Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 24 mű Antonio Zanchi alkotása a katalógusunkban
Röviden
Abraham Teaching Astrology To The Egyptians az a Antonio Zanchi festmény, amely a legtöbb tekintetet felvonja. Ezután a tekintet Sisyphus (1662) és Caterina Cornaro Received in Venice by Doge Agostino Barbaro (1650) elemre irányul. A Antonio Zanchi 24 műve közül a katalógusunkban megtalálható 24 legnépesebb alkotás, melyeket az év, a múzeum és az örökévalóságának okai kísérnek.
The painting titled Abraham Teaching Astrology To The Egyptians is a work by the artist Antonio Zanchi. This canvas captures a moment of ancient instruction, where celestial knowledge is passed between figures in a quiet, focused assembly. The scene centers on the transmission of wisdom, a theme often explored through the lens of biblical narrative and historical setting.
In this oil on canvas, Antonio Zanchi captures the mythological figure Sisyphus in a moment of absolute physical strain. The man’s body is a landscape of tension, defined by the heavy weight of his eternal task. His muscular torso dominates the view, every rib and sinew highlighted by a sharp, directional light. He is caught in the middle of a struggle that has no end, his face partially hidden by…
The oil on canvas work titled Caterina Cornaro Received in Venice by Doge Agostino Barbaro depicts a formal ceremonial encounter. This 17th-century painting is attributed to the artist Antonio Zanchi. Historical records also associate the work with Padovanino, also known as Alessandro Varotari. The scene captures a significant moment of reception involving nobility and high-ranking officials within a structured, theatrical setting.
circumcision of the Son of Moses is an oil painting by the Italian Baroque artist Antonio Zanchi. The work, executed about 1672, belongs to a period when Zanchi was establishing his reputation as a significant figure in Venetian painting.
In this oil on canvas, three figures occupy a shallow, dark space. The scene is defined by a strong, directional light source originating from the upper left, which casts deep shadows across the composition. This lighting highlights the muscular anatomy of the central figure and the specific facial features of the surrounding subjects. The figures are positioned in a tight arrangement, creating an intimate perspective that brings the viewer close…
In "Thanks offering" by Antonio Zanchi, a heavy diagonal movement pulls the eye from the lower left toward the upper left. A group of men, women, and children gather around an altar where a sacrificial fire burns. Their faces turn upward, caught in a shared moment of awe, prayer, or sorrow. Above this earthly assembly, a celestial figure emerges from swirling clouds, suspended in the heavens.
In the "Arrest of Simson" by Antonio Zanchi, a chaotic biblical struggle erupts across a large-scale Baroque canvas. The composition is crowded, a knot of muscular male figures locked in a frantic, physical contest. Diagonal lines cut through the space, creating a turbulent movement that pulls the eye through the struggle. This sense of motion is anchored by a shallow perspective, which pushes the violent action directly toward the viewer's…
The scene captures a pivotal biblical encounter through a lens of intense chiaroscuro. An elderly man, his hair and beard a stark white against a deep, shadowed background, extends a gesture of blessing toward a younger figure. This recipient, partially obscured by shadow, wears a yellow garment that catches the light, creating a sharp visual contrast against the surrounding darkness. To the side, an observer in a blue robe watches…
In 1666, Antonio Zanchi captured a moment of celestial intervention set against the visceral reality of human agony. The composition centers on the Virgin Mary, draped in white, holding the Christ child as she descends to offer solace to those ravaged by disease. Below this divine presence, a crowded assembly of figures endures the physical toll of the plague. Some lie prostrate in despair, while others sit or stand in…
The composition centers on two figures positioned in a tight, dramatic arrangement. On the left, Samson is depicted from the waist up, his muscular physique rendered with heavy emphasis on the anatomical structure of his torso and arms. His hair is long, and a beard and mustache frame his face. To his right, Delilah leans toward him, her hands positioned near his head. She holds a pair of scissors in…
Man with Urine Bottle in his Hand, Antonio Zanchi (attributed to), c. 1650 - c. 16741674 · Rijksmuseum
12
Allegory of pure LoveCa' Rezzonico – a 18. századi velencei művészet múzeuma
13
The Death of Socrates
14
Myrrha and CinyrasVarsói Nemzeti Múzeum
15
Pazzi Of The Painter Antonio Zanchi
16
Twelve Old Jesus in the Temple
17
Jesus Drives out the Moneychangers from the Temple
18
Baptism of Christ
19
Alegoría Del Tiempo
20
S.Dateiname
21
A Scene Of Rape
22
Magdalena Penitente, Museo Del PradoMuseo del Prado
23
David And Goliath
24
The Virgin Appearing to the Plague Victims1666 · Scuola Grande di San Rocco
A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.
