William Sidney Mount portréja

A 76 legnevezesebb William Sidney Mount festmény, egy galériaválaszték

Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 78 mű William Sidney Mount alkotása a katalógusunkban

Röviden

William Sidney Mount hagyatékából a leghíresebb alkotás Loss and Gain (1848), amely a Stony Brook városi Museums at Stony Brook gyűjteményében található. Röviddel ezután követik őket School Boys Quarreling (1830) és Bar-room Scene (1835). Katalógusunkban 78 mű található William Sidney Mount alkotótól; a galéria megőrizte a világ által leginkább csodált 76 darabot, melyeket a dátummal, a múzeummal és a történetükkel együtt mutatunk be.

1807 – 1868, Long Island Genre painting A legtöbb mű: Museums at Stony Brook

William Sidney Mount legjobb 10 festménye: a galéria válogatása

1
Loss and Gain (1848) (1889) -ja William Sidney Mount

Loss and Gain

1848 · Oil On Canvas · Museums at Stony Brook, Stony Brook

To stand before William Sidney Mount's Loss and Gain is to step across the threshold of time and into a moment suspended by profound thought. This oil on canvas, dating from 1848, does more than merely depict a scene; it invites an intimate dialogue with the viewer regarding the delicate balance of human existence. The composition centers upon an elderly man seated quietly upon a log within the embrace of…

2
School Boys Quarreling (1830) (1889) -ja William Sidney Mount

School Boys Quarreling

1830 · Oil On Canvas · Museums at Stony Brook, Stony Brook

To stand before William Sidney Mount’s School Boys Quarreling is to be instantly transported back to the vibrant, unscripted moments of early nineteenth-century life. This oil on canvas, dating from 1830, is far more than a mere depiction of boys playing; it is a masterful study in human interaction, capturing the raw energy and complex emotional currents that define childhood itself. Mount, celebrated as a pioneer of American genre painting,…

3
Bar-room Scene (1835) (1889) -ja William Sidney Mount

Bar-room Scene

1835 · Oil On Canvas · Art Institute of Chicago, Chicago

Bar-room Scene is an oil on canvas work by William Sidney Mount, executed about 1835. The artist, born in 1807 in Long Island, United States, established himself as a pioneer of American genre painting. His focus remained largely on the rural landscapes and social interactions of his native region.

4
Portrait of Laertes Chapin (1833) (1889) -ja William Sidney Mount

Portrait of Laertes Chapin

1833 · Oil · High Museum of Art, Atlanta

In Portrait of Laertes Chapin, William Sidney Mount employs a vertical bust-length composition to establish a sense of formal dignity. The sitter is positioned slightly off-center, facing forward with a subtle three-quarter turn that provides a sculptural quality to the subject's features. This arrangement directs the viewer's attention toward the interplay of light and shadow across the face and neck.

5
Portrait of Laura Colton Chapin (1833) (1889) -ja William Sidney Mount

Portrait of Laura Colton Chapin

1833 · Oil · High Museum of Art, Atlanta

In the Portrait of Laura Colton Chapin by William Sidney Mount, the subject sits in a quiet three-quarter view, her gaze turned slightly toward the viewer. She is framed by hair styled into intricate, tight ringlets that trace the line of her forehead, all topped by a dark, decorative headpiece. The color palette remains dominated by deep, somber tones. Her dress appears as a heavy, smooth black, which contrasts against…

6
Self Portrait (1832) (1889) -ja William Sidney Mount

Self Portrait

1832 · Oil On Canvas

In this 1832 oil on canvas, the artist William Sidney Mount gazes out from the past, presenting a formal portrait of a young man. The subject looks directly at us, capturing a moment of quiet dignity. This work, titled Self Portrait, offers a rare glimpse into the early years of William Sidney Mount as he establishes his presence through the medium of paint. He presents himself with a sense of…

7
Portrait of Julia Ann Seabury (1846) (1889) -ja William Sidney Mount

Portrait of Julia Ann Seabury

1846 · Oil · Museum of Fine Arts, Houston, Houston

In the Portrait of Julia Ann Seabury by William Sidney Mount, the subject is presented in a bust-length composition. She is positioned slightly off-center, with her gaze directed toward the viewer's right. The color palette is dominated by warm, natural tones, including the creamy white of her chemise, the red of her shawl, and the soft pinks and ochres used for her skin and the surrounding environment. The background consists…

8
Portrait of Maria Seabury (1846) (1889) -ja William Sidney Mount

Portrait of Maria Seabury

1846 · Oil On Canvas · Museum of Fine Arts, Houston, Houston

In the Portrait of Maria Seabury by William Sidney Mount, a young woman is captured in a bust-length view. She sits slightly off-center, her steady gaze meeting the viewer with a quiet dignity. A bright white chemise and a red shawl provide a sharp contrast against the muted tones of the environment. These colors anchor her presence within the frame, separating her from the hazy atmosphere behind her.

