Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 38 mű Agostino Carracci alkotása a katalógusunkban
Röviden
A galéria szerint Agostino Carracci leghíresebb festménye a The Last Supper (1593), amelynek eredeti példája a Museo del Prado múzeumában található, Madrid városában. Titian (1587) és Venus and Amor with a Satyr (1598) kiegészítik azt a triót, amelyet minden szem felismer. A katalógusunkban szereplő 38 művész Agostino Carracci alkotásából a galéria az alábbi 37 leghíresebbet mutatja be, amelyek mind egyedi originális művek, a készítés évszámával, a múzeum megnevezésével és a különlegességük leírásával.
A long table, draped in white cloth, anchors the composition. Around it, a group of men is caught in a state of agitation and contemplation. The scene captures the biblical institution of the Eucharist, a moment defined by tension and spiritual gravity. Light emanates from an unseen source above the left, casting deep shadows that define the anatomical forms and the heavy folds of drapery. This directional lighting creates a…
To stand before this masterful engraving is to encounter a moment suspended in the amber glow of the late sixteenth century. This portrait, executed with the meticulous precision characteristic of printmaking from the era, draws us intimately close to the subject—a man whose bearing speaks volumes without uttering a single word. The composition centers him formally, yet his slight turn of the head injects a subtle, captivating dynamism into what…
In Venus and Amor with a Satyr by Agostino Carracci, the composition is dominated by the reclining figure of Venus. Set within an intimate environment, the scene brings together the goddess, Cupid (Amor), and a Satyr. The arrangement utilizes a close-up, shallow depth view that pulls the viewer into the immediate space of the figures. This proximity emphasizes the interaction between the divine presence of Venus and Cupid and the…
The painting titled The Ecstasy of Saint Catherine of Siena was executed by the artist Agostino Carracci in 1590. This religious work depicts a significant episode from the life of Saint Catherine of Siena, a member of the Dominican order. The composition focuses on the saint during a moment of spiritual experience, specifically referencing the sacred stigmata she is said to have received in 1375.
St. Catherine, from the episode "Holy Women" is an engraving by Agostino Carracci. Created in 1578, the work belongs to a period when the artist was establishing his presence within the Italian art scene. Carracci was born in 1557 in Bologna, Italy.
In this "Male Portrait" by Agostino Carracci, dating from about 1589, we are presented with a single male figure captured in a close-up, three-quarter view. The subject is positioned slightly off-center, creating a subtle tension within the frame. He meets the viewer at eye-level, his piercing gaze establishing an immediate and intimate connection. There is a profound sense of psychological presence in his expression, one that suggests a moment of…
A single light source spills from the upper left, carving the anatomy of two figures out of a heavy, dark interior. The man and woman are locked in a seated embrace, their limbs intertwining to form a singular, organic shape. Warm, earthy tones define the skin, while deep purples and blues anchor the composition through the heavy folds of drapery and bedding. Every curve of muscle and every soft contour…
Nuditet med mand og kvinde is an oil painting created by the artist Agostino Carracci. The work dates to 1587. This piece depicts a nude man and woman positioned in an erotic embrace upon a bed.
is an oil painting by the Italian artist Agostino Carracci. The work dates to 1587. This piece depicts the biblical Crucifixion, focusing on the central figure of Jesus Christ upon the cross. The subject matter is presented through a somber and dramatic lens, utilizing a composition that places the crucified figure at the apex of a pyramidal arrangement.
