Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 89 mű Aleksandr Rodcsenko alkotása a katalógusunkban
Röviden
Aleksandr Rodcsenko hagyatékából a leghíresebb alkotás Non-objective composition (1917). Röviddel ezután követik őket Girl with a Leica és About That (1923). Katalógusunkban 89 mű található Aleksandr Rodcsenko alkotótól; a galéria megőrizte a világ által leginkább csodált 88 darabot, melyeket a dátummal, a múzeummal és a történetükkel együtt mutatunk be.
The gaze meets Non-objective composition, a work that exists entirely within the realm of the abstract. Created by Aleksandr Rodchenko in 1917, this piece emerges from a moment of profound artistic transition. It does not seek to replicate the physical world or the familiar shapes of nature. Instead, the canvas presents a purely non-objective reality, where the focus shifts entirely toward the intrinsic qualities of form and color.
The scene unfolds through a silver gelatin print on photographic paper, capturing a fleeting moment of urban life. In this work, titled Girl with a Leica, the artist Aleksandr Rodchenko turns his lens toward a young woman. She leans out from a building, her body caught in a moment of purposeful motion. She holds a Leica camera, her focus directed toward the world beyond the frame, appearing as a participant…
The eye wanders through a chaotic, layered landscape where the logic of traditional space has completely dissolved. In this 1923 photomontage, the world is no longer a single, cohesive view but a collision of disparate photographic elements. A woman’s face emerges from the gray haze, juxtaposed against the hard edges of a tank and the rigid lines of architectural structures. There is a sense of sudden, jarring movement, as if…
The work titled Books was created by the artist Aleksandr Rodchenko. Produced in 1924, this piece functions as a graphic advertisement for the Lengiz Publishing House. It captures a specific moment of visual communication from the early Soviet era.
This photograph captures a slice of life from 1924, a time of profound transition. The formal attire and the structured seating reflect a world of social order, yet the candid nature of the shot hints at the shifting perspectives of the era. The interplay of light and shadow does more than just illuminate the subjects; it carves out their identities within a crowded room. There is a quiet gravity here,…
The scene unfolds in Untitled (Female Athletes), a work captured about 1927. Here, the lens finds a group of women caught in the midst of a synchronized exercise routine. The image freezes a moment of collective energy and physical discipline, presenting a vision of movement that feels both purposeful and rhythmic. It is a glimpse into a specific era of social activity, where the body becomes a tool for expression…
In this 1925 work, titled Untitled (Self portrait with poster for Battleship Potemkin), we encounter a direct and intimate encounter with the artist himself. Aleksandr Rodchenko presents his own likeness, capturing a moment that feels both immediate and carefully composed. It is a rare instance where the creator becomes the subject, looking back at the viewer through the lens of his own creative identity.
The work is titled Parade of the Dynamo Sports Club, 1928. It was produced by the artist Aleksandr Rodchenko. This individual was born in 1891 in Saint Petersburg, Russia.
And this is standing for centuries is a photomontage created by Aleksandr Rodchenko in 1923. This work emerged during a period of intense experimentation with the medium, as the artist began assembling disparate photographic elements into complex, layered compositions. The piece utilizes the assembly of various images to construct a new visual reality, moving away from traditional representational methods.
The poster for the film Battleship Potemkin emerges from the hands of Aleksandr Rodchenko, a figure who helps define the visual language of a changing era. Created in 1925, this work captures a specific moment of cinematic promotion through the lens of Constructivist design. The piece functions as a direct visual signal, intended to draw the eye toward the dramatic events depicted on screen. It carries the weight of the…
Monument to Pushkin1930
12
Radio listener1929
13
Park of Culture and Rest1932
14
Guard at the Shukhov Radio Tower, Moscow1929
15
Pioneer with a horn1930
16
Stairway1930
17
Assembling for a Demonstration1930
18
Girl with a FlowerMuseum of Fine Arts of Tatarstan
19
Abstraction (Rupture)1920
20
White circle1918
21
Girl with a Leica
22
A Pageant of Youth
23
Lilya Brik
24
Journalist
25
Construction1917
26
Composition1919 · Buffalo AKG Art Museum
27
Non-Objective Painting no. 80 (Black on Black)1918
28
Line Construction1920
29
Nonsense1921
