Johan Zoffany portréja

Johan Zoffany festményei: A 100 leghíresebb alkotás, egy galéria szemével

Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 185 mű Johan Zoffany alkotása a katalógusunkban

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A galéria szerint Johan Zoffany leghíresebb festménye a Self Portrait (1805), amelynek eredeti példája a British Library múzeumában található, London városában. George, Prince of Wales and Prince Frederick, later Duke of York (1765) és The Honourable George de la Poer Beresford (1735–1800), 2nd Earl of Tyrone, Later 1st Marquis of Waterford (1780) kiegészítik azt a triót, amelyet minden szem felismer. A katalógusunkban szereplő 185 művész Johan Zoffany alkotásából a galéria az alábbi 100 leghíresebbet mutatja be, amelyek mind egyedi originális művek, a készítés évszámával, a múzeum megnevezésével és a különlegességük leírásával.

1733 – 1810, Frankfurt am Main Neoclassical sztétikai érdeklődés A legtöbb mű: Royal Collection

A galéria top 10 Johan Zoffany festménye

1
Self Portrait (1805) (1889) -ja Johan Zoffany

Self Portrait

1805 · Acrylic On Canvas · British Library, London

Johann Zoffany's "Self Portrait as David with the Head of Goliath," painted in 1805, is far more than a simple depiction of an artist contemplating his own likeness. It’s a meticulously constructed tableau vivant—a staged scene brimming with classical allusion, theatricality, and a subtle, almost unsettling, exploration of identity and artistic ambition. This remarkable work, housed within the Google Art Project, offers a captivating glimpse into the mind of a…

2
George, Prince of Wales and Prince Frederick, later Duke of York (1765) (1889) -ja Johan Zoffany

George, Prince of Wales and Prince Frederick, later Duke of York

1765 · Acrylic On Canvas · Royal Collection, London

Johann Zoffany's 1765 painting, "George, Prince of Wales and Prince Frederick, later Duke of York," isn’t merely a portrait; it’s a meticulously constructed tableau vivant – a staged scene designed to capture a fleeting moment of aristocratic leisure. Commissioned for Queen Charlotte’s private collection at Buckingham House, this work exemplifies Zoffany's mastery of the ‘conversation piece,’ a burgeoning genre that sought to depict not just likenesses but also social interactions…

3
The Honourable George de la Poer Beresford (1735–1800), 2nd Earl of Tyrone, Later 1st Marquis of Waterford (1780) (1889) -ja Johan Zoffany

The Honourable George de la Poer Beresford (1735–1800), 2nd Earl of Tyrone, Later 1st Marquis of Waterford

1780 · Acrylic On Canvas · National Trust, Guildford

A Window Into Georgian Society: Johann Zoffany’s “The Honourable George de la Poer Beresford” Johann Zoffany's "The Honourable George de la Poer Beresford," completed around 1780, stands as a quintessential example of the English *conversation piece*, capturing not merely a likeness but an entire social milieu. More than just a portrait, it’s a meticulously crafted tableau that speaks volumes about Georgian England – its intellectual curiosity, aristocratic ambition, and burgeoning…

4
Garrick, Ackman és Bransby egy Szene Letheből (1766) (1889) -ja Johan Zoffany

Garrick, Ackman és Bransby egy Szene Letheből

1766 · Olajfestmény vászonon · Birmingham Museums And Art Gallery, Birmingham

Johann Zoffany és Garrick, Ackman és Bransby egy színészettelű jelenet Letheből A Johann Zoffany által alkotott „Garrick, Ackman és Bransby egy színészettelű jelenet Letheből” című művészi elemzés célja annak mélyebb megismerése és értékelése. Ez a nagyszerű alkotás nem csak egy egyszerű portréó; hanem egy időszak ikonikus képének tükröződése, amely számos fontos kérdésre válaszol az európai művészet története és kulturális öröksége szempontjából. A festmény 1766-ban született Angliában és egy különleges helyet…