The composition is split between two distinct realms. On the right, the earthly plane is occupied by the Virgin Mary, her figure draped in a heavy, deep blue mantle. To the left and above, the heavenly sphere erupts in a dynamic, upward-reaching movement. Clouds and a host of cherubs fill the upper atmosphere, creating a sense of divine presence that descends toward the terrestrial scene. The Archangel Gabriel is captured…
Portrait of a Lutenist (Portrait of the musician Orazio Bassani)1586
12
Pluto1592
13
Madonna and Child with St. John1600 · Art Museum at The University of Kentucky
14
Allegory of Abundance and Peace1602 · Scottish National Gallery
15
Venus and Mars1600
16
Portrait of a Woman1597 · Metropolitan Művészeti Múzeum
17
Giovanni Gabrielli, 'il Sivello'1599 · Chatsworth House
18
Hairy Harry, Mad Peter and Tiny Amon (detail)1598 · Museo di Capodimonte
19
Landscape with Bathers1597
20
Head of a Faun in a Concave (roundel)1595 · National Gallery of Art
21
Achille and Briseis
22
Religion of Priapus
23
Hercules and Deianira
24
A Woman borne off by a Sea God
25
JupiterPalazzo Ducale del Giardino
26
Stigmatization of Saint Francis of AssisiKunsthistorisches Museum
27
The Holy Family with Sts. Anthony Abbot, Catherine and the Infant St. John1582 · Museo Correr
28
The Three GracesStädel Múzeum
29
Cephalus carried off by Aurora in her Chariot
30
Portrait of Annibale, Ludovico and Agostino Carracci
31
The Penitent Magdalen
32
Hairy Harry, Mad Peter and Tiny Amon1598 · Museo di Capodimonte
33
Study of a Spaniel’s HeadKupferstichkabinett
34
JupiterPalazzo Ducale del Giardino
35
The Last Communion of St Jerome1592 · Pinacoteca Nazionale di Bologna
36
Madonna and Child with Saints1586 · Galleria Nazionale
37
Portrait of a Woman as JudithMinneapolis Institute of Art
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Agostino Carracci művei | Ebből a listából származó festmények |
|---|---|---|---|
 Statens Museum for Kunst |
Koppenhága | 3 | Nuditet med mand og kvinde, Nuditet med mand og kvinde, Christ on the Cross |
 Kunsthistorisches Museum |
Bécs | 2 | Venus and Amor with a Satyr, Stigmatization of Saint Francis of Assisi |
 Museo di Capodimonte |
Nápoly | 2 | Hairy Harry, Mad Peter and Tiny Amon (detail), Hairy Harry, Mad Peter and Tiny Amon |
 Palazzo Ducale del Giardino |
Parma | 2 | Jupiter, Jupiter |
 Museo del Prado |
Madrid | 1 | The Last Supper |
 Berlin Állami Múzeumai |
Berlin | 1 | Titian |
 Galleria Borghese |
Róma | 1 | The Ecstasy of Saint Catherine of Siena |
 Bavári Állami Festırménygyűjtemények |
Munchen | 1 | Male Portrait |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
St. Catherine, from the episode "Holy Women" is an engraving by Agostino Carracci. Created in 1578, the work belongs to a period when the artist was establishing his presence within the Italian art scene. Carracci was born in 1557 in Bologna, Italy.
To stand before this masterful engraving is to encounter a moment suspended in the amber glow of the late sixteenth century. This portrait, executed with the meticulous precision characteristic of printmaking from the era, draws us intimately close to the subject—a man whose bearing speaks volumes without uttering a single word. The composition centers him formally, yet his slight turn of the head injects a subtle, captivating dynamism into what…
A long table, draped in white cloth, anchors the composition. Around it, a group of men is caught in a state of agitation and contemplation. The scene captures the biblical institution of the Eucharist, a moment defined by tension and spiritual gravity. Light emanates from an unseen source above the left, casting deep shadows that define the anatomical forms and the heavy folds of drapery. This directional lighting creates a…
Agostino Carracci produced this oil on canvas in 1600. The work belongs to the artist's period of activity in Italy, following his training in Bologna and his travels through Parma and Venice. Carracci, a central figure in the development of the Bolognese School, utilized his expertise in both painting and engraving to establish a new naturalism that moved away from Mannerist artifice.
The Last Supper (1593), Museo del Prado, Madrid. Ezután Titian (1587) és Venus and Amor with a Satyr (1598) következik.
36 éves: The Last Supper 1593-ből származik, Agostino Carracci pedig 1557-ben született.
The Last Supper, Titian, Venus and Amor with a Satyr, The Ecstasy of Saint Catherine of Siena, St. Catherine, from the episode "Holy Women", Male Portrait, Nuditet med mand og kvinde, Nuditet med mand og kvinde, Christ on the Cross és Annunciation. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 38 mű található Agostino Carracci alkotótól, 1578 és 1602 év közötti időszakból.
Leginkább Statens Museum for Kunst (Koppenhága), Kunsthistorisches Museum (Bécs) és Museo di Capodimonte (Nápoly) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1590s alatt: a jelen laphonon található 37 műből 11 készült ebben az időszakban, köztük The Last Supper.
Ezen az oldalon a leghitelesebb St. Catherine, from the episode "Holy Women" (1578), a legutóbbi pedig Allegory of Abundance and Peace (1602).
Woman (10), Drapery (7) és Man (7), a jelen oldalon található 37 műművészeti alkotás között.
Oil On Canvas, a jelen oldalon található 37 műből 12 darab esetén.
Baroque, ezen az oldalon található eredetiek alapján.
Nuditet med mand og kvinde, Nuditet med mand og kvinde és Christ on the Cross: a Statens Museum for Kunst, Koppenhága 3 művet őrzi ezen az oldalon.