A William Sidney Mount válogatás folytatódik: 11 – 76

11Portrait of Hannah Muncy Smith (1852) (1889) -ja William Sidney MountPortrait of Hannah Muncy Smith1852 · Rhode Island School of Design Museum of Art 12Julia Parish Raymond (1851) (1889) -ja William Sidney MountJulia Parish Raymond1851 · Művészeti Múzeum, Boston 13After Dinner (1834) (1889) -ja William Sidney MountAfter Dinner1834 · Yale University Art Gallery 14Martin Euclid Thompson (1830) (1889) -ja William Sidney MountMartin Euclid Thompson1830 · Metropolitan Művészeti Múzeum 15The Painter's Triuimph (also known as Artist Showing His Own Work) (1838) (1889) -ja William Sidney MountThe Painter's Triuimph (also known as Artist Showing His Own Work)1838 · Pennsylvania Academy of Fine Arts 16Dancing on the Barn Floor (1831) (1889) -ja William Sidney MountDancing on the Barn Floor1831 · Museums at Stony Brook 17The Long Story (also known as The Tough Story) (1837) (1889) -ja William Sidney MountThe Long Story (also known as The Tough Story)1837 · National Gallery of Art 18Dance of the Haymakers (1845) (1889) -ja William Sidney MountDance of the Haymakers1845 · Museums at Stony Brook 19The Truant Gamblers (also known as Undutiful Boys) (1835) (1889) -ja William Sidney MountThe Truant Gamblers (also known as Undutiful Boys)1835 · New York Historical Society 20Ringing the Pig (also known as Scene in a Long Island Farm-Yard) (1842) (1889) -ja William Sidney MountRinging the Pig (also known as Scene in a Long Island Farm-Yard)1842 21Saul and the Witch of Endor (1828) (1889) -ja William Sidney MountSaul and the Witch of Endor1828 · Smithsonian American Art Museum 22Farmer Whetting His Sythe (1848) (1889) -ja William Sidney MountFarmer Whetting His Sythe1848 · Museums at Stony Brook 23Catching Rabbits (1839) (1889) -ja William Sidney MountCatching Rabbits1839 · Museums at Stony Brook 24Caught Napping (1848) (1889) -ja William Sidney MountCaught Napping1848 · Brooklyn Museum 25Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene (1852) (1889) -ja William Sidney MountGreat-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene1852 · Metropolitan Művészeti Múzeum 26Crane Neck Across the Marsh (1841) (1889) -ja William Sidney MountCrane Neck Across the Marsh1841 · Museums at Stony Brook 27Gideon Tucker (1830) (1889) -ja William Sidney MountGideon Tucker1830 · Metropolitan Művészeti Múzeum 28Self Portrait With Flute (1828) (1889) -ja William Sidney MountSelf Portrait With Flute1828 29Farmers Nooning (1836) (1889) -ja William Sidney MountFarmers Nooning1836 · Museums at Stony Brook 30Portrait of Reuben Merrill (1832) (1889) -ja William Sidney MountPortrait of Reuben Merrill1832 31Catherine Adele Smith (1846) (1889) -ja William Sidney MountCatherine Adele Smith1846 32The Trap is Sprung (1844) (1889) -ja William Sidney MountThe Trap is Sprung1844 33The Card Players (1847) (1889) -ja William Sidney MountThe Card Players1847 34The Novice (1847) (1889) -ja William Sidney MountThe Novice1847 35Mount’s trompe l’oeil painted music stand (1855) (1889) -ja William Sidney MountMount’s trompe l’oeil painted music stand1855 36Cradle of Harmony Violin (1851) (1889) -ja William Sidney MountCradle of Harmony Violin1851 37Quarter of Twelve (1855) (1889) -ja William Sidney MountQuarter of Twelve1855 38Portrait of William Vickham Mills Smith (1849) (1889) -ja William Sidney MountPortrait of William Vickham Mills Smith1849 · Detroit Institute of Arts 39Setauket Military Band (1855) (1889) -ja William Sidney MountSetauket Military Band1855 40Just in Tune (1849) (1889) -ja William Sidney MountJust in Tune1849 · Museums at Stony Brook 41Cracking Nuts (1856) (1889) -ja William Sidney MountCracking Nuts1856 42Fruit Piece: Apples on Tin Cups (1863) (1889) -ja William Sidney MountFruit Piece: Apples on Tin Cups1863 43The