Anders Zorn portréja

Anders Zorn festményei: A 100 leghíresebb alkotás, egy galéria szemével

Frissítve: november 2026 · rangsorolva népszerűségi pontszámunk alapján (minden mű keresései, látogatásai és megrendelései alapján) · 340 mű Anders Zorn alkotása a katalógusunkban

Röviden

A galéria szerint Anders Zorn leghíresebb festménye a Self-portrait (1882), amelynek eredeti példája a Nationalmuseum múzeumában található, Stockholm városában. Isabella Stewart Gardner in Venice (1894) és Junikväll (Evening in June) kiegészítik azt a triót, amelyet minden szem felismer. A katalógusunkban szereplő 340 művész Anders Zorn alkotásából a galéria az alábbi 100 leghíresebbet mutatja be, amelyek mind egyedi originális művek, a készítés évszámával, a múzeum megnevezésével és a különlegességük leírásával.

1860 – 1920, Mora Impressionism A legtöbb mű: Nationalmuseum

A galéria top 10 Anders Zorn festménye

1
Self-portrait (1882) (1889) -ja Anders Zorn

Self-portrait

1882 · Acrylic On Canvas · Nationalmuseum, Stockholm

Anders Leonard Zorn’s “Self-Portrait,” painted in 1882, isn't merely a likeness; it’s an intimate revelation, a carefully constructed glimpse into the mind and spirit of one of Sweden’s most celebrated artists. Executed in delicate watercolor on paper, this work transcends the typical self-portraiture of its time, offering not just a visual representation but a profound meditation on identity, observation, and the artist's own place within the world. The painting captures…

2
Isabella Stewart Gardner in Venice (1894) (1889) -ja Anders Zorn

Isabella Stewart Gardner in Venice

1894 · Acrylic On Canvas · Isabella Stewart Gardner Museum, Boston

Anders Leonard Zorn's "Isabella Stewart Gardner in Venice," painted in 1894, isn’t merely a portrait; it’s an exquisitely rendered distillation of memory, movement, and the enduring allure of Venetian light. The painting captures not just a likeness of the American socialite Isabella Stewart Gardner – a woman renowned for her passionate collecting and transformative influence on Boston's Museum of Fine Arts – but also a feeling, a fleeting moment suspended…

4
Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900) (1889) -ja Anders Zorn

Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)

1900 · Oil On Canvas · Metropolitan Művészeti Múzeum, New York

Anders Leonard Zorn’s “Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918)” is more than just a portrait; it's a window into the life of a remarkable woman and a testament to her profound impact on the world of music. Painted in 1900, this oil-on-canvas masterpiece captures Mary Elizabeth Adams Brown – a philanthropist whose dedication resulted in one of the most significant collections of musical instruments housed at The Metropolitan…

5
Ida by the Window (1908) (1889) -ja Anders Zorn

Ida by the Window

1908 · Oil On Canvas

Anders Zorn painted Ida by the Window in 1908. The subject of this work is Ida, who held the position of housekeeper at the artist's home in Mora. She is depicted standing before a window, wearing a green dress and a white scarf around her neck. Her hands rest on her hips as she gazes outward. In the background, two other figures are visible, one positioned on the left side…

6
Valsen (1889) -ja Anders Zorn

Valsen

Oil On Canvas

, also known as The Waltz, is an oil painting by the Swedish artist Anders Zorn. Executed in 1891, the work captures a moment of movement within a social setting. The piece is recognized by both its original title and its English translation.

7
Vallkulla (1889) -ja Anders Zorn

Vallkulla

Etching

Vallkulla is an etching produced by the Swedish artist Anders Zorn. This work originated in Sweden and was created in 1912. The piece is classified within the category of prints, etchings, and works on paper. It is a specific example of the artist's output during this period of his career.

