-germain-edgar degas
5. The Mirror — Helen Hyde, 1904
6. Tre Donne alle Corse — hilaire-germain-edgar degas, 1885
7. Lucent View (Original Pastel for Print) — arthur werger, 1986