Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 21 mű Bernice Cross alkotása a katalógusunkban
Röviden
A galéria szerint Bernice Cross leghíresebb festménye a Black Pitcher (1944), amelynek eredeti példája a The Phillips Collection múzeumában található, Washington, D.C. városában. Melon Vendor (1934) és Sancho Panza (1938) kiegészítik azt a triót, amelyet minden szem felismer. A katalógusunkban szereplő 21 művész Bernice Cross alkotásából a galéria az alábbi 21 leghíresebbet mutatja be, amelyek mind egyedi originális művek, a készítés évszámával, a múzeum megnevezésével és a különlegességük leírásával.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
The oil on canvas titled Circus People Resting is a work by Bernice Cross. This piece was created ca. 1933-1943. It measures 24 x 177–8in. (61.0 x 45.5 cm.).
Pansies1936 · The Phillips Collection
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ShowerThe Phillips Collection
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Land of Cotton1938 · The Phillips Collection
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Georgetown Corner in the Rain1934 · Smithsonian American Art Museum
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Strawberry Basket1943 · The Phillips Collection
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Pink Lemonade1941 · The Phillips Collection
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The Little Dove's Stove1940 · The Phillips Collection
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Pansies and Pitcher1948 · The Phillips Collection
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Winter Light1951 · The Phillips Collection
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Royal Figure1953 · The Phillips Collection
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Key Rack1949 · The Phillips Collection
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 2 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Bernice Cross művei | Ebből a listából származó festmények |
|---|---|---|---|
 The Phillips Collection |
Washington, D.C. | 18 | Black Pitcher, Sancho Panza, Seaside |
 Smithsonian American Art Museum |
Washington, D.C. | 3 | Melon Vendor, Circus People Resting, Georgetown Corner in the Rain |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
In this oil on canvas work titled Melon Vendor, the artist Bernice Cross presents a scene from approximately 1934. The painting captures a specific moment within a cityscape, focusing on a street setting where the architecture appears domestic in nature. It is a composition centered on a figure group, specifically depicting an African American fruit seller engaged in their daily occupation.
A young woman sits in a moment of quiet reflection, her features softened by diffused light. The composition centers on her face, framed by the saturated crimson of an umbrella that rises behind her like a sudden bloom of color. Earthy tones of terracotta, ochre, and cream define the palette, creating a warm atmosphere that contrasts sharply with the dark, shadowy blacks of her hat's plumage. The perspective remains at…
Black Pitcher (1944), The Phillips Collection, Washington, D.C.. Ezután Melon Vendor (1934) és Sancho Panza (1938) következik.
32 éves: Black Pitcher 1944-ből származik, Bernice Cross pedig 1912-ben született.
Black Pitcher, Melon Vendor, Sancho Panza, Seaside, Paul Revere, Li Po, Stute Fish, Stone Angel, Ancestress és Circus People Resting. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 21 mű található Bernice Cross alkotótól, 1934 és 1953 év közötti időszakból.
Leginkább The Phillips Collection (Washington, D.C.) és Smithsonian American Art Museum (Washington, D.C.) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1940s alatt: a jelen laphonon található 21 műből 9 készült ebben az időszakban, köztük Black Pitcher.
Ezen az oldalon a leghitelesebb Melon Vendor (1934), a legutóbbi pedig Royal Figure (1953).
Woman (2) és Wood grain (2), a jelen oldalon található 21 műművészeti alkotás között.
Oil On Canvas, a jelen oldalon található 21 műből 3 darab esetén.
Black Pitcher, Sancho Panza és Seaside: a The Phillips Collection, Washington, D.C. 18 művet őrzi ezen az oldalon.
Bernice Cross was an American painter and artist born in Iowa City, United States. Throughout a professional career spanning five decades, she developed a style characterized by a sense of fantasy, humor, and a deceptive simplicity. Her work often balanced realism with abstraction, frequently employing a youthful, whimsical spirit that appeared childlike yet remained sophisticated in its composition and use of color. Her subject matter included genre paintings of circus people, characters from fairy tales, still lifes of flower arrangements, and portraits. In her later years, her portraits often took on a dark, almost monochrome quality, depicting figures within dreamlike, grey environments.
Technically, Cross was an adventurous experimentalist. She explored various surface textures, sometimes leaving parts of the canvas bare or building up layers of pigment with a brush and knife, occasionally adding mica or sand to her works. In one notable instance, she departed from traditional canvas or board to create a painting on velvet. Her ability to organize elements and utilize color contrasts allowed her to create an integrated whole, maintaining a recognizable signature throughout her evolving body of work.
Cross was an active participant in the Washington, D.C. art scene, exhibiting her work in numerous solo and group shows at venues such as the Phillips Gallery, the Corcoran Gallery, and the Whyte Gallery. Her work has been featured in collections including the Smithsonian American Art Museum and the Phillips Collection. Beyond her own practice, she was a dedicated art instructor. She taught at several institutions, including the Phillips Art School, the Washington Workshop Art Center, and the YMCA of Washington, D.C., and she also provided instruction at Hood College and American University.