Residence of the Honorable William H. Ludlow (1859) (1889) -ja William Sidney MountThe Residence of the Honorable William H. Ludlow1859 44The Picnic (1856) (1889) -ja William Sidney MountThe Picnic1856 45Spring Bouquet (1857) (1889) -ja William Sidney MountSpring Bouquet1857 46The Banjo Player (1856) (1889) -ja William Sidney MountThe Banjo Player1856 47Thomas Strongs House, Setauket, Long Island (1864) (1889) -ja William Sidney MountThomas Strongs House, Setauket, Long Island1864 48The Bone Player (1856) (1889) -ja William Sidney MountThe Bone Player1856 · Művészeti Múzeum, Boston 49Right and Left (1850) (1889) -ja William Sidney MountRight and Left1850 · Museums at Stony Brook 50Rustic Dance After a Sleigh Ride (1830) (1889) -ja William Sidney MountRustic Dance After a Sleigh Ride1830 · Művészeti Múzeum, Boston 51The Stone Bridge (1843) (1889) -ja William Sidney MountThe Stone Bridge1843 · Thyssen-Bornemisza Múzeum 52Christ Raising the Daughter of Jairus (1828) (1889) -ja William Sidney MountChrist Raising the Daughter of Jairus1828 · Museums at Stony Brook 53Long Island Farmhouses (1862) (1889) -ja William Sidney MountLong Island Farmhouses1862 · Metropolitan Művészeti Múzeum 54The Painter's Triumph (1838) (1889) -ja William Sidney MountThe Painter's Triumph1838 55Courtship (also known as Winding Up) (1836) (1889) -ja William Sidney MountCourtship (also known as Winding Up)1836 · Nelson-Atkins Múzeum 56Coming to the Point (1854) (1889) -ja William Sidney MountComing to the Point1854 57Coming to the Point (1854) (1889) -ja William Sidney MountComing to the Point1854 58Cider Making (1841) (1889) -ja William Sidney MountCider Making1841 · Metropolitan Művészeti Múzeum 59Dregs in the Cup (also known as Fortune Telling) (1838) (1889) -ja William Sidney MountDregs in the Cup (also known as Fortune Telling)1838 60Fair Exchange, No Robbery (1865) (1889) -ja William Sidney MountFair Exchange, No Robbery1865 · Museums at Stony Brook 61Eel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')'' (1845) (1889) -ja William Sidney MountEel Spearing at Setauket (also known as Recolections of Early Days - Fishing Along Shore'')''1845 62Raffling for the Goose (also known as The Raffle) (1837) (1889) -ja William Sidney MountRaffling for the Goose (also known as The Raffle)1837 · Metropolitan Művészeti Múzeum 63The Sportsman's Last Visit (1835) (1889) -ja William Sidney MountThe Sportsman's Last Visit1835 · Museums at Stony Brook 64Long Island Farmer Husking Corn (1833) (1889) -ja William Sidney MountLong Island Farmer Husking Corn1833 · Museums at Stony Brook 65The Fence on the Hill (1889) -ja William Sidney MountThe Fence on the HillMűvészeti Múzeum, Boston 66The Barn by the Pool (1889) -ja William Sidney MountThe Barn by the PoolMűvészeti Múzeum, Boston 67Mrs gideon tucker (1889) -ja William Sidney MountMrs gideon tuckerMetropolitan Művészeti Múzeum 68The raffle (1889) -ja William Sidney MountThe raffleMetropolitan Művészeti Múzeum 69Long island farmhouses (1889) -ja William Sidney MountLong island farmhouses 70Great grand fathers tale of the revolution (1889) -ja William Sidney MountGreat grand fathers tale of the revolution 71Catching Crabs (1889) -ja William Sidney MountCatching Crabs 72Self Portrait (also known as The Artist Sketching) (1889) -ja William Sidney MountSelf Portrait (also known as The Artist Sketching)Harvard Art Museums 73Kitchen in the Mount House, Stony Brook (1889) -ja William Sidney MountKitchen in the Mount House, Stony Brook 74Catching the Tune (1866) (1889) -ja William Sidney MountCatching the Tune1866 · Museums at Stony Brook 75Cider Making (1840) (1889) -ja William Sidney MountCider Making1840 · Metropolitan Művészeti Múzeum 76The Power of Music (1847) (1889) -ja William Sidney MountThe Power of Music1847 · Cleveland Museum of Art