5
The Gore Family with George, 3rd Earl Cowper (1775) (1889) -ja Johan Zoffany

The Gore Family with George, 3rd Earl Cowper

1775 · Oil On Canvas · Yale Center for British Art, New Haven

Johann Zoffany’s “The Gore Family with George, 3rd Earl Cowper” is more than just a portrait; it's a meticulously constructed tableau vivant, a frozen moment of social interaction that offers an unparalleled glimpse into the opulent world of Georgian England. Painted in 1775, this remarkable ‘conversation piece’ – a genre popularized by Zoffany himself – transcends the simple act of recording likenesses, instead presenting a carefully orchestrated scene brimming with…

6
The Tribuna of the Uffizi (1772) (1889) -ja Johan Zoffany

The Tribuna of the Uffizi

1772 · Oil On Canvas · Royal Collection, London

In the heart of Florence’s famed Galleria degli Uffizi, there exists a room designed to inspire awe, and in 1772, Johann Zoffany captured its very soul upon canvas. The Tribuna of the Uffizi is far more than a mere depiction of a gallery; it is a meticulously crafted tableau vivant—a living picture that freezes a moment of profound intellectual synergy. As one gazes upon this monumental oil on canvas, they…

7
Portrait of Francis of Austria (1768-1835) (1775) (1889) -ja Johan Zoffany

Portrait of Francis of Austria (1768-1835)

1775 · Oil On Canvas · Kunsthistorisches Museum, Bécs

The young Francis of Austria sits within a room heavy with the textures of status. He is a small figure positioned slightly off-center, caught in the soft, directional light that defines the smooth skin of his face and the precise folds of his clothing. Around him, the world is built of deep green drapery and the metallic glint of a sword hilt. A globe rests in the foreground, its curved…

8
Jakob Wilkinson, az India Távoli kormányzója (1889) -ja Johan Zoffany

Jakob Wilkinson, az India Távoli kormányzója

Olajfesték · Chequers Court, Aylesbury

Johann Zoffany és Jacob Wilkinson Észak-Írországi kormányzója – Egy Elegáns Megjelenítés Szimbolizmusával Gazdagítva Távoli Idők Ünnepélyes Szerződése A Johann Zoffany által alkotott Jacob Wilkinson, az Észak-Írországi kormányzó képei egy igazi kuriózum a XVIII. századi művészet történetében és különösen az angol képzőművészek világában. Ez nem csak egy egyszerű portréó; hanem egy gondosan megtervezett és kivitelezett alkotás, amely számos szimbólum és árnyalatot rejtegetve tükrözi az időszak társadalmi és kulturális életét. Zoffany művének…

9
Portrait of Ann Brown in the Role of Miranda (1770) (1889) -ja Johan Zoffany

Portrait of Ann Brown in the Role of Miranda

1770 · Oil On Canvas · Thyssen-Bornemisza Múzeum, Madrid

In this 1770 portrait, we find ourselves drawn into a quiet, shadowed space where the boundaries between reality and performance begin to blur. Ann Brown, a celebrated actress of the Covent Garden stage, is captured here not merely as herself, but as Miranda from Shakespeare’s The Tempest. She is positioned within a dimly lit grotto, her presence illuminated by the soft, steady glow of a single lantern. This light focuses…

10
Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto (1780) (1889) -ja Johan Zoffany

Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto

1780 · Oil On Canvas · Yale Center for British Art, New Haven

The oil on canvas titled Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto captures a quiet intersection of lineage and craft. Johann Zoffany, the artist behind this composition, was born in 1733 in Frankfurt, Germany. His hand moved through the artistic traditions of Europe before he became active in Britain from 1760. The work is dated about 1780.

