Frissítve: október 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 129 mű Cornelis van Haarlem alkotása a katalógusunkban
Röviden
A galéria szerint Cornelis van Haarlem leghíresebb festménye a Portrait of Dirck Volckertsz. Coornhert (1590), amelynek eredeti példája a Frans Hals Múzeum múzeumában található, Haren városában. Venus and Vulcan (1590) és Pomona Receives the Harvest of Fruit (1626) kiegészítik azt a triót, amelyet minden szem felismer. A katalógusunkban szereplő 129 művész Cornelis van Haarlem alkotásából a galéria az alábbi 100 leghíresebbet mutatja be, amelyek mind egyedi originális művek, a készítés évszámával, a múzeum megnevezésével és a különlegességük leírásával.
A single man occupies the center of this space, his presence anchored by a heavy, dark hat and a beard of stark, textured white. The light strikes the side of his face, carving deep valleys into the skin and highlighting the fine, etched lines around his eyes. He does not look away. His eyes hold a piercing, steady quality that demands a quiet confrontation with the viewer. Shadows pool in…
In this 1590 oil on canvas, we find ourselves drawn into the heat of a mythological forge. The composition is anchored by a profound physical presence, where the muscularity of the figures commands the space. On the left, Vulcan sits in a dynamic, heavy pose, his body a study of strength as he prepares to strike an anvil. His skin is rendered with a fleshy, tactile quality that contrasts sharply…
Cornelis van Haarlem captures a moment of seasonal abundance in Pomona Receives the Harvest of Fruit. This mythological painting, executed in 1626, centers on the Roman goddess of fruit trees. She exists within a lush, verdant landscape, surrounded by the heavy weight of a successful harvest. The scene is a quiet celebration of nature's bounty, rendered through the lens of the Dutch Renaissance.
The painting Jester in a Fool's Cap is a work by Cornelis van Haarlem. Created in 1596, this oil on panel piece functions as a tronie, focusing on the expressive potential of a specific character type rather than a formal portrait. The subject of this study is identified as Pieter Cornelisz van der Morsch.
The Fall of Ixion is an oil painting by Cornelis van Haarlem, executed about 1588. The canvas captures a moment of violent descent rooted in Greek mythology. It depicts the punishment of Ixion, the king of the Lapiths and son of Perimele, who was cast down for his hubris against the gods.
Cornelis van Haarlem’s Ceres and Bacchus, created about 1610, presents an intimate mythological encounter set against a near-black background. The composition relies on dramatic chiaroscuro to push the figures into the foreground, creating depth through light rather than perspective. Ceres is positioned looking upward with an expression of longing or contemplation, while Bacchus leans toward her, his head adorned with a crown of vine leaves.
is an oil on canvas work by the artist Cornelis van Haarlem. The painting captures a moment of profound intrusion, a scene where the quietude of a private ritual is shattered by the presence of others. It is also recognized by the title Susanna im Bade. The canvas holds a tension that resides in the space between the subject and the watchers.
The goddess Diana emerges from the shadows in Diana as Goddess of the Hunt, a work painted by Cornelis van Haarlem. She appears not as a distant myth, but as a presence caught in a singular, quiet moment of strength. This portrait, created by Cornelis van Haarlem in 1607, captures the Roman goddess in a way that feels immediate and alive. The subject carries the weight of her divinity through…
is a painting by Cornelis van Haarlem, executed in 1600. The work centers on the mourning over the dead Christ, a somber religious subject rendered during the transition between the late Mannerist period and the Dutch Golden Age.
Venus and Adonis is an oil painting by Cornelis van Haarlem. The artist, born in 1562 in Haarlem, Netherlands, captured this mythological scene around 1603. His hand moved through the transition of styles in the Netherlands, a life that spanned from his birth in the mid-sixteenth century until his death in 1638.