30
Untitled1919
31
Composition (Winning Red)1918
32
Objectless composition1918
33
Variant cover design for Zaum'. Nestroch'e1921
34
Mandolin player1922
35
Watches1923
36
Cover of book ''About That''1923
37
Vladimir Mayakovsky1924
38
Dobroliot (Fly well)1923
39
Sifilis1926
40
For Sergey Esenin1926
41
Rubbers of Rezinotrest1925
42
Itogo. Stikhi1924
43
Syphilis1926
44
Mayakovsky smiles, laughs, mocks1923
45
Rubbers of Rezinotrest1924
46
Fly. Avia-poems.1923
47
Boats1926
48
Down with Bureaucracy1927 · Kanadai Nemzeti Galéria
49
Sovetskoe foto, no. 101927
50
Razgovor s fininspektorom o poezii1926
51
Death Ray1925
52
Pine Trees, Pushkino1927
53
Rubbers of Rezinotrest1924
54
Parizh1925
55
Promotional poster for Mosselprom1923
56
Sergeiu Eseninu1926
57
Mess Mend ili Ianki v Petrograde, vol. 1 101924
58
Mess Mend ili Ianki v Petrograde, vol. 71924
59
Promotional poster for Rezinotrest1923
60
Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF Journal of the Left Front of the Arts), no. 21928
61
Novyi LEF. Zhurnal levogo fronta iskusstv (New LEF Journal of the Left Front of the Arts), no. 11928
62
Battleship Potemkin1925
63
Katalog posmertnoi vystavki khudozhnika konstruktora L.S. Popovoi1924
64
Untitled1929
65
Quadriga of Apollo on the front of the Bolshoi Theatre1929
66
Lumber1930
67
Bug1929
68
There and back1930
69
Rechevik1929
70
Rechevik. Stikhi1929
71
Demonstration1932
72
The Fire's Man1929
73
The Stairs1930 · Manege Central Exhibition Hall
74
Realistic abstraction1940
75
Red and Yellow1918
76
Construction
77
Construction
78
Clerk
79
Dobroliot stamps
80
Construction
81
Construction
82
Construction
83
Dancer of the East
84
Dobroliot (Fly well)
85
Books propaganda poster
86
Construction
87
Dobroliot (Fly well)
88
Composition1917
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 4 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Aleksandr Rodcsenko művei | Ebből a listából származó festmények |
|---|---|---|---|
 Museum of Fine Arts of Tatarstan |
Kazan | 1 | Girl with a Flower |
 Buffalo AKG Art Museum |
Buffalo | 1 | Composition |
 Kanadai Nemzeti Galéria |
Ottawa | 1 | Down with Bureaucracy |
 Manege Central Exhibition Hall |
Szentpétervár | 1 | The Stairs |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
The gaze meets Non-objective composition, a work that exists entirely within the realm of the abstract. Created by Aleksandr Rodchenko in 1917, this piece emerges from a moment of profound artistic transition. It does not seek to replicate the physical world or the familiar shapes of nature. Instead, the canvas presents a purely non-objective reality, where the focus shifts entirely toward the intrinsic qualities of form and color.
The eye wanders through a chaotic, layered landscape where the logic of traditional space has completely dissolved. In this 1923 photomontage, the world is no longer a single, cohesive view but a collision of disparate photographic elements. A woman’s face emerges from the gray haze, juxtaposed against the hard edges of a tank and the rigid lines of architectural structures. There is a sense of sudden, jarring movement, as if…
Monument to Pushkin is a photographic work by the artist Aleksandr Rodchenko. Created about 1930, this image captures a specific sculptural installation. The subject of the photograph is the Monument to Pushkin, with a particular focus on the unique design of the lamppost structure. This element rises from the bottom of the frame, positioning the statue of Pushkin beneath the light fixture.
Non-objective composition (1917). Ezt követi Girl with a Leica és About That (1923).
26 éves: Non-objective composition 1917-ből származik, Aleksandr Rodcsenko pedig 1891-ben született.
Non-objective composition, Girl with a Leica, About That, Books, Painter Alexander Shevchenko, Untitled (Female Athletes), Untitled (Self portrait with poster for Battleship Potemkin), Parade of the Dynamo Sports Club, 1928, And this is standing for centuries és Battleship Potemkin. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 89 mű található Aleksandr Rodcsenko alkotótól, 1917 és 1940 év közötti időszakból.
Leginkább Museum of Fine Arts of Tatarstan (Kazan), Buffalo AKG Art Museum (Buffalo) és Kanadai Nemzeti Galéria (Ottawa) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1920s alatt: a jelen laphonon található 88 műből 50 készült ebben az időszakban, köztük About That.
Ezen az oldalon a leghitelesebb Non-objective composition (1917), a legutóbbi pedig Realistic abstraction (1940).
Designs and sketches (11), Advertisments (11) és Covers (8), a jelen oldalon található 88 műművészeti alkotás között.
Black and White Photography, a jelen oldalon található 88 műből 8 darab esetén.
Constructivism, ezen az oldalon található eredetiek alapján.