Johan Zoffany festményei, 11. helyezéstől 100. helyezésig

11Sir Elijah Impey (1772) (1889) -ja Johan ZoffanySir Elijah Impey1772 · National Portrait Gallery 12Johan Joseph Zoffany (1761) (1889) -ja Johan ZoffanyJohan Joseph Zoffany1761 · National Portrait Gallery 13David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton (1762) (1889) -ja Johan ZoffanyDavid Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton1762 · Yale Center for British Art 14Elizabeth Farren as Hermione in The Winter's Tale (1780) (1889) -ja Johan ZoffanyElizabeth Farren as Hermione in The Winter's Tale1780 · National Gallery of Victoria 15Venus and Adonis (1760) (1889) -ja Johan ZoffanyVenus and Adonis1760 · Musée des Beaux-Arts de Bordeaux 16Dr. Thomas Hanson from Canterbury (1765) (1889) -ja Johan ZoffanyDr. Thomas Hanson from Canterbury1765 · Gemäldegalerie 17Suicide of Lucretia (1759) (1889) -ja Johan ZoffanySuicide of Lucretia1759 · Westfälisches Landesmuseum 18Benjamin Stillingfleet (1761) (1889) -ja Johan ZoffanyBenjamin Stillingfleet1761 · National Portrait Gallery 19Reverend Randall Burroughes and his son Ellis (1769) (1889) -ja Johan ZoffanyReverend Randall Burroughes and his son Ellis1769 20William Henry, Duke of Gloucester (1743-1805) (1771) (1889) -ja Johan ZoffanyWilliam Henry, Duke of Gloucester (1743-1805)1771 · Royal Collection 21Frederick, Duke of York (1763-1827) (1770) (1889) -ja Johan ZoffanyFrederick, Duke of York (1763-1827)1770 · Royal Collection 22Prince Ernest (1771-1851), later Duke of Cumberland (1771) (1889) -ja Johan ZoffanyPrince Ernest (1771-1851), later Duke of Cumberland1771 · Royal Collection 23George III (1738-1820) (1771) (1889) -ja Johan ZoffanyGeorge III (1738-1820)1771 · Royal Collection 24Queen Charlotte (1744-1818) (1771) (1889) -ja Johan ZoffanyQueen Charlotte (1744-1818)1771 · Royal Collection 25John Cuff (1772) (1889) -ja Johan ZoffanyJohn Cuff1772 · Royal Collection 26Queen Charlotte (1744-1818) with members of her family (1771) (1889) -ja Johan ZoffanyQueen Charlotte (1744-1818) with members of her family1771 · Royal Collection 27George III, Queen Charlotte and their six eldest children (1769) (1889) -ja Johan ZoffanyGeorge III, Queen Charlotte and their six eldest children1769 · Royal Collection 28John Verney, 14th Baron Willoughby de Broke and His Wife and Family (1766) (1889) -ja Johan ZoffanyJohn Verney, 14th Baron Willoughby de Broke and His Wife and Family1766 · J. Paul Getty Múzeum 29The Bradshaw Family (1769) (1889) -ja Johan ZoffanyThe Bradshaw Family1769 30Duke and Duchess of Atholl with their Children at Dunkeld (1767) (1889) -ja Johan ZoffanyDuke and Duchess of Atholl with their Children at Dunkeld1767 31Mrs Warren Hastings (1783) (1889) -ja Johan ZoffanyMrs Warren Hastings1783 · Victoria Memorial Hall 32Self-portrait (1776) (1889) -ja Johan ZoffanySelf-portrait1776 33Patrick Heatly (1783) (1889) -ja Johan ZoffanyPatrick Heatly1783 · Yale Center for British Art 34Warren Hasting (1783) (1889) -ja Johan ZoffanyWarren Hasting1783 · Yale Center for British Art 35Last Supper (1787) (1889) -ja Johan ZoffanyLast Supper1787 36Colonel Antoine Polier, Claude Martin and John Wombwell with the Artist (1786) (1889) -ja Johan ZoffanyColonel Antoine Polier, Claude Martin and John Wombwell with the Artist1786 37Portrait of a Lady (1800) (1889) -ja Johan ZoffanyPortrait of a Lady1800 · Harvard Art Museums 38The Mathew Family at Felix Hall, Kelvedon, Essex (1764) (1889) -ja Johan ZoffanyThe Mathew Family at Felix Hall, Kelvedon, Essex1764 · National Trust 39Archduchess Maria Christina, Duchess of Teschen, (1742-1798) (1776) (1889) -ja Johan ZoffanyArchduchess Maria Christina, Duchess of Teschen, (1742-1798)1776 · Kunsthistorisches Museum 40David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return" (1762) (1889) -ja Johan ZoffanyDavid Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"1762 · Yale Center for British Art 41Hasan Reza Khan, Minister to Asaf al Daula of Oudh (1784) (1889) -ja Johan ZoffanyHasan Reza Khan, Minister to Asaf al Daula of Oudh1784 · British Library 42Queen Charlotte (1744-1818) with her Two Eldest Sons (1765) (1889) -ja Johan ZoffanyQueen Charlotte (1744-1818) with her Two Eldest Sons1765 · Royal Collection 43The Tribuna of the Uffizi (detail) (1772) (1889) -ja Johan ZoffanyThe Tribuna of the Uffizi (detail)1772 · Royal Collection 44Charles Macklin as Shylock in Shakespeare's 'The Merchant of Venice', Covent Garden, 1767 1768 (1768) (1889) -ja Johan ZoffanyCharles Macklin as Shylock in Shakespeare's 'The Merchant of Venice', Covent Garden, 1767 17681768 · The Holburne Museum 45The Drummond Family (1769) (1889) -ja Johan ZoffanyThe Drummond Family1769 · Yale Center for British Art 46David Garrick as John Brute in 'The Provok'd Wife' by Vanbrugh, Drury Lane, 1763 (1764) (1889) -ja Johan ZoffanyDavid Garrick as John Brute in 'The Provok'd Wife' by Vanbrugh, Drury Lane, 17631764 · The Holburne Museum 47The woodley family (1889) -ja Johan ZoffanyThe woodley familyKingston Lacy 48The Flower Girl (1780) (1889) -ja Johan ZoffanyThe Flower Girl1780 49Self-portrait as David with the head of Goliath (1756) (1889) -ja Johan ZoffanySelf-portrait as David with the head of Goliath1756 · National Gallery of Victoria 50The Cope Family (1775) (1889) -ja Johan ZoffanyThe Cope Family1775 · USC Fisher Museum of Art 51Lady Henrietta Cavendish Bentinck, Countess of Stamford (1763) (1889) -ja Johan ZoffanyLady Henrietta Cavendish Bentinck, Countess of Stamford1763 · Dunham Massey 52Mary Wilkes John Wilkes (1782) (1889) -ja Johan ZoffanyMary Wilkes John Wilkes1782 · National Portrait Gallery 53Martyrdom of St. Bartholomew (1753) (1889) -ja Johan ZoffanyMartyrdom of St. Bartholomew1753 54Edmund Keene (1714–1781), Master (1748–1754), Bishop of Chester and Ely (1768) (1889) -ja Johan ZoffanyEdmund Keene (1714–1781), Master (1748–1754), Bishop of Chester and Ely1768 · Peterhouse 55Lady Mary Fitzgerald (1765) (1889) -ja Johan ZoffanyLady Mary Fitzgerald1765 56John Montagu, 4th Earl of Sandwich (1763) (1889) -ja Johan ZoffanyJohn Montagu, 4th Earl of Sandwich1763 57Mrs Mary Oswald (1764) (1889) -ja Johan ZoffanyMrs Mary Oswald1764 58George Fitzgerald with His Sons George and Charles (1764) (1889) -ja Johan ZoffanyGeorge Fitzgerald with His Sons George and Charles1764 · National Gallery of Ireland 59Michael Arne (1765) (1889) -ja Johan ZoffanyMichael Arne1765 60John Moody as Father Foigard in The Beaux Stratagem (1764) (1889) -ja Johan ZoffanyJohn Moody as Father Foigard in The Beaux Stratagem1764 61Stephen Rimbault (1764) (1889) -ja Johan ZoffanyStephen Rimbault1764 62Mary Lepel (1700–1768), Lady Hervey, in Old Age (1765) (1889) -ja Johan ZoffanyMary Lepel (1700–1768), Lady Hervey, in Old Age1765 · Ickworth 63Lady Emily Caroline Nassau Hervey (1765) (1889) -ja Johan ZoffanyLady Emily Caroline Nassau Hervey1765 64Lady Lepel Hervey (1765) (1889) -ja Johan ZoffanyLady Lepel Hervey1765 65John Christopher Smith (1763) (1889) -ja Johan ZoffanyJohn Christopher Smith1763 66Mary and Agnes Berry (1770) (1889) -ja Johan ZoffanyMary and Agnes Berry1770 67John Gwynne (1774) (1889) -ja Johan ZoffanyJohn Gwynne1774 68Miss Ann Gore as a Savoyarde (1774) (1889) -ja Johan ZoffanyMiss Ann Gore as a Savoyarde1774 69Master James Sayer (1770) (1889) -ja Johan ZoffanyMaster James Sayer1770 70Portrait of William Stackhouse (1766) (1889) -ja Johan ZoffanyPortrait of William