periodo

movimento

1. Aleksander Jagiellonczyk — Jan Matejko
2. La Libertà guida il popolo — Eugène Delacroix, 1831
3. King Stefan Batory — Jan Matejko
4. Jan Olbracht — Jan Matejko
5. Boleslaw the Bold — Jan Matejko
6. Libertà che guida il popolo (dettaglio) — Eugène Delacroix, 1830
7. Leszek I the White — Jan Matejko
8. Boleslaw V the Chaste — Jan Matejko
9. Wladyslaw the Short — Jan Matejko
10. Sigismund II August — Jan Matejko
11. Paesaggio Serale con Due Uomini — Caspar David Friedrich, 1830
12. Augustus II the Strong — Jan Matejko

atmosfera

temi

1. Aleksander Jagiellonczyk — Jan Matejko
2. Boleslaw the Bold — Jan Matejko
3. Boleslaw V the Chaste — Jan Matejko
4. Sigismund II August — Jan Matejko
5. Augustus II the Strong — Jan Matejko
6. King Stefan Batory — Jan Matejko
7. Leszek I the White — Jan Matejko
8. Wladyslaw the Short — Jan Matejko

parole chiave

tono

colore principale

1. Boleslaw V the Chaste — Jan Matejko
2. Augustus II the Strong — Jan Matejko
3. Jan Olbracht — Jan Matejko
4. Lodiamo ora gli uomini famosi — Walker Evans, 1936
5. People Walking in Eindhoven — vincent willem van gogh, 1885
6. Leszek I the White — Jan Matejko
7. Wladyslaw the Short — Jan Matejko
8. Sigismund II August — Jan Matejko
9. King Stefan Batory — Jan Matejko
10. Let Us Now Praise Famous Men — Walker Evans, 1936
11. La Libertà guida il popolo — Eugène Delacroix, 1831
12. Let Us Now Praise Famous Men (Famiglia Rauschenberg) — Andy Warhol, 1962
13. Paesaggio Serale con Due Uomini — Caspar David Friedrich, 1830
14. Let Us Now Praise Famous Men — Walker Evans, 1936
15. Boleslaw the Bold — Jan Matejko
16. Portrait of Frederick Hendrick — Willem Jacobsz Delff, 1623
17. Due uomini in riva al mare — Caspar David Friedrich, 1817
18. Famous Men of Antiquity — Pietro Perugino, 1497
19. The Three Wise Men (also known as Halt of the Wise Men) — John La Farge, 1878
20. Let Us Now Praise Famous Men — Walker Evans, 1936
21. Man Making an Obscene Gesture — Godfried Schalcken

altro

1. Matthias Grünewald in his Youth — Joachim von Sandrart, 1675