Bernard Accama portréja

A 46 legnevezesebb Bernard Accama festmény, egy galériaválaszték

Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 46 mű Bernard Accama alkotása a katalógusunkban

Röviden

Bernard Accama hagyatékából a leghíresebb alkotás Portrait painting of Frans Julius Johan Heringa van Eysinga (1710), amely a Leeuwarden városi Fries Museum gyűjteményében található. Röviddel ezután követik őket Portrait of Campegius Vitringa (Sr) (1722) és Portrait of Unknown Woman (1719). Katalógusunkban 46 mű található Bernard Accama alkotótól; a galéria megőrizte a világ által leginkább csodált 46 darabot, melyeket a dátummal, a múzeummal és a történetükkel együtt mutatunk be.

1696 – 1756, Burum A legtöbb mű: Fries Museum

Bernard Accama legjobb 10 festménye: a galéria válogatása

A Bernard Accama válogatás folytatódik: 11 – 46

11Portrait of Wisckjen van Scheltinga (1681-1760) (1728) (1889) -ja Bernard AccamaPortrait of Wisckjen van Scheltinga (1681-1760)1728 · Fries Museum 12Portrait of Hans Hendrik van Haersma ( -1757) (1731) (1889) -ja Bernard AccamaPortrait of Hans Hendrik van Haersma ( -1757)1731 · Fries Museum 13Portrait of Schelte van Heemstra ( -1733) (1727) (1889) -ja Bernard AccamaPortrait of Schelte van Heemstra ( -1733)1727 · Fries Museum 14Portrait painting of Cornelis van Scheltinga (1728) (1889) -ja Bernard AccamaPortrait painting of Cornelis van Scheltinga1728 · Fries Museum 15Portrait of a woman, probably Agatha Wilhelmina van Aylva (1690-1763) (1730) (1889) -ja Bernard AccamaPortrait of a woman, probably Agatha Wilhelmina van Aylva (1690-1763)1730 · Huis Zypendaal 16Portrait of a man, probably Hans Willem van Aylva (1722-1751) (1724) (1889) -ja Bernard AccamaPortrait of a man, probably Hans Willem van Aylva (1722-1751)1724 · Huis Zypendaal 17Portrait of Iskjen Catharina Bourboom (1744) (1889) -ja Bernard AccamaPortrait of Iskjen Catharina Bourboom1744 · Fries Museum 18Portrait of Iskjen Bruynsma (1740) (1889) -ja Bernard AccamaPortrait of Iskjen Bruynsma1740 · Fries Museum 19Double Portrait of a Gentleman and a Lady (1742) (1889) -ja Bernard AccamaDouble Portrait of a Gentleman and a Lady1742 · Fries Museum 20Portrait of Aafjen Bourboom (1744) (1889) -ja Bernard AccamaPortrait of Aafjen Bourboom1744 · Fries Museum 21Portrait of Maria Louise van Hessen-Kassel (1742) (1889) -ja Bernard AccamaPortrait of Maria Louise van Hessen-Kassel1742 · Fries Museum 22Bust Portrait of an Unknown Man (1744) (1889) -ja Bernard AccamaBust Portrait of an Unknown Man1744 · Fries Museum 23Portrait of Judith Willink (1679-1747) (1737) (1889) -ja Bernard AccamaPortrait of Judith Willink (1679-1747)1737 · Amsterdam Museum 24Portrait of Françoise Fanny Herbert (1710-1755), echtgenote van Jacques Isaac Bigot de Villandry (1738) (1889) -ja Bernard AccamaPortrait of Françoise Fanny Herbert (1710-1755), echtgenote van Jacques Isaac Bigot de Villandry1738 25Portrait of Magdalena van Scheltinga (1706-1750) (1737) (1889) -ja Bernard AccamaPortrait of Magdalena van Scheltinga (1706-1750)1737 · Fries Museum 26Portrait of Stadholder Willem IV (1740) (1889) -ja Bernard AccamaPortrait of Stadholder Willem IV1740 · Fries Museum 27Portrait of Epeus Wielinga (1702-1773) (1737) (1889) -ja Bernard AccamaPortrait of Epeus Wielinga (1702-1773)1737 · Fries Museum 28Portrait of a man, probably Hans Willem van Aylva (1722-1751) (1738) (1889) -ja Bernard AccamaPortrait of a man, probably Hans Willem van Aylva (1722-1751)1738 · Huis Zypendaal 29Maria Louise van Hessen-Kassel, Princess of Orange-Nassau (1688-1765). Spouse of Johan Willem Friso, Prince of Orange-Nassau (1748) (1889) -ja Bernard AccamaMaria Louise van Hessen-Kassel, Princess of Orange-Nassau (1688-1765). Spouse of Johan Willem Friso, Prince of Orange-Nassau1748 30Portrait of Ds. Hesseling (1755) (1889) -ja Bernard AccamaPortrait of Ds. Hesseling1755 · Fries Museum 31Portrait of Idske Mouter (1755) (1889) -ja Bernard AccamaPortrait of Idske Mouter1755 · Fries Museum 32Portrait of Unknown Man from the Burmania or Vegelin van Claerber Lineage (1754) (1889) -ja Bernard AccamaPortrait of Unknown Man from the Burmania or Vegelin van Claerber Lineage1754 · Fries Museum 33Portrait of Unknown Lady (1754) (1889) -ja Bernard AccamaPortrait of Unknown Lady1754 · Fries Museum 34Portrait of Marten Harinxma thoe Heeg (1746) (1889) -ja Bernard AccamaPortrait of Marten Harinxma thoe Heeg1746 · Fries Museum 35Portrait of Unknown Woman from the Burmania or Vegelin van Claerbergen Family (1754) (1889) -ja Bernard AccamaPortrait of Unknown Woman from the Burmania or Vegelin van Claerbergen Family1754 · Fries Museum 36Portrait of Hester Lucia de Laignier (1746) (1889) -ja Bernard AccamaPortrait of Hester Lucia de Laignier1746 · Fries Museum 37Portrait of Jon. Hans Willem van Camstra (1751) (1889) -ja Bernard AccamaPortrait of Jon. Hans Willem van Camstra1751 · Fries Museum 38Portrait of Maria Libora van Haersma (1740-1783) (1755) (1889) -ja Bernard AccamaPortrait of Maria Libora van Haersma (1740-1783)1755 · Fries Museum 39Portrait of a woman, possibly Ernestina Cornelia van Aylva (1720-?) (1750) (1889) -ja Bernard AccamaPortrait of a woman, possibly Ernestina Cornelia van Aylva (1720-?)1750 · Huis Zypendaal 40Portrait of a man, possibly of Ernst Lodewijk von Eberstein (?-? (1752) (1889) -ja Bernard AccamaPortrait of a man, possibly of Ernst Lodewijk von Eberstein (?-?1752 · Huis Zypendaal 41Portrait of Isabella Aurelia van Haersma (1744-1825) (1755) (1889) -ja Bernard AccamaPortrait of Isabella Aurelia van Haersma (1744-1825)1755 · Fries Museum 42Portrait of Johanna Geertruid Juliana van Sytzama (1756) (1889) -ja Bernard AccamaPortrait of Johanna Geertruid Juliana van Sytzama1756 · Fries Museum 43Portrait of Fecco Dominicus van Sytzama (1756) (1889) -ja Bernard AccamaPortrait of Fecco Dominicus van Sytzama1756 · Fries Museum 44Portrait of Pico Galenus van Sytzama (1756) (1889) -ja Bernard AccamaPortrait of Pico Galenus van Sytzama1756 · Fries Museum 45Portrait of Anna Clant van Hanckema (1756) (1889) -ja Bernard AccamaPortrait of Anna Clant van Hanckema1756 · Fries Museum 46Portrait of a girl, possibly a daughter from the second marriage of Martinus van Scheltinga (1756) (1889) -ja Bernard AccamaPortrait of a girl, possibly a daughter from the second marriage of Martinus van Scheltinga1756 · Fries Museum

