Charles de Steuben portréja

A 19 legnevezesebb Charles de Steuben festmény, egy galériaválaszték

Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 19 mű Charles de Steuben alkotása a katalógusunkban

Röviden

Charles de Steuben hagyatékából a leghíresebb alkotás Portrait of Anna Benardaki (1844), amely a Szentpétervár városi Hermitaeus-múzeum gyűjteményében található. Röviddel ezután követik őket Portrait of Baron Alexander Stieglitz (1844) és Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850). Katalógusunkban 19 mű található Charles de Steuben alkotótól; a galéria megőrizte a világ által leginkább csodált 19 darabot, melyeket a dátummal, a múzeummal és a történetükkel együtt mutatunk be.

1788 – 1856, Bauerbach Romanticism A legtöbb mű: Hermitaeus-múzeum

Charles de Steuben legjobb 10 festménye: a galéria válogatása

1
Portrait of Anna Benardaki (1844) (1889) -ja Charles de Steuben

Portrait of Anna Benardaki

1844 · Oil · Hermitaeus-múzeum, Szentpétervár

The Portrait of Anna Benardaki is a formal mid-19th-century oil portrait that captures a woman seated upon a luxurious red velvet sofa. The composition is centered on the subject, presenting a medium shot that establishes an intimate yet formal connection with the viewer. Her attire consists of a luminous white and silver gown, detailed with intricate lace sleeves and flowing satin folds. This bright palette stands in sharp contrast to…

2
Portrait of Baron Alexander Stieglitz (1844) (1889) -ja Charles de Steuben

Portrait of Baron Alexander Stieglitz

1844 · Oil On Canvas · Hermitaeus-múzeum, Szentpétervár

The Portrait of Baron Alexander Stieglitz is a significant oil painting by the artist Charles Auguste Guillaume Steuben. Created in Russia around 1844, this work captures the likeness of Baron Alexander von Stieglitz, a man known for his influence as a Russian banker and philanthropist. The portrait offers a quiet study of a figure central to the social and economic fabric of the era.

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Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) (1889) -ja Charles de Steuben

Portrait of Alexander P. von Benckendorff (1819 – 1851)

1850 · Oil On Canvas · Hermitaeus-múzeum, Szentpétervár

The subject, Alexander P. von Benckendorff, is rendered in a three-quarter length pose, his gaze directed toward the viewer's left. He is dressed in a formal military uniform, a garment defined by sharp lines and heavy textures. The dark blues and blacks of his attire recede into a somber, atmospheric background, while the metallic sheen of buttons and braided cords catches the light. A draped cloak adds a sense of…

4
Portrait of a Young Woman (1843) (1889) -ja Charles de Steuben

Portrait of a Young Woman

1843 · Oil On Canvas · Hermitaeus-múzeum, Szentpétervár

A young woman leans against a cool stone balustrade, her presence filling the space with a quiet, luminous grace. She is caught in a moment of stillness, her body angled slightly away as she gazes out toward a horizon we cannot quite reach. A bright orange-red shawl drapes over her shoulders, providing a sharp, warm contrast to the crisp white lace of her gown. The light catches the delicate textures…

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Portrait of D.E. Benardaki (1844) (1889) -ja Charles de Steuben

Portrait of D.E. Benardaki

1844 · Oil On Canvas · Hermitaeus-múzeum, Szentpétervár

In this 1844 oil portrait, we find ourselves in the presence of D.E. Benardaki, a man whose seated posture suggests a life of intellect and quiet authority. The composition is a formal, three-quarter length view, placing the subject slightly off-center to create a sense of balanced movement. He is positioned within a scholarly environment, seated beside a desk where writing implements rest, hinting at a mind preoccupied with thought or…

6
Portrait of Countess Yulia Stroganova (1848) (1889) -ja Charles de Steuben

Portrait of Countess Yulia Stroganova

1848 · Oil On Canvas · Hermitaeus-múzeum, Szentpétervár

The Portrait of Countess Yulia Stroganova is an oil on canvas painted by Charles de Steuben in 1848. The subject, also identified as Julia Stroganova, is presented in a three-quarter length pose. She sits slightly off-center, her presence defined by the quiet weight of her station. She is a lady and a bride, captured in a moment of poised stillness.

A Charles de Steuben válogatás folytatódik: 11 – 19

A témák, amelyek Charles de Steuben figyelmét meghúzták

A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.

A műemlékek, amelyek Charles de Steuben eredeti műveit őrzik

A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

Múzeum Város Charles de Steuben művei Ebből a listából származó festmények
Hermitaeus-múzeum, SzentpétervárHermitaeus-múzeum Szentpétervár 7 Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851)
Palais des Beaux-Arts de Lille, LillePalais des Beaux-Arts de Lille Lille 2 Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband, Marquise de Béthisy as an Orientalist
Carnavalet Museum, ParisCarnavalet Museum Paris 1 Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist
Musée Victor Hugo, PárizsMusée Victor Hugo Párizs 1 Sketch for the painting "La Esmeralda and her goat"
Versaillesi Királyi Opera, VersaillesVersaillesi Királyi Opera Versailles 1 Anne d'Autriche, reine de France
Château de Versailles, VersaillesChâteau de Versailles Versailles 1 Louis IV, King of France
Napoleon museum ArenenbergNapoleon museum Arenenberg 1 The Death of Napoleon
Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 1 Battle of Poitiers, 25 October 732

Charles de Steuben évtizede folgtva: az eredeti művek, amelyek meghatározzák az egyes korzakot

Művek évtizedenként

Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.

