Frissítve: október 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 47 mű Edward Steichen alkotása a katalógusunkban
Röviden
Edward Steichen hagyatékából a leghíresebb alkotás Le Tournesol (The Sunflower) (1920), amely a Washington városi National Gallery of Art gyűjteményében található. Röviddel ezután követik őket Behind-the-scenes photograph, Paying the Piper (1921) és Portrait, Osgood Perkins (1923). Katalógusunkban 47 mű található Edward Steichen alkotótól; a galéria megőrizte a világ által leginkább csodált 47 darabot, melyeket a dátummal, a múzeummal és a történetükkel együtt mutatunk be.
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…
To stand before this monochromatic document from 1921 is to step directly onto the dusty, exhilarating threshold of cinematic history. This photograph, capturing a behind-the-scenes moment from the production of 'Paying the Piper,' is far more than a mere record; it is an artifact imbued with the palpable energy of creation. One can almost hear the clatter of equipment and the hushed direction calls echoing across the makeshift set. The…
Edward Steichen’s 1923 photograph, "Portrait, Osgood Perkins," is not merely a picture; it is an immersion into the velvet depths of theatrical fantasy. This striking black and white studio portrait captures a moment suspended between life and myth. The subject, dramatically costumed as a vampire, stands in profile, his posture radiating an almost predatory elegance. Steichen masterfully uses the stark contrast inherent to early 20th-century photography to sculpt this figure…
To stand before Edward Steichen's Portrait of Clarence White is to step into a hushed moment suspended in time. This photograph is far more than a mere likeness; it is an immersion into the delicate landscape of introspection. The composition draws the viewer immediately into the intimate space shared between the artist and his subject. Clad in the soft, enveloping tones of monochrome, the portrait captures a man whose gaze…
Edward Steichen neve egy olyan művészi névvé vált, amely túlmutat egyszerű kategorizáláson. 1879-ben született Bivange városban, Luxemburgban, életének története egy különös utazás volt Európa gyökereitől az amerikai művészet egyik legnagyobb befolyásos alakjává – nem csak fotográfusként, hanem festőként, kurátorként és egy látványos gondolkodónak, aki megváltoztatta azt, ahogy érzünk a vizuális kultúrát. Az idő fiatal korában jelentős helyváltoztatást eszközölt; 1881-ben Steichen családja új lehetőségekért költözött Hancockba, Michigan államba, ahol a rézműanyagérc…
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…
This evocative piece captures not merely an event, but a monumental moment in human mythology—the parting of the Red Sea. The composition immediately plunges the viewer into a scene of overwhelming drama and divine intervention. One can almost hear the roar of the receding waters and feel the tension gripping the figures on the shore. It is a visual narrative rendered with epic scope, designed to transport the observer across…
This evocative lobby card for "Blood and Sand," dating back to 1922, transports the viewer directly into the passionate, sun-drenched melodrama of early cinema. It is more than just a promotional piece; it is a carefully constructed tableau vivant, capturing the very essence of cinematic yearning. The composition immediately draws the eye to the central figure—a man embodying the romantic archetype, dressed in attire suggestive of Spanish passion and drama.…
To gaze upon this lobby card for "Blood and Sand" is to step directly onto the vibrant, dramatic set of early cinema history. This piece is not merely a promotional artifact; it is a carefully constructed tableau vivant, capturing the raw energy and intoxicating allure that defined the silent film era. The composition immediately arrests the viewer with its bold chromatic choices—the passionate reds, the electric yellows, and the deep,…
In the realm of vintage visual culture, few images capture the whimsical essence of early cinema as effectively as this Preview slide for The Immigrant. This evocative piece serves as a window into a bygone era, presenting a delightful caricature of the legendary Charlie Chaplin in his most iconic role as the Tramp. The central figure is rendered with a charmingly exaggerated physicality; his oversized shoes, hat, and suit create…
Paul RobesonGeorge Eastman Múzeum
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Lobby card, The Love Special1921 · Museum of the Moving Image
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In Memoriam1906 · Denver Art Museum
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Lobby card, A Keleti Szél1921 · Museum of the Moving Image
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Studio Fotó készítése, Famous Players-Lasky, Hollywood, CA1922 · Museum of the Moving Image
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Sunflower1920 · George Eastman Múzeum
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Szövevényező fények1922 · Museum of the Moving Image
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Isadora Duncan in the Parthenon, Athens1921 · Toledo Művészeti Múzeum
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Lobby card, The Green Temptation1922 · Museum of the Moving Image
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Filmstill, Fotóvilágítás1921 · Museum of the Moving Image
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Nocturne, Temple d'Amour1910
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Film still, Experience1921 · Museum of the Moving Image
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Brequet Photographic Plane Brought Down in Flames, World War I1918
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Lobby card, Java Head1923 · Museum of the Moving Image
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Advertising slide, Paramount Pictures1915 · Museum of the Moving Image
