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Iz perspektive galerije, najpoznatije djelo umjetnika Wilhelm Trübner je Portrait of Actor Josef Kainz (1879), čiji se original nalazi u muzeju Kunsthalle Bremen, Bremen. Studio scene (1888) i Dog with Plate of Sausages (Caesar at the Rubicon) (1878) upotpunjuju triju koju svako oko prepoznaje. Od 122 djela umjetnika Wilhelm Trübner u našem katalogu, galerija u nastavku prikazuje 100 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
In this 1879 portrait, we encounter Josef Kainz not as a public figure of the stage, but as a man caught in a moment of quiet, internal gravity. The composition is a bust-length study where the subject is positioned slightly off-center, his gaze directed toward the right side of the frame. There is a profound stillness here. The lighting, which originates from the upper left, carves his features out of…
In this 1888 oil painting, we find ourselves pulled into the enclosed, cluttered atmosphere of an artist's workspace. The composition is dense, almost heavy with the weight of creative preparation. A male figure sits in the foreground, his back to us, acting as a silent witness to the scene unfolding before him. He faces a seated female model, whose white blouse catches the light, providing a sharp, luminous contrast to…
There is a certain stillness in this scene, a pause in time that captures a singular, domestic focus. A dog sits poised at a table, its gaze fixed upon a plate of sausages. The composition is intimate, drawing the viewer into a private, unhurried moment of hunger and expectation. A cloth covers the table, providing a soft, textured foundation for the subject. The dog’s presence is steady, its expression one…
The portrait titled Boy with ruff is a work by the German realist painter Wilhelm Trübner. Created in 1871, the oil on canvas captures a single human figure in a moment of quietude. The subject is a young boy, presented in a close-up view that focuses on the face and the upper shoulders.
Portrait of an Old Man by Wilhelm Trübner presents a monochromatic, realistic study of an elderly male figure. The composition is a close-up bust portrait, positioning the subject centrally within the frame. He is set against a dark, indistinct background that lacks specific detail, creating a shallow depth of field. This arrangement causes the figure to appear as if he is emerging from a dark, void-like space directly toward the…
The work titled Selbstbildnis is a Selfportrait by the German artist Wilhelm Trübner. It captures the artist's own likeness, a quiet confrontation between the creator and the gaze. This piece emerges from the life of a man born in Heidelberg, Germany, in 1851. The canvas holds a specific moment of a life that concluded in 1917.
In this bust-length portrait, titled Woman from Brussels with Blue Tie, Wilhelm Trübner presents a quiet, intimate study of a young woman. The subject is captured in a profile view, facing toward the right of the frame. Positioned slightly off-center, her presence is anchored by a direct, eye-level perspective that invites a sense of immediate, private observation. The composition relies on a careful balance of form and space, allowing the…
In Blondine with Hat and Fur, Wilhelm Trübner presents a bust-length portrait that invites a quiet, close observation. The subject is positioned slightly off-center, facing the viewer directly with a gaze that feels both immediate and distant. She is dressed in a hat and a garment trimmed with voluminous fur, textures that anchor her presence within the frame. This arrangement creates a sense of intimacy, as if we have interrupted…
Christ in the Tomb II is an oil painting by Wilhelm Trübner. Executed about 1874, the work emerged during a period of significant development for the German realist. Trübner, born in Heidelberg, Germany, brought a precision shaped by his early training as a goldsmith to this somber subject.
Landwehr Officer is an oil portrait executed by the German artist Wilhelm Trübner. The work dates to 1872. This painting depicts a military officer in a bust-length composition, presented in a realistic style that emphasizes the specific details of the subject's appearance and attire.