William Sidney Mount híres festményei, korszakonként

A témák, amelyek William Sidney Mount figyelmét meghúzták

A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.

A műemlékek, amelyek William Sidney Mount eredeti műveit őrzik

A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

Múzeum Város William Sidney Mount művei Ebből a listából származó festmények
Museums at Stony Brook, Stony BrookMuseums at Stony Brook Stony Brook 15 Loss and Gain, School Boys Quarreling, Dancing on the Barn Floor
Metropolitan Művészeti Múzeum, New YorkMetropolitan Művészeti Múzeum New York 9 Martin Euclid Thompson, Great-Grand-Father's Tale of the Revolution—A Portrait of Reverend Zachariah Greene, Gideon Tucker
Művészeti Múzeum, Boston, BostonMűvészeti Múzeum, Boston Boston 5 Julia Parish Raymond, The Bone Player, Rustic Dance After a Sleigh Ride
High Museum of Art, AtlantaHigh Museum of Art Atlanta 2 Portrait of Laertes Chapin, Portrait of Laura Colton Chapin
Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 2 Portrait of Julia Ann Seabury, Portrait of Maria Seabury
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 2 The Banjo Player, Portrait of William Vickham Mills Smith
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 1 Bar-room Scene
New Britain Museum of American Art, New BritainNew Britain Museum of American Art New Britain 1 At the Well

William Sidney Mount évtizede folgtva: az eredeti művek, amelyek meghatározzák az egyes korzakot

Művek évtizedenként

Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.

Gyűjtői kérdések William Sidney Mount festményeivel kapcsolatban

Melyik művel a(z) William Sidney Mount a leghíresebb?Fedje fel a választ

Loss and Gain (1848), Museums at Stony Brook, Stony Brook. Ezután School Boys Quarreling (1830) és Bar-room Scene (1835) következik.

Hány éves volt William Sidney Mount, amikor a Loss and Gain készült?Fedje fel a választ

41 éves: Loss and Gain 1848-ből származik, William Sidney Mount pedig 1807-ben született.

Melyek a tíz leghíresebb William Sidney Mount festmény?Fedje fel a választ

Loss and Gain, School Boys Quarreling, Bar-room Scene, Portrait of Laertes Chapin, Portrait of Laura Colton Chapin, Self Portrait, Portrait of Julia Ann Seabury, Portrait of Maria Seabury, At the Well és The Banjo Player. A fenti rangsor a művek évszamarát és a múzeumát jelzi.

Hány festményet hagyott hátra William Sidney Mount?Fedje fel a választ

Katalógusunkban 78 mű található William Sidney Mount alkotótól, 1828 és 1866 év közötti időszakból.

Mely múzeumokban állnak William Sidney Mount remekművei?Fedje fel a választ

Leginkább Museums at Stony Brook (Stony Brook), Metropolitan Művészeti Múzeum (New York) és Művészeti Múzeum, Boston (Boston) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.

Mely években festette William Sidney Mount leghíresebb műveit?Fedje fel a választ

1830s alatt: a jelen laphonon található 76 műből 22 készült ebben az időszakban, köztük School Boys Quarreling.

Mikszétek az első és az utolsó híres eredeti műve a(z) William Sidney Mount alkotótól?Fedje fel a választ

Ezen az oldalon a leghitelesebb Saul and the Witch of Endor (1828), a legutóbbi pedig Catching the Tune (1866).

Milyen témaköröket választott leggyakrabban William Sidney Mount?Fedje fel a választ

American art (9), Rural life (9) és 19th century (6), a jelen oldalon található 76 műművészeti alkotás között.

Melyik technikát alkalmazta leggyakrabban William Sidney Mount?Fedje fel a választ

Oil On Canvas, a jelen oldalon található 76 műből 28 darab esetén.

