The mocking of Christ
The light fades into the dark.
Röviden
The mocking of Christ (1699) az a Anthoni Schoonjans festmény, amely a legtöbb tekintetet felvonja; az eredeti mű a Kunsthistorisches Museum gyűjteményében található, Bécs. Ezután a tekintet The Apple of Eris (1690) és Portrait of an unknown lady (1690) elemre irányul. A Anthoni Schoonjans 15 műve közül a katalógusunkban megtalálható 15 legnépesebb alkotás, melyeket az év, a múzeum és az örökévalóságának okai kísérnek.
A 3 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Anthoni Schoonjans művei | Ebből a listából származó festmények |
|---|---|---|---|
| Munchen | 11 | The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27) | |
| Bécs | 2 | The mocking of Christ, Vestal virgins | |
| Berlin | 1 | Portrait of crown prince Frederick William as David with a sling |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
The light fades into the dark.
The mocking of Christ (1699), Kunsthistorisches Museum, Bécs. Ezután The Apple of Eris (1690) és Portrait of an unknown lady (1690) következik.
44 éves: The mocking of Christ 1699-ből származik, Anthoni Schoonjans pedig 1655-ben született.
The mocking of Christ, The Apple of Eris, Portrait of an unknown lady, Jacob blames Laban of his deception with Lea (Genesis 29:25-27), Girl with a bird, Self-portrait of Anthon Schoonjans (1655-1726), Narcissus admires his reflection in the water, Joseph and Potiphar's Wife, allegory on the dew és Elector Johann Wilhelm on Horseback. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 15 mű található Anthoni Schoonjans alkotótól, 1690 és 1716 év közötti időszakból.
Leginkább Bavári Állami Festırménygyűjtemények (Munchen), Kunsthistorisches Museum (Bécs) és Charlottenburg Palota (Berlin) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1690s alatt: a jelen laphonon található 15 műből 10 készült ebben az időszakban, köztük The mocking of Christ.
Ezen az oldalon a leghitelesebb The Apple of Eris (1690), a legutóbbi pedig Saint Elizabeth of Hungary Distributing Alms to the Poor (1716).
Oil, a jelen oldalon található 15 műből 2 darab esetén.
The Apple of Eris, Portrait of an unknown lady és Jacob blames Laban of his deception with Lea (Genesis 29:25-27): a Bavári Állami Festırménygyűjtemények, Munchen 11 művet őrzi ezen az oldalon.
Anthoni Schoonjans, also known by the nickname Parrhasius, was a Flemish painter born in Ninove. After receiving his training in Antwerp under Erasmus Quellinus II and Jan-Erasmus Quellinus, his career took him across much of Europe. His journey included stays in France, specifically Reims and Paris, and a significant period in Rome, where he resided with the flower painter Carel de Vogelaer. During his time in Rome, he joined the Bentvueghels, a society for Flemish and Dutch artists.
His international presence saw him serve as a court painter in several locations, including Copenhagen, Berlin, and Düsseldorf. In Vienna, he became a court painter to Emperor Leopold I and married the opera singer Maria Regina Schweizer. His travels also led him to Frankfurt am Main, Kassel, Hamburg, The Hague, Amsterdam, and England, where he painted the stairwell in Montagu House. He eventually returned to Vienna, spending his final years in Perchtoldsdorf before passing away in 1726.
The works of Anthoni Schoonjans encompassed a variety of genres, including:
His religious commissions included an altarpiece of the Martyrdom of St. Sebastian for St. Roch's Church and a Visitation of Mary for St. Stephen's Cathedral in Vienna. In Denmark, he was invited by the court to paint portraits of the royal family. While in Berlin, he was commissioned by Queen Sophie Charlotte to paint the ceiling, rooms, and galleries of Charlottenburg Palace. His portraiture also extended to figures such as the composer Giovanni Bononcini and Attilio Ariosti. In Düsseldorf, he painted the portrait of the Elector Johann Wilhelm and his wife.