Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 141 djela Jules Breton u našem katalogu
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The Song of the Lark (1884) je slika autora Jules Breton koja privlači najviše pogleda; original se nalazi u muzeju Art Institute of Chicago, Chicago. Nakon toga, pogled se usmjerava na The Shepherd's Star (1887) i Burning Tares in a Wheatfield (1868). Među 141 djela umjetnika Jules Breton u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
In the quietude of a French dawn, Jules Breton captures a moment that transcends the boundaries of mere observation, inviting the viewer into a profound communion with the natural world. The Song of the Lark, painted in 1884, is far more than a pastoral scene; it is a poetic meditation on the sanctity of existence. At the heart of this masterpiece, a young peasant girl stands transfixed within a sun-drenched…
The Shepherd's Star is an oil on canvas painting by the French artist Jules Breton. Executed in 1887, the work depicts a young peasant woman. The subject is shown barefoot, carrying a heavy sack of potatoes on her head as she returns from the fields at twilight. This specific figure is positioned beneath the rising star Capella, which appears over her shoulder.
In this 1868 oil painting, we find ourselves in the midst of a heavy, overcast afternoon in the French countryside. The scene is one of purposeful, gritty labor. A man dominates the foreground, his body leaning into the physical demand of his task as he uses a pitchfork to toss weeds into a growing fire. There is a palpable sense of heat and smoke rising from the field, cutting through…
The quietude of a rustic interior in the Kempen region unfolds within Interior in Kempen. Painted by Jules Breton in 1859, the scene captures a moment of stillness inside a humble cabin. Two men sit together by the warmth of a fireplace, their presence grounding the space in a sense of lived-in reality. The air seems heavy with the soft, dim light of the hearth, casting shadows across the simple…
The First Communicants at Courrières is an oil painting by Jules Breton, executed about 1855. The work captures a solemn religious milestone through its depiction of a procession of young girls. This scene is rooted in the traditions of the artist's native region, reflecting the quiet reverence of a significant communal ritual.
A solitary young woman sits in the lower middle ground of a vast, harvested landscape. She is positioned at eye-level, creating an immediate proximity between the viewer and her seated form. Her clothing consists of a dark, deep black blouse and a long skirt, contrasted by a light-colored apron. The fabric of her garments appears heavy, rendered with thick, textured brushstrokes that suggest weight and coarse material. She rests within…
In this 1855 oil painting, three young women occupy a sunlit wheat field. The composition follows a triangular arrangement, directing the eye from a standing pair on the left toward a seated figure on the right. The landscape is dominated by golden yellows and ochres from the ripe grain, which contrasts with the deep browns and greens of the earth and foliage. The women wear clothing in muted shades of…
The Ruins of Saint Bavo's Abbey in Ghent emerges from the canvas as a quiet meditation on stone and sky. Painted by Jules Breton in 1853, this work captures a specific moment of stillness amidst the crumbling architecture of the abbey. The scene rests within the visual memory of the Belgian landscape, where the remnants of the abbey's towers and arches reach toward an overcast sky. A solitary figure lingers…
The Man with the Pipe is an oil on canvas portrait by the artist Jules Breton. Created about 1860, this work presents a profile view of an elderly man. The subject is depicted in a moment of quietude, holding a pipe with a long stem. He is positioned slightly off-center against a dark, indistinct background.
A woman stands at the edge of the world, where the earth meets the salt spray. She is a central pillar of stillness against the movement of the tide. Her white headscarf catches the light, a bright point of focus amidst the muted tones of the coast. The sea stretches out behind her, a pale expanse of blue and grey, dotted with the tiny, distant shapes of sailboats. The horizon…
The Blessing of the wheat in Artois1857 · Musée d'Orsay
12
Family reunion in Bourron-Marlotte (Théodore de Banville in the forest of Fontainebleau)1857 · Petit Palais
13
Mondays1858
14
Havana. View of the port and the cityFundación Antonio de Nebrija
15
The Bedeau of Kerlaz1868 · Musée des Beaux-Arts de Quimper
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Head of a Young Breton Woman, Study for the Pardon1868 · Petit Palais
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Head of Breton, Study for the Pardon1868 · Petit Palais
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Lightning1865 · Petit Palais
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Procession of Pardon in Brittany1869 · Nacionalni muzej likovnih umjetnosti Kube
20
The harvest1865 · The Mesdag Collection
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Jeanne Calvet1865
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Pardon of Sainte-Anne-la-Palud1868
23
Trust1864 · Palais des Beaux-Arts de Lille
24
The Gleaner1875 · Aberdeen Art Gallery
25
Fishermen at Menton1878 · Pushkin State Museum
26
The Blessing of the Wheat1872 · Chimei Museum
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Young Woman Knitting1873
28
Self Portrait1883 · Aberdeen Art Gallery
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Peasants Resting1882 · Arnot Art Museum
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Study for the Song of the lark1884
31
Last Flowers1890 · Cincinnati Art Museum
32
Study for The Washerwoman from 18901889
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Self-portrait1895 · Kraljevski muzej fine umjetnosti u Antverpenu
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Self-portrait, profile to the rightLouvre
35
The milk girl1899
36
Woman with a Taper1873 · Muzej likovnih umjetnosti
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Young girl knitting (version 2)1860
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The Tired Gleaner1880 · Cleveland Museum of Art
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the communicants
40
The Grape Harvest at the Chateau-LagrangeJoslyn Art Museum
41
The Colza (Harvesting Rapeseed)1860 · National Gallery of Art
