Portrait of Frédéric Bazille

The 88 Most Famous Frédéric Bazille Paintings, a Gallery Selection

Updated október 2026 · ranked by our popularity score (searches, visits and orders for each work) · 88 works by Frédéric Bazille in our catalogue

In short

Of all the originals Frédéric Bazille left, the most famous is Fürgések (Nyári jelenet) (1869), in the collection of the Fogg Art Museum, Cambridge. Close behind it come Családi összejövetel (1867) and The Pink Dress (1864). Our catalog holds 88 works by Frédéric Bazille; the gallery has kept the 88 the world admires most, each shown with its date, its museum and its story.

1841 – 1870, Montpellier Impressionist landscape Most works: Musée Fabre

Frédéric Bazille's top 10 paintings: the gallery's choice

1
Fürgések (Nyári jelenet) (1869) by Frédéric Bazille

Fürgések (Nyári jelenet)

1869 · Olajfestmény vászonon · Fogg Art Museum, Cambridge

Jean Frédéric Bazille és Szomorú Évad Szerelője – Egy Megjegyzés Az Impresszionizmus Virágzásakor A francia művészettörténet egyik legszebb példája Jean Frédéric Bazille 1869-es alkotása, „Szomorú Évad Szerelője” vagy más néven „Bathers (Summer Scene)”. Ez a tájképmás nem csak egy egyszerű természetjelenet, hanem egy igazi művészi kihívás és az impresszionizmus új irányzataira mutató előfutó munka. Bazille, aki még fiatalosan megismerkedett Monet, Renoir és Sisley társaságával, gyorsan elnyerte a párizsi művészek közösségének…

2
Családi összejövetel (1867) by Frédéric Bazille

Családi összejövetel

1867 · Olajfestmény vászonon · Musée d'Orsay, Párizs

Jean Frédéric Bazille 1867-es "Családi Találkozás" című alkotása egy vibráló és részletgazdag jelenet, amely egy szabadtéri társaságot ábrázol. A kép a francia impressionizmus virágzásának időszakában született, amikor is a művész a természet szépségének és a modern élet ritmusának megörökítésére törekedett. Bazille, aki Pierre-Auguste Renoir és Alfred Sisley mellett a kortársak köreiben is ismert volt, egy hatalmas fa árnyékában összegyűlt családtagokat és ismerősöket ábrázol – egy vidám beszélgetés közepén, pihenve, élvezve…

3
The Pink Dress (1864) by Frédéric Bazille

The Pink Dress

1864 · Acrylic On Canvas · Musée d'Orsay, Párizs

Marilyn Monroe’s “Pink Dress,” designed by William Travilla for Howard Hawks’ 1953 film *Gentlemen Prefer Blondes*, transcends mere costume; it embodies an enduring symbol of glamour, ambition, and the seductive allure of Hollywood. The dress itself—a shocking pink silk satin gown adorned with black satin lining and a large bow—represents more than just fabric and embellishments; it encapsulates a pivotal moment in cinematic history and continues to fascinate audiences today.

4
La Toilette (1870) by Frédéric Bazille

La Toilette

1870 · Acrylic On Canvas · Musée Fabre, Montpellier

The Painting's Significance and Context La Toilette, an oil-on-canvas painting by Jean Frédéric Bazille, is a remarkable work of art that showcases the artist's skill in capturing intimate moments. Created in 1869-1870, this painting is one of Bazille's last works before his untimely death in the Franco-Prussian War. Composition and Symbolism The painting depicts three women in a room, with one woman lying on a bed while the other two…

5
Landscape on the Shore of Lez (1870) by Frédéric Bazille

Landscape on the Shore of Lez

1870 · Oil

Landscape on the Shore of Lez is a significant work by Frédéric Bazille, an artist whose life was marked by a brief but intense period of creativity. Born in 1841, Bazille’s career was tragically cut short when he died in 1870. This particular painting, completed in June 1870, represents one of his final artistic statements. It is a large landscape that the artist himself described as an eclogue, a term…

6
The Family Gathering (1867) by Frédéric Bazille

The Family Gathering

1867 · Oil On Canvas · Musée d'Orsay, Párizs

To stand before The Family Gathering is to step directly into a sun-dappled afternoon of pure, unscripted joy. This painting by Jean Frédéric Bazille captures more than just a social assembly; it arrests the very essence of conviviality. One feels the gentle warmth emanating from the canvas, as if the viewer has stumbled upon this private moment in time. The composition is masterfully arranged beneath the generous canopy of a…

