Röviden
A galéria szerint Copley Fielding leghíresebb festménye a Richmond hill, (1830). Ambelside, (1829) és Lake Nemi with Pontine Marshes in the Background (1837) kiegészítik azt a triót, amelyet minden szem felismer. A katalógusunkban szereplő 105 művész Copley Fielding alkotásából a galéria az alábbi 89 leghíresebbet mutatja be, amelyek mind egyedi originális művek, a készítés évszámával, a múzeum megnevezésével és a különlegességük leírásával.
A galéria top 10 Copley Fielding festménye
Copley Fielding festményei, 11. helyezéstől 89. helyezésig
A témák, amelyek Copley Fielding figyelmét meghúzták
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
Beach 11 alkotás
Landscape 9 alkotás
Animals 8 alkotás
A műemlékek, amelyek Copley Fielding eredeti műveit őrzik
A 4 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Copley Fielding művei | Ebből a listából származó festmények |
|---|---|---|---|
| Birmingham | 2 | Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains | |
| Sydney | 1 | Dunster Castle, sunset | |
| New Haven | 1 | A Scene On The Coast, Merionethshire | |
| 1 | William Gibbs |
Copley Fielding, egy aláírott festmény évtizedenként
Művek évtizedenként
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
Copley Fielding festményei: a galéria válaszai
Melyik Copley Fielding festmény a leghíresebb?Fedje fel a választ
Richmond hill, (1830). Ezt követi Ambelside, (1829) és Lake Nemi with Pontine Marshes in the Background (1837).
Hány éves volt Copley Fielding, amikor elkészítette a(t): Richmond hill,?Fedje fel a választ
43 éves: Richmond hill, 1830-ből származik, Copley Fielding pedig 1787-ben született.
Melyek Copley Fielding top 10 festménye?Fedje fel a választ
Richmond hill,, Ambelside,, Lake Nemi with Pontine Marshes in the Background, Scottish Loch With Mountains, Ubaldo and Carlo in the Enchanted Boat,, Byland Abbey,, A Herdsman With Cattle Above Rydal Water In The Lake District, Sunset, Sussex, Beached Fishing Vessels At Low Tide és Unloading the catch, whitby. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Hány műve született Copley Fielding nevére?Fedje fel a választ
Katalógusunkban 105 mű található Copley Fielding alkotótól, 1829 és 1851 év közötti időszakból.
Hol találhatóak Copley Fielding leghíresebb eredeti művei?Fedje fel a választ
Leginkább Birmingham Museum and Art Gallery (Birmingham), Art Gallery of New South Wales (Sydney) és Yale Center for British Art (New Haven) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
Mikor festette Copley Fielding le leghíresebb műveit?Fedje fel a választ
1830s alatt: a jelen laphonon található 89 műből 4 készült ebben az időszakban, köztük Richmond hill,.
Melyek Copley Fielding legkorábbi és legutóbbi híres művei?Fedje fel a választ
Ezen az oldalon a leghitelesebb Ambelside, (1829), a legutóbbi pedig Byland Abbey, (1851).
Mely témakörökkel foglaltaszkodott a legtöbbször Copley Fielding?Fedje fel a választ
Beach (11), Landscape (9) és Animals (8), a jelen oldalon található 89 műművészeti alkotás között.
Mely művészeti irányhoz tartozik Copley Fielding?Fedje fel a választ
Romanticism, ezen az oldalon található eredetiek alapján.
Mely Copley Fielding eredeti műveit őrzi a Birmingham Museum and Art Gallery?Fedje fel a választ
Lake Nemi with Pontine Marshes in the Background és Scottish Loch With Mountains: a Birmingham Museum and Art Gallery, Birmingham 2 művet őrzi ezen az oldalon.
Copley Fielding: a művész
The Visionary Brush of Anthony Vandyke Copley Fielding
In the golden age of British watercolor, few names resonate with as much elegance and technical prowess as Anthony Vandyke Copley Fielding. Born in 1787 in the industrious landscape of Sowerby, near Halifax, Fielding emerged from the rugged textures of Yorkshire to become a defining voice of the Victorian era. His life was a masterful composition of scientific precision and romantic sensibility, a duality that allowed him to capture not just the surface of the natural world, but its very soul. As a pupil of the esteemed John Varley, Fielding inherited a profound respect for the nuances of light and atmosphere, a foundation upon which he built a career that would eventually lead him to the presidency of the Royal Society of Watercolours.
Fielding’s artistic development was deeply intertwined with his intellectual pursuits. His time as a Fellow of Trinity College, Cambridge, provided him with a unique vantage point; here, the rigors of scientific inquiry met the fluidity of artistic expression. This intersection is perhaps most visible in his meticulous approach to anatomy and nature. Having engaged in the study of dissections, he brought an unparalleled understanding of structure to his work, whether rendering the powerful musculature of a subject in portraiture or the intricate skeletal details of flora and fauna. This scientific eye did not stifle his creativity but rather anchored it, allowing him to depict the elements—the crashing waves of a coastal storm or the gentle light of a sunset—with a realism that felt both grounded and transcendent.
A Mastery of Landscape and Marine Subjects
The breadth of Fielding’s oeuvre is nothing short of extraordinary, spanning from the tranquil valleys of the English Lake District to the dramatic, wind-swept coasts of Wales. He was a painter who understood the language of the weather. His landscapes often eschewed mere rustic charm in favor of an idealized, classical beauty inspired by the great Richard Wilson. In his hands, the British countryside became a stage for the sublime. One might find himself lost in the turbulent energy of A Scene on the Coast, Merionethshire - Storm Passing Off, where the tension between sea and sky is palpable, or find peace in the soft, luminous washes of his more pastoral views.
His fascination with marine subjects further solidified his reputation as a premier watercolorist. Fielding possessed a rare ability to capture the weight and movement of water, utilizing a sophisticated palette of inks, graphite, and watercolors to create depth and motion. His works often evoke a sense of profound openness, inviting the viewer to breathe in the salt spray or feel the sudden chill of an approaching gale. This mastery was not limited to the canvas; his influence extended into the realm of printmaking and teaching, where he shared his sophisticated techniques with a new generation of artists, ensuring that his legacy of atmospheric precision would endure.
Legacy and Historical Significance
The accolades bestowed upon Fielding during his lifetime serve as a testament to his standing among the giants of 19th-century art. His triumph at the Paris Salon of 1824, where he stood alongside luminaries such as John Constable and Richard Parkes Bonington, marked his arrival on the international stage. Furthermore, the high regard in which he was held by the influential critic John Ruskin underscores the lasting impact of his aesthetic vision. Fielding was more than a mere chronicler of scenery; he was an architect of atmosphere.
Today, the works of Anthony Vandyke Copley Fielding reside in some of the world's most prestigious institutions, including the Victoria & Albert Museum and the Yale Center for British Art. His contribution to the canon of British art remains significant because he bridged the gap between the meticulous observation of the Enlightenment and the emotive power of Romanticism. To look upon a Fielding painting is to witness a moment caught in the delicate balance between the tangible world and the infinite imagination, a legacy that continues to inspire collectors and art historians alike.








