Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 50 mű Beato Felice alkotása a katalógusunkban
Röviden
A galéria szerint Beato Felice leghíresebb festménye a Head Quarter Staff, Pehtang Fort (1860). Arch in Confucius Temple, Canton (1860) és Carved Tomb at the Depot Near Pekin, The Place Where the Guns and Ammunition was (sic) Left When the Army Marched to Pekin (1860) kiegészítik azt a triót, amelyet minden szem felismer. A katalógusunkban szereplő 50 művész Beato Felice alkotásából a galéria az alábbi 50 leghíresebbet mutatja be, amelyek mind egyedi originális művek, a készítés évszámával, a múzeum megnevezésével és a különlegességük leírásával.
The scene unfolds at Pehtang Fort in China, a moment frozen in 1860. In "Head Quarter Staff, Pehtang Fort," Felice Beato and Henry Hering capture the presence of military personnel stationed within this fortification. The air feels heavy with the weight of the Second Opium War, as the soldiers occupy the earthen ramparts and the spaces around the heavy artillery. It is a direct glimpse into the organized movement of…
Arch in Confucius Temple, Canton is a photographic work by Felice Beato. Created in 1860, the image captures the architectural detail of the Confucius Temple's archway. The frame holds a singular moment of structural precision within the temple grounds of Canton.
In this 1860 photograph, we find ourselves standing before a stone monument, a structure defined by two sturdy pillars that frame a scene of quietude. The image, captured in black and white, reveals a carved tomb situated near a depot in the vicinity of Pekin. It is a place marked by the heavy history of the Second Opium War, specifically identified as the site where guns and ammunition were left…
The artwork titled Chinese Theatre, Canton is a photographic work by the artist Felice Beato. This image, dated 1860, captures a traditional Chinese theatre located in Canton, which is known today as Guangzhou. The subject matter focuses on the architectural exterior of the building during a period of significant historical change in the region.
East Street from Yamun, Canton is a photograph by Felice Beato. Captured around 1860, the image presents a street scene in Canton, China. The subject matter documents the urban landscape and the specific architecture of the city during this period. The view focuses on the built environment, providing a visual record of the structures and the layout of the street as it existed in the mid-19th century.
We are looking at Commissioner's Yamun, Canton, a significant photographic work by Felice Beato. This image was produced in 1860, capturing a specific moment in Canton, China. It offers a direct view of the architectural and civic landscape of the region during a period of profound historical transition.
Five Genii Temple, Canton is a photographic work by Felice Beato, captured around 1860. This image functions as a documentary record of a temple complex located in Canton. The subject matter focuses on the architectural landscape of the region, providing a visual account of the structures present during the mid-19th century.
The photograph titled Head Quarter House, 1st Division, Pehtang, China, captures a silent interior within a traditional Chinese building. Created by Felice Beato in 1860, the image fixes a specific moment in Pehtang, China. It presents a formal arrangement of several statues positioned on and around a large table. These figures occupy the center of the room, frozen in a stillness that defies the movement of the era.
The camera lens captures a moment of stillness in Canton. A traditional Chinese temple facade dominates the frame, its heavy roofline cutting a sharp silhouette against the pale sky. Two men stand before the entrance, their presence grounding the grand architecture in a human scale. They are silent witnesses to the stone and wood of the structure. The image carries the grain of history, a textured surface that speaks of…
Bridge in Confucious Temple, Canton is a photographic work by Felice Beato. Produced in 1860, the image captures a traditional Chinese landscape scene. The composition centers on a stone bridge spanning a body of water, leading toward a complex of buildings in the background.