Stackhouse1766 71General The Honourable William Hervey (1766) (1889) -ja Johan ZoffanyGeneral The Honourable William Hervey1766 72Mrs Woodhull (1770) (1889) -ja Johan ZoffanyMrs Woodhull1770 · Tate Britain 73The Blunt Children (1770) (1889) -ja Johan ZoffanyThe Blunt Children1770 · Birmingham Museum and Art Gallery 74George William Hervey (1721–1775), 2nd Earl of Bristol (1766) (1889) -ja Johan ZoffanyGeorge William Hervey (1721–1775), 2nd Earl of Bristol1766 · Ickworth 75Parsons, Bransby and Watkyns in a Scene from Lethe (1766) (1889) -ja Johan ZoffanyParsons, Bransby and Watkyns in a Scene from Lethe1766 · Birmingham Museum and Art Gallery 76Sir Richard Jebb (1729–1787) (1770) (1889) -ja Johan ZoffanySir Richard Jebb (1729–1787)1770 77Mr and Mrs Dalton and their Niece Mary de Heulle (1768) (1889) -ja Johan ZoffanyMr and Mrs Dalton and their Niece Mary de Heulle1768 78William Hunter (1718–1783) (1772) (1889) -ja Johan ZoffanyWilliam Hunter (1718–1783)1772 79The Family of Sir William Young (1769) (1889) -ja Johan ZoffanyThe Family of Sir William Young1769 · Walker Art Gallery 80Garrick with Burton and Palmer in The Alchymist (1770) (1889) -ja Johan ZoffanyGarrick with Burton and Palmer in The Alchymist1770 81Thomas Gainsborough (1772) (1889) -ja Johan ZoffanyThomas Gainsborough1772 82Fra Giovanni de Servi, meccanico (1773) (1889) -ja Johan ZoffanyFra Giovanni de Servi, meccanico1773 83The Future Marquess of Zetland and His Grandfather Sir Lawrence Dundas (1769) (1889) -ja Johan ZoffanyThe Future Marquess of Zetland and His Grandfather Sir Lawrence Dundas1769 84The Porter and the Hare (1768) (1889) -ja Johan ZoffanyThe Porter and the Hare1768 · Herbert Art Gallery - Museum 85Shuter, Beard, and Dunstall in 'Love in a Village' by Isaac Bickerstaffe, Covent Garden, 1762 (1767) (1889) -ja Johan ZoffanyShuter, Beard, and Dunstall in 'Love in a Village' by Isaac Bickerstaffe, Covent Garden, 17621767 · The Holburne Museum 86James Farrell Phipps (1780) (1889) -ja Johan ZoffanyJames Farrell Phipps1780 87Miss Matilda Cleveland (1777) (1889) -ja Johan ZoffanyMiss Matilda Cleveland1777 88Mrs Mary Grubb of Horsenden House, Buckinghamshire (1784) (1889) -ja Johan ZoffanyMrs Mary Grubb of Horsenden House, Buckinghamshire1784 89Portrait of Sir Robert Preston (1781) (1889) -ja Johan ZoffanyPortrait of Sir Robert Preston1781 90Mr. John Maddison (1783) (1889) -ja Johan ZoffanyMr. John Maddison1783 91John Grubb of Horsenden House, Buckinghamshire (1784) (1889) -ja Johan ZoffanyJohn Grubb of Horsenden House, Buckinghamshire1784 92Franz I Stephan, Holy Roman Emperor (1777) (1889) -ja Johan ZoffanyFranz I Stephan, Holy Roman Emperor1777 · Kunsthistorisches Museum 93John Maddison (1783) (1889) -ja Johan ZoffanyJohn Maddison1783 94Mary Thomas, the Artist's second Wife (1782) (1889) -ja Johan ZoffanyMary Thomas, the Artist's second Wife1782 95A Florentine Fruit Stall (1777) (1889) -ja Johan ZoffanyA Florentine Fruit Stall1777 96John Wilkes and His Daughter Polly (1779) (1889) -ja Johan ZoffanyJohn Wilkes and His Daughter Polly1779 97Jeffery Dunstan as Dr Last in 'Dr Last in his Chariot' by Isaac Bickerstaffe and Samuel Foote (1783) (1889) -ja Johan ZoffanyJeffery Dunstan as Dr Last in 'Dr Last in his Chariot' by Isaac Bickerstaffe and Samuel Foote1783 · Holburne Museum 98Marian Hastings (1783) (1889) -ja Johan ZoffanyMarian Hastings1783 99James Graham of Barrock Park and Rickerby (1780) (1889) -ja Johan ZoffanyJames Graham of Barrock Park and Rickerby1780 100Grand Duke Pietro Leopoldo with His Wife and Their First Eight Children (1776) (1889) -ja Johan ZoffanyGrand Duke Pietro Leopoldo with His Wife and Their First Eight Children1776 · Kunsthistorisches Museum