10
Portrait of an Unknown Sitter as a Troubadour (1875) by Frédéric Bazille

Portrait of an Unknown Sitter as a Troubadour

1875 · Oil On Canvas · Dallas Múzeumának a művészetek háza, Dallas

In this intimate oil portrait, we find ourselves drawn into a quiet, private moment with a young man. The composition is a close-up, bust-length study that pushes the subject toward the viewer through a dramatic use of chiaroscuro. A deep, nearly black background provides a void from which the sitter emerges, illuminated by a highly directional light source. This light catches the contours of his face, leaving the other side…

The Frédéric Bazille selection continues, 11 to 88

11Petite Italienne chanteuse des rues (1866) by Frédéric BazillePetite Italienne chanteuse des rues1866 · Musée Fabre 12Portrait of Alphonse Tissie (1868) by Frédéric BazillePortrait of Alphonse Tissie1868 · Musée Fabre 13Two Herrings (1867) by Frédéric BazilleTwo Herrings1867 14Mystic marriage of Saint Catherine (1859) by Frédéric BazilleMystic marriage of Saint Catherine1859 15Two Figures in a Railroad Car (1870) by Frédéric BazilleTwo Figures in a Railroad Car1870 · Hood Museum of Art 16Jeune homme nu couché sur l'herbe (1870) by Frédéric BazilleJeune homme nu couché sur l'herbe1870 · Musée Fabre 17Portrait of Pierre-Auguste Renoir, Oil on canv (1867) by Frédéric BazillePortrait of Pierre-Auguste Renoir, Oil on canv1867 18View of the Village (1868) by Frédéric BazilleView of the Village1868 · Musée Fabre 19View of the Village of Castelnau-le-Lez (1868) by Frédéric BazilleView of the Village of Castelnau-le-Lez1868 · Musée Fabre 20Portrait of Renoir (1867) by Frédéric BazillePortrait of Renoir1867 · Musée d'Orsay 21The Studio on the Rue La Condamine (1870) by Frédéric BazilleThe Studio on the Rue La Condamine1870 · Musée d'Orsay 22Portrait of Edmond Maitre (1869) by Frédéric BazillePortrait of Edmond Maitre1869 · National Gallery of Art 23Reclining Nude (1864) by Frédéric BazilleReclining Nude1864 · Musée Fabre 24Fontainebleau forest (1865) by Frédéric BazilleFontainebleau forest1865 · Musée d'Orsay 25Portrait of Edouard Blau (1866) by Frédéric BazillePortrait of Edouard Blau1866 · National Gallery of Art 26Self Portrait (1870) by Frédéric BazilleSelf Portrait1870 27Portrait of a Man (1867) by Frédéric BazillePortrait of a Man1867 28Self-Portrait (1867) by Frédéric BazilleSelf-Portrait1867 · Minneapolis Institute of Art 29The Studio on the Rue de Furstenberg (1865) by Frédéric BazilleThe Studio on the Rue de Furstenberg1865 · Musée Fabre 30Chailly - White Horse Inn (1863) by Frédéric BazilleChailly - White Horse Inn1863 31Study of Trees (1863) by Frédéric BazilleStudy of Trees1863 32Nude Woman from the Back (1864) by Frédéric BazilleNude Woman from the Back1864 33In the Garden (1864) by Frédéric BazilleIn the Garden1864 34Rue de village, Chailly (1865) by Frédéric BazilleRue de village, Chailly1865 · Musée Fabre 35Fleurs (1869) by Frédéric BazilleFleurs1869 · Musée Fabre 36Étude pour une vendange (1868) by Frédéric BazilleÉtude pour une vendange1868 · Musée Fabre 37Étude pour une vendange (1868) by Frédéric BazilleÉtude pour une vendange1868 · Musée Fabre 38Edmond Maître (1869) by Frédéric BazilleEdmond Maître1869 · National Gallery of Art 39Village Street (also known as Chailly) (1865) by Frédéric BazilleVillage Street (also known as Chailly)1865 · Musée Fabre 40The Little Gardener (1867) by Frédéric BazilleThe Little Gardener1867 41Soup Bowl Covers (1864) by Frédéric BazilleSoup Bowl Covers1864 · Musée Fabre 42Louis Auriol Fishing (1870) by Frédéric BazilleLouis Auriol Fishing1870 43The Terrace at Méric (Oleander) (1867) by Frédéric BazilleThe Terrace at Méric (Oleander)1867 · Cincinnati Art Museum 44Seascape: The Beach at Sainte-Adresse (1865) by Frédéric BazilleSeascape: The Beach at Sainte-Adresse1865 · High Museum of Art 45Jean Frederic Bazille's