James Stark portréja

A 100 legnevezesebb James Stark festmény, egy galériaválaszték

Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 137 mű James Stark alkotása a katalógusunkban

Röviden

James Stark hagyatékából a leghíresebb alkotás Sandling's Ferry. Röviddel ezután követik őket Landscape With A Cottage és Distant View Of Windsor. Katalógusunkban 137 mű található James Stark alkotótól; a galéria megőrizte a világ által leginkább csodált 100 darabot, melyeket a dátummal, a múzeummal és a történetükkel együtt mutatunk be.

1794 – 1859, Norwich Norwich school A legtöbb mű: Auckland Art Gallery Toi o Tāmaki

James Stark legjobb 10 festménye: a galéria válogatása

A James Stark válogatás folytatódik: 11 – 100

11Landscape - A Woody Lane Near Hastings (1889) -ja James StarkLandscape - A Woody Lane Near Hastings 12Canal Scene (1889) -ja James StarkCanal Scene 13Sheep Washing (1889) -ja James StarkSheep Washing 14The Road To The Farm (1889) -ja James StarkThe Road To The Farm 15View On The Yare Near Thorpe Church, Norfolk (1889) -ja James StarkView On The Yare Near Thorpe Church, Norfolk 16Road Scene At Intwood (1889) -ja James StarkRoad Scene At Intwood 17Landscape with Thatched Cottage (1889) -ja James StarkLandscape with Thatched CottageAuckland Art Gallery Toi o Tāmaki 18Forest landscape with a road and a river (1889) -ja James StarkForest landscape with a road and a riverVarsói Nemzeti Múzeum 19Hale Farm Water Meadows (1889) -ja James StarkHale Farm Water Meadows 20On Hale Farm Water Meadows (1889) -ja James StarkOn Hale Farm Water Meadows 21Aylesford Church, Kent (1889) -ja James StarkAylesford Church, Kent 22Figures Resting On A Wayside, Near Bradeston (1889) -ja James StarkFigures Resting On A Wayside, Near Bradeston 23On The Farm (1889) -ja James StarkOn The Farm 24Landscape - (1889) -ja James StarkLandscape - 25Cattle Grazing (1889) -ja James StarkCattle Grazing 26Magpie Island, Henley On Thames (1889) -ja James StarkMagpie Island, Henley On Thames 27Figures In A Punt By A Cottage (1889) -ja James StarkFigures In A Punt By A Cottage 28Cromer, Norfolk (1889) -ja James StarkCromer, Norfolk 29Counting The Sheep (1889) -ja James StarkCounting The Sheep 30Woodland Landscape (1889) -ja James StarkWoodland Landscape 31Cattle And Goats Resting By A Lake (1889) -ja James StarkCattle And Goats Resting By A Lake 32A Wooded Landscape With Countryfolk Resting By A Pond (1889) -ja James StarkA Wooded Landscape With Countryfolk Resting By A Pond 33A Gypsy Encampment (1889) -ja James StarkA Gypsy Encampment 34Eel Traps (1889) -ja James StarkEel Traps 35Haymaking (1889) -ja James StarkHaymaking 36Figures On A Path By A Stream, A Valley Beyond (1889) -ja James StarkFigures On A Path By A Stream, A Valley Beyond 37The Midday Break (1889) -ja James StarkThe Midday Break 38View Of Uxbridge, Middlesex (1889) -ja James StarkView Of Uxbridge, Middlesex 39Fish Ponds, Hastings (1889) -ja James StarkFish Ponds, Hastings 40Eel Catchers By The Sluice, Trump's Mill, North Wales (1889) -ja James StarkEel Catchers By The Sluice, Trump's Mill, North Wales 41Landscape - (1889) -ja James StarkLandscape - 42A View In The New Forest (1889) -ja James StarkA View In The New Forest 43A shepherd and his flock by a brook at allswater, cumberland (1889) -ja James StarkA shepherd and his flock by a brook at allswater, cumberland 44The Edge Of The Wood (1889) -ja James StarkThe Edge Of The Wood 45Milking The Cows (1889) -ja James StarkMilking The Cows 46Ponds And A Windmill, Hastings (1889) -ja James StarkPonds And A Windmill, Hastings 47Buckenham Common, Norfolk (1889) -ja James StarkBuckenham Common, Norfolk 48A Track To Home (1889) -ja James StarkA Track To Home 49A Drover And His Flock In A Wooded Landscape (1889) -ja James StarkA Drover And His Flock In A Wooded Landscape 50Hay making; a horse study (1889) -ja James StarkHay making; a horse study 51Landscape - (1889) -ja James StarkLandscape - 52Near Norwich (1889) -ja James StarkNear NorwichFitzwilliam Museum 53View Across The Field To The Church (1889) -ja James StarkView Across The Field To The Church 54The Forest Gate (1889) -ja James StarkThe Forest Gate 55Sheep Dip (1889) -ja James StarkSheep Dip 56Landscape On The Norfolk Coast (1889) -ja James StarkLandscape On The Norfolk Coast 57Whitlingham From Old Thorpe Grove, Norfolk - (1889) -ja James StarkWhitlingham From Old Thorpe Grove, Norfolk - 58Landscape - (1889) -ja James StarkLandscape - 59Encampment in a Wooded Landscape (1889) -ja James StarkEncampment in a Wooded Landscape 60The Forest Oak (1889) -ja James StarkThe Forest Oak 61View Of Richmond Park With Figures On A Path And Cattle Beyond (1889) -ja James StarkView Of Richmond Park With Figures On A Path And Cattle Beyond 62Woody Landscape (1889) -ja James StarkWoody Landscape 63Windsor Great Park, Near Bears Rails (1889) -ja James StarkWindsor Great Park, Near Bears Rails 64Landscape And Trees (1889) -ja James StarkLandscape And Trees 65Parkland Landscape With A Gardener By A Pond (1889) -ja James StarkParkland Landscape With A Gardener By A Pond 66Landscape, A Country Road (1889) -ja James StarkLandscape, A Country Road 67Rustic Scene (1889) -ja James StarkRustic Scene 68Lock Scene (1889) -ja James StarkLock Scene 69A Dyke Head (1889) -ja James StarkA Dyke Head 70View In Windsor Forest (1889) -ja James StarkView In Windsor ForestNunnington Hall 71Marlborough Forest (1889) -ja James StarkMarlborough Forest 72Cattle In The Woods (1889) -ja James StarkCattle In The Woods 73A Barge On The Yare - Sunset (1889) -ja James StarkA Barge On The Yare - Sunset 74The Edge Of A Wood - (1889) -ja James StarkThe Edge Of A Wood - 75Sunlit Norfolk River Landscape (1889) -ja James StarkSunlit Norfolk River Landscape 76Wooded landscape (1889) -ja James StarkWooded landscape 77Woodland Scene (1889) -ja James StarkWoodland Scene 78Windsor Castle, Windsor And Maidenhead (1889) -ja James StarkWindsor Castle, Windsor And Maidenhead 79Landscape - (1889) -ja James StarkLandscape - 80A View From Norwich (1889) -ja James StarkA View From NorwichKelvingrove Art Gallery and Museum 81On The Yare - A Wooded River Landscape With Cattle, A Figure And A Cottage (1889) -ja James StarkOn The Yare - A Wooded River Landscape With Cattle, A Figure And A Cottage 82A Lane Near Norwich, Norfolk (1889) -ja James StarkA Lane Near Norwich, Norfolk 83The Willow Stream (1889) -ja James StarkThe Willow Stream 84The Road Through A Wood (1889) -ja James StarkThe Road Through A Wood 85Landscape (1889) -ja James StarkLandscape 86Figures On A Hay Barge With Windmills And A Church Beyond (1889) -ja James StarkFigures On A Hay Barge With Windmills And A Church Beyond 87Road Through A Forest (1889) -ja James StarkRoad Through A Forest 88Gowbarrow Park (1889) -ja James StarkGowbarrow ParkScottish National Gallery 89A Donkey In A Wood (1889) -ja James StarkA Donkey In A Wood 90Road Scene At Intwood - (1889) -ja James StarkRoad Scene At Intwood - 91Landscape With A Church (1889) -ja James StarkLandscape With A Church 92Lake Scene, With Two Men Fishing (1889) -ja James StarkLake Scene, With Two Men Fishing 93Sheep Washing - (1889) -ja James StarkSheep Washing - 94Cattle Watering In A Wooded Landscape, With A Wherry Near Norwich (1889) -ja James StarkCattle Watering In A Wooded Landscape, With A Wherry Near Norwich 95Landscape With A Road Winding Through Trees With Figures (1889) -ja James StarkLandscape With A Road Winding Through Trees With Figures 96Travellers On A Wooded Track (1889) -ja James StarkTravellers On A Wooded Track 97Whitlingham From Old Thorpe Grove, Norfolk (1889) -ja James StarkWhitlingham From Old Thorpe Grove, Norfolk 98River Scene, Cattle In Foreground (1889) -ja James StarkRiver Scene, Cattle In Foreground 99Landscape - (8) (1889) -ja James StarkLandscape - (8) 100Cottage In A Wood (1889) -ja James StarkCottage In A WoodBirmingham Museum and Art Gallery