8
Halsey Cooley Ives (1894) (1889) -ja Anders Zorn

Halsey Cooley Ives

1894 · Oil On Canvas · Saint Louis Art Museum, Saint Louis

The room feels quiet, heavy with the weight of a man’s presence. Halsey Cooley Ives sits in a three-quarter pose, his body angled slightly away while his gaze drifts toward an unseen point beyond the frame. There is a profound sense of stillness here, as if the air itself has paused to respect his contemplation. He is a man of substance, draped in a dark suit that seems to absorb…

9
Portrait Study of a Man (1901) (1889) -ja Anders Zorn

Portrait Study of a Man

1901 · Oil On Canvas · Art Institute of Chicago, Chicago

The man sits in a quiet, heavy stillness, his gaze meeting the viewer with a steady and direct intensity. Light spills from the upper left, catching the ridge of his forehead and the edge of a hand, while the rest of his form retreats into deep, charcoal shadows. There is a profound sense of introspection here, as if he has just paused mid-thought to acknowledge an unexpected presence in the…

10
Charles Nagel (1901) (1889) -ja Anders Zorn

Charles Nagel

1901 · Oil On Canvas · National Portrait Gallery, Washington, D.C.

In this 1901 oil on canvas, we encounter Charles Nagel not as a mere likeness, but as a study in quiet dignity. The subject is positioned in a bust-length composition, his gaze meeting ours with a serious, steady expression that suggests a life of intellect and weight. There is a certain gravity to his posture, an unhurried stillness that commands the space around him. The lighting is handled with a…

