Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 21 djela Wolf Huber u našem katalogu
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Iz perspektive galerije, najpoznatije djelo umjetnika Wolf Huber je Landscape with Castle (1545), čiji se original nalazi u muzeju Ducal Graphic Collection, Eggenfeld. Christ taking leave of his Mother. (1519) i Saint Sebastian (1525) upotpunjuju triju koju svako oko prepoznaje. Od 21 djela umjetnika Wolf Huber u našem katalogu, galerija u nastavku prikazuje 20 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
Landscape with Castle is a drawing by Wolf Huber. Born in Feldkirch, Austria, Huber was a multifaceted artist who worked as a painter, printmaker, and architect. His practice spanned the Northern Renaissance, contributing significantly to the development of the Danube School.
The painting titled Christ taking leave of his Mother. is a religious art piece by the Austrian artist Wolf Huber. Created in 1519, the work captures a moment of profound parting. It focuses on the tender, heavy silence between a mother and her son.
A young man with pale skin is positioned slightly off-center, tied to a dark tree trunk within a wooded setting. His body is pierced by several arrows, and his torso shows defined musculature. He wears a white loincloth that contrasts with the deep, earthy tones of the background. The lighting originates from the upper left, casting soft shadows across his chest and abdomen to create a sense of three-dimensional volume.…
Wolf Huber executed Allegory of Redemption, a work also identified as Allegory of Salvation, about 1543. This oil painting was commissioned by Prince-Bishop Wolfgang I, Count Salm. The patron, Wolfgang Graf von Salm, appears within the composition as the kneeling figure in the foreground.
Wolf Huber’s Epitaph of the Perger Family, executed about 1516, presents a dense assembly of figures within a somber funerary or religious setting. The composition is structured through several layers of subjects that create a sense of depth despite a relatively flat perspective, a hallmark of the early 16th-century Northern Renaissance style. On the left, a cluster of men dressed in period-appropriate Renaissance attire occupies the foreground and middle ground,…
The scene unfolds in Christ on the Mount of Olives, a work by the Austrian-German artist Wolf Huber. Born in Feldkirch, Austria, Huber moves through the history of the Northern Renaissance as a versatile creator, working as a painter, printmaker, and architect. This specific composition captures a moment of profound spiritual tension, rendered with the expressive intensity that defines his hand.
In this 1528 portrait, we encounter a man caught in a moment of quiet contemplation. He is positioned slightly off-center, his gaze directed away from us, as if lost in a thought that we are not permitted to share. The composition is a medium close-up, focusing on the upper body and the heavy textures that define his status. There is a profound sense of stillness here. The monochromatic palette, rendered…
The painting titled Crucifixion of Christ was executed by the artist Wolf Huber. This work dates to 1522. The composition depicts the central figure of Jesus on a cross, surrounded by a dense assembly of onlookers, soldiers, and mourners. The scene is framed within an arched structure, presenting a crowded arrangement of human figures against a dark, turbulent sky.
The painting depicts the biblical story of the flight into Egypt, featuring Mary, Joseph, and baby Jesus traveling on a donkey. The scene is set against an expansive backdrop of mountains, which provides a sense of scale to the landscape. Within the composition, several other figures are present, including one man holding a staff and another individual carrying a bowl. Two cows can be seen in the background, with one…
The painting depicts a religious scene centered on the body of Jesus, who lies horizontally across the middle of the frame. He is surrounded by a group of at least twelve figures, some of whom are kneeling while others stand in various states of mourning. The figures are positioned around the central form, their bodies oriented toward the deceased man. In the background, a landscape of mountains rises, providing a…
Landscape near Feldkirch1527 · Staatliche Graphische Sammlung
12
Christ taking leave of his Mother1520 · National Gallery
13
Portrait of Jacob Ziegler1540 · Kunsthistorisches Museum
14
Portrait of Margaret HundertpfundtPhiladelphia Museum of Art
15
Portrait of a ManBarnes Foundation
16
The Capture of ChristAlte Pinakothek
17
Fracstein zeichnung
18
Saint sebastian.
