Papír

Művészeti útmutató diákoknak

St Jerome

Név Osztályzat Dátum

Paolo Veronese, St Jerome (1580), Gallerie dell’Accademia. Közösségi tulajdonú alkotás Megtekintheti ezt a vásznat mozgó fény mellett: a rajzot, a lakk alatti valódi színt, a tiszta pigmentet

A legfontosabb információk

Művész
Paolo Veronese originaluniqueart.com/hu/artists/paolo-veronese_hu/
A művész születési és halál ideje
1528 – 1588
Festett
1580
Műtermék típusa
Oil On Canvas
Eredeti méret
251 x 167 cm
Mozgalom
Baroque Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action.
Helyszín:
Gallerie dell’Accademia originaluniqueart.com/hu/museums/gallerie-dellaccademia-velence_hu/
Artistic style
Baroque
Influences
Titian
Notable elements or techniques
Illusionistic painting; Venetian style
Subject or theme
Religious iconography

Kontextusban

St Jerome — Paolo Veronese

Mekkora a méret?

Az eredeti mérete 251 × 167 cm (magasság × szélesség), amelyet itt egy átlagos magasságú felnőtt mellett ábrázoltunk. Túl nagy ahhoz, hogy ezen az oldalon méretarányosan ábrázoljuk.

Mikor készült ez a festmény?

  1. 1520
  2. 1530
  3. 1540
  4. 1550
  5. 1560
  6. 1570
  7. 1580
  8. 1590

Felső sor: az évek. Alsó sor: a művész kora az egyes időszakok elején és végén — 0 a születéskor, 60 a halálkor.

A művész 52 éves korában festve. A művész 60 napig élt. 202 a 255 dátummal ellátott mű közül, amelyeket erről a művésztől kínálunk katalógusunkban, korábban készült.

Árnyalva: Paolo Veronese élettartama (1528–1588) ▲ ez a mű, 1580 minden dátummal ellátott festmény, évtizedenként

Első művek: 1560-ig Pályafutásának főbb évei: 1560–1578 Késői művek: 1578 óta

Ezek a három sáv az ebben a katalógusban időpontokkal ellátott műveket első negyedre, közepes félre és utolsó negyedre osztják. Ezek nem alkotják a művész teljes életművét: egy vékonyabb szakasz inkább hiányt jelent a feljegyzésekben, mintsem egy csendesebb időszakot. Ugyanezek az évek, melyekbe a művész élete van beleágyazva

Összehasonlítás

Válasszon ki egy fentebb szereplő művet: nevezzen meg két olyan dolgot, ami közös vele ezzel a művel, és egy olyan dolgot, ami eltér közöttük.

További alkotások, amelyek mellé helyezhetők: originaluniqueart.com/hu/art/similar/paolo-veronese-st-jerome-8Y3LC7-en/

Színpaletta

A képről mérve

    Fő színe

    Gray #87706d

    Katalógusba került paletta

    • #87706D
    • #1D1313
    • #BEB7B7
    • #56372E

    Ezek a színek a művész teljes palettájában Keressen más festményeket színek alapján

    Fő szín megnevezése
    Gray
    Intenzitás
    Monochromatic A színek telítettsége és változatossága rendkívüli, az egyetlen visszafogott tónustól egészen a számos élénk színig terjed.
    Kontraszt
    Bold A színek fényessége és telítettsége mennyire tér el a kép különböző részein.
    Harmónia
    Softly Mixed Palette Mennyire harmonikusan együttműködnek a színek, az összeütközéstől a teljes egységesedésig.
    Fényerő
    Deep_shadow A kép teljes körű fényessége, a mély árnyékoktól a világos fényfülekig.
    Szaturáció
    Muted A színek rendkívül tiszta és erőteljesek, a szürkés árnyalatoktól a teljességig vibrálóak.

    Hol tekintik meg ezt a festményt a világon?