A műemlékek, amelyek Bernard Accama eredeti műveit őrzik

A 3 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

Múzeum Város Bernard Accama művei Ebből a listából származó festmények
Fries Museum, LeeuwardenFries Museum Leeuwarden 37 Portrait painting of Frans Julius Johan Heringa van Eysinga, Portrait of Campegius Vitringa (Sr), Portrait of Unknown Woman
Huis Zypendaal, ArnhemHuis Zypendaal Arnhem 6 Portrait of a man, probably Hans Willem van Aylva (1695-1722), Portrait of a woman, probably Agatha Wilhelmina van Aylva (1690-1763), Portrait of a man, probably Hans Willem van Aylva (1722-1751)
Amsterdam Museum, AmsterdamAmsterdam Museum Amsterdam 1 Portrait of Judith Willink (1679-1747)

Bernard Accama évtizede folgtva: az eredeti művek, amelyek meghatározzák az egyes korzakot

Művek évtizedenként

Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.

Gyűjtői kérdések Bernard Accama festményeivel kapcsolatban

Melyik művel a(z) Bernard Accama a leghíresebb?Fedje fel a választ

Portrait painting of Frans Julius Johan Heringa van Eysinga (1710), Fries Museum, Leeuwarden. Ezután Portrait of Campegius Vitringa (Sr) (1722) és Portrait of Unknown Woman (1719) következik.