19
Portrait of Anton HundertpfundtNational Gallery of Ireland
20
Portrait of a Woman of the Reuss FamilyMuseu Nacional d'Art de Catalunya
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Wolf Huber | Slike iz ovog popisa |
|---|---|---|---|
 Kunsthistorisches Museum |
Beč | 4 | Christ taking leave of his Mother., Allegory of Redemption, Crucifixion of Christ |
 Bavarske državne slikopisne zbirke |
München | 2 | Epitaph of the Perger Family, Christ on the Mount of Olives |
 Ducal Graphic Collection |
Eggenfeld | 1 | Landscape with Castle |
 Narodni muzej u Varšavi |
Varšava | 1 | Saint Sebastian |
 Staatliche Museen zu Berlin |
Berlin | 1 | The Flight into Egypt |
 Louvre |
Pariz | 1 | The Lamentation of Christ |
 Staatliche Graphische Sammlung |
München | 1 | Landscape near Feldkirch |
 National Gallery |
London | 1 | Christ taking leave of his Mother |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The painting titled Christ taking leave of his Mother. is a religious art piece by the Austrian artist Wolf Huber. Created in 1519, the work captures a moment of profound parting. It focuses on the tender, heavy silence between a mother and her son.
A young man with pale skin is positioned slightly off-center, tied to a dark tree trunk within a wooded setting. His body is pierced by several arrows, and his torso shows defined musculature. He wears a white loincloth that contrasts with the deep, earthy tones of the background. The lighting originates from the upper left, casting soft shadows across his chest and abdomen to create a sense of three-dimensional volume.…
Landscape with Castle is a drawing by Wolf Huber. Born in Feldkirch, Austria, Huber was a multifaceted artist who worked as a painter, printmaker, and architect. His practice spanned the Northern Renaissance, contributing significantly to the development of the Danube School.
Landscape with Castle (1545), Ducal Graphic Collection, Eggenfeld. Nakon njih slijede Christ taking leave of his Mother. (1519) i Saint Sebastian (1525).
60 godina: Landscape with Castle datira iz 1545, a Wolf Huber je rođen/a 1485.
Landscape with Castle, Christ taking leave of his Mother., Saint Sebastian, Allegory of Redemption, Epitaph of the Perger Family, Christ on the Mount of Olives, Portrait of a (35-year-old) Man with Black Hat and Fur-Trimmed Coat, Crucifixion of Christ, The Flight into Egypt i The Lamentation of Christ. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 21 djela umjetnika Wolf Huber, datiranih od 1516 do 1545.
Većinom u Kunsthistorisches Museum (Beč), Bavarske državne slikopisne zbirke (München) i Ducal Graphic Collection (Eggenfeld). Gornja tablica muzeja navodi sve njih.
U 1520s: 8 od 20 djela na ovoj stranici nastalo je tada, od čega je Saint Sebastian Saint Sebastian.
Na ovoj stranici najstarije djelo je iz Epitaph of the Perger Family (1516), a najnovije iz Landscape with Castle (1545).
Trees (4), Clouds (4) i People (4), kroz svih 20 djela na ovoj stranici.
Oil On Panel, za 8 od 20 djela na ovoj stranici.
Northern renaissance i Renaissance, sudeći po originalima na ovoj stranici.
Christ taking leave of his Mother., Allegory of Redemption i Crucifixion of Christ: Kunsthistorisches Museum, Beč posjeduje 4 djela s ove stranice.