Mely művészeti irányba tartozik William Sidney Mount?Fedje fel a választ

Genre painting, ezen az oldalon található eredetiek alapján.

Mely William Sidney Mount művei láthatóak a Museums at Stony Brook kiállتításán?Fedje fel a választ

Loss and Gain, School Boys Quarreling és Dancing on the Barn Floor: a Museums at Stony Brook, Stony Brook 15 művet őrzi ezen az oldalon.

William Sidney Mount: életmű és életút

A Pioneer of American Genre Painting

William Sidney Mount, born November 26, 1807, in the quiet hamlet of Setauket, Long Island, emerged as a pivotal figure in the development of distinctly American art. He wasn’t drawn to the grand historical narratives or formal portraiture championed by many of his contemporaries; instead, Mount turned his keen eye toward the everyday lives unfolding around him – the farmers, musicians, and ordinary folk who populated the rural landscapes of 19th-century Long Island. This dedication to depicting scenes of common life established him as a pioneer of genre painting in America, a style that celebrated the dignity and inherent beauty found within the mundane. His artistic journey was deeply rooted in his upbringing; his father operated a bustling farm, store, and tavern, while his uncle Micah Hawkins was a man of varied talents – a composer, playwright, mimic, and poet – fostering an environment rich with both artistic expression and observation of human character.

Early Training and Artistic Awakening

Mount’s initial foray into the art world began not in a formal academy but through an apprenticeship with his older brother, Henry Smith Mount, a sign painter in New York City. This practical training honed his skills in draftsmanship and painting technique, providing a solid foundation for future endeavors. However, it was a visit to the American Academy of the Fine Arts exhibition in 1825 that truly ignited his artistic passion. Immersed in the works of established artists—particularly Benjamin West and William Hogarth—Mount experienced an awakening, shifting his focus from traditional subjects toward capturing authentic moments from everyday life. He recognized the power of observation and believed that art could illuminate the human condition. This realization spurred him to abandon conventional artistic pursuits and embrace a new path: documenting the realities of American rural existence with unflinching honesty and remarkable sensitivity.

Capturing Rural Life with Realism and Warmth

Mount’s artistic style is characterized by an unwavering realism coupled with a remarkable ability to infuse his scenes with warmth and humor. He didn't idealize rural life; rather, he presented it as it was – full of both labor and leisure, hardship and joy. His attention to detail is meticulous, from the textures of clothing to the expressions on faces, creating a sense of immediacy and authenticity. *The Banjo Player* (1856), one of his early successes, exemplifies this approach; it’s a captivating portrait of an African American musician, capturing not only his physical appearance but also his soulful gaze and posture—a testament to Mount's profound understanding of human psychology. Later works like *Dancing on Barn Floor* (1831) demonstrate not only his technical skill but also a deep empathy for his subjects. He skillfully rendered the lively energy of a rural dance, conveying both the physical exertion and the joyous camaraderie of the participants. Other notable paintings include *The Long Story*, *Right and Left*, and *Loss and Gain*, each offering poignant glimpses into the lives and experiences of ordinary Americans.

Innovation Beyond the Canvas

Mount’s creativity extended beyond painting; he was also an accomplished musician and inventor. He played the fiddle with considerable skill, composing music that reflected his observations of rural life—often incorporating melodies inspired by folk tunes and dances. Demonstrating a remarkable spirit of innovation, Mount constructed a portable studio within a horse-drawn wagon. This mobile workspace allowed him to travel freely throughout Long Island, painting directly from life and capturing spontaneous moments as they unfolded. It was a bold decision that underscored his commitment to artistic authenticity and his desire to engage with the world around him in a visceral way. He believed that art should be informed by experience and that observation—coupled with technical mastery—was essential for conveying truthfulness and beauty.

Legacy and Enduring Influence

William Sidney Mount passed away on November 19, 1868, in his beloved Setauket, leaving behind a rich artistic legacy that continues to resonate today. His pioneering work in genre painting helped establish it as a significant force within the American art landscape, paving the way for future generations of artists who sought to capture the essence of American identity and culture. He is remembered not only for his technical skill and realistic depictions but also for his compassionate portrayal of everyday people—a rare accomplishment at the time—celebrating their lives with dignity and respect. His paintings offer a valuable window into 19th-century American life, reminding us that beauty can be found in the simplest of scenes and gestures. He was truly a chronicler of rural America, an artist who understood the power of art to connect us to our past and to each other.