studio at 9 rue de la Condamine, Oil (1870) by Frédéric BazilleJean Frederic Bazille's studio at 9 rue de la Condamine, Oil1870 46The Dog Rita Asleep (1864) by Frédéric BazilleThe Dog Rita Asleep1864 47The Artist's Studio, Rue de la Condamine (1870) by Frédéric BazilleThe Artist's Studio, Rue de la Condamine1870 48Studio of The Rue Visconti (1867) by Frédéric BazilleStudio of The Rue Visconti1867 · Virginia Múzeum Természetrajzi és Művészeti Képtár 49Self-Portrait (1868) by Frédéric BazilleSelf-Portrait1868 50Still Life with Fish (1866) by Frédéric BazilleStill Life with Fish1866 · Detroit Institute of Arts 51Flowers (1868) by Frédéric BazilleFlowers1868 52Study of Flowers (1866) by Frédéric BazilleStudy of Flowers1866 53Portrait d'homme barbu by Frédéric BazillePortrait d'homme barbu 54Grape Picker in a Cap by Frédéric BazilleGrape Picker in a Cap 55Grape Picker in a Cap 1 by Frédéric BazilleGrape Picker in a Cap 1 56Young Woman with Lowered Eyes by Frédéric BazilleYoung Woman with Lowered Eyes 57Family Reunion on the terrace of the Château de Meric by Frédéric BazilleFamily Reunion on the terrace of the Château de Meric 58La robe rose ou Vue de Castelnau le Lez by Frédéric BazilleLa robe rose ou Vue de Castelnau le Lez 59Man with a Pipe by Frédéric BazilleMan with a Pipe 60Réunion de famille by Frédéric BazilleRéunion de famille 61Grape Picker in a Yellow Hat by Frédéric BazilleGrape Picker in a Yellow Hat 62L'AMBULANCE IMPROVISEE by Frédéric BazilleL'AMBULANCE IMPROVISEE 63Queens Gate at Aigues-Mortes (1867) by Frédéric BazilleQueens Gate at Aigues-Mortes1867 · Metropolitan Művészeti Múzeum 64Self Portrait at Saint-Sauveur (1867) by Frédéric BazilleSelf Portrait at Saint-Sauveur1867 · Musée Fabre 65Landscape at Chailly (1865) by Frédéric BazilleLandscape at Chailly1865 · Art Institute of Chicago 66Deux harengs by Frédéric BazilleDeux harengsMusée Fabre 67Self Portrait by Frédéric BazilleSelf Portrait 68The Pink Dress by Frédéric BazilleThe Pink Dress 69Forêt de Fontainebleau by Frédéric BazilleForêt de Fontainebleau 70Toilet (1870) by Frédéric BazilleToilet1870 · Musée Fabre 71The Fisherman with a Net (1868) by Frédéric BazilleThe Fisherman with a Net1868 · Arp Museum Bahnhof Rolandseck 72Summer Scene (Bathers) by Frédéric BazilleSummer Scene (Bathers)Fogg Museum 73The Improvised Field Hospital (also known as Monet after His Accident at the Inn of Chailly) (1865) by Frédéric BazilleThe Improvised Field Hospital (also known as Monet after His Accident at the Inn of Chailly)1865 · Musée d'Orsay 74Negress with Peonies (1870) by Frédéric BazilleNegress with Peonies1870 · Musée Fabre 75Studio in the rue de Furstenberg (1865) by Frédéric BazilleStudio in the rue de Furstenberg1865 · Musée Fabre 76The Banks of the Lez by Frédéric BazilleThe Banks of the LezMinneapolis Institute of Art 77Ruth et Booz (1870) by Frédéric BazilleRuth et Booz1870 · Musée Fabre 78Woman in Moorish Costume (1869) by Frédéric BazilleWoman in Moorish Costume1869 · Norton Simon Múzeum 79Portrait of Auguste Renoir (1867) by Frédéric BazillePortrait of Auguste Renoir1867 · Musée d'Orsay 80Self Portrait with Palette (1865) by Frédéric BazilleSelf Portrait with Palette1865 · Art Institute of Chicago 81The Fortune Teller (1869) by Frédéric BazilleThe Fortune Teller1869 82Portrait of Renoir (1867) by Frédéric BazillePortrait of Renoir1867 · Cleveland Museum of Art 83Edouard Blau (1869) by Frédéric BazilleEdouard Blau1869 · National Gallery of Art 84Fleurs by Frédéric BazilleFleursMusée de Grenoble 85Aigues-Mortes by Frédéric BazilleAigues-MortesMusée Fabre 86The Heron (1867) by Frédéric BazilleThe Heron1867 · Musée Fabre 87The Western Ramparts at Aigues-Mortes (1867) by Frédéric BazilleThe Western Ramparts at Aigues-Mortes1867 · National Gallery of Art 88Young Woman with Peonies (1870) by Frédéric BazilleYoung Woman with Peonies1870 · National Gallery of Art