Johan Zoffany híres festményei, korszakonként

A témák, amelyek Johan Zoffany figyelmét meghúzták

A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.

A műemlékek, amelyek Johan Zoffany eredeti műveit őrzik

A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

Múzeum Város Johan Zoffany művei Ebből a listából származó festmények
Royal Collection, LondonRoyal Collection London 19 George, Prince of Wales and Prince Frederick, later Duke of York, The Tribuna of the Uffizi, William Henry, Duke of Gloucester (1743-1805)
Yale Center for British Art, New HavenYale Center for British Art New Haven 7 The Gore Family with George, 3rd Earl Cowper, Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto, David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton
Kunsthistorisches Museum, BécsKunsthistorisches Museum Bécs 5 Portrait of Francis of Austria (1768-1835), Archduchess Maria Christina, Duchess of Teschen, (1742-1798), Franz I Stephan, Holy Roman Emperor
National Portrait Gallery, LondonNational Portrait Gallery London 4 Sir Elijah Impey, Johan Joseph Zoffany, Benjamin Stillingfleet
The Holburne Museum, BathThe Holburne Museum Bath 3 Charles Macklin as Shylock in Shakespeare's 'The Merchant of Venice', Covent Garden, 1767 1768, David Garrick as John Brute in 'The Provok'd Wife' by Vanbrugh, Drury Lane, 1763, Shuter, Beard, and Dunstall in 'Love in a Village' by Isaac Bickerstaffe, Covent Garden, 1762
British Library, LondonBritish Library London 2 Self Portrait, Hasan Reza Khan, Minister to Asaf al Daula of Oudh
National Trust, GuildfordNational Trust Guildford 2 The Honourable George de la Poer Beresford (1735–1800), 2nd Earl of Tyrone, Later 1st Marquis of Waterford, The Mathew Family at Felix Hall, Kelvedon, Essex
National Gallery of Victoria, MelbourneNational Gallery of Victoria Melbourne 2 Elizabeth Farren as Hermione in The Winter's Tale, Self-portrait as David with the head of Goliath

Johan Zoffany, egy aláírott festmény évtizedenként

Művek évtizedenként

Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.

