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1 najpoznatijih djela umjetnika Wilhelm Haller, galerijska selekcija
Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 1 djela Wilhelm Haller u našem katalogu
Ukratko
Od svih originala koje je Wilhelm Haller ostavio, najpoznatiji je Mother with Child (1913) u kolekciji muzeja Augustiner Museum, Freiburg. Naš katalog sadrži 1 djela umjetnika Wilhelm Haller; galerija je čuvala onih 1 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
1873 – 1950, Freiburg im Breisgau
Najviše djela: Augustiner Museum
Top 10 djela umjetnika Wilhelm Haller: izbor galerije
Muzeji koji čuvaju originalna djela umjetnika Wilhelm Haller
1 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Wilhelm Haller | Slike iz ovog popisa |
|---|---|---|---|
 Augustiner Museum |
Freiburg | 1 | Mother with Child |
Wilhelm Haller iz godine u godinu: originalna djela koja definiraju svaku od njih
1913 je godina svakog datiranog djela umjetnika Wilhelm Haller u ovom odabiru: evo ih, rangiranih prema slavi.
Djela po godinama
Odaberite godinu kako biste vidjeli originalna djela.
Pitanja kolekcionara o slikama umjetnika Wilhelm Haller
Po kojem je djelu Wilhelm Haller najpoznatiji/a?Otkrijte odgovor
Mother with Child (1913)
Koliko je godina Wilhelm Haller imao/la kada je nastalo djelo Mother with Child?Otkrijte odgovor
40 godina: Mother with Child datira iz 1913, a Wilhelm Haller je rođen/a 1873.
Koliko je slika ostavio/la Wilhelm Haller?Otkrijte odgovor
Naš katalog sadrži 1 djela umjetnika Wilhelm Haller.
U kojim se muzejima nalaze remek-djela umjetnika Wilhelm Haller?Otkrijte odgovor
Većinom u Augustiner Museum (Freiburg). Gornja tablica muzeja navodi sve njih.
Wilhelm Haller: život i djelo
Early Life and Education in Freiburg
Born on May 28, 1873, in Freiburg im Breisgau, Germany, Wilhelm Haller entered a world where the brush was already a familiar presence. He was the son of Konrad Haller, a man who earned his living as a decorative painter. This early exposure to the craft meant that the language of color and form was part of the household atmosphere from his earliest years. Even as a child and throughout his youth, he found himself deeply preoccupied with the act of painting, a passion that seemed to reside within him long before he sought formal training.
His path through the educational institutions of Freiburg was steady. He attended the local Volksschule before moving on to the Berthold-Gymnasium. It was there, in 1892, that he completed his Abitur. While his academic training suggested a different trajectory, the pull of the visual arts remained a constant, quiet influence on his developing mind.
Following his graduation, Wilhelm Haller enrolled at the University of Freiburg. He initially turned his attention toward the study of political science, pursuing the complexities of statecraft and social structures. However, the academic rigor of the university could not entirely suppress his innate inclination toward art. By 1897, he made the definitive choice to abandon his studies of political science to devote himself entirely to the life of a painter.
Notable Works and Subjects
The artist’s hand often turned toward the intimate and the domestic, capturing the quiet presence of life in a way that felt deeply personal. In 1909, he painted a portrait of a small boy accompanied by a monkey, a work that shows his early engagement with character and companionship. This interest in the human form extended to more tender subjects, such as his 1919 composition titled Mother and Child. Through these studies, he explored the subtle connections between people and the animals that shared their world.
Beyond the human figure, the landscapes of his home region frequently occupied his thoughts. He sought to translate the ruggedness of the terrain onto his supports, whether using oil or tempera. In 1923, he rendered a river landscape featuring a castle perched upon limestone rocks. This fascination with the natural architecture of the land continued into his later years; by 1944, he had produced a view of the Black Forest, capturing the essence of the wooded hills that defined the landscape of his life.