Frédéric Bazille's famous paintings, period by period

The subjects that held Frédéric Bazille's eye

The four subjects that come back most often in these originals, each with its finest example.

The museums that keep Frédéric Bazille's originals

The 8 museums that hold the most of the paintings on this page.

Museum City Works by Frédéric Bazille Paintings from this list
Musée Fabre, MontpellierMusée Fabre Montpellier 23 La Toilette, The Scoter, Petite Italienne chanteuse des rues
Musée d'Orsay, PárizsMusée d'Orsay Párizs 8 Családi összejövetel, The Pink Dress, The Family Gathering
National Gallery of Art, WashingtonNational Gallery of Art Washington 6 Portrait of Edmond Maitre, Portrait of Edouard Blau, Edmond Maître
Minneapolis Institute of Art, MinneapolisMinneapolis Institute of Art Minneapolis 2 Self-Portrait, The Banks of the Lez
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 2 Landscape at Chailly, Self Portrait with Palette
Fogg Art Museum, CambridgeFogg Art Museum Cambridge 1 Fürgések (Nyári jelenet)
Museum of Fine Arts, Houston, HoustonMuseum of Fine Arts, Houston Houston 1 Le petit jardinier, ca Museum of Fine Arts,
Dallas Múzeumának a művészetek háza, DallasDallas Múzeumának a művészetek háza Dallas 1 Portrait of an Unknown Sitter as a Troubadour

Frédéric Bazille decade by decade: the original that defines each

Works per decade

Pick a decade to see the original that defines it.

Collectors' questions about Frédéric Bazille's paintings

Which work is Frédéric Bazille most famous for?Reveal the answer

Fürgések (Nyári jelenet) (1869), Fogg Art Museum, Cambridge. Családi összejövetel (1867) and The Pink Dress (1864) come next.

What age was Frédéric Bazille when Fürgések (Nyári jelenet) was made?Reveal the answer

28 years old: Fürgések (Nyári jelenet) dates from 1869, and Frédéric Bazille was born in 1841.

What are the ten most famous Frédéric Bazille paintings?Reveal the answer

Fürgések (Nyári jelenet), Családi összejövetel, The Pink Dress, La Toilette, Landscape on the Shore of Lez, The Family Gathering, The Scoter, Le petit jardinier, ca Museum of Fine Arts,, Saint-Saveur and Portrait of an Unknown Sitter as a Troubadour. The ranking above gives each one's year and museum.

How many paintings did Frédéric Bazille leave?Reveal the answer

Our catalog holds 88 works by Frédéric Bazille, dated from 1859 to 1870.

In which museums do Frédéric Bazille's masterpieces hang?Reveal the answer

Mostly in Musée Fabre (Montpellier), Musée d'Orsay (Párizs) and National Gallery of Art (Washington). The museum table above lists them all.

In which years did Frédéric Bazille paint the most famous works?Reveal the answer

In 1860s: 54 of the 88 works on this page were made then, Fürgések (Nyári jelenet) among them.

What are the first and the last famous originals of Frédéric Bazille?Reveal the answer

On this page, the earliest is Mystic marriage of Saint Catherine (1859) and the latest La Toilette (1870).

Which subjects did Frédéric Bazille choose most often?Reveal the answer

Portraits (6), Men (6) and Man (5), across the 88 works on this page.

Which technique did Frédéric Bazille use most?Reveal the answer

Oil On Canvas, for 22 of the 88 works on this page.

To which art movement does Frédéric Bazille belong?Reveal the answer

Impressionist landscape, judging by the originals on this page.

Which Frédéric Bazille works hang at the Musée Fabre?Reveal the answer

La Toilette, The Scoter and Petite Italienne chanteuse des rues: the Musée Fabre, Montpellier holds 23 of the works on this page.