Johan Zoffany festményei: a galéria válaszai

Melyik Johan Zoffany festmény a leghíresebb?Fedje fel a választ

Self Portrait (1805), British Library, London. Ezután George, Prince of Wales and Prince Frederick, later Duke of York (1765) és The Honourable George de la Poer Beresford (1735–1800), 2nd Earl of Tyrone, Later 1st Marquis of Waterford (1780) következik.

Hány éves volt Johan Zoffany, amikor elkészítette a(t): Self Portrait?Fedje fel a választ

72 éves: Self Portrait 1805-ből származik, Johan Zoffany pedig 1733-ben született.

Melyek Johan Zoffany top 10 festménye?Fedje fel a választ

Self Portrait, George, Prince of Wales and Prince Frederick, later Duke of York, The Honourable George de la Poer Beresford (1735–1800), 2nd Earl of Tyrone, Later 1st Marquis of Waterford, Garrick, Ackman és Bransby egy Szene Letheből, The Gore Family with George, 3rd Earl Cowper, The Tribuna of the Uffizi, Portrait of Francis of Austria (1768-1835), Jakob Wilkinson, az India Távoli kormányzója, Portrait of Ann Brown in the Role of Miranda és Self-Portrait with His Daughter Maria Theresa, James Cervetto, and Giacobbe Cervetto. A fenti rangsor a művek évszamarát és a múzeumát jelzi.

Hány műve született Johan Zoffany nevére?Fedje fel a választ

Katalógusunkban 185 mű található Johan Zoffany alkotótól, 1753 és 1805 év közötti időszakból.

Hol találhatóak Johan Zoffany leghíresebb eredeti művei?Fedje fel a választ

Leginkább Royal Collection (London), Yale Center for British Art (New Haven) és Kunsthistorisches Museum (Bécs) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.

Mikor festette Johan Zoffany le leghíresebb műveit?Fedje fel a választ

1760s alatt: a jelen laphonon található 100 műből 40 készült ebben az időszakban, köztük George, Prince of Wales and Prince Frederick, later Duke of York.

Melyek Johan Zoffany legkorábbi és legutóbbi híres művei?Fedje fel a választ

Ezen az oldalon a leghitelesebb Martyrdom of St. Bartholomew (1753), a legutóbbi pedig Self Portrait (1805).

Mely témakörökkel foglaltaszkodott a legtöbbször Johan Zoffany?Fedje fel a választ

Man (14), Portraiture (11) és 18th century (11), a jelen oldalon található 100 műművészeti alkotás között.

Melyik technikával foglalt leginkább Johan Zoffany?Fedje fel a választ

Oil On Canvas, a jelen oldalon található 100 műből 40 darab esetén.

Mely művészeti irányhoz tartozik Johan Zoffany?Fedje fel a választ

Neoclassical sztétikai érdeklődés és Rococo, ezen az oldalon található eredetiek alapján.

Mely Johan Zoffany eredeti műveit őrzi a Royal Collection?Fedje fel a választ

George, Prince of Wales and Prince Frederick, later Duke of York, The Tribuna of the Uffizi és William Henry, Duke of Gloucester (1743-1805): a Royal Collection, London 12 művet őrzi ezen az oldalon.

