Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 10 mű Antonio Badile Iii alkotása a katalógusunkban
Röviden
Antonio Badile Iii hagyatékából a leghíresebb alkotás Polyptych of the Four Crowned Saints, Simplicius (1552), amely a Verona városi Castelvecchio Museum gyűjteményében található. Röviddel ezután követik őket Portrait of an unknown woman (1550) és The Virgin and Child with Saint John the Baptist (1550). Katalógusunkban 10 mű található Antonio Badile Iii alkotótól; a galéria megőrizte a világ által leginkább csodált 10 darabot, melyeket a dátummal, a múzeummal és a történetükkel együtt mutatunk be.
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
In this 1550 oil on canvas, a pyramidal arrangement of figures emerges from a luminous, ethereal background. The Virgin Mary, the Christ Child, and Saint John the Baptist are positioned in an intimate, frontal perspective, creating a sense of immediate spiritual connection. A radiant glow emanates from behind the Virgin's head, casting a divine light that defines the contours of the figures while leaving the periphery in shadow. This use…
A middle-aged man emerges from a deep, indeterminate darkness, his form defined by a soft, directional light. He is positioned in a three-quarter view, gaze directed toward the left of the frame. The composition relies heavily on chiaroscuro, a technique where light and shadow define the volume of the face and the texture of the hands. A white collar provides a sharp point of contrast against the somber, dark drapery…
In the realm of Renaissance craftsmanship, few objects command attention quite like the Coffer of the Giusti Family with Stories of Virginia. This exquisite wedding chest, dating back to approximately 1400, serves as a breathtaking intersection of fine woodworking and classical storytelling. Crafted from sturdy fir wood using the meticulous dovetail joint technique, the piece is far more than a mere functional item; it is a portable stage for historical…
The figure of Claudius emerges from a heavy, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly, caught in a moment of solemn stillness. The light falls from an unseen source, casting deep shadows that define the volume of his anatomy and the architectural space around him. He is dressed in red clothing, a tunic or robe that catches the…
In the quietude of this panel, we encounter Nicostratus, a figure rendered with a profound sense of presence. He is depicted holding a bow and arrow, his hands steady upon the instrument, dressed in a deep green garment that anchors him within the composition. The setting is intimate, defined by the tactile quality of a brick-patterned wall and the suggestion of a doorway, creating a space that feels both enclosed…
In the heart of Verona, within the hallowed halls of the Castelvecchio Museum, resides a profound testament to the spiritual and artistic fervor of the mid-16th century. Antonio Badile III’s Polyptych of the Four Crowned Saints, Simphorianus is not merely a painting but a window into the soul of the Counter-Reformation. Created in 1552, this masterful oil on board captures the solemnity of Saint Simphorianus with a gravity that commands…
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
The triptych represent saints Cecilia, Tiburtius and Valerius in an original attempt on the part of the artist to absorb Renaissance artistic innovations, such as the perspective of the pavement and the marble parapet decorated with classical medallions, within the confines of a linear style that is still Gothic. The studio of the “Master of the Cespo di Garofano”, so-called for his habit of inserting carnation plants as decorative motifs…
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 3 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Antonio Badile Iii művei | Ebből a listából származó festmények |
|---|---|---|---|
 Castelvecchio Museum |
Verona | 7 | Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius |
 Museo del Prado |
Madrid | 1 | Portrait of an unknown woman |
 National Museum of Art, Architecture and Design |
Oslo | 1 | Portrait of a Musician |
Alig egy évtized alatt, 1550 és 1560 között, a világ minden dátumozott Antonio Badile Iii eredetije ebben a válogatásban: íme, év évre.
Váasszon egy évet az eredetiek megtekintéséhez.
The portrait presents a woman in a three-quarter length view, positioned slightly off-center against a dark, indistinct background. Her body is angled toward the left, while her gaze is directed forward to meet the viewer. The lighting originates from the upper left, casting soft shadows across the right side of her face and creating a chiaroscuro effect that defines the contours of her features. She wears a structured bodice and…
További alkotások 1550
The figure of Simplicius emerges from a deep, shadowed interior, his presence commanding the space with a quiet, heavy authority. He stands centrally, his body turned slightly to the left, caught in a moment of solemn stillness. In his right hand, he holds a set of scales, the metal catching a directional light that carves his form out of the darkness. A laurel wreath rests upon his head, a symbol…
További alkotások 1552
In the Book of Tobit the angel Raphael was invoked by Tobit, a just and poor man, to accompany his son Tobias to collect a credit of ten silver talents contracted ten years earlier. During the journey Raffaele showed Tobias the safest way and saved him more than once, without ever revealing himself as an angel, except at the end of the story. In the painting, the angel has already…
Polyptych of the Four Crowned Saints, Simplicius (1552), Castelvecchio Museum, Verona. Ezután Portrait of an unknown woman (1550) és The Virgin and Child with Saint John the Baptist (1550) következik.
34 éves: Polyptych of the Four Crowned Saints, Simplicius 1552-ből származik, Antonio Badile Iii pedig 1518-ben született.
Polyptych of the Four Crowned Saints, Simplicius, Portrait of an unknown woman, The Virgin and Child with Saint John the Baptist, Portrait of a Musician, Coffer of the Giusti Family with Stories of Virginia, Polyptych of the Four Crowned Saints, Claudius, Polyptych of the Four Crowned Saints, Nicostratus, Polyptych of the Four Crowned Saints, Simphorianus, Tobias and the Angel és Saints Cecilia, Tiburtius, Valerian. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 10 mű található Antonio Badile Iii alkotótól, 1550 és 1560 év közötti időszakból.
Leginkább Castelvecchio Museum (Verona), Museo del Prado (Madrid) és National Museum of Art, Architecture and Design (Oslo) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1552 alatt: a jelen laphonon található 10 műből 4 készült ebben az időszakban, köztük Polyptych of the Four Crowned Saints, Simplicius.
Ezen az oldalon a leghitelesebb Portrait of an unknown woman (1550), a legutóbbi pedig Tobias and the Angel (1560).
Man (4), Drapery (2) és Woman (2), a jelen oldalon található 10 műművészeti alkotás között.
Oil On Board, a jelen oldalon található 10 műből 3 darab esetén.
Renaissance, ezen az oldalon található eredetiek alapján.
Polyptych of the Four Crowned Saints, Simplicius, Coffer of the Giusti Family with Stories of Virginia és Polyptych of the Four Crowned Saints, Claudius: a Castelvecchio Museum, Verona 7 művet őrzi ezen az oldalon.