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Young peasant girl with a hoe1882 · Van Gogh muzej
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Summer landscape with peasants and cows1850
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The Storm1852 · Wadsworth Atheneum
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Landscape, Courrières, France1854
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Head of a woman1857 · Palais des Beaux-Arts de Lille
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Preparatory study by 'Erecting a Calvary'1858 · Palais des Beaux-Arts de Lille
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The gleaner1859 · Muzej fine umjetnosti u Houstonu
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Gleaners at sunset1863
50
Fire in a Haystack1856
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Plantation d'un Calvaire1858 · Musée des Beaux-Arts de Lille
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Girl with a Rake1859 · National Gallery of Ireland
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The Recall of the Gleaners1859 · Musée d'Orsay
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Spinner on the Rocks at Douarnenez1870 · Petit Palais
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Woman with umbrella, Douarnenez bay1870 · Petit Palais
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Young Reaper Sleeping on Sheaves of Wheat1866
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Breton woman at the pardon1868
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The Washerwomen of the Breton Coast1870
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Untitled (D2X6VU)1870 · Metropolitan Museum of Art
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A Spring by the Sea1866
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A Party for Grandfather1864
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The Vintage at Chateau Lagrange1864 · Joslyn Art Museum
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La Femme A L'ombrelle1871
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The Close of Day1865 · Walters Art Museum
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Midsummer Night Dance in Courrières1875 · National Museum of Art, Architecture and Design
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Woman breast feeding her child, accompanied by another woman1873 · The Baltimore Museum of Art
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Paysanne au repos1873
68
Setting out for the Fields1873
69
The Feast of Saint John1875 · Philadelphia Museum of Art
70
The Rest of the Haymakers1872
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The Wounded Sea Gull1878 · Saint Louis Art Museum
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The Flax Spinner1872 · Philbrook Museum of Art
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Girl Guarding the Cows1872
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The Tea Break1885 · Dahesh Museum of Art
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Artist's palette1882 · The Baltimore Museum of Art
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The Communicants1884
77
Rainbow1883
78
Le Matin1888
79
Young Women Going to a Procession1890
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Evening Call1889
81
Summer1891
82
Le Pardon De Kergoat1891
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Faneuse au repos1891 · Calouste Gulbenkian Foundation
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Peasant woman picking up a sheaf of carnations1896
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The Last Gleanings1895 · Henry E. Huntington Library
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The Gleaner1900
87
Turning Back from the Fields (study)Museum of Fine Arts Ghent (MSK)
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Poppies (study)Museum of Fine Arts Ghent (MSK)
89
Young Woman in a Field
90
The Gleaner
91
Souvenir de dour Amenez
92
the potato harvest
93
Young Girl Thinking
94
Young Boy at the Foot of a Tree
95
The Water Carrier
96
Woman sitting in a meadow
97
Peasant study (Marguerite Moreau)
98
Two Seated Women in Conversation, One with a StaffThe Baltimore Museum of Art
99
Young musicianThe Baltimore Museum of Art
100
Fin du travail (also known as A travers champs)1886 · Brooklyn Museum
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Jules Breton | Slike iz ovog popisa |
|---|---|---|---|
 Petit Palais |
Pariz | 9 | The First Communicants at Courrières, The Man with the Pipe, Family reunion in Bourron-Marlotte (Théodore de Banville in the forest of Fontainebleau) |
 The Baltimore Museum of Art |
Baltimore | 5 | Woman breast feeding her child, accompanied by another woman, Artist's palette, Two Seated Women in Conversation, One with a Staff |
 Palais des Beaux-Arts de Lille |
Lille | 3 | Trust, Head of a woman, Preparatory study by 'Erecting a Calvary' |
 Musée d'Orsay |
Pariz | 3 | The Blessing of the wheat in Artois, The Recall of the Gleaners |
 Museum of Fine Arts Ghent (MSK) |
Gent | 3 | Turning Back from the Fields (study), Poppies (study) |
 Philadelphia Museum of Art |
Filadelfija | 2 | Burning Tares in a Wheatfield, The Feast of Saint John |
 Aberdeen Art Gallery |
2 | The Gleaner, Self Portrait | |
 Joslyn Art Museum |
Omaha | 2 | The Grape Harvest at the Chateau-Lagrange, The Vintage at Chateau Lagrange |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The quietude of a rustic interior in the Kempen region unfolds within Interior in Kempen. Painted by Jules Breton in 1859, the scene captures a moment of stillness inside a humble cabin. Two men sit together by the warmth of a fireplace, their presence grounding the space in a sense of lived-in reality. The air seems heavy with the soft, dim light of the hearth, casting shadows across the simple…
In this 1868 oil painting, we find ourselves in the midst of a heavy, overcast afternoon in the French countryside. The scene is one of purposeful, gritty labor. A man dominates the foreground, his body leaning into the physical demand of his task as he uses a pitchfork to toss weeds into a growing fire. There is a palpable sense of heat and smoke rising from the field, cutting through…
In this oil on canvas work, titled The Gleaner, Jules Breton presents a quiet moment of manual labor. Painted in 1875, the piece belongs to the genre painting tradition, focusing on the specificities of everyday life. It captures a solitary female figure within a pastoral setting, blending the characteristics of a portrait with a broader study of rural existence.