    • 1% alatt
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% és fele
    Ennek a festménynek magának túl kevés dokumentált látogatója van a térképezéshez, ezért a táblázat Paolo Veronese minden alkotását tartalmazza az elmúlt tizenkét hónapról — összesen 26 országban. Ezek a számok honnan származnak

    A tíz vezető ország

    1. 1 Kína 44,3%
    2. 2 Hong Kong 8,9%
    3. 3 Amerikai Egyesült Államok 8,3%
    4. 4 Románia 7,2%
    5. 5 Szingapúr 6,8%
    6. 6 Spanyolország 5,8%
    7. 7 Olaszország 5,8%
    8. 8 Franciaország 3,6%
    9. 9 Németország 2,4%
    10. 10 Görögország 1,6%
    11. · 16 egyéb országok 5,3%

    Keresd meg a térképen a három legsötétebb országot. Vajon valamelyikükben található az a múzeum, amely ezt a festményt őrzi? Írj le egy okot, amiért az ember távolról is kíváncsi lehet rá.

    A 20 legnézettebb műve Paolo Veronese-nak

    1. 1 Kána megjegyzése, 1563 5,0%
    2. 2 Lucretia, 1580 4,9%
    3. 3 The Wedding at Cana 4,4%
    4. 4 Dialectics, 1578 2,4%
    5. 5 Mennyezeti díszítés (részlet), 1578 2,4%
    6. 6 The Feast in the House of Simon the Pharisee, 1570 1,6%
    7. 7 Júpiszer Zúgolja a Zsákmányokat Vajakkal, 1554 1,6%
    8. 8 Marriage at Cana, 1571 1,4%
    9. 9 The Annunciation, 1578 1,4%
    10. 10 Baptism of Christ, 1561 1,4%
    11. 11 Alessandro Vittoria (1525–1608), 1580 1,3%
    12. 12 The Resurrection of Christ, 1570 1,3%
    13. 13 Ünnepélyesség 1,1%
    14. 14 A Canai házassági ünnepe (részlet) (12), 1563 1,1%
    15. 15 Vénus és Adonis, 1586 0,9%
    16. 16 The Family of Darius before Alexander (detail), 1565 0,9%
    17. 17 Mars és Vénusz a szerelem egyesíti, 1570 0,9%
    18. 18 Sts Mark and Marcellinus Being Led to Martyrdom (detail) (10), 1565 0,9%
    19. 19 Deposition of Christ, 1548 0,9%
    20. 148 St Jerome, 1580 ez a festmény 0,2%

    Ezek a művek együtt 36,0% figyelmet kaptak ennek a művésznek a festményeire az elmúlt tizenkét hónapban. A katalógus 366 alkotást tartalmaz ezen a művésztől, melyek közül 221-t legalább egyszer megtekintettek. Ez a festmény 148 helyet foglal el közöttük, az összes figyelem 0,2%-ával. Hasonló számok, hónapról hónapra

    A sávok a figyelmet mérik, nem a minőséget. Válaszd ki a lista elején lévő művet és ezt a következőt: nevezz meg egy olyan tényezőt, amely egy festmény híressé tehetje azon kívül, hogy milyen jól van megfestve.

    Rólunk ez a mű

    St Jerome — Paolo Veronese

    St Jerome in the Wilderness: A Venetian Visionary's Embrace of Serenity

    Paolo Veronese’s “St Jerome in the Wilderness,” completed around 1585–90, stands as a cornerstone of Venetian Renaissance art—a testament to Veronese’s unparalleled ability to capture both spiritual contemplation and visual grandeur. Executed during his prolific workshop years, this monumental painting transcends mere portraiture; it embodies an idealized vision of monastic asceticism bathed in the luminous glow of artistic innovation.

    The scene depicts St. Jerome, revered as the patron saint of hermits and translators, seated beneath a sprawling canopy—a deliberate architectural device that harkens back to classical precedents while simultaneously elevating the figure’s solitude to an almost theatrical level. The artist skillfully employs atmospheric perspective, layering shades of ochre and umber to create depth and convey the impression of a vast, sunlit landscape.

    Composition: Veronese’s masterful arrangement prioritizes balance and harmony. Jerome occupies the central axis, flanked by two attentive dogs—a recurring motif in Veronese's oeuvre—who gaze upon him with unwavering devotion. This duality reinforces the saint’s inner peace amidst external challenges.

    Technique: Veronese’s technique is characterized by meticulous glazing – applying thin layers of translucent pigment over underlying colors to achieve remarkable luminosity and vibrancy. The use of sfumato, a subtle blending of tones that softens contours and creates an ethereal haze, contributes significantly to the painting's serene atmosphere.

    Color Palette: Dominating the canvas is a rich tapestry of earthy hues—warm yellows, reds, and browns—harmoniously interwoven with cooler greens and blues. These colors evoke the tranquility of the wilderness and symbolize Jerome’s spiritual purity.