Anders Zorn festményei, 11. helyezéstől 100. helyezésig

11Nude Girl in Doorway (1900) (1889) -ja Anders ZornNude Girl in Doorway1900 · Art Institute of Chicago 12The Artist's Wife (1889) (1889) -ja Anders ZornThe Artist's Wife1889 · Nationalmuseum 13Maria Sheldon Scammon (1895) (1889) -ja Anders ZornMaria Sheldon Scammon1895 · Art Institute of Chicago 14Girl from Dalecarlia knitting. Cabbage Margit (1901) (1889) -ja Anders ZornGirl from Dalecarlia knitting. Cabbage Margit1901 · Nationalmuseum 15Castles in the Air (1885) (1889) -ja Anders ZornCastles in the Air1885 · Nationalmuseum 16Mefisto Consul Dahlander (1884) (1889) -ja Anders ZornMefisto Consul Dahlander1884 · Nationalmuseum 17Midsummer Dance (1897) (1889) -ja Anders ZornMidsummer Dance1897 18Frileuse (1894) (1889) -ja Anders ZornFrileuse1894 · Prince Eugens Waldemarsudde 19Marie Cohn (1900) (1889) -ja Anders ZornMarie Cohn1900 20Röd sand (1889) -ja Anders ZornRöd sand 21A Woman in a Forest (1907) (1889) -ja Anders ZornA Woman in a Forest1907 22Badande kullor i bastun (1889) -ja Anders ZornBadande kullor i bastunNationalmuseum 23A Kitchen Maid (1919) (1889) -ja Anders ZornA Kitchen Maid1919 24The Omnibus (1892) (1889) -ja Anders ZornThe Omnibus1892 · Isabella Stewart Gardner Museum 25Abram Piatt Andrew, Jr. (1911) (1889) -ja Anders ZornAbram Piatt Andrew, Jr.1911 · Isabella Stewart Gardner Museum 26Isabella Stewart Gardner in Venice (1894) (1889) -ja Anders ZornIsabella Stewart Gardner in Venice1894 · Isabella Stewart Gardner Museum 27Nelson Wilmarth Aldrich (1913) (1889) -ja Anders ZornNelson Wilmarth Aldrich1913 · National Portrait Gallery 28A Young Farm Girl (1880) (1889) -ja Anders ZornA Young Farm Girl1880 · Nationalmuseum 29Love nymph (1884) (1889) -ja Anders ZornLove nymph1884 · Nationalmuseum 30The Love Nymph (1885) (1889) -ja Anders ZornThe Love Nymph1885 31Model Study (1879) (1889) -ja Anders ZornModel Study1879 · Thiel Gallery 32I vardinnans tradgard (1882) (1889) -ja Anders ZornI vardinnans tradgard1882 33Neglected (1884) (1889) -ja Anders ZornNeglected1884 34Portrait of a boy (1881) (1889) -ja Anders ZornPortrait of a boy1881 35The Bathers (1889) (1889) -ja Anders ZornThe Bathers1889 · Zorn Collections 36Bedouin Girl (1886) (1889) -ja Anders ZornBedouin Girl1886 37Study of a Nude (1891) (1889) -ja Anders ZornStudy of a Nude1891 · Nationalmuseum 38Viktor Rydberg (1890) (1889) -ja Anders ZornViktor Rydberg1890 39Woman of Paris (1887) (1889) -ja Anders ZornWoman of Paris1887 40Country festival (1890) (1889) -ja Anders ZornCountry festival1890 · Pushkin állami művészeti múzeum 41Gunnlöd (1886) (1889) -ja Anders ZornGunnlöd1886 · Nationalmuseum 42Bedouin Girl (1886) (1889) -ja Anders ZornBedouin Girl1886 · Nationalmuseum 43Zorn and his Wife (1890) (1889) -ja Anders ZornZorn and his Wife1890 44Opal (1891) (1889) -ja Anders ZornOpal1891 45The Tub (1888) (1889) -ja Anders ZornThe Tub1888 46Joseph-Ernest Renan (1892) (1889) -ja Anders ZornJoseph-Ernest Renan1892 47William B. Ogden (1895) (1889) -ja Anders ZornWilliam B. Ogden1895 · Wadsworth Atheneum 48In the Skerries (1894) (1889) -ja Anders ZornIn the Skerries1894 49After the Bath (1895) (1889) -ja Anders ZornAfter the Bath1895 · Nationalmuseum 50Untitled (AQQLR2) (1898) (1889) -ja Anders ZornUntitled (AQQLR2)1898 51Untitled (AQQLQE) (1898) (1889) -ja Anders ZornUntitled (AQQLQE)1898 · Harvard Art Museums 52Nude in Fire Light (1904) (1889) -ja Anders ZornNude in Fire Light1904 53By Lake Siljan (1905) (1889) -ja Anders ZornBy Lake Siljan1905 · Nationalmuseum 54On the Rock (1904) (1889) -ja Anders ZornOn the Rock1904 · Thiel Gallery 55In the Loft (1904) (1889) -ja Anders ZornIn the Loft1904 · Thiel Gallery 56Charles Tracy Barney (1850–1907) (1904) (1889) -ja Anders ZornCharles Tracy Barney (1850–1907)1904 · New York Historical Society 57Samuel Untermyer (1858–1940) (1901) (1889) -ja Anders ZornSamuel Untermyer (1858–1940)1901 · New York Historical Society 58Mrs. Grover Cleveland (1899) (1889) -ja Anders ZornMrs. Grover Cleveland1899 · Isabella Stewart Gardner Museum 59Ida (1905) (1889) -ja Anders ZornIda1905 60Madonna (1900) (1889) -ja Anders ZornMadonna1900 61Self-Portrait (1907) (1889) -ja Anders ZornSelf-Portrait1907 62Portrait of Andrew Carnegie, Esq. (1911) (1889) -ja Anders ZornPortrait of Andrew Carnegie, Esq.1911 · Carnegie Museum of Art 63Gopsmor (1910) (1889) -ja Anders ZornGopsmor1910 · Nemzeti Szépművészeti Múzeum 64Wet (1910) (1889) -ja Anders ZornWet1910 · Metropolitan Művészeti Múzeum 65In Santaham (1906) (1889) -ja Anders ZornIn Santaham1906 66The Hinds (1908) (1889) -ja Anders ZornThe Hinds1908 67The Painter Bruno Liljefors (1906) (1889) -ja Anders ZornThe Painter Bruno Liljefors1906 · Nationalmuseum 68The Awakening (1906) (1889) -ja Anders ZornThe Awakening1906 69Ingeborg (1907) (1889) -ja Anders ZornIngeborg1907 70Untitled (AQQLQL) (1908) (1889) -ja Anders ZornUntitled (AQQLQL)1908 71Untitled (AQQLRE) (1906) (1889) -ja Anders ZornUntitled (AQQLRE)1906 · National Portrait Gallery of Sweden 72Hilma Herikson (1908) (1889) -ja Anders ZornHilma Herikson1908 73Fourteen Years Old I Believe I Was (1916) (1889) -ja Anders ZornFourteen Years Old I Believe I Was1916 74The Shy Model (1917) (1889) -ja Anders ZornThe Shy Model1917 · Finnish National Gallery 75Archipelago flower (1916) (1889) -ja Anders ZornArchipelago flower1916 76Agnes Branting (1862-1930), textile artist, textile researcher (1912) (1889) -ja Anders ZornAgnes Branting (1862-1930), textile artist, textile researcher1912 · National Portrait Gallery of Sweden 77At the Bathtub (1914) (1889) -ja Anders ZornAt the Bathtub1914 · Thiel Gallery 78Vid badkaret (1915) (1889) -ja Anders ZornVid badkaret1915 79The lumber moves (1916) (1889) -ja Anders ZornThe lumber moves1916 80Helga (1917) (1889) -ja Anders ZornHelga1917 81The two (1916) (1889) -ja Anders ZornThe two1916 82Bust (1916) (1889) -ja Anders ZornBust1916 83Ols-Maria in the Kuvådörren (1918) (1889) -ja Anders ZornOls-Maria in the Kuvådörren1918 84Jollen (1918) (1889) -ja Anders ZornJollen1918 85red stocking (1920) (1889) -ja Anders Zornred stocking1920 86The Flea (1918) (1889) -ja Anders ZornThe Flea1918 87Against The Current (1919) (1889) -ja Anders ZornAgainst The Current1919 88Vicke (1918) (1889) -ja Anders ZornVicke1918 89Mrs Henriette Lamm (1889) -ja Anders ZornMrs Henriette LammNationalmuseum 90Untitled (AQQLRN) (1918) (1889) -ja Anders ZornUntitled (AQQLRN)1918 91Grover Cleveland (1899) (1889) -ja Anders ZornGrover Cleveland1899 92Edward R. Bacon (1846–1915) (1897) (1889) -ja Anders ZornEdward R. Bacon (1846–1915)1897 · Metropolitan Művészeti Múzeum 93A Musical Family (1905) (1889) -ja Anders ZornA Musical Family1905 · Nationalmuseum 94A Portrait Of Christian De Falbe, With A Saint Bernard At Luton Hoo (1889) -ja Anders ZornA Portrait Of Christian De Falbe, With A Saint Bernard At Luton Hoo 95Mrs. Morewood (1883) (1889) -ja Anders ZornMrs. Morewood1883 · Suomen Kansallisgalleria 96Untitled (AQQLRU) (2015) (1889) -ja Anders ZornUntitled (AQQLRU)2015 97Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919) (1897) (1889) -ja Anders ZornMrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919)1897 98Bruden (The Bride) (1889) -ja Anders ZornBruden (The Bride)Nationalmuseum 99Mrs. Potter Palmer (1893) (1889) -ja Anders ZornMrs. Potter Palmer1893 · Art Institute of Chicago 100The Schwartz Girls (1889) (1889) -ja Anders ZornThe Schwartz Girls1889 · Louvre Múzeum