Christ with the cross and the chalice1591 · Varsói Nemzeti Múzeum
12
Mars and Venus as lovers.1609 · Varsói Nemzeti Múzeum
13
Allegory on the Brevity of Life1617 · Statens Museum for Kunst
14
Christ holding the Cross and a Chalice1591 · Varsói Nemzeti Múzeum
15
De H. Familie met Elisabeth en de jonge Johannes de Doper als kind1589 · Staatliche Kunsthalle Karlsruhe
16
Adam and Eve1599 · Varsói Nemzeti Múzeum
17
The Judgment of Paris1590 · Rhode Island School of Design Museum of Art
18
Baptism of Christ1590 · Centraal Museum
19
Madonna and Child1591
20
St. Sebastian1591
21
The First Family (Genesis 4:1-2)1589 · Musée des Beaux-Arts de Quimper
22
Venus and Cupid1602 · Worcester Art Museum
23
Vanitas1601 · Varsói Nemzeti Múzeum
24
Portrait of a man1595
25
Juda and Tamar1596 · Frans Hals Múzeum
26
The deluge (Genesis 7:17-24)1592 · Herzog Anton Ulrich Museum
27
The Prodigal Son among the Harlots (Luke 15:13-14)1607
28
The Manalese1610 · Gemäldegalerie
29
Portrait of Dirck Volckertsz. Coornhert1618 · Fitzwilliam Museum
30
Sine Cerere et Baccho friget Venus (Terentius, Eunuchus, 732)1614 · Staatliche Kunstsammlungen Dresden
31
The prodigal son (Luke 15:11-13)1614 · Bavári Állami Festırménygyűjtemények
32
Suffer the little children to come unto me (Matt. 19:14)1614 · Bavári Állami Festırménygyűjtemények
33
Adonis1620 · Museum of Fine Arts, Houston
34
Venus1620 · Museum of Fine Arts, Houston
35
Before the Deluge1615 · Varsói Nemzeti Múzeum
36
The last 5 commandeurs of the order of St John in Haarlem1615 · Frans Hals Múzeum
37
Venus and Adonis resting in an extensive landscape, with Cupid and hunting dogs and their quarries1610
38
The Unequal Lovers1619
39
Feast of the prodigal son (Luke 15:11-13)1615 · Varsói Nemzeti Múzeum
40
Mars and Venus1609 · Varsói Nemzeti Múzeum
41
Female Semi-Nude with Rose1623 · Niedersächsisches Landesmuseum
42
Rest on the Flight into Egypt1634 · Museum Catharijneconvent
43
Portrait of Andries Pietersz van Souwen (1549/1550-1625)1624 · Museum Catharijneconvent
44
Baptism of Christ1623 · Staatliche Kunsthalle Karlsruhe
45
Sine Cerere et Baccho friget Venus1624 · Palais des Beaux-Arts de Lille
46
The Mirror of Time1628 · Nationalmuseum
47
The Fall of Man (Genesis 3:4-6)1625 · Musée des Beaux-Arts de Quimper
48
Noah's festival to thank God1632
49
A Young Man with a Crown of Laurel Leaves1632 · Harvard Art Museums
50
Banquet of the Officers of both companies of the Haarlem Militia1597 · Frans Hals Múzeum
51
The Holy Family1590 · Yale University Art Gallery
52
Portrait of Pieter Cornelisz. van der Morsch1650 · Museum de Lakenhal
53
The Wedding of Peleus and Thetis (detail) (12)1593 · Frans Halsmuseum
54
Portrait Of A Man As Apollo
55
A Man and Woman Singing1620 · Hermitaeus-múzeum
56
The Massacre of the Innocents1591 · Frans Hals Múzeum
57
The Israelites release Achior (Judith 6:10)1601 · Frans Hals Múzeum
58
Bacchus and a Satyr1608 · Museum Boijmans Van Beuningen
59
Adam and Eve (Genesis 3:1-7)1616 · Varsói Nemzeti Múzeum
60
The baptism of Christ (Matt. 3:15)1590 · Musée de la Chartreuse de Douai
61
The Wedding of Peleus and Thetis1597 · Worcester Art Museum
62
Bathsheba at her Toilet, Cornelis Cornelisz. van Haarlem, 15941594 · Rijksmuseum
63
Pieter Jansz Kies (c 1536-97). Burgomaster of Haarlem, Cornelis Cornelisz. van Haarlem, 15961596 · Rijksmuseum
