Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 201 mű Émile Bernard alkotása a katalógusunkban
Röviden
Émile Bernard hagyatékából a leghíresebb alkotás Iron Bridges at Asnières (1887), amely a New York városi MoMA - Museum of Modern Art gyűjteményében található. Röviddel ezután követik őket Portrait of Marie Lemasson (1892) és Self-Portrait 1918 (1919). Katalógusunkban 201 mű található Émile Bernard alkotótól; a galéria megőrizte a világ által leginkább csodált 100 darabot, melyeket a dátummal, a múzeummal és a történetükkel együtt mutatunk be.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
Buckwheat Harvesters at Pont Aven is an oil on canvas work by Émile Bernard, executed in 1888. The piece captures a scene of buckwheat harvesting within a rural landscape, focusing on the labor of women in the Brittany region. It is currently held at the Musée de Pont-Aven in Hastenparck.
In Après le bain (les nymphes), the artist Émile Bernard invites us into a quiet, secluded moment of repose. Three nude female figures occupy the scene, their bodies arranged in a way that suggests a lingering sense of intimacy. Based on the title, these women appear to be nymphs, mythical beings caught in a state of languid rest within a natural setting. The air feels still around them, as if…
The gaze of the subject meets the viewer in Portrait of a Black Woman, a work that captures a quiet, heavy stillness. Painted by Émile Bernard, this piece emerges from a period of intense creative exploration. It exists under the title Portrait of a Black Woman, though some records identify the work as Study Of A Mulatto Woman, 1895. This distinction offers a glimpse into how the subject is perceived…
The evening air feels heavy and alive in Night Festival, an oil painting by Émile Bernard. Created about 1888, this work captures a moment of communal celebration suspended in the dark. The scene pulls the viewer into a nocturnal gathering where the glow of light meets the deep shadows of the night. It is a piece that belongs firmly to the Post-Impressionist movement, marking a departure from the fleeting light…
The Harvest by Émile Bernard depicts a rural scene centered on agricultural labor. Within a field that slopes upward toward the top of the frame, several figures engage in the process of harvesting grain. Two figures are shown bending over the crop, while a third figure stands facing forward. The scene captures a moment of manual work in a landscape characterized by trees and harvested grain.
In this oil on canvas, titled Loving Couple, we encounter a significant expression of the Post-Impressionist movement. Painted by Émile Bernard in 1891, the work reflects a period of profound stylistic transition. It is a piece that captures a specific moment in the evolution of modern painting, moving away from the fleeting observations of light toward a more structured, symbolic approach to the subject.
The Harvest at Saint-Briac is a painting by Émile Bernard. Created about 1889, the work captures a specific moment of seasonal labor within a landscape. The canvas holds a quiet rhythm of human movement amidst the grain.
Portrait du père Tanguy1887 · Kunstmuseum Basel
12
Victorine Lelopin1891 · Ackland Art Museum
13
The Wave1892 · Ackland Art Museum
14
The Salon1890 · Dallas Museum of Art
15
Confirmand's Procession1891 · Davis Museum and Cultural Center
16
The Breton wrestlers1889
17
Portrait of Madeline, the Artist's Sister1889 · Art Museum at The University of Kentucky
18
Breton Girl with a Red Umbrella1888 · Museum of Fine Arts, Houston
19
Self-Portrait as a Troubadour1892 · Nemzetközi Nyugati Művészeti Múzeum
20
The Annunciation1890 · Thyssen-Bornemisza Múzeum
21
Inside a Shop in Pont-Aven1887 · Thyssen-Bornemisza Múzeum
22
The Artist's Grandmother1887 · Művészeti Múzeum, Boston
23
Woman Sitting in a Field: Brittany1890 · Van Gogh Múzeum
24
Symbolic Self-Portrait1891 · Musée d'Orsay
25
Portrait of my sister Madeleine1888 · Musée Toulouse-Lautrec
26
Gaulish apple pickers1892
27
Portrait de Madame Lemasson1891
28
Death of the Knight (La Mort du cavalier)1892
29
Woman in Profile1895
30
Three Women on the Banks of a River1895
31