Anders Zorn híres festményei, korszakonként

A témák, amelyek Anders Zorn figyelmét meghúzták

A négy leggyakorobban előforduló téma ebben az eredeti művekben, mindegyik a legkiválóbb példájával.

A műemlékek, amelyek Anders Zorn eredeti műveit őrzik

A 8 olyan múzeum, amely a legtöbb ezen az oldalon szereplő festményet őrzi.

Múzeum Város Anders Zorn művei Ebből a listából származó festmények
Nationalmuseum, StockholmNationalmuseum Stockholm 35 Self-portrait, The Artist's Wife, Girl from Dalecarlia knitting. Cabbage Margit
Isabella Stewart Gardner Museum, BostonIsabella Stewart Gardner Museum Boston 8 Isabella Stewart Gardner in Venice, The Omnibus, Abram Piatt Andrew, Jr.
Art Institute of Chicago, ChicagoArt Institute of Chicago Chicago 5 Portrait Study of a Man, Nude Girl in Doorway, Maria Sheldon Scammon
Thiel Gallery, StockholmThiel Gallery Stockholm 5 Model Study, On the Rock, In the Loft
Metropolitan Művészeti Múzeum, New YorkMetropolitan Művészeti Múzeum New York 5 Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Wet, Edward R. Bacon (1846–1915)
National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 3 Charles Nagel, Nelson Wilmarth Aldrich
New York Historical Society, New YorkNew York Historical Society New York 2 Charles Tracy Barney (1850–1907), Samuel Untermyer (1858–1940)
National Portrait Gallery of Sweden, SträngnäsNational Portrait Gallery of Sweden Strängnäs 2 Untitled (AQQLRE), Agnes Branting (1862-1930), textile artist, textile researcher