U živopisnom tapisu sjevernjačkog renesansnog doba, malo je niti toliko zamršeno tkanih kao one koje pripadaju Wolf Huber. Austrijsko-njemački slikar, grafičar i arhitekt, Huber se istaknuo kao vodeća figura Danubske škole, pokreta koji je revolucionirao ulogu pejzaža u europskoj umjetnosti. Dok se veći dio talijanske renesanse fokusirao na usavršavanje ljudskog oblika i klasičnog idealizma, Huber i njegovi suvremenici okrenuli su svoj pogled prema neukroćenoj ljepoti prirodnog svijeta. Njegovo djelo hvata dušu pejzaža, pretvarajući guste šume, maglovite doline i dramatične planinske vrhove iz puke pozadine u duboke, žive subjekte koji odjekuju duhovnom dubinom.
Rođen u Feldkirchu, Austrija, Huberov rani život ostaje donekle prekriven maglom povijesti, iako njegovo prisustvo u umjetničkom svijetu postaje jasno utemeljeno početkom šesnaestog stoljeća. Do 1515. godine živeo je i radio u Passauu, Njemačka, gradu koji će služiti kao primarna scena za veći dio njegove blistave karijere. Iako su detalji njegovog formalnog obrazovanja nepoznati, vjeruje se da je svoje vještine mogao usavršiti u obiteljskom radionici. Njegov umjetnički jezik sugerira sofisticirano razumijevanje talijanske renesanse, vjerojatno stečeno putem putovanja u sjevernu Italiju, što mu je omogućilo da spoji pedantni detalj Sjevera s majstorskom upotrebom chiaroscuro i atmosferske perspektive pronađene na jugu.
Huberovo djelo odlikuje iznimna sposobnost tkanja ljudske narative u samu tkaninu zemlje. U njegovim religioznim kompozicijama, kao što su Bijeg u Egipat ili Krist se oprašta od svoje majke, pejzaž ne okružuje samo figure; on sudjeluje u njihovom emocionalnom putovanju. Posjedovao je rijetku osjetljivost za lirijske kvalitete prirode, koristeći prostrane planine i bujne drveve kao emocionalne ekstenzije unutarnjih borbi i božanskih sudbina svojih subjekata. Ova tehnika omogućila mu je da uzdigne biblijske narative u kozmičke događaje, gdje veličina terena odražava težinu duhovnog trenutka.
Osim njegovih religioznih djela, Huberova majstorstvo proteže se i na intiman svijet portreta. U djelima kao što je Portret Jacoba Zieglera, on pokazuje duboku kontrolu nad svjetlom i teksturom. Kroz pedantno slojeve pigmenata, postigao je baršunastastu dubinu koja oživljava modela, hvatajući intelektualnu žar i introspektivnu misao svojih subjekata. Njegovi portreti često koriste meko, frontalno osvjetljenje koje daje skulpturalnu kvalitetu ljudskom licu, stvarajući dijalog između pojedinca i atmosferskog svijeta koji se razvija iza njih.
Huberova svestranost proteže se daleko izvan platna i tiskarskog stroja. Bio je čovjek višestranih talenata, služeći ne samo kao slikar već i kao arhitekt. Njegov arhitektonski doprinos dokazan je njegovim radom za lokalno plemstvo, a najznačajniji je nalog grofa Niklasa II. von Salma za obnovu Palate Neuberg na rijeci Inn. Preživjeli fragmenti ovog projekta otkrivaju njegovu sposobnost integracije grandioznijih, dekorativnih stilova talijanske renesanse u regionalni pejzaž, upotpunjenih bogatim, ornamentalnim slikarijama.
Kao dvorski slikar bavarskog dukova Ernsta, Huber je zauzeo položaj od značajnog prestiža, dodatno učvrstivši svoju ulogu stupa njemačko-austrijske umjetničke zajednice. Njegovo naslijeđe leži u njegovoj sposobnosti da premosti jaz između ljudskog i božanskog, između intimnog i prostranog. Kroz svoj doprinos Danubskoj školi, pomogao je u uspostavljanju novog načina gledanja — onoga u kojem pejzaž nije samo scenografija za čovjeka, već duboko odraz vječnosti.
