Papírformátum

Művészeti útmutató diákoknak

Smutty

Név Osztály Dátum

Mapplethorpe Robert, Smutty (1982). Csak tájékozódási célból reprodukozva; minden jog fenntartva a jogtulajdonos részéről.

Főbb tények

Művész
Mapplethorpe Robert originaluniqueart.com/hu/artists/mapplethorpe-robert_hu/
A művész élete
1946 – 1989
Festmény
1982

Kontextusban

Smutty — Mapplethorpe Robert

Mikor készült ez a festmény?

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Row above: the year. Row below: the artist's age in that year.

Painted when the artist was 36. The artist lived to 43. 10 of the 24 dated works by this artist in our catalogue came earlier.

Árnyalva: Mapplethorpe Robert élettartama (1946–1989) ▲ ez a mű, 1982

First works: up to 1977 Main working years: 1977–1988 Late works: from 1988

Those three bands split the works this catalogue has a date for into a first quarter, a middle half and a last quarter. They are not the artist’s complete output: a thin stretch may be a gap in the record rather than a quiet spell.

Összehasonlítható műalkotások

  • Tulip, 1984 originaluniqueart.com/hu/art/robert-mapplethorpe-tulip-D92T5U-en/
  • Orchids, 1985 originaluniqueart.com/hu/art/robert-mapplethorpe-orchids-D92T7T-en/
  • Lily, 1984 originaluniqueart.com/hu/art/robert-mapplethorpe-lily-D4DBPZ-en/

Válasszon ki egy fentebb szereplő művet: nevezzen meg két olyan dolgot, ami közös vele ezzel a művel, és egy olyan dolgot, ami eltér közöttük.

További alkotások, amelyek mellé helyezhetők: originaluniqueart.com/hu/art/similar/robert-mapplethorpe-smutty-AQRLDS-en/

Színek

A képről mérve

    Fő színe

    Phthalo Green #171617

    Katalógusba került paletta

    • #171617
    • #464545
    • #B7B7B7
    • #7B7C7C
    Fő színszín
    Phthalo Green
    Intenzitás
    Monochromatic Mennyire telítettek és változatosak a színek, egyetlen visszafogott tónustól számos élénk színig.
    Kontraszt
    Bold Mennyire eltérnek a színek fényessége és telítettsége a kép különböző részein.
    Harmónia
    Balanced Harmony Mennyire harmonikusan együttműködnek a színek, az összeütközéstől a teljes egységesedésig.
    Fényerő
    Deep_shadow A kép teljes körű fényessége, a mély árnyékoktól a világos fényfülekig.
    Szaturáció
    Muted A színek rendkívül tiszta és erőteljesek, a szürkés árnyalatoktól a teljességig vibrálóak.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Mapplethorpe Robert over the last twelve months — 8 countries in all.

    The ten leading countries

    1. 1 Kína 34,5%
    2. 2 Olaszország 24,1%
    3. 3 Franciaország 13,8%
    4. 4 Brazília 10,3%
    5. 5 Németország 6,9%
    6. 6 Csehország 3,4%
    7. 7 Egyesült Királyság 3,4%
    8. 8 Amerikai Egyesült Államok 3,4%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 17 most looked-at works by Mapplethorpe Robert

    1. 1 Brian Ridley and Lyle Heeter, 1979 12,1%
    2. 2 Lily with Bud, 1989 9,1%
    3. 3 Orchid, 1985 9,1%
    4. 4 Orchids, 1985 9,1%
    5. 5 Robert Mapplethorpe 1970-1983 9,1%
    6. 6 Blue Rose, 1988 6,1%
    7. 7 Ajitto 6,1%
    8. 8 Tulip, 1984 6,1%
    9. 9 John McKendry, 1992 6,1%
    10. 10 Smutty, 1982 this painting 6,1%
    11. 11 Lily, 1984 3,0%
    12. 12 Robert Mapplethorpe 1970-1983 3,0%
    13. 13 Ajitto 3,0%
    14. 14 Philip Glass and Robert Wilson, 1976 3,0%
    15. 15 Self Portrait, 1988 3,0%
    16. 16 Grace Jones, 1984 3,0%
    17. 17 Lisa Lyon_9 3,0%

    Together these works take 100,0% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 31 works by this artist, of which 17 were looked at at least once. This painting ranks 10 of them, with 6,1% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Művész és múzeum