Anders Zorn, egy aláírott festmény évtizedenként

Művek évtizedenként

Váassz ki egy évtizedet, hogy megnézhesd az azt meghatározó eredetiműveket.

Anders Zorn festményei: a galéria válaszai

Melyik Anders Zorn festmény a leghíresebb?Fedje fel a választ

Self-portrait (1882), Nationalmuseum, Stockholm. Ezután Isabella Stewart Gardner in Venice (1894) és Junikväll (Evening in June) következik.

Hány éves volt Anders Zorn, amikor elkészítette a(t): Self-portrait?Fedje fel a választ

22 éves: Self-portrait 1882-ből származik, Anders Zorn pedig 1860-ben született.

Melyek Anders Zorn top 10 festménye?Fedje fel a választ

Self-portrait, Isabella Stewart Gardner in Venice, Junikväll (Evening in June), Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918), Ida by the Window, Valsen, Vallkulla, Halsey Cooley Ives, Portrait Study of a Man és Charles Nagel. A fenti rangsor a művek évszamarát és a múzeumát jelzi.

Hány műve született Anders Zorn nevére?Fedje fel a választ

Katalógusunkban 340 mű található Anders Zorn alkotótól, 1879 és 1920 év közötti időszakból.

Hol találhatóak Anders Zorn leghíresebb eredeti művei?Fedje fel a választ

Leginkább Nationalmuseum (Stockholm), Isabella Stewart Gardner Museum (Boston) és Art Institute of Chicago (Chicago) található. A fenti múzeumi táblázatban mindegyik felsorolásra került.

Mikor festette Anders Zorn le leghíresebb műveit?Fedje fel a választ

1900s alatt: a jelen laphonon található 100 műből 26 készült ebben az időszakban, köztük Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918).

Melyek Anders Zorn legkorábbi és legutóbbi híres művei?Fedje fel a választ

Ezen az oldalon a leghitelesebb Model Study (1879), a legutóbbi pedig red stocking (1920).

Mely témakörökkel foglaltaszkodott a legtöbbször Anders Zorn?Fedje fel a választ

Woman (59), Nude (26) és Portrait (22), a jelen oldalon található 100 műművészeti alkotás között.

Melyik technikával foglalt leginkább Anders Zorn?Fedje fel a választ

Oil On Canvas, a jelen oldalon található 100 műből 57 darab esetén.

Mely művészeti irányhoz tartozik Anders Zorn?Fedje fel a választ

Impressionism, ezen az oldalon található eredetiek alapján.

Mely Anders Zorn eredeti műveit őrzi a Nationalmuseum?Fedje fel a választ

Self-portrait, The Artist's Wife és Girl from Dalecarlia knitting. Cabbage Margit: a Nationalmuseum, Stockholm 17 művet őrzi ezen az oldalon.

Anders Zorn: a művész

A Swedish Master of Light and Life: The World of Anders Zorn

Anders Leonard Zorn, a name synonymous with vibrant Impressionism and masterful portraiture, stands as Sweden’s most celebrated artist. Born in 1860 amidst the rustic beauty of Dalarna, his journey from humble beginnings to international acclaim is a testament to raw talent nurtured by relentless dedication. Unlike many artists who sought formal training within established circles, Zorn's early education was rooted in the practicalities of rural life and an innate artistic sensibility that blossomed even before entering the Royal Swedish Academy of Arts at the remarkably young age of twelve. His childhood on his grandparents’ farm instilled a deep connection to the land and its people—a theme that would resonate throughout his oeuvre, particularly in his evocative depictions of Swedish peasant life. This early exposure wasn't merely about subject matter; it was about capturing a way of being, an authenticity that infused his work with a unique emotional depth.