Portrait of a young man1872 · Bavarske državne slikopisne zbirke
12
Self portrait1877 · Bavarske državne slikopisne zbirke
13
Tirolian girl1876
14
Gustav Mohr1872 · Kurpfälzisches Museum
15
Liebespaar mit Hund1873 · Museum Folkwang
16
Maler Hafenmeister with Model (also known as Adam and Eve in Costume)1873 · Von der Heydt Museum
17
Dog with Sausages (also known as Hail Caesar, We Who are about to Die Salute You)1878 · Alte Nationalgalerie
18
Pair of Centaurs by the Waterfall II1880 · Bavarske državne slikopisne zbirke
19
Romeo and Juliet1879
20
Scene from Danté's Divine Comedy1880 · New Gallery
21
Der Kammersänger Theodor Reichmann1879
22
Pair of centaurs in a forest I.1880
23
Portrait of a Girl with Red hair1884 · Harvard Art Museums
24
The Sculptor Rudolf Thiele1889 · Bavarske državne slikopisne zbirke
25
Battle of the Titans1891
26
Portrait of the Brewer Eisenhart, called "Der Mächer"1890 · Staatliche Kunsthalle Karlsruhe
27
Mars, Venus and the gods1891
28
Karl Trübner, the Artist's Brother1890 · Staatliche Kunsthalle Karlsruhe
29
Leopard Skins1895 · Staatliche Kunsthalle Karlsruhe
30
Portrait of an Unknown Lady1894 · Augustiner Museum
31
Salome1897 · Lentos Art Museum
32
Portrait of a man1900 · Narodni muzej u Varšavi
33
Portrait of Fräulein Maria Wüsthoff1901 · Harvard Art Museums
34
Bust of a Young Girl with Loose Red Hair1911
35
Dame in violettem Kleid (Lady in Violet Dress)1911 · Auckland Art Gallery Toi o Tāmaki
36
Half-length Portrait of a Man in Armor1913 · Augustiner Museum
37
Seated Musician (The Old Fiddler)1874 · Bavarske državne slikopisne zbirke
38
In the Church1869 · Staatliche Kunsthalle Karlsruhe
39
Castle Grounds in Lichtenberg in Odenwald1900 · Thyssen-Bornemisza Museum
40
Forest Interior1900 · Augustinermuseum
41
Cellar Window in Heidelberg Schloß1871 · Lenbachhaus
42
Lady in front of a Tapestry1870 · Kurpfälzisches Museum
43
Karl Haberstock1914 · Kunstsammlungen Und Museen Augsburg
44
Linden Tree on Herrenchiemsee1874 · Lenbachhaus
45
Potato Field near Weßling in Upper Bavaria1876 · Lenbachhaus
46
The Painter Carl Schuch1876 · Alte Nationalgalerie
47
Economic Buildings on the Herreninsel in the Chiemsee II1874 · Bavarske državne slikopisne zbirke
48
Forest Interior (Pines)1873 · Bavarske državne slikopisne zbirke
49
At Wesslinger See, with Dogge1876 · Bavarske državne slikopisne zbirke
50
Dismounted Cuirassiers1875
51
Buchenwald with Lovers1876
52
White Horse in Three-Quarter View1876 · Staatliche Kunsthalle Karlsruhe
53
Stubble Field with Ascending Path near Wessling1876 · Städel Museum
54
Sitting Great Dane1877 · Bavarske državne slikopisne zbirke
55
Dog's Head1878
56
Building Site at Wesslingersee1876 · Hamburger Kunsthalle
57
Birch trees on Herreninsel1874 · Staatliche Kunsthalle Karlsruhe
58
Georgine Hoffmeister1873 · Kurpfälzisches Museum
59
In the Bath House1876
60
Moor Smoking1873 · Niedersächsisches Landesmuseum
61
Girl with Folded Hands1878 · Staatliche Kunstsammlungen Dresden
62
Gunner with Hand Mirror1875 · Kurpfälzisches Museum
63
Girl with Folded Hands1878
64
On the Sofa1872 · Alte Nationalgalerie
65
Great Dane on Wessling Lake1876
66
Monastery on Herreninsel1874 · Alte Nationalgalerie
67
In the Studio1872 · Bavarske državne slikopisne zbirke
68
Moor with Peonies1873 · Kurpfälzisches Museum
69
Landing Stage on the Island Herreninsel in the Lake Chiemsee1874 · Staatliche Kunsthalle Karlsruhe
70
Armor1880 · Bavarske državne slikopisne zbirke
71
Caesar at the Rubicon1880 · Staatliche Kunsthalle Karlsruhe
72
Ludgate Hill, London1884
73
Ludgate Hill1884 · Staatliche Kunsthalle Karlsruhe
74
Graf Haupt zu Pappenheim1884 · Kurpfälzisches Museum
75
Landscape near Kloster Seeon with Telegraph Pole1891 · Staatliche Kunsthalle Karlsruhe
76
A view of Frauenchiemsee1891 · Los Angeles County Museum of Art
77
The Gorgon1891
78
Eagle1888 · Kurpfälzisches Museum
79
The Edge of the Woods at Obing1892
80
Mountain Stream in Prien1890
81
The Edge of the Woods1892 · Museum Bautzen
82
The Pub on Fraueninsel1891 · Oskar Reinhart Collection
83
Ermatingen1894 · Bavarske državne slikopisne zbirke
84
At Lake Como1897 · Bavarske državne slikopisne zbirke
85
Ermatingen am Bodensee1894
86
Clouds1900 · Berlinische Galerie
87
In the Garden of Love1899
88
Hembsbach im Odenwald1905 · Pomeranian State Museum
89
Kloster Amorbach, Landstraße1899
90
Ida Görz on Horseback1902
91
Marbachtal im Odenwald1902 · Anhaltische Genaldegalerie Dessau
92
Erna von Holzhausen1901 · Kurpfälzisches Museum
93
Mausbachtal bei Stift Neuburg1902 · Kurpfälzisches Museum
94
Einzug Friedrich des Siegreichen in Heidelberg1902 · Kurpfälzisches Museum
95
The Equestrienne Ida Görz1901
96
Donkey with Sack of Flower1905 · Staatliche Kunsthalle Karlsruhe
