Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 45 mű Thomas Benjamin Kennington alkotása a katalógusunkban
Röviden
A galéria szerint Thomas Benjamin Kennington leghíresebb festménye a Homeless (1890). Reverie (1875) és Parchedig David Edwardes (1836–1916), MA (1903) kiegészítik azt a triót, amelyet minden szem felismer. A katalógusunkban szereplő 45 művész Thomas Benjamin Kennington alkotásából a galéria az alábbi 45 leghíresebbet mutatja be, amelyek mind egyedi originális művek, a készítés évszámával, a múzeum megnevezésével és a különlegességük leírásával.
In this 1890 oil on canvas, Thomas Benjamin Kennington presents "Homeless," a work that offers a quiet, unflinching look at the urban poor. The painting captures a specific moment of human connection amidst the hardships of the late 19th century. It focuses on a woman dressed in black clothing, known as widow's weeds, who has paused her labors to offer comfort. She is seen dropping a washing bundle to console…
A solitary young woman sits suspended in a moment of stillness. Her gaze is cast downward, lost in a private landscape of thought. The light falls upon her face and neck with a soft, directional intensity, carving her features out of a deep, shadowed background. This chiaroscuro effect isolates her, turning the space around her into a void of dark browns and blacks. Her hair flows in long, dark tresses,…
An elderly man sits in quiet contemplation, his form rendered in a three-quarter length pose that commands a respectful distance. He is a figure of scholarly or clerical dignity, his presence defined by the heavy folds of dark drapery and the pale, luminous skin of his face and hands. A single open book rests in his lap, its pages catching the light and anchoring the composition in themes of intellectual…
The air feels heavy and still in this shadowed, nocturnal landscape. A solitary woman sits upon dark, unyielding rocks, her pale skin glowing against the deep, earthy tones of the surrounding gloom. She is caught in a moment of profound vulnerability, her gaze cast downward toward an open box held between her hands. The light, streaming from the upper left, carves her form out of the darkness, highlighting the soft…
Thomas Benjamin Kennington's "Orphans," painted in 1885, isn’t merely a depiction of two children; it’s a poignant distillation of Victorian anxieties surrounding poverty and the vulnerability of childhood. The painting immediately draws the viewer into a scene of quiet desperation, yet also imbued with an unexpected tenderness. Kennington, a key figure within the New English Art Club, eschewed grand historical narratives or heroic subjects in favor of intimate portrayals of…
Peek frean cos biscuits London1891
12
The pinch of poverty1889 · Art Gallery of South Australia
13
The Mother1895
14
Portrait of Anne in Russian costume holding a balalaika1900
15
Waifs
16
Curiosity
17
St. Martin in the Fields
18
Portrait of Alexander Garthside White
19
Reading the Letter
20
Contemplation
21
A portrait of a lady in a garden wearing a pink dress holding an iris
22
Idle Hours
23
No Gossip
24
The Letter1912
25
A merry heart goes a long way1912
26
Temptation1914
27
Girl with doll
28
Shepherdess With Her Crook
29
The Wedding Dress
30
The Glory of Womanhood
31
Stella
32
Molly, the maid of the inn
33
Mischief (also known as Three Girl's heads)
34
Polishing the Brass
35
The Picture Book
36
The Siesta of Diana
37
Mother and Daughter
38
Lady Reading By A Window
39
The New Sonnet
40
Nest of the dryad
41
A portrait of a lady in a white dress with a pink sash by a balustrade
42
A Mother's Love
43
Serena, Found of Savages
44
Contemplation
45
The Letter
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 3 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Thomas Benjamin Kennington művei | Ebből a listából származó festmények |
|---|---|---|---|
 National Library of Wales |
Aberystwyth | 1 | Parchedig David Edwardes (1836–1916), MA |
 Tate Gallery |
London | 1 | Orphans |
 Art Gallery of South Australia |
Adelaide | 1 | The pinch of poverty |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
A solitary young woman sits suspended in a moment of stillness. Her gaze is cast downward, lost in a private landscape of thought. The light falls upon her face and neck with a soft, directional intensity, carving her features out of a deep, shadowed background. This chiaroscuro effect isolates her, turning the space around her into a void of dark browns and blacks. Her hair flows in long, dark tresses,…
Thomas Benjamin Kennington's "Orphans," painted in 1885, isn’t merely a depiction of two children; it’s a poignant distillation of Victorian anxieties surrounding poverty and the vulnerability of childhood. The painting immediately draws the viewer into a scene of quiet desperation, yet also imbued with an unexpected tenderness. Kennington, a key figure within the New English Art Club, eschewed grand historical narratives or heroic subjects in favor of intimate portrayals of…
In this 1890 oil on canvas, Thomas Benjamin Kennington presents "Homeless," a work that offers a quiet, unflinching look at the urban poor. The painting captures a specific moment of human connection amidst the hardships of the late 19th century. It focuses on a woman dressed in black clothing, known as widow's weeds, who has paused her labors to offer comfort. She is seen dropping a washing bundle to console…
An elderly man sits in quiet contemplation, his form rendered in a three-quarter length pose that commands a respectful distance. He is a figure of scholarly or clerical dignity, his presence defined by the heavy folds of dark drapery and the pale, luminous skin of his face and hands. A single open book rests in his lap, its pages catching the light and anchoring the composition in themes of intellectual…
Homeless (1890). Ezt követi Reverie (1875) és Parchedig David Edwardes (1836–1916), MA (1903).
34 éves: Homeless 1890-ből származik, Thomas Benjamin Kennington pedig 1856-ben született.
Homeless, Reverie, Parchedig David Edwardes (1836–1916), MA, Pandora, A Plume Of Smoke, The Toy Shop, Orphans, Widowed and Fatherless, Chatterboxes és The Pinch of poverty. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 45 mű található Thomas Benjamin Kennington alkotótól, 1875 és 1914 év közötti időszakból.
Leginkább National Library of Wales (Aberystwyth), Tate Gallery (London) és Art Gallery of South Australia (Adelaide) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1890s alatt: a jelen laphonon található 45 műből 5 készült ebben az időszakban, köztük Homeless.
Ezen az oldalon a leghitelesebb Reverie (1875), a legutóbbi pedig Temptation (1914).
Victorian era (10), Woman (3) és Poverty (3), a jelen oldalon található 45 műművészeti alkotás között.
Oil On Canvas, a jelen oldalon található 45 műből 3 darab esetén.
Academic realism és Realism, ezen az oldalon található eredetiek alapján.
