Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 22 mű Stradanus alkotása a katalógusunkban
Röviden
Stradanus hagyatékából a leghíresebb alkotás An Alchemist's Laboratory (1570), amely a Fiorence városi Palazzo Vecchio gyűjteményében található. Röviddel ezután követik őket Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596) és Crucifixion (1569). Katalógusunkban 22 mű található Stradanus alkotótól; a galéria megőrizte a világ által leginkább csodált 20 darabot, melyeket a dátummal, a múzeummal és a történetükkel együtt mutatunk be.
An Alchemist's Laboratory is an oil on slate painting created by the artist Stradanus in 1570. The work depicts the laboratory of Francesco I de' Medici, who was the son of Cosimo I de' Medici and Eleonora di Toledo. This specific laboratory space was originally set up by Cosimo I between 1519 and 1574.
The print titled Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) emerges from the workshop of Jan van der Straet, known as Stradanus. This specific plate captures a moment of creation within a busy studio. It was brought into being in Antwerp, Netherlands, around 1596. The ink traces the vision of Stradanus, a Flemish artist who moved between the traditions of…
The painting titled Crucifixion was executed by Jan van der Straet, an artist also known as Stradanus or Giovanni Stradano. Created in 1569, this work originated in Firenze. The piece is located within the Basilica della Santissima Annunziata in Florence. Stradanus, who lived from 1523 to 1605, produced this oil on panel composition during his time in Italy.
In Stradanus's Lamentation of Christ, a crowded arrangement of elongated figures creates a sense of heavy, overlapping movement. The scene unfolds within a dark, nocturnal environment, illuminated by a pale moon and an unseen light source. This light strikes the musculature of Christ and the heavy folds of draped fabrics, carving deep shadows across the composition. A single ladder rises vertically in the background, providing a sharp structural contrast to…
The enlargement of the city of Florence by Stradanus presents a panoramic view of a sprawling urban landscape. The composition is split into two distinct realms. In the foreground, a crowded assembly of figures engages in various activities, their forms grounded in a detailed, immediate space. Beyond them, the scene opens into a vast, elevated background where the dense architecture of the city rises against a backdrop of rolling hills.…
The work Allegory, dated 1572, is a representation of a historic brick building's exterior. The composition centers on a large, arched black doorway. This entrance is flanked by two windows featuring dark shutters. The structure is composed of reddish-brown bricks, while light-colored stone masonry defines the window frames, the door surround, and various decorative elements. The architectural style follows Renaissance or Mannerist principles, utilizing symmetrical elements and classical ornamentation. Vertical…
A heavy, monochrome stillness settles over the scene. Inside a dim warehouse or cellar, the air feels thick with the scent of crushed fruit and damp earth. Figures move through a crowded landscape of wooden shelves and ladders, their bodies bent under the gravity of the season. It is a world of labor, where every hand is occupied. Women reach into the shadows of vines, while men empty heavy baskets…
The air within the frame feels heavy with the scent of damp earth and crushed leaves. In this monochromatic world, a greenhouse becomes a stage for the quiet labor of survival. Figures move through a crowded architecture of shelves and windows, their limbs elongated in the Mannerist style, stretching toward the light. Women bend over baskets, their hands busy with the delicate task of tending to plants, while a man…
The Discovery of America, plate 1 from the by Stradanus unfolds as a complex allegorical scene where history and symbolism collide. Created about 1590, this engraving captures a moment of profound encounter between European exploration and the landscapes of a new world. A central figure, presumably Christopher Columbus, stands upon a shore, his gaze fixed upon a reclining nude woman amidst lush, heavy vegetation. Nearby, a ship rests offshore, its…
In the quiet, dramatic shadows of the late sixteenth century, Johannes Stradanus captured a profound tension between the ephemeral beauty of life and the inevitable approach of the end. His masterpiece, “Vanity, Modesty and Death,” serves as a hauntingly beautiful allegory, inviting the viewer into a deeply personal contemplation of human nature. Created around 1569, this work is not merely a painting but a philosophical dialogue rendered in oil, where…
Cavemen Chasing Elephants, plate 3 from the Venationes Ferarum, Avium, Piscium series1596
12
Esther Receiving the Crown from Ahasuerus1561 · Palazzo Vecchio
13
Reeling of the Silk1580 · Royal Collection
14
St. Peter in prison1590
15
Ferdinandes Magalanes Lusitanus, plate 4 from1580
16
Page of a sketchbook: Ulysses passes the Sirens (recto); Ulysses in the Underworld (verso)1590
17
Odysseus in the Cave of the Winds.