Gyűjtői kérdések Charles de Steuben festményeivel kapcsolatban

Melyik művel a(z) Charles de Steuben a leghíresebb?Fedje fel a választ

Portrait of Anna Benardaki (1844), Hermitaeus-múzeum, Szentpétervár. Ezután Portrait of Baron Alexander Stieglitz (1844) és Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850) következik.

Hány éves volt Charles de Steuben, amikor a Portrait of Anna Benardaki készült?Fedje fel a választ

56 éves: Portrait of Anna Benardaki 1844-ből származik, Charles de Steuben pedig 1788-ben született.

Melyek a tíz leghíresebb Charles de Steuben festmény?Fedje fel a választ

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz, Portrait of Alexander P. von Benckendorff (1819 – 1851), Portrait of a Young Woman, Portrait of D.E. Benardaki, Portrait of Countess Yulia Stroganova, Mercury Putting Argus to Sleep, Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist, Sketch for the painting "La Esmeralda and her goat" és Joan the Mad Waiting for the Resurrection of Philip the Handsome Her Husband. A fenti rangsor a művek évszamarát és a múzeumát jelzi.

Hány festményet hagyott hátra Charles de Steuben?Fedje fel a választ

Katalógusunkban 19 mű található Charles de Steuben alkotótól, 1800 és 1850 év közötti időszakból.

Mely múzeumokban állnak Charles de Steuben remekművei?Fedje fel a választ

Leginkább Hermitaeus-múzeum (Szentpétervár), Palais des Beaux-Arts de Lille (Lille) és Carnavalet Museum (Paris) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.

Mely években festette Charles de Steuben leghíresebb műveit?Fedje fel a választ

1830s alatt: a jelen laphonon található 19 műből 9 készült ebben az időszakban, köztük Portrait of Edme Champion, known as the "man in the small blue cloak" (1764-1852), philanthropist.

Mikszétek az első és az utolsó híres eredeti műve a(z) Charles de Steuben alkotótól?Fedje fel a választ

Ezen az oldalon a leghitelesebb The Death of Napoleon (1800), a legutóbbi pedig Portrait of Alexander P. von Benckendorff (1819 – 1851) (1850).

Milyen témaköröket választott leggyakrabban Charles de Steuben?Fedje fel a választ

Woman (3), Man (3) és Lace (2), a jelen oldalon található 19 műművészeti alkotás között.

Melyik technikát alkalmazta leggyakrabban Charles de Steuben?Fedje fel a választ

Oil On Canvas, a jelen oldalon található 19 műből 5 darab esetén.

Mely művészeti irányba tartozik Charles de Steuben?Fedje fel a választ

Romanticism, ezen az oldalon található eredetiek alapján.

Mely Charles de Steuben művei láthatóak a Hermitaeus-múzeum kiállتításán?Fedje fel a választ

Portrait of Anna Benardaki, Portrait of Baron Alexander Stieglitz és Portrait of Alexander P. von Benckendorff (1819 – 1851): a Hermitaeus-múzeum, Szentpétervár 7 művet őrzi ezen az oldalon.

Charles de Steuben: életmű és életút

A Life Forged in the Shadows of Empires

Born into the nobility of the German Duchy of Württemberg, the life of Charles Auguste Guillaume Steuben was never destined for a quiet existence. His early years were defined by movement and the grandeur of shifting borders, moving from his birthplace to the imperial splendor of Saint Petersburg at the tender age of twelve. It was within the hallowed halls of the Imperial Academy of Arts that the young student first began to grasp the language of light and shadow, studying drawing under the watchful eyes of Russian masters. This formative period in Russia, shaped by the social connections of his father—a captain in Russian service—provided a unique cosmopolitan foundation. As he transitioned from the Russian court to the artistic epicenter of Paris, Steuben carried with him a perspective that was both deeply European and profoundly observant, preparing him for a career that would bridge the gap between the Napoleonic era and the Second Empire.

The Echo of Schiller and the Romantic Flame

Steuben’s artistic identity was not merely a product of formal training at the École des Beaux-Arts under luminaries like Jacques-Louis David and Pierre-Paul Prud'hon; it was ignited by the literary fire of Friedrich Schiller. The poet's ideals of individual liberty and free self-determination became the heartbeat of Steuben’s Romantic sensibility, instilling in him a belief that art should reflect the internal struggle for freedom. His style emerged as a dramatic interplay of expressive brushstrokes and a vivid, emotive palette, designed to capture the turbulent spirit of an age defined by revolution and restoration. He mastered the ability to blend meticulous observation with an imaginative, almost theatrical interpretation of history.

  • Philosophical Roots: The profound influence of Friedrich Schiller’s political ideals on his Romantic vision.
  • Academic Pedigree: Refined training under the masters of French Neoclassicism and lithography.
  • Thematic Depth: A focus on historical narratives that emphasized psychological insight and emotional fervor.

Chronicles in Color and Chiaroscuro

The true mastery of Steuben lay in his ability to weave meticulous historical detail with a cinematic sense of drama. He was a storyteller who utilized the technique of chiaroscuro to pull figures from the darkness, lending them a monumental presence that commanded the viewer's attention. In his celebrated work, The Death of Napoleon, one finds a hauntingly intimate glimpse into the twilight of a legend, where the grandeur of empire meets the stark reality of mortality on Saint Helena. Similarly, his Battle of Poitiers serves as a powerful testament to historical resilience, utilizing vibrant color and dynamic composition to depict the decisive clash between Charles Martel and Abd al-Rahman III. Through both painting and lithography, Steuben left behind a legacy that remains a vital window into the soul of nineteenth-century Europe, capturing the very essence of the Romantic era.