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Herald, The Kid Brother1927 · Museum of the Moving Image
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Lobby card, The Blue Fox, Episode 101921 · Museum of the Moving Image
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Special message slide,1915 · Museum of the Moving Image
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Lobby card, The Man from Lost River1921 · Museum of the Moving Image
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The Lotus Screen, S.S.S1909
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Studio site photograph, Thomas H. Ince Studios, Culver City, CA1922 · Museum of the Moving Image
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Herald, Blood and Sand1922 · Museum of the Moving Image
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Portrait, Constance Talmadge1920 · Museum of the Moving Image
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Preview slide, Cleopatra1917 · Museum of the Moving Image
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Lady in a Flower Field1899
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The Little Round Mirror1901
37
Film still, Behind the Scenes1914 · Museum of the Moving Image
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Portrait, William Farnum1920 · Museum of the Moving Image
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Aerial Bombs Dropping on Montmedy, World War I1918
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Aerial View of Trenches1918 · New Orleans Museum of Art
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Film still, Footlights1921 · Museum of the Moving Image
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Jean Walker Simpson1923
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Film still, Puritan Passions1923 · Museum of the Moving Image
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Színházprogram, Orpheum Színház, Filadélfia, PA1915 · Museum of the Moving Image
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Aerial View of Trenches (37)1918 · New Orleans Museum of Art
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Behűvő tábla, Rosita1923 · Museum of the Moving Image
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Studio Fotó1922 · Museum of the Moving Image
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 6 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Edward Steichen művei | Ebből a listából származó festmények |
|---|---|---|---|
 Museum of the Moving Image |
Astoria | 32 | Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Érdekelő táblázat, A Fiú |
 Denver Art Museum |
Denver | 2 | Portrait of Clarence White, In Memoriam |
 George Eastman Múzeum |
Rochester | 2 | Paul Robeson, Sunflower |
 New Orleans Museum of Art |
New Orleans | 2 | Aerial View of Trenches, Aerial View of Trenches (37) |
 National Gallery of Art |
Washington | 1 | Le Tournesol (The Sunflower) |
 Toledo Művészeti Múzeum |
Toledo | 1 | Isadora Duncan in the Parthenon, Athens |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
In the quiet, amber-hued depths of Edward Steichen’s The Lotus Screen, S.S.S, we encounter a moment frozen in time, where the boundaries between painting and photography begin to blur into a singular, evocative vision. Created in 1909, this masterpiece captures a woman lost in a profound state of contemplation. Seated with her hands delicately pressed against her face, she creates a veil of privacy, shielding her inner world from the…
In this captivating artifact from July 1915, we are transported back to the dawn of the silver screen, an era where the magic of motion pictures began to weave itself into the very fabric of global culture. The cover of Motion Picture Magazine, volume 9, number 6, serves as more than just a periodical; it is a vibrant time capsule of early twentieth-century celebrity worship and artistic caricature. At its…
The eye meets a sudden, bright collision of color where a stylized sunflower rests against a fractured sky. A large, yellow disk dominates the center, its hue shifting from a pale canary to a deep, warm goldenrod as it moves toward a dark honey outline. At the very heart of this bloom, a pine-green circle sits nestled within a ring of celery green. The flower head appears propped over the…
Le Tournesol (The Sunflower) (1920), National Gallery of Art, Washington. Ezután Behind-the-scenes photograph, Paying the Piper (1921) és Portrait, Osgood Perkins (1923) következik.
20 éves: Le Tournesol (The Sunflower) 1920-ből származik, Edward Steichen pedig 1900-ben született.
Le Tournesol (The Sunflower), Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins, Portrait of Clarence White, Érdekelő táblázat, A Fiú, Fan magazine, Motion Picture Magazine, vol. 9, no. 6, Herald, The Ten Commandments, Lobby card, Blood and Sand, Lobby card, Blood and Sand és Preview slide, The Immigrant. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 47 mű található Edward Steichen alkotótól, 1909 és 1927 év közötti időszakból.
Leginkább Museum of the Moving Image (Astoria), Denver Art Museum (Denver) és George Eastman Múzeum (Rochester) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1920s alatt: a jelen laphonon található 47 műből 29 készült ebben az időszakban, köztük Le Tournesol (The Sunflower).
Ezen az oldalon a leghitelesebb The Lotus Screen, S.S.S (1909), a legutóbbi pedig Herald, The Kid Brother (1927).
Black and white (8), Photography (8) és Portrait (6), a jelen oldalon található 47 műművészeti alkotás között.
Black and White Photography, a jelen oldalon található 47 műből 8 darab esetén.
Pictorialism, ezen az oldalon található eredetiek alapján.
Behind-the-scenes photograph, Paying the Piper, Portrait, Osgood Perkins és Érdekelő táblázat, A Fiú: a Museum of the Moving Image, Astoria 32 művet őrzi ezen az oldalon.