Fellah Women at the Bath1900 · Musée des Beaux-Arts
32
Bathing Men1904 · Musée d'Unterlinden
33
Breton Women in a Ferry Boat1900 · San Diego Művészeti Múzeum
34
Toilet of Venus1911 · Musée des Beaux-Arts
35
Woman's Head1920 · Harvard Art Museums
36
Melancholy1935 · Musée d'Art Moderne de la Ville de Paris
37
Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941)1908 · Van Gogh Múzeum
38
Breton Women1940 · Musée d'Art Moderne de la Ville de Paris
39
Self-Portrait1888 · Barnes Foundation
40
Board decorated with tendrils and flowers1906 · Van Gogh Múzeum
41
Landscape at Pont-Aven with Poplars1888 · Musée de Pont-Aven
42
Still life with flowers in a jug1904 · Van Gogh Múzeum
43
The Adoration of the Shepherds1889 · Musée de Pont-Aven
44
Study for The Buckwheat Harvesters1888 · Musée de Pont-Aven
45
Breton Women with SeaweedIndianapolis Művészeti Múzeum
46
Funeral palls 11885 · Musée des Beaux-Arts de Quimper
47
Funeral palls 21885 · Musée des Beaux-Arts de Quimper
48
Houses in Pont-Aven1890 · Wallraf-Richartz Múzeum
49
Landscape, Saint-Briac1888 · Kelvingrove Art Gallery and Museum
50
Still Life with Fruit, Cup and Pitcher1888 · Des Moines Art Center
51
Two Breton women in a meadow1886 · Van Gogh Múzeum
52
Boy sitting in the grass1886 · Van Gogh Múzeum
53
Woman Walking on the Banks of the Aven1890 · Museum of Fine Arts, Houston
54
The Cliffs at Le Pouldu1887 · Thyssen-Bornemisza Múzeum
55
Still Life with Fruit1890 · Art Institute of Chicago
56
House Among Trees: Pont-Aven1888 · Van Gogh Múzeum
57
Vase with Flowers and Cup1887 · Van Gogh Múzeum
58
Landscape at Pont-Aven1889 · Van Gogh Múzeum
59
Still Life with Flowers1887 · Norton Simon Múzeum
60
Brittany Landscape1888 · Norton Simon Múzeum
61
Still Life with Jug1890 · Gothenburg Museum of Art
62
Still Life with Teapot, Apples and Dishes1892
63
Still Life with Pears on a White Tablecloth1891
64
Catalogue for the Van Gogh Exhibition at Le Barc de Boutteville and Lottery Ticket1891
65
Springtime1892
66
Woman at Saint-Briac1886
67
Landscape, Saint Briac1889
68
Orchard at Pont Aven1886 · Musée des Beaux-Arts de Quimper
69
Still Life with Fruit and Pitcher1896
70
Still Life with Grapes1893
71
Spanish street musician and his family1897
72
Landscape, Aix-les-Bains1904 · Hood Museum of Art
73
View of Castle in Semur1905 · Tokyo Fuji Art Museum
74
Jeune Fille Sur La Colline1904 · Fine Arts Museums of San Francisco
75
Parisian WomanNemzetközi Nyugati Művészeti Múzeum
76
2 men .... sitting in a cellar
77
Woman standing
78
On the boulevard
79
Working bretones
80
Mercury and Two Women
81
Apple picking
82
Bretons with umbrellas
83
Annunciation
84
Woman Sewing
85
Bearing apple
86
Death
87
Banquet Scene
88
Breton Peasant Women in a field
89
Street Scene
90
La Dame au Manchon (Woman with a Muff)
91
Sleep
92
Madeleine at the tree of lovePortland Art Museum
93
Study of bretons
94
Au bord de la Marne
95
Portrait of Paul Sérusier
96
The Archer
97
Christ Carrying the Cross with Saint Veronica near him
98
Bridge at Pont-AvenDallas Museum of Art
99
Portrait of a painter in a red robe
100
Nude with a plate of cherries
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Émile Bernard művei | Ebből a listából származó festmények |
|---|---|---|---|
 Van Gogh Múzeum |
Amszterdam | 11 | Self-Portrait 1918, Woman Sitting in a Field: Brittany, Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941) |
 Musée de Pont-Aven |
Hastenparck | 7 | Landscape at Pont-Aven with Poplars, The Adoration of the Shepherds, Study for The Buckwheat Harvesters |
 Thyssen-Bornemisza Múzeum |
Madrid | 4 | The Annunciation, Inside a Shop in Pont-Aven, The Cliffs at Le Pouldu |
 Musée des Beaux-Arts de Quimper |
Quimper | 4 | Funeral palls 1, Funeral palls 2, Orchard at Pont Aven |
 Wallraf-Richartz Múzeum |
Köln | 3 | Loving Couple, Houses in Pont-Aven |
 Dallas Museum of Art |
Dallas | 3 | The Salon, Bridge at Pont-Aven |
 Musée des Beaux-Arts |
Reims | 3 | Fellah Women at the Bath, Toilet of Venus |
 Ackland Art Museum |
Chapel Hill | 2 | Victorine Lelopin, The Wave |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
