Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 18 mű Robert William Buss alkotása a katalógusunkban
Röviden
A galéria szerint Robert William Buss leghíresebb festménye a The pifferari in front of the Madonna (1829). The Origin of Music (1845) és The Triumph of Music (1845) kiegészítik azt a triót, amelyet minden szem felismer. A katalógusunkban szereplő 18 művész Robert William Buss alkotásából a galéria az alábbi 17 leghíresebbet mutatja be, amelyek mind egyedi originális művek, a készítés évszámával, a múzeum megnevezésével és a különlegességük leírásával.
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The composition unfolds in a sweeping arc, designed to inhabit a curved space such as a lunette or ceiling. Within this semi-circular arrangement, a multitude of cherubic figures interact with symbolic animals and musical instruments. The scene is one of movement and celebration, where draped figures in shades of red, blue, and yellow engage in various musical activities. A lion rests on the left, adorned with floral garlands, while a…
In the vintage oil painting Masters Boydell Sidney Graves by Aurèle Robert, a quiet moment unfolds within an interior setting. The scene centers on two young children, a girl and a boy, who inhabit the space with a sense of stillness. The girl is positioned slightly to the left, her presence anchoring one side of the frame, while the boy sits upon a chair to the right. This arrangement creates…
In A Funeral Bearer by Aurèle Robert, the viewer is met with a quiet, centered portrait of a gentleman. The composition focuses entirely on the figure, which is presented within an oval frame that lends a sense of formality and isolation to the subject. He is dressed in full formal attire, including a black top hat, a tailcoat, a waistcoat, trousers, and boots. To complete his ensemble, he carries a…
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
John Cooper as Captain Mouth in 'The Bride of Ludgate' – A Baroque Vision of Dramatic Performance A stunning portrait by Robert William Buss captures the essence of theatrical grandeur, specifically embodied in John Cooper’s portrayal of Captain Mouth within ‘The Bride of Ludgate,’ a production originating from the University of Bristol Theatre Collection. Executed circa 1927, this artwork exemplifies Buss's mastery of Baroque and Rococo styles—a period characterized by…
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Robert William Buss művei | Ebből a listából származó festmények |
|---|---|---|---|
 Wimpole Hall |
2 | The Origin of Music, The Triumph of Music | |
 Theatre Royal |
Bath | 1 | Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook |
 Bristol University Museuma |
Bristol | 1 | John Cooper szerepe Kapitány Szájként az Ísző Ludgateában |
 Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 The Holburne Museum |
Bath | 1 | J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 |
 Guildhall Art Gallery |
London | 1 | The Crowd |
 Borough Museum - Art Gallery |
New South Wales | 1 | The Mock Mayor |
 Walker Art Gallery |
Liverpool | 1 | Scene from 'Don Juan' |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
The pifferari in front of the Madonna emerges from the brush of Aurèle Robert, a painter whose hand captures a quiet, devotional moment. This oil on canvas work, created about 1829, holds a vertical presence that draws the eye upward. The scene feels suspended in time, as if the musicians have just paused their melody to look toward something unseen.
In the vibrant tapestry of nineteenth-century performance art, few images capture the electric atmosphere of the stage as vividly as Robert William Buss’s 1831 masterpiece, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook. This captivating portrait serves as a window into the golden age of the British theatre, transporting the viewer directly to the Theatre Royal in Bath. The painting centers on the charismatic Benjamin Webster,…
The scene unfolds within a gentle arc, an arched composition that frames a lush and idyllic landscape. At the heart of this gathering, a group of cherubic figures clusters around a young figure. This central figure holds a lyre or a similar musical instrument, anchoring the movement of the surrounding crowd. The arrangement follows a soft, panoramic curve, drawing the eye through a gathering of celestial beings caught in a…
The pifferari in front of the Madonna (1829). Ezt követi The Origin of Music (1845) és The Triumph of Music (1845).
24 éves: The pifferari in front of the Madonna 1829-ből származik, Robert William Buss pedig 1805-ben született.
The pifferari in front of the Madonna, The Origin of Music, The Triumph of Music, Masters Boydell Sidney Graves, A Funeral Bearer, Benjamin Webster as Apollo Belvi in 'Killing No Murder' by Theodore Hook, John Cooper szerepe Kapitány Szájként az Ísző Ludgateában, J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833, J. B. Buckstone as Spado in 'The Castle of Andalusia' by John O'Keefe, Haymarket Theatre, 1833 és A Funeral Bearer. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 18 mű található Robert William Buss alkotótól, 1829 és 1847 év közötti időszakból.
Leginkább Wimpole Hall, Theatre Royal (Bath) és Bristol University Museuma (Bristol) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1840s alatt: a jelen laphonon található 17 műből 7 készült ebben az időszakban, köztük The Origin of Music.
Ezen az oldalon a leghitelesebb The pifferari in front of the Madonna (1829), a legutóbbi pedig The Crowd (1847).
Victorian era (3), Stage performance (3) és Sky (2), a jelen oldalon található 17 műművészeti alkotás között.
Oil On Canvas, a jelen oldalon található 17 műből 4 darab esetén.
The Origin of Music és The Triumph of Music: a Wimpole Hall 2 művet őrzi ezen az oldalon.