18
The Current of the Republic in Firenze, before the nineteenth-century gutting.Palazzo Vecchio
19
Francesco I nel suo laboratorio alchemico(detail)
20
Death visits the paupers' house
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 6 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Stradanus művei | Ebből a listából származó festmények |
|---|---|---|---|
 Palazzo Vecchio |
Fiorence | 4 | An Alchemist's Laboratory, The enlargement of the city of Florence, Esther Receiving the Crown from Ahasuerus |
 Royal Collection |
London | 3 | Silkworm Farm, Silkworm Farm, Reeling of the Silk |
 Santissima Annunziata |
Firenze | 1 | Crucifixion |
 Bavári Állami Festırménygyűjtemények |
Munchen | 1 | Lamentation of Christ |
 Art Museum |
Seattle | 1 | Allegory |
 Louvre Múzeum |
Párizs | 1 | Vanity, Modesty and Death |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
The painting titled Crucifixion was executed by Jan van der Straet, an artist also known as Stradanus or Giovanni Stradano. Created in 1569, this work originated in Firenze. The piece is located within the Basilica della Santissima Annunziata in Florence. Stradanus, who lived from 1523 to 1605, produced this oil on panel composition during his time in Italy.
An Alchemist's Laboratory is an oil on slate painting created by the artist Stradanus in 1570. The work depicts the laboratory of Francesco I de' Medici, who was the son of Cosimo I de' Medici and Eleonora di Toledo. This specific laboratory space was originally set up by Cosimo I between 1519 and 1574.
A heavy, monochrome stillness settles over the scene. Inside a dim warehouse or cellar, the air feels thick with the scent of crushed fruit and damp earth. Figures move through a crowded landscape of wooden shelves and ladders, their bodies bent under the gravity of the season. It is a world of labor, where every hand is occupied. Women reach into the shadows of vines, while men empty heavy baskets…
The print titled Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) emerges from the workshop of Jan van der Straet, known as Stradanus. This specific plate captures a moment of creation within a busy studio. It was brought into being in Antwerp, Netherlands, around 1596. The ink traces the vision of Stradanus, a Flemish artist who moved between the traditions of…
An Alchemist's Laboratory (1570), Palazzo Vecchio, Fiorence. Ezután Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596) és Crucifixion (1569) következik.
47 éves: An Alchemist's Laboratory 1570-ből származik, Stradanus pedig 1523-ben született.
An Alchemist's Laboratory, Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times), Crucifixion, Lamentation of Christ, The enlargement of the city of Florence, Allegory, Silkworm Farm, Silkworm Farm, The Discovery of America, plate 1 from the és Vanity, Modesty and Death. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 22 mű található Stradanus alkotótól, 1561 és 1596 év közötti időszakból.
Leginkább Palazzo Vecchio (Fiorence), Royal Collection (London) és Santissima Annunziata (Firenze) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1560s alatt: a jelen laphonon található 20 műből 5 készült ebben az időszakban, köztük Crucifixion.
Ezen az oldalon a leghitelesebb Esther Receiving the Crown from Ahasuerus (1561), a legutóbbi pedig Color Olivi (Invention of Oil Painting), plate 14 in the Nova Reperta (New Inventions of Modern Times) (1596).
People (5), Figures (3) és Shelves (2), a jelen oldalon található 20 műművészeti alkotás között.
Engraving, a jelen oldalon található 20 műből 4 darab esetén.
Mannerism, ezen az oldalon található eredetiek alapján.
An Alchemist's Laboratory, The enlargement of the city of Florence és Esther Receiving the Crown from Ahasuerus: a Palazzo Vecchio, Fiorence 4 művet őrzi ezen az oldalon.