    Beyond its aesthetic beauty, “St Jerome in the Wilderness” carries profound symbolic weight. The desert landscape represents isolation and asceticism – a deliberate choice by Jerome to renounce worldly pleasures in pursuit of divine communion. The dogs serve as emblems of loyalty and faithfulness—companionship in solitude—reflecting the saint’s unwavering devotion to God.

    The painting's impact extends beyond its immediate visual appeal; it exemplifies Veronese’s commitment to elevating religious subjects through artistic excellence. It remains a captivating masterpiece, inviting viewers to contemplate themes of faith, contemplation, and the enduring power of art to convey spiritual truths—a timeless reflection on serenity and devotion.

    Historical Context: Venetian Renaissance Ideals

    Created during the High Renaissance in Venice – a period marked by artistic flourishing and humanist intellectualism – “St Jerome” aligns perfectly with prevailing cultural values. The patronage of influential families like Gonzaga fueled ambitious artistic endeavors, prioritizing grandeur and beauty alongside moral instruction. Veronese’s work embodies this ethos, demonstrating how art could inspire piety and elevate the human spirit.

    Further Research: Exploring St Jerome's Legacy

    For deeper insights into St Jerome’s significance in Christian iconography and artistic tradition, consult resources such as:

    Saint Jerome in the Wilderness | The Art Institute of Chicago

    St. Jerome Church

    Recommended Reproductions: Bringing Veronese's Vision Home

    High-quality reproductions of “St Jerome in the Wilderness” are available from reputable art dealers and online platforms, allowing collectors and interior designers alike to experience Veronese’s masterful artistry firsthand.

    Művész és múzeum

    Művész

    Paolo Veronese

    Született: Verona, Olaszország

    A Venetian Visionary: The Life and Art of Paolo Veronese

    Paolo Caliari, known to the world as Paolo Veronese, emerged from the vibrant artistic landscape of 16th-century Venice as a master of color, composition, and opulent spectacle. Born in Verona in 1528, the son of a stonecutter, his early life was steeped in the visual richness of his surroundings – the classical architecture, sculpted forms, and burgeoning humanist ideals that characterized the region. His initial training under Antonio Badile and Giovanni Francesco Caroto laid a foundation in traditional techniques, but it was his move to Venice in the 1550s that truly ignited his artistic genius. The city itself became his muse, its bustling marketplaces, grand palazzi, and shimmering waterways informing the scale and drama of his work. He quickly absorbed the influences of established Venetian masters like Titian, whose mastery of color profoundly impacted Veronese’s palette, yet he forged a distinct style characterized by an unparalleled sense of theatricality and grandeur.

    The Painter of Feasts and Grand Narratives

    Veronese's reputation rests upon his monumental paintings, particularly those depicting lavish feasts and biblical scenes transformed into dazzling displays of Venetian life. The Wedding at Cana, completed in 1563 for the Benedictine monastery of San Giorgio Maggiore, stands as a testament to his skill. This colossal canvas isn’t merely an illustration of the miracle; it's a vibrant panorama of 16th-century society, teeming with elegantly dressed figures, musicians, and architectural details rendered with breathtaking precision. The painting is not just about what happened at Cana but how it would have looked if it had occurred in Venice during Veronese’s time. He meticulously recreated the city's architecture, its canals, and its inhabitants, creating a believable and immersive scene that transports the viewer to another era. Similarly, The Feast in the House of Levi, originally titled The Last Supper, caused controversy with the Inquisition due to its inclusion of contemporary figures and a seemingly irreverent atmosphere. Veronese defended his artistic license, asserting that painters were entitled to the same creative freedom as poets and jesters – a bold statement reflecting his belief in art’s power to interpret and reimagine sacred narratives. These works weren't simply religious depictions; they were celebrations of life, wealth, and the splendor of Venice itself. He wasn’t interested in austere spirituality but rather in capturing the joy and abundance of existence. The figures are not idealized saints but recognizable members of Venetian society, adding a layer of realism and social commentary to the scene.