Hány éves volt Bernard Accama, amikor a Portrait painting of Frans Julius Johan Heringa van Eysinga készült?Fedje fel a választ

14 éves: Portrait painting of Frans Julius Johan Heringa van Eysinga 1710-ből származik, Bernard Accama pedig 1696-ben született.

Melyek a tíz leghíresebb Bernard Accama festmény?Fedje fel a választ

Portrait painting of Frans Julius Johan Heringa van Eysinga, Portrait of Campegius Vitringa (Sr), Portrait of Unknown Woman, Portrait of Tedt Sophia van Goslinga, Portrait of Gosewijn Theodoor van Coehoorn (1678-1737), Portrait of a man, probably Hans Willem van Aylva (1695-1722), Portrait of an Unknown Woman, Family Portrait of Court Architect Coulon, Portrait of Campegius Vitringa és Portrait of Martinus van Scheltinga (1666-1742). A fenti rangsor a művek évszamarát és a múzeumát jelzi.

Hány festményet hagyott hátra Bernard Accama?Fedje fel a választ

Katalógusunkban 46 mű található Bernard Accama alkotótól, 1710 és 1756 év közötti időszakból.

Mely múzeumokban állnak Bernard Accama remekművei?Fedje fel a választ

Leginkább Fries Museum (Leeuwarden), Huis Zypendaal (Arnhem) és Amsterdam Museum (Amsterdam) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.

Mely években festette Bernard Accama leghíresebb műveit?Fedje fel a választ

1750s alatt: a jelen laphonon található 46 műből 15 készült ebben az időszakban, köztük Portrait of Ds. Hesseling.

Mikszétek az első és az utolsó híres eredeti műve a(z) Bernard Accama alkotótól?Fedje fel a választ

Ezen az oldalon a leghitelesebb Portrait painting of Frans Julius Johan Heringa van Eysinga (1710), a legutóbbi pedig Portrait of Johanna Geertruid Juliana van Sytzama (1756).

Mely Bernard Accama művei láthatóak a Fries Museum kiállتításán?Fedje fel a választ

Portrait painting of Frans Julius Johan Heringa van Eysinga, Portrait of Campegius Vitringa (Sr) és Portrait of Unknown Woman: a Fries Museum, Leeuwarden 37 művet őrzi ezen az oldalon.

Bernard Accama: életmű és életút

The Legacy of Bernard Accama

In the golden twilight of the eighteenth century, the Dutch landscape was defined not only by its sweeping canals and industrious spirit but by a refined class of nobility seeking to immortalize their lineage through the brush. Among the most skilled hands of this era was Bernard Accama, an artist whose life and work became deeply intertwined with the Frisian elite. Born in the quiet province of Friesland around 1697, likely in the village of Burum, Accama emerged from a family of distinction; he was the son of Simon Accama, a local church minister, and Aeltje Boetes Nievelt. This upbringing in a scholarly and religious environment likely provided the foundational discipline required to master the intricate demands of historical and portrait painting.

Accama’s journey as an artist was one of both prestige and profound loss. Settling much of his life in Leeuwarden, he ascended to the heights of professional recognition, earning the trust of the highest echel m of Dutch society. His talent was such that he secured prestigious commissions from William IV, Prince of Orange, a feat that placed him at the very heart of political and social importance. As a portraitist, Accama possessed a unique ability to capture the dignity and character of his subjects, translating the status of the Frisian aristocracy into enduring visual legacies. His technical prowess was not merely a personal achievement but a familial one, as he served as both brother and instructor to the painter Matthijs Accama, fostering a small but significant lineage of artistic skill.

A Vanished Splendor

Despite the brilliance of his career, the historical record of Bernard Accama is marked by a poignant sense of absence. While his reputation as a master of portraiture and historical scenes was well-established during his lifetime, much of his physical oeuvre was tragically lost to the tides of history. The Revolution of 1795 brought about significant upheaval in the Netherlands, and in the chaos of this transformative period, many of Accama’s most significant works vanished. This loss creates a sense of mystery surrounding his complete body of work, leaving art historians to piece together his genius through surviving fragments and historical accounts.

What remains of his legacy allows us to glimpse the elegance of an era long passed. His ability to navigate the complexities of historical painting—a genre requiring deep knowledge of narrative and classical composition—alongside the intimate psychological depth of his portraits, marks him as a versatile master of the Dutch tradition. Though many of his canvases may no longer grace the halls of museums, the shadow of his influence persists in the study of Frisian art history, reminding us of a time when the brush was a powerful tool for defining identity, power, and the enduring human spirit.