Röviden
A painter and his muse in a workshop (1719) az a Theodor van Pee festmény, amely a legtöbb tekintetet felvonja; az eredeti mű a Staatliche Kunsthalle Karlsruhe gyűjteményében található, Karlsruhe. A Theodor van Pee 1 műve közül a katalógusunkban megtalálható 1 legnépesebb alkotás, melyeket az év, a múzeum és az örökévalóságának okai kísérnek.
A galéria szemével: Theodor van Pee legjobb 10 festménye
A műemlékek, amelyek Theodor van Pee eredeti műveit őrzik
A múzeum, amely ezen az oldalon szereplő festmények többségét őrzi.
| Múzeum | Város | Theodor van Pee művei | Ebből a listából származó festmények |
|---|---|---|---|
| Karlsruhe | 1 | A painter and his muse in a workshop |
Theodor van Pee évtizedek folyamán: az egyedi eredetiek
Az összes itt látható, 1719 évszámmal ellátott Theodor van Pee eredeti mű, amely egyetlen évre, 1719-rees sorozatosan vonatkozik: a népszerűség szerint, sorrendben jelennek meg.
Művek évszáma szerint
Váasszon egy évet az eredetiek megtekintéséhez.
Theodor van Pee festményei: kérdések a galériának
Mi a leghíresebb műve Theodor van Peenek?Fedje fel a választ
A painter and his muse in a workshop (1719)
Milyen életkorában alkotta meg Theodor van Pee a(z) A painter and his muse in a workshop műszt?Fedje fel a választ
51 éves: A painter and his muse in a workshop 1719-ből származik, Theodor van Pee pedig 1668-ben született.
Hány mű alkotása ismert Theodor van Pee nevében?Fedje fel a választ
Katalógusunkban 1 mű található Theodor van Pee alkotótól.
Hol tekinthetők meg a leghíresebb Theodor van Pee eredetijeit?Fedje fel a választ
Leginkább Staatliche Kunsthalle Karlsruhe (Karlsruhe) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
Theodor van Pee: a művész portréja
The Life and Career of Theodor van Pee
Born in Amsterdam, Theodor van Pee was the son of the painter Jan van Pee and Hendrika. Although he initially trained as an apprentice to a jeweller to join the Goldsmiths' Guild, he eventually sought his father's permission to train as a painter. He is believed to have been a pupil of his father, though his maternal grandfather, Mathijs Hendriks Krayvelt, was also a painter who likely contributed to his training. Theodor traveled to Rome to study the works of artists such as Raphael, Giulio Romano, and Correggio, yet he remained a Lutheran throughout his life.
His early career saw success with various commissions, including studies of Northern Italian gypsies and portraits of the Masters of the Amsterdam Tailors’ Guild. As the economic recession in the Netherlands followed the Peace of Ryswick, he diversified his business by selling painted garden furniture, statuary, and carved timber. He also became a dealer in Italian paintings, and in 1715, he took his collection to London to find buyers among English noblemen and merchants.
Later Years and Legacy
While in London, Theodor was commissioned by Sir Matthew Decker to paint a ceiling-piece of life-size figures. Despite facing financial challenges following the collapse of the South Sea Company stock, he continued his business of selling ornamental objects. After seven years in London, he returned to the Netherlands, where he was a member of the Utrecht Guild of Saint Luke in 1737. His artistic skill was recognized through commissions such as the portrait of Jean-Baptiste de Boyer, Marquis d'Argens, and the Abbé Prévost.
Theodor van Pee died in The Hague. His estate, which included twenty-four paintings by him and two by his father, was sold at auction in 1747. His daughter, Henrietta, studied painting under him and married one of his pupils, Hermanus Wolters.