    Influences and Artistic Development

    While Titian’s influence on Veronese’s colorism is undeniable, his artistic development was a complex interplay of various influences. The architectural precision he brought to his compositions owes much to the classical tradition prevalent in Verona during his formative years, particularly the work of architects like Michele Sanmicheli. He also absorbed elements from Central Italian masters such as Raphael and Parmigianino, evident in the graceful lines and harmonious arrangements within his paintings. However, Veronese didn’t simply imitate these influences; he synthesized them into a uniquely Venetian style characterized by its dramatic use of light, vibrant color palettes, and meticulous attention to detail. He excelled at creating illusions of space and depth, employing perspective techniques to draw viewers into the heart of his elaborate scenes. His mastery of oil painting allowed him to achieve an unparalleled luminosity and richness of texture. He also ran a large workshop, with contributions from his brother Benedetto and sons Gabriele and Carlo, ensuring that his style continued to flourish even after his death in 1588.

    Major Achievements and Notable Works

    Veronese’s career was marked by numerous significant commissions and masterpieces. Beyond the monumental Wedding at Cana and Feast in the House of Levi, he created a series of altarpieces for Venetian churches, including works for the Scuola Grande di San Rocco and the Chiesa di Santa Maria Gloriosa dei Frari. His decoration of the library of S. Marco is considered one of his finest achievements, showcasing his mastery of illusionistic painting and architectural design. The Feast in the House of Levi, with its inclusion of contemporary figures and a playful depiction of the Last Supper, remains a particularly intriguing example of his artistic vision. His ability to seamlessly blend religious themes with secular elements—to portray biblical events within the context of Venetian life—established him as a truly unique and influential artist.

    The Wedding at Cana (1563) – Louvre Museum

    Feast in the House of Levi (1573) – Accademia Gallery, Venice

    Decorations for the Library of S. Marco (1556–57) – Venice

    Historical Significance and Legacy

    Paolo Veronese’s impact extends far beyond the realm of Renaissance art. His work has resonated through centuries, inspiring artists across various disciplines. His dramatic compositions and vibrant color schemes have been cited as influences on everything from Baroque painting to modern cinema—even finding echoes in the visual aesthetics of Spaghetti Westerns. He was part of the “great trio” of Venetian painters—alongside Titian and Tintoretto—each contributing uniquely to the city’s artistic legacy, yet Veronese often stands apart for his sheer exuberance and celebration of earthly pleasures. His paintings continue to captivate audiences with their grandeur and spectacle, offering a glimpse into the opulent world of 16th-century Venice. Veronese's legacy is a testament to his artistic genius, his ability to capture the essence of an era, and his enduring contribution to the history of art.

    Múzeum

    Gallerie dell’Accademia

    Kiállítva itt: Velence, Olaszország

    A Venetian Soul: Unveiling the Gallerie dell’Accademia

    Nestled within the labyrinthine heart of Venice, a stone's throw from the bustling Grand Canal yet offering an oasis of quiet contemplation, lies the Gallerie dell’Accademia – more than simply a museum; it’s a profound immersion into the very soul of Venetian art. Founded in 1750 as the academy for artists and sculptors that shaped this extraordinary city, its origins are deeply intertwined with Venice's illustrious past as a maritime republic and a global center of commerce and culture. Originally housed within the Scuola della Carità – a complex dating back to the 14th century and incorporating elements designed by the renowned architect Andrea Palladio – the gallery’s walls whisper tales of artistic patronage, political intrigue, and the enduring legacy of a city that once ruled the waves. Today, it stands as a testament to Venice’s commitment to preserving its artistic heritage, offering visitors a breathtaking journey through five centuries of Venetian painting, from the echoes of Byzantine influence to the vibrant brushstrokes of the late Baroque. The gallery isn't merely a repository of beautiful paintings; it’s a narrative unfolding across time, a living chronicle of Venice itself.

    The collection is a magnificent tapestry woven with the threads of Venetian history and artistic innovation. It begins with the profound impact of Byzantium on Venetian art – an influence that permeated early works by artists like Jacopo Bassano and his sons. Their canvases shimmer with a luminous palette, capturing the ethereal quality of light so characteristic of Venice, and employing an atmospheric perspective that foreshadowed the Renaissance. These weren’t simply depicting scenes; they were distilling the very spirit of the city onto canvas—the gondolas gliding through the canals, the masked balls in opulent palaces, the everyday rituals of a thriving mercantile society. The gallery then unfolds into the vibrant world of Bellini, Carpaccio, and Titian – masters who captured the essence of Venetian life, light, and color with unparalleled sensitivity. They skillfully blended religious iconography with humanist observation, creating images that resonate with both spiritual depth and artistic brilliance. The 16th century is truly dazzling, showcasing the dramatic compositions and theatrical lighting of Tintoretto and Veronese – artists who pushed the boundaries of perspective and narrative within their canvases, creating monumental works that dominate the gallery space. Tintoretto’s masterful use of chiaroscuro—the interplay between light and dark—transforms scenes into emotionally charged dramas, drawing viewers into the heart of Venetian society and religious fervor. Veronese's opulent frescoes celebrate Venetian grandeur and commemorate significant events with meticulous detail and vibrant color palettes.