97
Erna von Holzhausen on Horseback1901 · Bavarske državne slikopisne zbirke
98
Schloss Hemsbach with Cannons1907 · Bavarske državne slikopisne zbirke
99
Portrait of a Nun in a Summer Garden
100
Lake Starnberger1911 · Thyssen-Bornemisza Museum
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Wilhelm Trübner | Slike iz ovog popisa |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 17 | Blondine with Hat and Fur, Christ in the Tomb II, Portrait of a young man |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 13 | Portrait of the Brewer Eisenhart, called "Der Mächer", Karl Trübner, the Artist's Brother, Leopard Skins |
 Kurpfälzisches Museum |
Heidelberg | 13 | Gustav Mohr, Lady in front of a Tapestry, Georgine Hoffmeister |
 Lenbachhaus |
München | 4 | Woman from Brussels with Blue Tie, Cellar Window in Heidelberg Schloß, Linden Tree on Herrenchiemsee |
 Alte Nationalgalerie |
Berlin | 4 | Dog with Sausages (also known as Hail Caesar, We Who are about to Die Salute You), The Painter Carl Schuch, On the Sofa |
 Thyssen-Bornemisza Museum |
Madrid | 3 | Castle Grounds in Lichtenberg in Odenwald, Lake Starnberger |
 Harvard Art Museums |
Cambridge | 2 | Portrait of a Girl with Red hair, Portrait of Fräulein Maria Wüsthoff |
 Augustiner Museum |
Freiburg | 2 | Portrait of an Unknown Lady, Half-length Portrait of a Man in Armor |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The oil painting In the Church emerges from the shadows, a quiet encounter between the viewer and two elderly figures caught in a moment of devotion. Wilhelm Trübner, a significant voice within German Realism, captures these subjects with a focus that feels immediate and heavy. The work dates to about 1869, a period when the artist's path was being shaped by the transition from the precision of a goldsmith's training…
In this 1879 portrait, we encounter Josef Kainz not as a public figure of the stage, but as a man caught in a moment of quiet, internal gravity. The composition is a bust-length study where the subject is positioned slightly off-center, his gaze directed toward the right side of the frame. There is a profound stillness here. The lighting, which originates from the upper left, carves his features out of…
In this 1888 oil painting, we find ourselves pulled into the enclosed, cluttered atmosphere of an artist's workspace. The composition is dense, almost heavy with the weight of creative preparation. A male figure sits in the foreground, his back to us, acting as a silent witness to the scene unfolding before him. He faces a seated female model, whose white blouse catches the light, providing a sharp, luminous contrast to…
In the 1891 work titled Battle of the Titans, the artist Wilhelm Trübner presents a scene of intense physical struggle. The subject matter focuses on a conflict between titans or gods, rendered through a series of muscular, nude figures. These figures are intertwined with horses amidst a backdrop of swirling clouds. The depiction centers on a struggle that suggests themes of power, conflict, and primordial chaos.
A quiet gravity fills the room as we encounter this bust-length portrait of a middle-aged man. He sits slightly off-center, his gaze drifting toward the left of the frame as if lost in a private thought. The air around him feels heavy, thick with the muted tones of dark browns, blacks, and deep ochres that define his world. A crisp white collar cuts through the darkness, providing a sharp point…
In "Bust of a Young Girl with Loose Red Hair" by Wilhelm Trübner, the viewer meets a single female figure in a close-up bust view. The composition centers her face within a heavy, undulating mass of flowing hair. This hair, rendered in deep auburn and chestnut tones, frames the subject and anchors the portrait. The perspective remains at eye-level, creating an intimate, direct encounter with the girl. She exists in…
Portrait of Actor Josef Kainz (1879), Kunsthalle Bremen, Bremen. Nakon njih slijede Studio scene (1888) i Dog with Plate of Sausages (Caesar at the Rubicon) (1878).
28 godina: Portrait of Actor Josef Kainz datira iz 1879, a Wilhelm Trübner je rođen/a 1851.
Portrait of Actor Josef Kainz, Studio scene, Dog with Plate of Sausages (Caesar at the Rubicon), Boy with ruff, Portrait of an Old Man, Selfportrait, Woman from Brussels with Blue Tie, Blondine with Hat and Fur, Christ in the Tomb II i Landwehr Officer. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 122 djela umjetnika Wilhelm Trübner, datiranih od 1869 do 1914.
Većinom u Bavarske državne slikopisne zbirke (München), Staatliche Kunsthalle Karlsruhe (Karlsruhe) i Kurpfälzisches Museum (Heidelberg). Gornja tablica muzeja navodi sve njih.