From Watercolors to International Recognition

Zorn’s initial artistic explorations centered on watercolors, a medium he mastered with astonishing speed and skill. He quickly gained recognition for his ability to capture fleeting moments of light and atmosphere, particularly in scenes depicting everyday life. A pivotal moment arrived with “In Mourning” (1880), a watercolor portrait that showcased his remarkable sensitivity and technical prowess. This work propelled him onto the art scene, attracting commissions from Stockholm’s elite and setting the stage for an international career. He embarked on extensive travels throughout Europe—London, Paris, Spain—and eventually to the United States, where he found immense success as a portraitist. His ability to distill the essence of his sitters, whether royalty like King Oscar II or American presidents Grover Cleveland, William H. Taft, and Theodore Roosevelt, earned him widespread admiration. Zorn didn’t simply paint likenesses; he captured character, intellect, and even a hint of the soul. This talent wasn't accidental—it stemmed from an acute observational skill honed through years of studying human form and expression. He was particularly fascinated by capturing the subtle nuances of emotion in his subjects’ eyes and expressions, translating them onto canvas with remarkable accuracy.

A Synthesis of Influences and Artistic Development

While Zorn’s style is often categorized as Impressionistic, it was far from a simple imitation of French trends. He absorbed influences from various sources, blending them into a uniquely personal vision. The luminosity of Spanish masters like Velázquez resonated in his handling of light and shadow, while the directness and realism of Scandinavian naturalism informed his approach to subject matter. His time spent with artists like Albert Edelfelt in Paris exposed him to new ideas and techniques, but he always remained true to his own artistic instincts. A crucial turning point came when Zorn began experimenting with oil painting in the late 1880s. This allowed him to achieve a greater richness of color and texture, further enhancing the vibrancy and immediacy of his work. He embraced a limited palette, focusing on achieving maximum impact through subtle variations in tone and hue—a technique that became a hallmark of his style. His paintings from this period, such as “A Fisherman in St Ives,” demonstrate a newfound confidence and mastery of the medium. He was also known for his meticulous preparatory sketches, often working out complex compositions and color schemes before committing them to canvas.

The Portraiture of Character

Zorn’s most celebrated work lies within his portraiture. He possessed an extraordinary ability to capture not just a physical likeness but also the inner character of his subjects. Whether depicting a stern-faced industrialist, a laughing peasant girl, or a dignified royal figure, Zorn imbued each portrait with a sense of life and immediacy. He wasn’t interested in creating idealized representations; instead, he sought to reveal the essence of his sitters—their strengths, their vulnerabilities, and their unique personalities. His portraits were often infused with a subtle humor or warmth, reflecting his own empathetic nature. He spent considerable time observing his subjects before beginning a portrait, studying their mannerisms, gestures, and expressions. This careful observation allowed him to capture not only their physical appearance but also their spirit. His portraits of American presidents are particularly noteworthy for their insightful portrayal of leadership—capturing both the power and the humanity of these influential figures.

Legacy and Enduring Impact

Anders Zorn’s influence extends far beyond his stunning body of work. He was not only a gifted artist but also a dedicated patron of the arts, establishing the Bellman Prize in 1920—a prestigious literary award for Swedish poets that continues to be awarded today. This act underscores his commitment to fostering creativity and supporting cultural expression within his homeland. His paintings are now held in prominent museums worldwide, including the Nationalmuseum in Stockholm, the Musée d'Orsay in Paris, and the Metropolitan Museum of Art in New York. The Zorn Collections in Mora, Sweden—comprising Zorngården, Zorn Museum, Gammelgård, and Gopsmor—serve as a lasting tribute to his life and legacy, offering visitors an intimate glimpse into his world. Zorn’s ability to capture the beauty of everyday life, combined with his technical brilliance and unwavering artistic vision, cemented his place as one of the most important artists of his generation. He remains a source of inspiration for artists today, a testament to the enduring power of light, color, and human connection in art. His work continues to resonate with audiences worldwide, reminding us of the beauty that can be found in both the grand and the mundane.