The scene unfolds within the frame of Iron Bridges at Asnières, a work that captures a specific moment in the evolution of modern painting. Created in 1887, this piece emerges from the creative energy of the late nineteenth century. The artist, Émile Bernard, moves away from the fleeting light of earlier movements to find a new way of seeing the world. This Post-Impressionist work marks a departure from simple observation,…
Marie Lemasson sits before the viewer, a quiet presence anchored in a sea of teal and seafoam green. Her gaze is direct, meeting the eye with a stoic, unblinking calm. She wears a pale lavender-white blouse that catches the diffused light, a soft contrast to the deep burgundy of her skirt. The background is a rhythmic arrangement of vertical stripes, creating a shallow space that pushes her figure forward. There…
The air feels heavy with the warmth of a filtered sun, casting a soft, diffused light over a scene of profound stillness. Three women occupy this tranquil space, their forms arranged in a gentle triangle that draws the eye through a landscape of soft curves and organic lines. On the left, a woman stands partially draped in white, her gaze meeting the viewer with a subtle, knowing smile. To the…
An intimate study of an aging artist, this oil on paper portrait captures a moment of profound introspection. The subject is positioned in a close-up view, his head and upper torso emerging from a deep, shadowed background. He holds a palette and brush, tools of his trade that anchor the composition in the act of creation. The lighting is highly directional, striking the face from the upper left and casting…
In this intimate portrait, Woman's Head by Émile Bernard presents a close-up bust view that invites a quiet, direct engagement. The subject is positioned at an eye-level perspective, creating an immediate sense of presence. Her face is tilted upward and slightly to the left, a subtle movement that directs the viewer's gaze toward her expressive eyes. This diagonal orientation provides a sense of movement within an otherwise still and contemplative…
In Melancholy, Émile Bernard turns his gaze toward a single, quiet subject. This oil portrait captures a woman, her form emerging from a heavy shroud of white fabric. She is positioned slightly off-center, her dark hair a stark contrast against the pale, voluminous folds draped over her shoulders. The light falls from the upper left, tracing the curve of her cheek and the weight of the cloth, while the rest…
Breton Women is an oil on canvas painting by Émile Bernard, executed about 1940. The work focuses on the cultural identity of Brittany through its specific subject matter. The figures are rendered in traditional attire, most notably the white coiffes that define the regional costume.
Iron Bridges at Asnières (1887), MoMA - Museum of Modern Art, New York. Ezután Portrait of Marie Lemasson (1892) és Self-Portrait 1918 (1919) következik.
19 éves: Iron Bridges at Asnières 1887-ből származik, Émile Bernard pedig 1868-ben született.
Iron Bridges at Asnières, Portrait of Marie Lemasson, Self-Portrait 1918, Buckwheat Harvesters at Pont Aven, Après le bain (les nymphes), Portrait of a Black Woman, Night Festival, The Harvest, Loving Couple és The Harvest at Saint-Briac. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 201 mű található Émile Bernard alkotótól, 1885 és 1940 év közötti időszakból.
Leginkább Van Gogh Múzeum (Amszterdam), Musée de Pont-Aven (Hastenparck) és Thyssen-Bornemisza Múzeum (Madrid) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1880s alatt: a jelen laphonon található 100 műből 29 készült ebben az időszakban, köztük Iron Bridges at Asnières.
Ezen az oldalon a leghitelesebb Funeral palls 1 (1885), a legutóbbi pedig Breton Women (1940).
Woman (17), Women (17) és People (11), a jelen oldalon található 100 műművészeti alkotás között.
Oil On Canvas, a jelen oldalon található 100 műből 27 darab esetén.
Post-impressionist synthetism, ezen az oldalon található eredetiek alapján.
Self-Portrait 1918, Woman Sitting in a Field: Brittany és Portrait of Andries Bonger (1861-1936), his wife Annie van der Linden and Emile Bernard (1868-1941): a Van Gogh Múzeum, Amszterdam 10 művet őrzi ezen az oldalon.