Can I commission a reproduction of a Frédéric Bazille painting?Reveal the answer

Yes, as a reproduction: the original stays in its museum, but any painting on this page can be painted by hand for you, made to order one at a time, from the painting's own page.

Frédéric Bazille: life and work

The Brief Radiance of Jean Frédéric Bazille

Jean Frédéric Bazille’s story is one of immense promise tragically cut short, a fleeting yet significant contribution to the burgeoning Impressionist movement. Born in Montpellier, France, on December 6, 1841, into a prosperous Protestant family involved in wine production, Bazille initially seemed destined for a life far removed from the world of art. His parents, while supportive, insisted he pursue medical studies alongside his artistic inclinations – a compromise reflecting the societal expectations of the time and their desire for his financial security. This duality would shape his early years, dividing his attention between anatomical dissection and the captivating allure of color and light. However, it was within the vibrant atmosphere of Paris, where he relocated in 1862 to continue his medical training, that Bazille’s artistic path truly began to unfold.

Forging a Path Amongst Giants

Paris proved to be a crucible for young Bazille. He quickly fell in with a circle of artists who would become synonymous with Impressionism: Claude Monet, Pierre-Auguste Renoir, and Alfred Sisley. Studying under Charles Gleyre provided him with formal training, but it was the shared passion and radical ideas exchanged amongst these friends that truly ignited his artistic vision. Bazille’s financial stability – a fortunate contrast to the often precarious existence of his companions – allowed him to generously support them, offering studio space and materials. This generosity wasn’t merely practical; it stemmed from a deep camaraderie and belief in their collective potential. He became a vital hub for this emerging group, fostering an environment of experimentation and mutual encouragement. His early works, like *The Pink Dress* (c. 1864), already demonstrate a keen eye for capturing fleeting moments and the effects of light – hallmarks that would define Impressionism. He wasn’t simply mimicking established styles; he was actively participating in the creation of something entirely new. Bazille's palette, influenced by Delacroix, combined with his own unique sensitivity to light, created a distinctive style.

A Style Defined by Light and Friendship

Bazille's artistic style, though developing rapidly, possessed a unique character within the broader Impressionist aesthetic. While sharing their fascination with *plein air* painting – working outdoors to directly capture the nuances of natural light – his compositions often exhibited a more structured quality than Monet’s or Renoir’s. He frequently combined figure painting with landscape, placing his subjects thoughtfully within their environment, as seen in masterpieces like *Family Reunion* (1867-1868). This work is not merely a depiction of familial gathering; it's an exploration of light filtering through the trees, animating the scene and imbuing it with a sense of warmth and intimacy. His paintings weren’t just about *what* he saw, but *how* he saw it – the emotional resonance evoked by color, form, and light. He was deeply influenced by Eugène Delacroix, whose vibrant use of color resonated with his own artistic sensibilities, yet he moved beyond academic conventions to embrace a more modern sensibility. Bazille’s work often featured intimate scenes of everyday life, rendered with remarkable sensitivity and attention to detail.

A Life Interrupted: Legacy and Remembrance

The blossoming career of Jean Frédéric Bazille was brutally interrupted by the Franco-Prussian War in 1870. Driven by a sense of patriotic duty, he joined a Zouave regiment just months after the conflict erupted. Tragically, he was killed in action on November 28, 1870, at the young age of 28, near Beaune-la-Rolande. His death sent shockwaves through the artistic community, robbing them of a talented friend and generous benefactor. His premature demise meant his work remained relatively unknown for many years. However, in recent decades, Bazille’s contributions have been increasingly recognized and celebrated. Today, his paintings are held in prestigious museums like the Musée d'Orsay in Paris, and reproductions allow art lovers worldwide to experience the beauty and innovation of his vision. Bazille’s legacy extends beyond his artistic output; he embodies the spirit of youthful idealism, unwavering dedication, and the power of friendship that defined the early days of Impressionism. He remains a poignant reminder of the potential lost, yet also a testament to the enduring impact of a brief but brilliant career.

Key Works

Here are some of Bazille’s most significant paintings:
  • The Pink Dress (c. 1864) – A study in light and color, capturing a fleeting moment of feminine grace.
  • Family Reunion (1867-1868) – A masterful depiction of familial warmth, showcasing his ability to integrate figures into the landscape.
  • Summer Scene (1869) – A vibrant portrayal of a summer afternoon, bathed in golden light.
  • Studio in Rue de Furstenberg (c. 1874) - A glimpse into the creative world of Bazille and his friends.

Further Information

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All 88 works by Frédéric Bazille →