Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 13 djela William Artaud u našem katalogu
Ukratko
Od svih originala koje je William Artaud ostavio, najpoznatiji je The Disguised Children, called The Attire (1790) u kolekciji muzeja Musée Cognacq-Jay, Pariz. Samo iza njih slijede Portrait of Two Young Girls, known as Les Gâteaux (1790) i 'The Triumph of Mercy,' from Collins' 'Ode To Mercy' (1789). Naš katalog sadrži 13 djela umjetnika William Artaud; galerija je čuvala onih 13 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
Two small figures occupy a quiet, shadowed room, caught in a moment of theatrical stillness. A young girl stands in the foreground, her presence defined by the luminous white of her dress and the heavy, deep blue of a voluminous cloak. The dark fur trim of her garment catches the light, creating a tactile contrast against the smooth, porcelain texture of her skin. Beside her, a young boy sits, his…
The work before us is titled Portrait of Two Young Girls, known as Les Gâteaux. It is a painting by William Artaud, an artist who lived and worked in London from his birth in 1763 until his death in 1823. This particular piece was executed vers 1790 — 1799, a period during which Artaud was establishing his presence within the British art scene.
A male figure sits encased in golden armor, his body a study of tension and anatomical precision. He is seated within a chariot, a vessel of movement caught in a moment of sudden, kinetic energy. A winged female figure pulls him forward, her drapery caught in the slipstream of their progress. The scene is a surge of motion, a Neoclassical procession where the weight of the metal meets the lightness…
The Woman Accused of Adultery is an oil on canvas painting by the British artist William Artaud. Created in England, the work dates from between 1786 and 1796. This period of production falls within the artist's active years, as Artaud lived from 1776 to 1823.
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora William Artaud | Slike iz ovog popisa |
|---|---|---|---|
 Musée Cognacq-Jay |
Pariz | 2 | The Disguised Children, called The Attire, Portrait of Two Young Girls, known as Les Gâteaux |
 National Trust |
Warwick | 2 | The Reverend John Hammond Lucy III (1734–1823), Maria Lane (1758–1844), Mrs John Hammond Lucy |
 Yale Center for British Art |
New Haven | 1 | 'The Triumph of Mercy,' from Collins' 'Ode To Mercy' |
 Art Institute of Chicago |
Chicago | 1 | The Woman Accused of Adultery |
 Nottingham Castle Museum And Art Gallery |
Nottingham | 1 | George Coldham, Town Clerk of Nottingham |
 Government Art Collection |
London | 1 | Boy in Green |
 New Walk Museum - Art Gallery |
Leicester | 1 | Portrait of a Lady |
 National Maritime Museum |
London | 1 | Sir William Herschel (1738–1822) |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
A male figure sits encased in golden armor, his body a study of tension and anatomical precision. He is seated within a chariot, a vessel of movement caught in a moment of sudden, kinetic energy. A winged female figure pulls him forward, her drapery caught in the slipstream of their progress. The scene is a surge of motion, a Neoclassical procession where the weight of the metal meets the lightness…
Two small figures occupy a quiet, shadowed room, caught in a moment of theatrical stillness. A young girl stands in the foreground, her presence defined by the luminous white of her dress and the heavy, deep blue of a voluminous cloak. The dark fur trim of her garment catches the light, creating a tactile contrast against the smooth, porcelain texture of her skin. Beside her, a young boy sits, his…
The Disguised Children, called The Attire (1790), Musée Cognacq-Jay, Pariz. Nakon njih slijede Portrait of Two Young Girls, known as Les Gâteaux (1790) i 'The Triumph of Mercy,' from Collins' 'Ode To Mercy' (1789).
27 godina: The Disguised Children, called The Attire datira iz 1790, a William Artaud je rođen/a 1763.
The Disguised Children, called The Attire, Portrait of Two Young Girls, known as Les Gâteaux, 'The Triumph of Mercy,' from Collins' 'Ode To Mercy', The Woman Accused of Adultery, Dr Samuel Parr (1747–1825), DD, Portrait of a Lady of the Herrick Family, George Coldham, Town Clerk of Nottingham, Boy in Green, Portrait of a Lady i Sir William Herschel (1738–1822). Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 13 djela umjetnika William Artaud, datiranih od 1789 do 1820.
Većinom u Musée Cognacq-Jay (Pariz), National Trust (Warwick) i Yale Center for British Art (New Haven). Gornja tablica muzeja navodi sve njih.
U 1790s: 3 od 13 djela na ovoj stranici nastalo je tada, od čega je The Disguised Children, called The Attire The Disguised Children, called The Attire.
Na ovoj stranici najstarije djelo je iz 'The Triumph of Mercy,' from Collins' 'Ode To Mercy' (1789), a najnovije iz Sir William Herschel (1738–1822) (1820).
Man (2) i Woman (2), kroz svih 13 djela na ovoj stranici.
Oil, za 2 od 13 djela na ovoj stranici.
Neoclassicism, sudeći po originalima na ovoj stranici.
The Disguised Children, called The Attire i Portrait of Two Young Girls, known as Les Gâteaux: Musée Cognacq-Jay, Pariz posjeduje 2 djela s ove stranice.
Izvan okvira portretizma, William Artaud je usredotočio svoje umjetničko oko i na biblijske scene, žanr koji mu je omogućio istraživanje narativne kompozicije i dramatičnog osvjetljenja. Ključni aspekt njegove karijere bila je suradnja s Johnom Macklinom, čiji je ambiciozni projekt imao za cilj stvaranje ilustriranog izdanja Biblije. William Artaud je dopprinio nekoliko slika za taj poduhvat, koje su potom vješto gravirali vodeći umjetnici tog vremena. Ovakva angažman osvjetljava ključnu dimenziju umjetničke produkcije kasnih 18. i ranih 19. stoljeća: blisku povezanost između slikarstva, gravure i kulture tiska. Gravure temeljene na njegovim biblijskim motivima znatno su proširile njegov krug obožavatelja, čineći njegovo djelo dostupnim široj publici, izvan onih koji su mogli priuštiti originalna uljeda na platnu. Georg Kasper Naglerov „New General Dictionary of Artists” pruža dragocjen zapis o tim graviranim djelima, demonstrirajući golemu važnost doprinosa koji je William Artaud dao ovom popularnom projektu.