James Stark híres festményei, korszakonként

A témák, amelyek James Stark figyelmét meghúzták

A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.

A műemlékek, amelyek James Stark eredeti műveit őrzik

A 7 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

Múzeum Város James Stark művei Ebből a listából származó festmények
Auckland Art Gallery Toi o Tāmaki, AucklandAuckland Art Gallery Toi o Tāmaki Auckland 1 Landscape with Thatched Cottage
Varsói Nemzeti Múzeum, VarsóVarsói Nemzeti Múzeum Varsó 1 Forest landscape with a road and a river
Fitzwilliam MuseumFitzwilliam Museum 1 Near Norwich
Nunnington HallNunnington Hall 1 View In Windsor Forest
Kelvingrove Art Gallery and Museum, GlasgowKelvingrove Art Gallery and Museum Glasgow 1 A View From Norwich
Scottish National Gallery, EdinburghScottish National Gallery Edinburgh 1 Gowbarrow Park
Birmingham Museum and Art Gallery, BirminghamBirmingham Museum and Art Gallery Birmingham 1 Cottage In A Wood

Gyűjtői kérdések James Stark festményeivel kapcsolatban

Melyik művel a(z) James Stark a leghíresebb?Fedje fel a választ

Sandling's Ferry. Ezt követi Landscape With A Cottage és Distant View Of Windsor.