U 1870s: 47 od 100 djela na ovoj stranici nastalo je tada, od čega je Portrait of Actor Josef Kainz Portrait of Actor Josef Kainz.
Na ovoj stranici najstarije djelo je iz In the Church (1869), a najnovije iz Karl Haberstock (1914).
Man (20), Portrait (19) i Woman (13), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 23 od 100 djela na ovoj stranici.
Realism, sudeći po originalima na ovoj stranici.
Blondine with Hat and Fur, Christ in the Tomb II i Portrait of a young man: Bavarske državne slikopisne zbirke, München posjeduje 17 djela s ove stranice.
Rođen u Heidelbergu, Wilhelm Trübner istaknuo se kao snažan glas u pejzažu njemačkog realizma. Njegovo putovanje u svijet piętkište nije počelo četkicom, već pedantnom preciznošću zlatara; nakon što je započeo obuku u Hanauu, susreo je klasicističkog slikara Anselma Feuerbacha, čije je ohrabrenje preusmjerilo njegov put prema platnu. Taj rani spoj zanatskog umeća i klasične inspiracije postavio je temelje za karijeru koju su definirale tehnička izvrsnost i nepokolebljiva posvećenost istini prirodnog svijeta. Prolazeći kroz umjetničku školu u Karlsruheu, a kasnije i Akademiju likovnih umjetnosti u Münchenu, Trübner je postao dio transformativne ere u europskom slikarstvu, oblikovane vjetrovima promjena koji su puhali iz lokalnih njemačkih tradicija i radikalnih inovacija Francuske.
Trübnerov umjetnički identitet duboko je povezan s Leiblkim krugom, skupinom umjetnika koja je uključivala figure poput Hansa Thome i Carla Schucha. Ovaj kolektiv težio je udaljiti se od krutih, često zastarjelih akademskih tradicija tog vremena, birajući umjesto njih nesentimentalni realizam. Njegov razvoj značajno je potaknuo susret s djelima Gustave Courbeta, čija je alla prima metoda — rad izravno i brzo iz prirode — ponudila oslobađajuću alternativu napornim procesima prošlosti. Taj utjecaj, kombiniran sa spontanim, ali suzdržanim duhom koji je susreo u umjetnosti Maneta tijekom svojih putovanja kroz Pariz, omogućio je Trübneru da razvije stil koji je bio istovremeno duboko utemeljen u stvarnosti i iznimno atmosferičan.
Bit Trübnerovog rada leži u njegovoj sposobnosti da uhvati efemerne kvalitete svjetla i psihološku dubinu svojih subjekata. Bilo da prikazuje tiho dostojanstvo portreta ili prostranu veličinu šumskog pejzaža, njegova tehnika naglašava interakciju sjene i osvjetljenja. U njegovim pejzažima, kao što je evokativni Forest Interior, on koristi slikarinski pristup u kojem je bojama dopušeno da dišu, stvarajući ritmični pokret preko platna. Njegova upotreba zlatnih tonova, ćilibra i ohere može učiniti da šuma izgleda kao da svijetli iznutra, pretvarajući puku botaničku studiju u meditativno iskustvo o prolasku vremena i veličini prirode.
Njegovo portretstvo je podjednako izvanredno po svojoj sposobnosti da prenese duboku tišinu i unutarnje promišljanje. U djelima kao što je Karl Haberstock, Trübner bilježi više od samog sličja; on bilježi stanje postojanja. Kroz promišljen potez četkicom i sofisticiranu kontrolu nad teksturom, on poziva gledatelja u trenutak kontemplativnog počinka, gdje sama prisutnost subjekta usidruje kompoziciju. Ta sposobnost uravnoteženja taktilne bogatosti njegovog medija s eteričnom, atmosferičnom transcendencijom ostaje njegovo najtrajnije postignuće, označavajući ga kao majstora koji je mogao pronaći iznimno u običnom.
Tijekom cijelog života, Trübnerovo djelo služilo je kao most između rigoroznog realizma sredine 19. stoljeća i fluidnijih, ekspresivnijih pokreta koji su uslijedili. Njegov doprinos Leiblskom krugu pomogao je učvrstiti specifičnu njemačku estetiku koja je cijenila iskrenost, teksturu i izravno promatranje prirode. Njegovo naslijeđe nalazi se u:
Trübnerov život obilježili su i osobni odnosi s umjetničkim svijetom, osobito kroz brak s njemačkom umjetnicom Alice Trübner. Zajedno su živjeli u živopisnom kulturnom milieu koji je pomogao oblikovati tjesnoću moderne njemačke slikarstva. Njegovo djelo ostaje svjedočanstvo razdoblja intenzivnog umjetničkog otkrivanja, gdje je težnja za "umjetnošću radi umjetnosti" susrela duboko poštovanje prema opipljivoj ljepoti svijeta.