64
Madonna and Child1617 · Amstelkring Museum
65
The Mirror of Time1631 · Kanadai Nemzeti Galéria
66
The baptism of Christ (Matt. 3:13-17)1627 · Pushkin állami művészeti múzeum
67
Venus and Mars, Cornelis Cornelisz. van Haarlem, 16281628 · Rijksmuseum
68
The Good Samaritan1627
69
Nude Figure Studies1630
70
Democritus2000 · Teylers Museum
71
The Golden Age (Bacchanal) or the Garden of Love1614 · Szépművészeti Múzeum
72
Hercules and Achelous
73
The Wedding of Peleus and Thetis (detail) (10)1593 · Frans Halsmuseum
74
The Wedding of Peleus and Thetis (detail)1593 · Frans Halsmuseum
75
Massacre of the Innocents (detail)1590 · Rijksmuseum
76
A Scholar in his Study1606 · The Ashmolean Museum of Art and Archaeology
77
Venus1617 · Museo de Arte de Ponce
78
Venus, Instructing a BacchanteBomann-Museum
79
Adoration with Three Kings
80
Paris domNationalmuseum
81
The Mirror of Time
82
Feast of the Gods
83
Juno Appearing to Sea Gods
84
Diana sleeping with her nymphs, spied on by satyrs
85
Massacre of the Innocents 1
86
Temperance1600 · Sanssouci-palota
87
The Wedding of Peleus and Thetis1593 · Mauritshuis
88
Banquet of Members of the Haarlem Calivermen Civic Guard1583 · Frans Hals Múzeum
89
Head of a Woman1633
90
The Fall of Man (detail)1592 · Rijksmuseum
91
The Judgment of Paris1628 · Szépművészeti Múzeum
92
BathshebaBerlin Állami Múzeumai
93
LE BAPTEME DU CHRIST (GRANDE VERSION)Louvre Múzeum
94
LE BAPTEME DU CHRIST (PETITE VERSION)Louvre Múzeum
95
Two Male Nudes
96
Israelites Crossing the Red Sea
97
Study of a Male Nude, with Floating Drapery
98
Meeting of Jacob and Esau
99
Susanna and the EldersKanadai Nemzeti Galéria
100
A Scholar in his Study
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Cornelis van Haarlem művei | Ebből a listából származó festmények |
|---|---|---|---|
 Varsói Nemzeti Múzeum |
Varsó | 9 | Christ with the cross and the chalice, Mars and Venus as lovers., Christ holding the Cross and a Chalice |
 Frans Hals Múzeum |
Haren | 8 | Portrait of Dirck Volckertsz. Coornhert, Jester in a Fool's Cap, Juda and Tamar |
 Rijksmuseum |
Amsterdam | 8 | Pomona Receives the Harvest of Fruit, Bathsheba at her Toilet, Cornelis Cornelisz. van Haarlem, 1594, Pieter Jansz Kies (c 1536-97). Burgomaster of Haarlem, Cornelis Cornelisz. van Haarlem, 1596 |
 Nationalmuseum |
Stockholm | 4 | Venus and Vulcan, Venus and Adonis, The Mirror of Time |
 Frans Halsmuseum |
Haren | 4 | The Wedding of Peleus and Thetis (detail) (12), The Wedding of Peleus and Thetis (detail) (10), The Wedding of Peleus and Thetis (detail) |
 Louvre Múzeum |
Párizs | 3 | LE BAPTEME DU CHRIST (GRANDE VERSION), LE BAPTEME DU CHRIST (PETITE VERSION) |
 Museum Boijmans Van Beuningen |
Rotterdam | 2 | The Fall of Ixion, Bacchus and a Satyr |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 2 | De H. Familie met Elisabeth en de jonge Johannes de Doper als kind, Baptism of Christ |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
The Fall of Ixion is an oil painting by Cornelis van Haarlem, executed about 1588. The canvas captures a moment of violent descent rooted in Greek mythology. It depicts the punishment of Ixion, the king of the Lapiths and son of Perimele, who was cast down for his hubris against the gods.