Johan Zoffany: a művész

Johann Zoffany: A Master of Conversation and Observation

Johann Zoffany, born Johannes Josephus Zaufallij in Frankfurt am Main in 1733, stands as a pivotal figure in the history of 18th-century art. His career, spanning from his formative years in Germany to his flourishing period in England and India, is marked by an extraordinary ability to capture not just likenesses but also the very essence of social interaction and cultural nuance. Zoffany’s legacy rests primarily on his innovative “conversation pieces,” a genre that redefined portraiture and offered unprecedented glimpses into the lives of Britain's elite – a remarkable feat achieved through meticulous observation, technical skill, and a keen understanding of human psychology.

Zoffany’s early artistic training was a crucial foundation for his later success. Initially apprenticed to a sculptor in Ellwangen, he then studied under Martin Speer in Regensburg, absorbing the foundational principles of classical composition and technique. These initial experiences instilled in him a rigorous approach to artmaking, which would later manifest in the astonishing detail and realism of his paintings. His relocation to Rome in 1750 proved equally formative, allowing him to immerse himself within the vibrant artistic environment of the Italian Baroque tradition under the tutelage of Agostino Masucci. This exposure to Italian artistry broadened his stylistic horizons and honed his skills in color, light, and shadow – elements that would become hallmarks of his distinctive style.

The English Stage: Patronage and Artistic Innovation

In 1760, Zoffany embarked on a new chapter of his career by migrating to England. Initially finding work as a decorative designer for the clocks of Stephen Rimbault, he quickly gained recognition for his ability to create intricate and visually arresting patterns. However, it was his burgeoning relationship with King George III and Queen Charlotte that truly propelled him to artistic prominence. The Royal couple’s patronage afforded Zoffany unparalleled access to high society, allowing him to document their lives in informal settings – a departure from the stiff formality of traditional court portraits. These “conversation pieces,” as they became known, were not merely representations of individuals; they were carefully constructed narratives that captured the dynamics of social gatherings, revealing the personalities and relationships within the group.

Zoffany’s genius lay in his ability to portray subjects in moments of relaxed interaction. He eschewed static poses and instead focused on capturing fleeting expressions, subtle gestures, and the unspoken connections between individuals. His masterpiece, *Queen Charlotte and Her Two Eldest Children* (1765), exemplifies this approach – a remarkably intimate portrayal of the royal family that feels less like a formal portrait and more like a candid snapshot of domestic life. This painting, along with others such as *The Cope Family* (1775) and *Colonel Mordaunt's Cock Match* (1784-1786), established Zoffany’s reputation as the “master of conversation pieces” – an artist who had redefined the possibilities of portraiture.

A Journey to India: Exotic Subjects and New Perspectives

Driven by a restless spirit and a desire for new artistic challenges, Zoffany embarked on a significant sojourn to India in 1783. This extended period marked a profound shift in his subject matter and artistic style. He spent several years documenting the lives of prominent Indian figures – including Warren Hastings and Asaf-ud-Daula – capturing their regality and cultural richness with remarkable detail. The experience profoundly impacted Zoffany’s work, introducing elements of exoticism and a heightened awareness of diverse cultures into his oeuvre. The vibrant colors, intricate costumes, and dynamic compositions of these Indian portraits stand in stark contrast to the more restrained palette and formal arrangements of his earlier English works.

Legacy and Influence

Johann Zoffany’s artistic legacy extends far beyond his individual masterpieces. He was a pivotal figure in the development of British portraiture, pioneering a new approach that emphasized informality, psychological insight, and social observation. His “conversation pieces” not only captured the likenesses of prominent individuals but also offered invaluable insights into the customs, values, and social dynamics of 18th-century England and India. Zoffany’s influence can be seen in the works of subsequent artists who followed in his footsteps, demonstrating the enduring impact of his innovative techniques and artistic vision. His paintings remain treasured possessions within major museums worldwide, offering a captivating window into a bygone era.

Historical Significance

Johann Zoffany’s paintings provide invaluable insights into the social customs, intellectual life, and cultural values of his time. His “conversation pieces” offer intimate portraits of prominent individuals and their world, while his depictions of India contribute to our understanding of colonial history. He remains a significant figure in the history of art, celebrated for his technical skill, insightful observations, and unique artistic vision.