    A City Reflected: Canaletto’s Urban Vision

    Moving into the 17th century, the collection reveals a Venice transformed – its canals, palaces, and bustling markets immortalized with meticulous detail and a keen eye for urban life. The works of Canaletto are particularly captivating; his panoramic views offer an intimate glimpse into the daily rhythm of Venetian existence, capturing not just architectural grandeur but also the subtle nuances of everyday life—merchants haggling in marketplaces, families enjoying leisurely meals, and citizens engaging in social gatherings. His painstaking realism – combined with a masterful understanding of atmospheric perspective – creates images that transport viewers directly to Venice’s vibrant streets and squares. The inclusion of works by Giorgione, Guardi, and Longhi adds layers of complexity to the Venetian artistic tradition, demonstrating the diverse influences that shaped this unique style. These artists weren't just documenting a city; they were shaping its image, preserving it for posterity through their art.

    Treasures Within Walls: Key Masterpieces

    While the entire collection is worthy of admiration, certain pieces command particular attention. Leonardo da Vinci’s “Vitruvian Man,” a remarkably preserved drawing from his Milanese period, is undoubtedly the gallery's most celebrated treasure – a testament to its historical role as an artistic institution and a symbol of Venice’s enduring fascination with knowledge and beauty. Beyond this iconic work, visitors should seek out Titian’s “Bacchus and Ariadne,” a masterpiece of color and sensuality; Tintoretto’s monumental “Sacrifice of Isaac,” a dramatic depiction of religious narrative that fills an entire wall with its scale and dynamism; and Canaletto's series of views of Venice, offering an intimate glimpse into the daily life of the city—from bustling markets to elegant salons. The gallery also houses numerous works by lesser-known but equally talented artists, providing a comprehensive overview of Venetian painting during its golden age. The detail in each piece speaks volumes about the skill and dedication of the artists who brought these scenes to life.

    Architectural Harmony & Historical Context

    The Gallerie dell’Accademia isn't merely housed within a beautiful building; it is part of the architectural fabric of Venice. The Scuola della Carità, with its graceful façade and serene courtyard, provides an ideal setting for the artworks it houses. Its history is intertwined with that of the city itself – from its origins as a charitable institution to its transformation into a prestigious art academy and finally, a world-renowned museum. The careful preservation of the original structure—a blend of medieval and Renaissance styles—is itself a work of art, reflecting Venice’s unique architectural heritage. Its location on the south bank of the Grand Canal offers stunning views of the city and its waterways, further enhancing the sense of immersion. The gallery's very existence is a testament to Venice’s commitment to preserving not just its artistic treasures but also its historical identity.

    A Living Legacy: Exhibitions & Visitor Information

    The Gallerie dell’Accademia regularly hosts temporary exhibitions that delve deeper into specific themes or artists within the collection, often featuring loans from other museums around the world. These events provide fresh perspectives on Venetian art and its influence. The museum also offers a range of educational programs, including guided tours, workshops, and lectures, catering to both seasoned art enthusiasts and newcomers alike. Keep an eye on their website for announcements about upcoming exhibitions and events – they frequently host special displays that illuminate the stories behind the paintings and the artists who created them. A visit here is more than just a museum trip; it’s a chance to step back in time and experience the magic of Venice. Allow ample time for your exploration—there's a great deal to see and absorb, from the grand scale of Tintoretto’s masterpieces to the intimate details captured by Canaletto. Don’t forget to explore the surrounding Dorsoduro district with its artisan shops and trattorias for an authentic Venetian experience.