Melyek a tíz leghíresebb James Stark festmény?Fedje fel a választ

Sandling's Ferry, Landscape With A Cottage, Distant View Of Windsor, Faggot Gatherers By A Stream, A Wayside Encampment, Landscape -, A Wooded Landscape With Figures On A Track, A Cottage Beyond, Wood Gatherers, Figures And Animals Before Cottages In A Wooded Landscape és A Woody Landscape. A fenti rangsor a művek évszamarát és a múzeumát jelzi.

Hány festményet hagyott hátra James Stark?Fedje fel a választ

Katalógusunkban 137 mű található James Stark alkotótól.

Mely múzeumokban állnak James Stark remekművei?Fedje fel a választ

Leginkább Auckland Art Gallery Toi o Tāmaki (Auckland), Varsói Nemzeti Múzeum (Varsó) és Fitzwilliam Museum található. A fenti múzeumi táblázatban mindegyik felsorolásra került.

Milyen témaköröket választott leggyakrabban James Stark?Fedje fel a választ

Landscape (29), Wood (14) és Rural landscape (13), a jelen oldalon található 100 műművészeti alkotás között.

Mely művészeti irányba tartozik James Stark?Fedje fel a választ

Norwich school, ezen az oldalon található eredetiek alapján.

James Stark: életmű és életút

James Stark: A Norwich School Master, Capturing the Soul of Norfolk

The name James Stark might not be instantly familiar to all art enthusiasts, yet within the annals of British landscape painting, he stands as a pivotal figure – a cornerstone of the celebrated Norwich School. Born in 1794 in Norwich, England, Stark’s life was interwoven with the very fabric of Norfolk's picturesque countryside, a landscape that would become both his muse and his enduring legacy. His story is one of artistic apprenticeship, periods of intense creativity punctuated by financial hardship, and ultimately, a profound contribution to a uniquely British artistic movement.

Stark’s early years were shaped by the vibrant artistic community of Norwich. His father, Michael Stark, though primarily a dye manufacturer famed for his invention of ‘Norwich red,’ fostered an environment rich in intellectual curiosity. Young James received his formal education at Norwich School, where he forged a lifelong friendship with John Berney Crome. However, it was under the tutelage of the elder John Crome – a towering figure in Norfolk art – that Stark’s artistic journey truly began. The apprenticeship, commencing in 1811, proved formative, instilling in him a deep appreciation for observation and a meticulous approach to depicting the natural world. Early exhibitions showcased his burgeoning talent, attracting attention both locally and in London, where he briefly resided, absorbing influences from artists like William Collins and studying at the Royal Academy.

A turning point arrived with Stark’s return to Norwich around 1819, prompted by a period of ill health. This relocation proved serendipitous for his artistic development. Settling amidst the familiar landscapes of Norfolk, he dedicated himself to capturing its essence – the meandering rivers, the rolling fields, and the atmospheric skies that defined the region's character. Stark’s style, while initially reflecting the influence of Dutch masters with their emphasis on detail and atmospheric perspective, gradually evolved into something distinctly his own. He developed a remarkable ability to convey not just the visual appearance of the landscape but also its emotional resonance – the quiet tranquility of a riverside scene or the dramatic intensity of an approaching storm. This sensitivity is particularly evident in his ambitious project, *Scenery of the Rivers of Norfolk*, published as a series of etchings in 1834. Though financially challenging to produce, this work stands as a testament to Stark’s skill and ambition, showcasing the beauty of Norfolk's waterways through both painting and engraving.

Stark’s contribution extends far beyond individual artworks; he was an integral part of the Norwich School – a collective of artists who championed a distinctly regional approach to landscape painting. Unlike the grand, idealized landscapes favored by some contemporary painters, the Norwich School focused on depicting the immediate surroundings with honesty and fidelity. Stark embodied this ethos, capturing the essence of Norfolk’s rural life and its unique atmosphere. His works are characterized by their realism, their attention to detail, and a subtle but powerful sense of place. He wasn't merely painting landscapes; he was documenting a way of life, preserving a visual record of Norfolk’s past for future generations.

A Lasting Legacy

James Stark passed away in 1859, leaving behind a body of work that continues to resonate with viewers today. His paintings are treasured by museums and private collectors alike, offering a glimpse into the artistic landscape of 19th-century England and the enduring beauty of Norfolk’s countryside. More than just a skilled painter, Stark was a chronicler of his time – an artist who captured not only the visual splendor of his surroundings but also the spirit of a region and its people. His legacy lives on as a testament to the power of observation, the importance of regional identity in art, and the enduring appeal of landscapes that speak directly to the soul.