    Művész

    Mapplethorpe Robert

    Születési hely: Floral Park, Egyesült Államok

    A Life Forged in Form: The World of Robert Mapplethorpe

    Robert Mapplethorpe, a name inextricably linked to both breathtaking beauty and profound controversy, remains one of the most influential photographers of the 20th century. Born in Floral Park, New York, in 1946, his journey was not one of immediate artistic recognition but rather a gradual evolution fueled by experimentation, mentorship, and an unwavering commitment to exploring the boundaries of form and desire. Initially drawn to graphic arts at Pratt Institute, Mapplethorpe quickly found himself chafing against traditional academic constraints, ultimately leaving before completing his degree. This departure wasn’t a rejection of art itself, but a search for a medium that could more directly translate his burgeoning vision – a vision deeply influenced by artists like Joseph Cornell and Marcel Duchamp, whose embrace of the found object and conceptual play resonated with his own developing aesthetic sensibilities. These early years were marked by mixed-media collages, intricate assemblages born from salvaged materials and cut images, hinting at the formal precision and thematic concerns that would later define his photographic work.

    The Polaroid Genesis and a Creative Partnership

    The pivotal moment arrived with the acquisition of a Polaroid camera in 1970. This wasn’t merely a change in tools; it was a revelation. The immediacy of the Polaroid process allowed Mapplethorpe to bypass traditional darkroom techniques, focusing instead on composition, light, and shadow – elements that would become hallmarks of his style. Initially, these Polaroids were integrated into his collages, but they soon began to assert their independence, revealing a unique power in their stark black and white tonality. Simultaneously, a deeply significant relationship blossomed with poet and musician Patti Smith. Their connection, spanning from 1967 to 1972, was one of mutual artistic support and inspiration. Smith became a frequent subject for Mapplethorpe’s lens, her raw energy and bohemian spirit captured in images that possess an intimate vulnerability. This period wasn't just about romantic partnership; it was a crucible where both artists honed their craft, challenging each other to push creative boundaries. They shared a studio space, experimenting with visual and literary expression, creating a dynamic environment of artistic exchange.

    Mastering the Form: Style, Subjects, and Controversy

    Mapplethorpe’s photographic style is characterized by a rigorous formalism – an emphasis on composition, symmetry, and the interplay of light and shadow reminiscent of classical sculpture. He wasn't simply documenting his subjects; he was constructing them, elevating everyday objects and human forms to iconic status through meticulous technique. His subject matter was remarkably diverse: celebrity portraits featuring figures like Andy Warhol and Deborah Harry, exquisitely rendered floral still lifes – particularly orchids and calla lilies – and strikingly intimate self-portraits. However, it was his exploration of the BDSM subculture in 1970s and 80s New York City that ignited significant controversy. These images, unflinching in their depiction of sexuality and power dynamics, challenged conventional notions of taste and morality, sparking debates about censorship and artistic freedom. Mapplethorpe didn’t shy away from these controversies; he embraced them as an inherent part of his artistic practice, believing that art should provoke thought and challenge societal norms. He frequently referenced religious or classical imagery within his work, creating a compelling dialogue between contemporary subjects and historical art forms, further complicating interpretations and adding layers of meaning. The influence of artists like Duchamp is evident in Mapplethorpe’s deliberate use of everyday objects as artistic statements, elevating the mundane to the level of high art.

    Influences and Development

    Mapplethorpe's early work was profoundly shaped by several key influences. Joseph Cornell’s box constructions, with their carefully arranged found objects and symbolic imagery, instilled in him a fascination with assemblage and the creation of miniature worlds. Marcel Duchamp’s conceptual approach to art – challenging traditional notions of beauty and authorship – encouraged Mapplethorpe to question established artistic conventions. Furthermore, his exposure to the vibrant counterculture scene of 1960s New York, fueled by artists like Warhol and the burgeoning music scene, provided a fertile ground for experimentation and self-expression. He initially experimented with collage techniques, combining photographs, text, and other materials into layered compositions that reflected his interest in both visual and literary narratives. The transition to Polaroid photography marked a crucial turning point, allowing him to prioritize composition and light over the technical complexities of traditional darkroom processes.

    Legacy and Lasting Impact

    The mentorship of art curator Sam Wagstaff proved instrumental in Mapplethorpe’s career trajectory, providing crucial financial support and guidance during his formative years. Throughout the 1980s, Mapplethorpe exhibited extensively, gaining increasing recognition within the art world culminating in a major retrospective at the Whitney Museum of American Art in 1988 – a landmark achievement that solidified his position as a significant contemporary artist. However, this success was shadowed by controversy surrounding Robert Mapplethorpe: The Perfect Moment exhibition, which ignited fierce debates about public funding for art deemed obscene. Tragically, Mapplethorpe succumbed to AIDS in 1989, leaving behind a vast and complex body of work that continues to resonate today. Following his death, the Robert Mapplethorpe Foundation was established to preserve his artistic legacy, support medical research related to HIV/AIDS, and promote photography as an art form. His influence extends far beyond the realm of photography, impacting generations of artists with his bold exploration of sexuality, formalist approach, and unwavering commitment to pushing creative boundaries. Robert Mapplethorpe’s work remains a subject of ongoing discussion and analysis, cementing his place as one of the most – and often challenging – American artists of the 20th century. He elevated photography to a respected art form, proving that it could be more than just documentation; it could be sculpture, poetry, and provocation all rolled into one striking image.