A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.
| Múzeum | Város | Antonio Zanchi művei | Ebből a listából származó festmények |
|---|---|---|---|
 Bavári Állami Festırménygyűjtemények |
Munchen | 3 | Joseph as Interpreter of Dreams, Thanks offering, Arrest of Simson |
 Mauritshuis |
Haag | 1 | Sisyphus |
 Szlovák Nemzeti Galéria |
Pozsony | 1 | circumcision of the Son of Moses |
 Rijksmuseum |
Amsterdam | 1 | Man with Urine Bottle in his Hand, Antonio Zanchi (attributed to), c. 1650 - c. 1674 |
 Ca' Rezzonico – a 18. századi velencei művészet múzeuma |
Velence | 1 | Allegory of pure Love |
 Varsói Nemzeti Múzeum |
Varsó | 1 | Myrrha and Cinyras |
 Museo del Prado |
Madrid | 1 | Magdalena Penitente, Museo Del Prado |
 Scuola Grande di San Rocco |
Velence | 1 | The Virgin Appearing to the Plague Victims |
Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.
The oil on canvas work titled Caterina Cornaro Received in Venice by Doge Agostino Barbaro depicts a formal ceremonial encounter. This 17th-century painting is attributed to the artist Antonio Zanchi. Historical records also associate the work with Padovanino, also known as Alessandro Varotari. The scene captures a significant moment of reception involving nobility and high-ranking officials within a structured, theatrical setting.
In this oil on canvas, Antonio Zanchi captures the mythological figure Sisyphus in a moment of absolute physical strain. The man’s body is a landscape of tension, defined by the heavy weight of his eternal task. His muscular torso dominates the view, every rib and sinew highlighted by a sharp, directional light. He is caught in the middle of a struggle that has no end, his face partially hidden by…
circumcision of the Son of Moses is an oil painting by the Italian Baroque artist Antonio Zanchi. The work, executed about 1672, belongs to a period when Zanchi was establishing his reputation as a significant figure in Venetian painting.
Abraham Teaching Astrology To The Egyptians. Ezt követi Sisyphus (1662) és Caterina Cornaro Received in Venice by Doge Agostino Barbaro (1650).
Abraham Teaching Astrology To The Egyptians, Sisyphus, Caterina Cornaro Received in Venice by Doge Agostino Barbaro, circumcision of the Son of Moses, Joseph as Interpreter of Dreams, Thanks offering, Arrest of Simson, Jacob Recibe La Bendición De Isaac, The Virgin Appears To The Plague Victims és Samson And Delilah. A fenti rangsor a művek évszamarát és a múzeumát jelzi.
Katalógusunkban 24 mű található Antonio Zanchi alkotótól, 1650 és 1676 év közötti időszakból.
Leginkább Bavári Állami Festırménygyűjtemények (Munchen), Mauritshuis (Haag) és Szlovák Nemzeti Galéria (Pozsony) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.
1670s alatt: a jelen laphonon található 24 műből 5 készült ebben az időszakban, köztük circumcision of the Son of Moses.
Ezen az oldalon a leghitelesebb Caterina Cornaro Received in Venice by Doge Agostino Barbaro (1650), a legutóbbi pedig Joseph as Interpreter of Dreams (1676).
People (6), Man (6) és Figures (5), a jelen oldalon található 24 műművészeti alkotás között.
Oil On Canvas, a jelen oldalon található 24 műből 9 darab esetén.
Joseph as Interpreter of Dreams, Thanks offering és Arrest of Simson: a Bavári Állami Festırménygyűjtemények, Munchen 3 művet őrzi ezen az oldalon.