Name Hui Kung Temple, Canton1860
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Temple in Tartar Quarter, Canton1860
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Temple of Confucius, Canton1860
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Temple in the Tartar Quarter, Canton1860
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Name Hui Tuk Kung, Canton1860
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Chinese Merchant's House, Canton1860
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East Street from the Treasury, Canton1860
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Interior of Pehtang Fort Showing the Magazine and Wooden Gun1860
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Confucius, Canton1860
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Entrance to Treasury, Canton1860
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Interior of the Angle of North Fort1860
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Five Genii Temple from the Name Hui Tuk Kung, Canton1860
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Mohammedan Mosque, Canton1860
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Arch in the Lama Temple Near Pekin1860
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Exterior of the Tomb at the Depot Near Pekin, October 18601860
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Imperial Winter Palace Pekin1860
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Tibetan Monument in the Lama Temple, Pekin1860
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Treasury Street, Canton1860
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Interior of the Tomb at the Depot Near Pekin, October 18601860
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Architectural View of the Lama Temple Near Pekin1860
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Street and Shops in the Tartar City of Pekin, October 18601860
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The Great Imperial Porcelain Palace, Yuen Ming Yuen, Pekin1860
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Interior of the North Fort Showing the Chinese Encampment1860
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First View Seen in Pekin taken from Anting Gate1860
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Part of the Entrance to the Lama Temple, Near Peking1860
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Exterior of North Fort Showing English Entrance1860
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Nine Storied Pagoda and Tartar Street, Canton1860
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Arch to the Memory of Virtuous Women, Tartar Quarter, Canton1860
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Entrance of the Five Genii Temple, Canton1860
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Shops and Street, Chinese City of Peking1860
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Five Storied Pagoda, Canton1860
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Top of the Wall from Anting Gate. Pekin Taken Possession by English and French Troops1860
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Mosque Near Pekin Occupied by the Commander in Chief and Lord Elgin1860
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The Great Imperial Palace Yuen Ming Yuen Before the Burning, Pekin1860
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Tomb near Palichiao, the Scene of the Commencement of the Attack on September 21st1860
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View of the Summer Palace Yuen Ming Showing the Pagoda Before the Burning, Pekin1860
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Sacred Temple of Heaven Where the Emperor Sacrifices Once a Year in the Chinese City, Pekin1860
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Interior of the Angle of North Fort Immediately after the Capture1860
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Pagoda Up in the Hill of Summer Palace Yuen Ming Yuen, Pekin, October 18th, 18601860
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Interior and Arches of the Temple of Heaven, Where the Emperor Sacrifices Once a Year in the Chinese City of Peking1860
#3 Carved Tomb at the Depot Near Pekin, The Place Where the Guns and Ammunition was (sic) Left When the Army Marched to Pekin
#6 Commissioner's Yamun, Canton
#18 Interior of Pehtang Fort Showing the Magazine and Wooden Gun
#31 Street and Shops in the Tartar City of Pekin, October 1860
#36 Exterior of North Fort Showing English Entrance
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
Az oldalon található, Beato Felice által alkotott, dátummal ellátott eredetiek 1860 éve készültek: íme őket, a leghíresebbeket előnegyenként.
Váasszon egy évet az eredetiek megtekintéséhez.
The scene unfolds at Pehtang Fort in China, a moment frozen in 1860. In "Head Quarter Staff, Pehtang Fort," Felice Beato and Henry Hering capture the presence of military personnel stationed within this fortification. The air feels heavy with the weight of the Second Opium War, as the soldiers occupy the earthen ramparts and the spaces around the heavy artillery. It is a direct glimpse into the organized movement of…
További alkotások 1860
#2 Arch in Confucius Temple, Canton
#3 Carved Tomb at the Depot Near Pekin, The Place Where the Guns and Ammunition was (sic) Left When the Army Marched to Pekin
#4 Chinese Theatre, Canton
#5 East Street from Yamun, Canton
#6 Commissioner's Yamun, Canton
#7 Five Genii Temple, Canton
#8 Head Quarter House, 1st Division, Pehtang, China
#9 Temple in North Street, Canton
#10 Bridge in Confucious Temple, Canton
#11 Name Hui Kung Temple, Canton
#12 Temple in Tartar Quarter, Canton
#13 Temple of Confucius, Canton
#14 Temple in the Tartar Quarter, Canton
#15 Name Hui Tuk Kung, Canton
#16 Chinese Merchant's House, Canton
#17 East Street from the Treasury, Canton
#18 Interior of Pehtang Fort Showing the Magazine and Wooden Gun
#19 Confucius, Canton
#20 Entrance to Treasury, Canton
#21 Interior of the Angle of North Fort
#22 Five Genii Temple from the Name Hui Tuk Kung, Canton
#23 Mohammedan Mosque, Canton
#24 Arch in the Lama Temple Near Pekin
#25 Exterior of the Tomb at the Depot Near Pekin, October 1860
Head Quarter Staff, Pehtang Fort (1860). Ezt követi Arch in Confucius Temple, Canton (1860) és Carved Tomb at the Depot Near Pekin, The Place Where the Guns and Ammunition was (sic) Left When the Army Marched to Pekin (1860).
28 éves: Head Quarter Staff, Pehtang Fort 1860-ből származik, Beato Felice pedig 1832-ben született.
Head Quarter Staff, Pehtang Fort, Arch in Confucius Temple, Canton, Carved Tomb at the Depot Near Pekin, The Place Where the Guns and Ammunition was (sic) Left When the Army Marched to Pekin, Chinese Theatre, Canton, East Street from Yamun, Canton, Commissioner's Yamun, Canton, Five Genii Temple, Canton, Head Quarter House, 1st Division, Pehtang, China, Temple in North Street, Canton és Bridge in Confucious Temple, Canton. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 50 mű található Beato Felice alkotótól.
1860 alatt: a jelen laphonon található 50 műből 50 készült ebben az időszakban, köztük Head Quarter Staff, Pehtang Fort.
Architecture (31), Temple (17) és Roof (16), a jelen oldalon található 50 műművészeti alkotás között.
Photography, a jelen oldalon található 50 műből 25 darab esetén.
Orientalist, ezen az oldalon található eredetiek alapján.