    További információk

    Keresse online is

    QR-kód, amely a Smutty letöltési oldalára mutat

    originaluniqueart.com/hu/art/download/robert-mapplethorpe-smutty-AQRLDS-en/

    Ezen mű megidézése

    MLA
    Robert, Mapplethorpe. Smutty. 1982, https://originaluniqueart.com/hu/art/robert-mapplethorpe-smutty-AQRLDS-en/
    APA
    Robert, Mapplethorpe (1982). Smutty [Painting]. https://originaluniqueart.com/hu/art/robert-mapplethorpe-smutty-AQRLDS-en/
    Chicago
    Mapplethorpe Robert. Smutty. 1982. https://originaluniqueart.com/hu/art/robert-mapplethorpe-smutty-AQRLDS-en/
    Harvard
    Robert, Mapplethorpe (1982) Smutty. Available at: https://originaluniqueart.com/hu/art/robert-mapplethorpe-smutty-AQRLDS-en/

    Nézzen rá alaposan

    Smutty — Mapplethorpe Robert

    Tekintsünk rá közelebbről

    Válaszoljon saját szavaival. Nincsenek itt rossz válaszok – csak olyanok, amelyeket képes elmagyarázni.

    1. Mi hívja először fel a figyelmét, és miért?
    2. Mely színek vagy formák keltik ezt a hangulatot – és pontosan milyen ez a hangulat?
    3. Hány arcot találsz meg? ____ (a katalógusunk 1 darabot számol – te is így látod?)
    4. Nézzen vissza a guide korábbi részére, ahol a Tulip (1984) szerepel. Nevezzen meg két olyan dolgot, ami közös vele ezzel a művel, és egy olyanat, ami eltér tőle.
    5. Mapplethorpe Robert körülbelül 36 éves volt, amikor ezt elkészítette. Mi az a rész a műben, ami egy ilyen korú művész munkájára emlékeztet?

    Az Ön válasza

    Írjon egy rövid bejegyzést erről a műről az ebben az útmutatóban korábban szereplő adatok és a fenti válaszai alapján.

    Gyakran Ismételt Kérdések

    Miért van az, hogy a "Smutty" szerzői jogi állapota ilyen?

    Mapplethorpe Robert művészi alkotása, a "Smutty", még szerzői jogにより védi státuszban van. A szerzői jogi feltételeket a művész halálától számítják, Mapplethorpe Robert pedig 1989 évben hunyt meg.

    Megtekinthetném „Smutty”, Mapplethorpe Robert alkotása alkotást más megvilágítás mellett is?

    A „Smutty” rétegről rétegre vizsgálható a mű alkotásának X-Ray felvétel oldalán, amely egy restaurátori fényasztal alapján készült interaktív néző, és tizenegyi optikai rétegben mutatja be a képet.

    Vannak a „Smutty” alkotáshoz hasonló művek?

    A „Smutty”, Mapplethorpe Robert alkotása alkotással hasonló műwerkepek a műalkotás Hasonló műalkotások oldalán gyűjthetők össze.

    Ki készítette a(t): "Smutty"?

    A "Smutty" alkotását Mapplethorpe Robert készítette. Az ezen az oldalon található információk Mapplethorpe Robert eredeti művészetét mutatják be.

    Mennyi éves volt Mapplethorpe Robert, amikor megalkotta a "Smutty" alkotást 1982 årban?

    Amikor a "Smutty" alkotása 1982-ben készült, Mapplethorpe Robert – aki 1946-ben született – 36 éves volt.

    Mikor készült a(z) „Smutty”, Mapplethorpe Robert alkotása?

    A „Smutty”, Mapplethorpe Robert alkotása alkotása 1982-ben készült.

    Hol tudom letölteni a(t) „Smutty”, Mapplethorpe Robert alkotása?

    A „Smutty”, Mapplethorpe Robert alkotása letölthető a mű Letöltés oldaláról, magas felbontású digitális kép letöltés formátumban.