James Herring portréja

A 6 legnevezesebb James Herring festmény, egy galériaválaszték

Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 6 mű James Herring alkotása a katalógusunkban

Röviden

James Herring hagyatékából a leghíresebb alkotás James Monroe (1834), amely a Washington, D.C. városi National Portrait Gallery gyűjteményében található. Röviddel ezután követik őket Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) és Jacob Jennings Brown (1775-1828) (1835). Katalógusunkban 6 mű található James Herring alkotótól; a galéria megőrizte a világ által leginkább csodált 6 darabot, melyeket a dátummal, a múzeummal és a történetükkel együtt mutatunk be.

1794 – 1867, London A legtöbb mű: New York Historical Society

James Herring legjobb 10 festménye: a galéria válogatása

A műemlékek, amelyek James Herring eredeti műveit őrzik

A 2 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

Múzeum Város James Herring művei Ebből a listából származó festmények
New York Historical Society, New YorkNew York Historical Society New York 5 Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828), William Lintz (ca. 1815-1874)
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 1 James Monroe

James Herring év évtizedéja: az egyes éveket meghatározó eredeti művek

A válogatás James Herring pályafutását követi 12 évig, 1834től 1845ig, az egyes évek legkiválóbb eredeti műveit megőrizve.

Művek évszáma szerint

Váasszon egy évet az eredetiek megtekintéséhez.

Gyűjtői kérdések James Herring festményeivel kapcsolatban

Melyik művel a(z) James Herring a leghíresebb?Fedje fel a választ

James Monroe (1834), National Portrait Gallery, Washington, D.C.. Ezután Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841) (1836) és Jacob Jennings Brown (1775-1828) (1835) következik.

Hány éves volt James Herring, amikor a James Monroe készült?Fedje fel a választ

40 éves: James Monroe 1834-ből származik, James Herring pedig 1794-ben született.

Hány festményet hagyott hátra James Herring?Fedje fel a választ

Katalógusunkban 6 mű található James Herring alkotótól, 1834 és 1845 év közötti időszakból.

Mely múzeumokban állnak James Herring remekművei?Fedje fel a választ

Leginkább New York Historical Society (New York) és National Portrait Gallery (Washington, D.C.) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.

Mely években festette James Herring leghíresebb műveit?Fedje fel a választ

1845 alatt: a jelen laphonon található 6 műből 2 készült ebben az időszakban, köztük William Lintz (ca. 1815-1874).

Mikszétek az első és az utolsó híres eredeti műve a(z) James Herring alkotótól?Fedje fel a választ

Ezen az oldalon a leghitelesebb James Monroe (1834), a legutóbbi pedig William Lintz (ca. 1815-1874) (1845).

Mely James Herring művei láthatóak a New York Historical Society kiállتításán?Fedje fel a választ

Mrs. Henry D. Sneckner (Elizabeth Arcularius, ca. 1775–1841), Jacob Jennings Brown (1775-1828) és William Lintz (ca. 1815-1874): a New York Historical Society, New York 5 művet őrzi ezen az oldalon.

James Herring: életmű és életút

The Life and Legacy of James Herring

Born in London on January 12, 1794, James Herring was an artist whose life journey mirrored the expanding horizons of the nineteenth-century Atlantic world. Though his roots were English, his spirit was profoundly shaped by the American landscape after he emigrated to the United States with his family in 1805. Growing up amidst the bustling energy of New York City and the developing reaches of New Jersey, Herring’s early years were marked by a diverse range of trades. Before finding his true calling at the easel, he navigated the worlds of education as a school teacher and even engaged in the gritty commerce of his father's distillery business in the Bowery. This varied upbringing provided him with a unique, grounded perspective that would later infuse his work with a sense of unpretentious, honest observation.

Herring’s artistic evolution began not with grand canvases, but with the meticulous and delicate task of coloring prints and maps. This early immersion in graphic arts instilled in him a profound respect for line and detail, a skill set that would serve him well as he moved to Philadelphia to continue his work in map coloring. However, the pull of portraiture eventually drew him back to New York, where he settled in Chatham Square. It was here that he truly found his voice, transitioning from the precise world of cartography to the more expressive realm of portrait painting. His ability to capture the essence of a subject—whether through a formal likeness or a more spirited profile—marked him as a significant figure in the burgeoning American art scene of the mid-1800s.

Artistic Style and Contributions

The work of James Herring is often characterized by its charming, almost naive quality, particularly when he turned his attention to animal subjects and landscapes. While he was a master of the formal portrait, there is a palpable warmth in his depictions of working horses, chickens, and pastoral scenes that suggests a deep affection for the everyday rhythms of American life. His technique, while rooted in the precision learned from his early days with prints, allowed for a certain fluidity and emotional resonance. He was not merely a recorder of faces but an illustrator of character, a talent he shared with notable contemporaries like James Barton Longacre when they collaborated on documenting American biography in the National Portrait Gallery.

Beyond his individual canvases, Herring was a vital promoter of the arts during a period when American artistic identity was still being forged. He possessed a visionary drive to elevate the status of local talent, famously persuading the American Academy of Fine Arts to support significant publications. His influence extended through generations, as seen in the career of his son, Frederick William Herring, who studied under his father and continued the family tradition of portraiture. Through his dual roles as a practitioner and an advocate, Herring helped lay the groundwork for a more robust and self-assured American art movement.

Historical Significance

Today, the historical importance of James Herring lies in his role as a bridge between the colonial traditions of Europe and the emerging aesthetic of a young United States. His work serves as a visual archive of nineteenth-century life, capturing both the dignified portraits of notable citizens and the humble beauty of the natural world. The enduring legacy of his art can be seen in the collections of prestigious institutions such as:

  • The Morris Museum of Art
  • The Mattatuck Museum
  • Oolite Arts, 924 & 928 Gallery

As an artist who moved seamlessly between the technical rigors of engraving and the soulful expression of painting, Herring remains a fascinating figure for scholars and lovers of art alike. His life, spanning from the streets of London to the heart of New York, encapsulates the transformative energy of his era, leaving behind a body of work that continues to resonate with its quiet, enduring truth.