A single man occupies the center of this space, his presence anchored by a heavy, dark hat and a beard of stark, textured white. The light strikes the side of his face, carving deep valleys into the skin and highlighting the fine, etched lines around his eyes. He does not look away. His eyes hold a piercing, steady quality that demands a quiet confrontation with the viewer. Shadows pool in…
The goddess Diana emerges from the shadows in Diana as Goddess of the Hunt, a work painted by Cornelis van Haarlem. She appears not as a distant myth, but as a presence caught in a singular, quiet moment of strength. This portrait, created by Cornelis van Haarlem in 1607, captures the Roman goddess in a way that feels immediate and alive. The subject carries the weight of her divinity through…
Cornelis van Haarlem’s Ceres and Bacchus, created about 1610, presents an intimate mythological encounter set against a near-black background. The composition relies on dramatic chiaroscuro to push the figures into the foreground, creating depth through light rather than perspective. Ceres is positioned looking upward with an expression of longing or contemplation, while Bacchus leans toward her, his head adorned with a crown of vine leaves.
Cornelis van Haarlem captures a moment of seasonal abundance in Pomona Receives the Harvest of Fruit. This mythological painting, executed in 1626, centers on the Roman goddess of fruit trees. She exists within a lush, verdant landscape, surrounded by the heavy weight of a successful harvest. The scene is a quiet celebration of nature's bounty, rendered through the lens of the Dutch Renaissance.
The oil painting titled Rest on the Flight into Egypt was executed by the artist Cornelis van Haarlem. This work, dated about 1634, presents a religious and emotional subject matter. The composition focuses on the Holy Family during a period of rest, featuring the Virgin Mary, the infant Christ Child, and Saint Joseph.
Portrait of Dirck Volckertsz. Coornhert (1590), Frans Hals Múzeum, Haren. Ezután Venus and Vulcan (1590) és Pomona Receives the Harvest of Fruit (1626) következik.
28 éves: Portrait of Dirck Volckertsz. Coornhert 1590-ből származik, Cornelis van Haarlem pedig 1562-ben született.
Portrait of Dirck Volckertsz. Coornhert, Venus and Vulcan, Pomona Receives the Harvest of Fruit, Jester in a Fool's Cap, The Fall of Ixion, Ceres and Bacchus, Susanna at her Bath, Diana as Goddess of the Hunt, The Lamentation és Venus and Adonis. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 129 mű található Cornelis van Haarlem alkotótól, 1583 és 1634 év közötti időszakból.
Leginkább Varsói Nemzeti Múzeum (Varsó), Frans Hals Múzeum (Haren) és Rijksmuseum (Amsterdam) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1590s alatt: a jelen laphonon található 100 műből 27 készült ebben az időszakban, köztük Portrait of Dirck Volckertsz. Coornhert.
Ezen az oldalon a leghitelesebb Banquet of Members of the Haarlem Calivermen Civic Guard (1583), a legutóbbi pedig Rest on the Flight into Egypt (1634).
Man (34), Woman (27) és People (16), a jelen oldalon található 100 műművészeti alkotás között.
Oil On Canvas, a jelen oldalon található 100 műből 28 darab esetén.
Dutch golden age, ezen az oldalon található eredetiek alapján.
Christ with the cross and the chalice, Mars and Venus as lovers. és Christ holding the Cross and a Chalice: a Varsói Nemzeti Múzeum, Varsó 9 művet őrzi ezen az oldalon.