    Hol olvashat többet

    Keresse online is

    QR-kód, amely a St Jerome letöltési oldalára mutat

    originaluniqueart.com/hu/art/download/paolo-veronese-st-jerome-8Y3LC7-en/

    Ezen mű megidézése

    MLA
    Veronese, Paolo. St Jerome. 1580, Gallerie dell’Accademia. https://originaluniqueart.com/hu/art/paolo-veronese-st-jerome-8Y3LC7-en/
    APA
    Veronese, Paolo (1580). St Jerome [Painting]. Gallerie dell’Accademia. https://originaluniqueart.com/hu/art/paolo-veronese-st-jerome-8Y3LC7-en/
    Chicago
    Paolo Veronese. St Jerome. 1580. Gallerie dell’Accademia. https://originaluniqueart.com/hu/art/paolo-veronese-st-jerome-8Y3LC7-en/
    Harvard
    Veronese, Paolo (1580) St Jerome. Gallerie dell’Accademia. Available at: https://originaluniqueart.com/hu/art/paolo-veronese-st-jerome-8Y3LC7-en/

    Nézzen rá alaposan

    St Jerome — Paolo Veronese

    Nézzünk közelebb

    Válaszoljon saját szavaival. Nincsenek itt rossz válaszok – csak olyanok, amelyeket képes elmagyarázni.

    1. Mi hívja először fel a figyelmét, és miért?
    2. Mely színek vagy formák keltik ezt a hangulatot – és pontosan milyen ez a hangulat?
    3. Katalógusunk az alábbi kategóriákba sorolja ezt a művet: saint jerome, wilderness, venetian painting. Egyetért ezzel? Mit adna hozzá, vagy mit távolítana el?
    4. Nézzen vissza a guide korábbi részére, ahol a Lucretia (1580) szerepel. Nevezzen meg két olyan dolgot, ami közös vele ezzel a művel, és egy olyanat, ami eltér tőle.
    5. Baroque: Dramatic, theatrical pictures using deep shadow and strong diagonals to pull you into the action. Hol figyelhető meg ez ebben a műben?

    Az Ön válasza

    Írjon egy rövid bejegyzést erről a műről az ebben a útmutatóban korábban szereplő adatok és a fenti válaszai alapján.

    Művészeti kvíz

    St Jerome — Paolo Veronese

    Milyen jól ismereted ezt a műalkotást?

    Jelölj meg egy választ az alábbi 5 kérdés mindegyikénél. Minden kérdésnek pontosan egy helyes válasza van.

    1. 1. What is the primary subject matter of this painting?

      • A A portrait of a noblewoman.
      • B A depiction of Saint Jerome in prayer.
      • C A landscape scene featuring mountains.
    2. 2. Saint Jerome is depicted holding what symbolic object?

      • A A chalice filled with wine.
      • B A quill pen and parchment.
      • C An open umbrella or canopy.
    3. 3. The painting's style is characterized by:

      • A Minimalist geometric shapes.
      • B Realistic depiction of human anatomy.
      • C Extensive use of color and illusionistic perspective.
    4. 4. Who was Paolo Veronese?

      • A A sculptor known for marble statues.
      • B A playwright celebrated for his tragedies.
      • C A Venetian painter renowned for opulent compositions.
    5. 5. Approximately when was this artwork created?

      • A Around 1450 AD.
      • B Between 1580 and 1590 AD.
      • C During the Baroque period.

    Az én pontszámom: ____ 5 pontból

    Megoldókulcs — a pedagógus számára

    Ez egy új nyomtatott oldalon kezdődik, így a példányokból egyszerűen kihagyható.

    1A · 2C · 3C · 4C · 5B

    Ellenőrizze a válaszokat e festmény katalógus-bejegyzésével összevetve

    Kérdések és válaszok

    Elérhető diaporáma a(z) „St Jerome”, Paolo Veronese alkotása alkotáshoz?

    Elérhető egy diaváltó: a Diaváltás oldala a(z) „St Jerome”, Paolo Veronese alkotása alkotáshoz.

    A „St Jerome”, Paolo Veronese alkotása portré, tájékép vagy négyzet alakú kompozíció?

    A „St Jerome”, Paolo Veronese alkotása Portrait formátumú alkotás. A formátum a kompozíció arányait határozza meg.

    Mely múzeum őrzi az eredeti "St Jerome" című alkotást?

    Az eredeti "St Jerome" mű megtekinthető a Gallerie dell’Accademia, Velence, Olaszország múzeumgyűjteményében.