Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 27 mű Yasuo Kuniyoshi alkotása a katalógusunkban
Röviden
Still Life (1926) az a Yasuo Kuniyoshi festmény, amely a legtöbb tekintetet felvonja. Ezután a tekintet Strong Woman and Child (1925) és Self-Portrait as a Photographer (1924) elemre irányul. A Yasuo Kuniyoshi 27 műve közül a katalógusunkban megtalálható 21 legnépesebb alkotás, melyeket az év, a múzeum és az örökévalóságának okai kísérnek.
A silver vase with a fluted top occupies the center of this 1926 composition, holding a bouquet of red and pink flowers. These blooms appear in various stages of opening, their petals catching the light against a warm beige background. The arrangement rests upon a wooden table, partially draped in a red cloth featuring a subtle pattern. The interplay of light and shadow creates a sense of three-dimensionality, giving the…
Painted in 1925, Strong Woman and Child is a significant work by Yasuo Kuniyoshi. This oil on canvas presents a figure group consisting of a female and a child, positioned within a setting that suggests a stage. The composition incorporates elements of a landscape and the presence of a circus performer, creating a specific, theatrical atmosphere.
In the quiet, contemplative depths of Self-Portrait as a Photographer, we encounter more than just a likeness; we enter the intimate psychological landscape of Yasuo Kuniyoshi. Created in 1924, this evocative oil on canvas serves as a profound window into the artist's inner world during a formative period of American Modernism. The portrait captures a man lost in thought, his features etched with a sense of quiet introspection that transcends…
In Yasuo Kuniyoshi's People at Roadside, about 1916, a quiet moment unfolds along a dusty path. The scene is horizontally oriented, stretching the viewer's gaze across a landscape that feels both vast and intimate. A group of people gathers by the roadside, caught in a pause of rest. One central figure stands upright, anchoring the group, while others settle into the earth, some seated and others crouching in the dirt.…
In "Dream" by Yasuo Kuniyoshi, the landscape refuses a single center. The composition is non-linear and deconstructed, a fragmented arrangement of botanical elements and quiet structures. A small white house sits in the upper right, anchored against a sky that offers no horizon. On the left, a red-faced bovine creature watches from the shadows. Between these points, a figure appears to float or fall, suspended in a space that defies…
In the black and white lithograph Semi Nude, Standing by Yasuo Kuniyoshi, the composition is vertically oriented. The subject, a semi-nude female figure, is positioned slightly off-center within an interior space. To the right of the figure, a curtained doorway or window is visible, providing a structural backdrop that adds a sense of depth to the scene. The figure's gaze is directed toward the viewer, establishing a direct line of…
Yasuo Kuniyoshi produced Self Portrait as a Golf Player about 1927. The work functions as a self-portrait, presenting the artist in golfing attire. He is depicted holding a golf club, positioned against an ambiguous landscape. A golf ball rests on the ground near his feet.
In "My Man" by Yasuo Kuniyoshi, a quiet intimacy takes hold as we find ourselves standing behind a couple locked in a deep embrace. These two central figures dominate the foreground, their presence anchoring the viewer's gaze. They look out together toward a vast coastal scene, their backs to us, as if we are sharing a private, stolen moment. The composition draws the eye from this close, emotional connection out…
In "Exit" by Yasuo Kuniyoshi, a dreamlike atmosphere takes hold as the viewer enters a fragmented, ambiguous space. Created about 1948, the scene unfolds through a series of overlapping planes that defy traditional spatial logic. A vertical element, resembling a pole or a staff, dominates the left side of the frame, anchoring a composition that feels both dynamic and deeply disorienting. There is no clear sense of foreground or background;…
In "Broken Objects" by Yasuo Kuniyoshi, we encounter a quiet, fragmented still life created about 1944. The work presents a collection of shattered items resting upon a draped surface. Rather than a traditional arrangement of intact vessels, Kuniyoshi focuses on the aftermath of disruption. The scene captures pieces of pottery and fabric scattered in a way that suggests a sudden, silent breakage. There is a sense of stillness in this…
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 4 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Yasuo Kuniyoshi művei | Ebből a listából származó festmények |
|---|---|---|---|
 Smithsonian American Art Museum |
Washington, D.C. | 2 | Strong Woman and Child, Landscape |
 Metropolitan Művészeti Múzeum |
New York | 1 | Self-Portrait as a Photographer |
 Artizon Museum |
Tokió | 1 | Dream |
 Art Institute of Chicago |
Chicago | 1 | My Man |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
In Yasuo Kuniyoshi's People at Roadside, about 1916, a quiet moment unfolds along a dusty path. The scene is horizontally oriented, stretching the viewer's gaze across a landscape that feels both vast and intimate. A group of people gathers by the roadside, caught in a pause of rest. One central figure stands upright, anchoring the group, while others settle into the earth, some seated and others crouching in the dirt.…
A silver vase with a fluted top occupies the center of this 1926 composition, holding a bouquet of red and pink flowers. These blooms appear in various stages of opening, their petals catching the light against a warm beige background. The arrangement rests upon a wooden table, partially draped in a red cloth featuring a subtle pattern. The interplay of light and shadow creates a sense of three-dimensionality, giving the…
In "My Man" by Yasuo Kuniyoshi, a quiet intimacy takes hold as we find ourselves standing behind a couple locked in a deep embrace. These two central figures dominate the foreground, their presence anchoring the viewer's gaze. They look out together toward a vast coastal scene, their backs to us, as if we are sharing a private, stolen moment. The composition draws the eye from this close, emotional connection out…
Still Life (1926). Ezt követi Strong Woman and Child (1925) és Self-Portrait as a Photographer (1924).
33 éves: Still Life 1926-ből származik, Yasuo Kuniyoshi pedig 1893-ben született.
Still Life, Strong Woman and Child, Self-Portrait as a Photographer, People at Roadside, Dream, Semi Nude, Standing, Self Portrait as a Golf Player, My Man, Exit és Broken Objects. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 27 mű található Yasuo Kuniyoshi alkotótól, 1916 és 1948 év közötti időszakból.
Leginkább Smithsonian American Art Museum (Washington, D.C.), Metropolitan Művészeti Múzeum (New York) és Artizon Museum (Tokió) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1920s alatt: a jelen laphonon található 21 műből 14 készült ebben az időszakban, köztük Still Life.
Ezen az oldalon a leghitelesebb People at Roadside (1916), a legutóbbi pedig Exit (1948).
Woman (4), Sky (3) és Landscape (3), a jelen oldalon található 21 műművészeti alkotás között.
Oil On Canvas, a jelen oldalon található 21 műből 5 darab esetén.
Strong Woman and Child és Landscape: a Smithsonian American Art Museum, Washington, D.C. 2 művet őrzi ezen az oldalon.