In the quietude of a French dawn, Jules Breton captures a moment that transcends the boundaries of mere observation, inviting the viewer into a profound communion with the natural world. The Song of the Lark, painted in 1884, is far more than a pastoral scene; it is a poetic meditation on the sanctity of existence. At the heart of this masterpiece, a young peasant girl stands transfixed within a sun-drenched…
The Song of the Lark (1884), Art Institute of Chicago, Chicago. Nakon njih slijede The Shepherd's Star (1887) i Burning Tares in a Wheatfield (1868).
57 godina: The Song of the Lark datira iz 1884, a Jules Breton je rođen/a 1827.
The Song of the Lark, The Shepherd's Star, Burning Tares in a Wheatfield, Interior in Kempen, The First Communicants at Courrières, Small Gleaner Sitting in the Field, Love Tokens, Ruins of Saint Bavo's Abbey in Ghent, The Man with the Pipe i By the seaside. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 141 djela umjetnika Jules Breton, datiranih od 1850 do 1900.
Većinom u Petit Palais (Pariz), The Baltimore Museum of Art (Baltimore) i Palais des Beaux-Arts de Lille (Lille). Gornja tablica muzeja navodi sve njih.
U 1860s: 20 od 100 djela na ovoj stranici nastalo je tada, od čega je Burning Tares in a Wheatfield Burning Tares in a Wheatfield.
Na ovoj stranici najstarije djelo je iz Summer landscape with peasants and cows (1850), a najnovije iz The Gleaner (1900).
Woman (15), Field (8) i Sky (8), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 30 od 100 djela na ovoj stranici.
Realism, sudeći po originalima na ovoj stranici.
The First Communicants at Courrières, The Man with the Pipe i Family reunion in Bourron-Marlotte (Théodore de Banville in the forest of Fontainebleau): Petit Palais, Pariz posjeduje 8 djela s ove stranice.
Jules Breton (1827. – 1906.) stoji kao temelj francuskog realizma, umjetničkog pokreta posvećenog točnom i istinitom prikazivanju života bez pretjeranog ukrašavanja—misije koju je cijelim srcem prihvatio na svojim platnama. Rođen u malom selu Courrières u regiji Pas-de-Calais na sjeveru Francuske, Bretonovo rano djetinjstvo obilježeno je skromnim okolnostima, no pokretao ga je nepokolebljiva strast prema promatranju i predstavljanju stvarnosti. Njegovo odgojeno okruženje, duboko ukorijenjeno u poljoprivredno bogatom krajoliku Artoisa, usadilo je u njega duboko poštovanje prema tradiciji i ljubav prema zemlji koja će ostati središnja tema njegove umjetnosti tijekom cijele njegove duge karijere. Rani gubitak majke i odrastanje pod skrbništvom oca, koji je upravljao posjedom bogatog zemljodavca, pružili su mu intimnu povezanost s ritmovima ruralnog postojanja.
Dok su mnogi njegovi suvremenici tražili veličinu mitoloških ili povijesnih tema, Breton je svoj pogled usmjerio prema dostojanstvu običnog radnika. Posjedovao je rijetku sposobnost uzdizanja svakodnevice—onih koji čupaju ostatke žita, žjatvara i pastira—tretirajući ih s akademskom milošću koja je tradicionalno bila rezervirana za klasične figure. Ova jedinstvena sinteza omogućila mu je da postane jedan od glavnih nositelja idilične vizije ruralnog života, bilježeći ljepotu francuskog seljaštva kroz leću koja je istovremeno bila duboko naturalistička i izrazito poetska.
Bretonovo umjetničko putovanje oblikovalo je rigorozno predavanje principima realizma i naturalizma. Njegovo rano obrazovanje, koje je uključivalo studije na koledžu St. Bertin, naposljetku ga je vodilo prema dubljem angažmanu s majstorima svog doba. Upio je nepokolebanu tehniku tog pokreta, nastojeći stvoriti umjetnost koja služi kao ogledalo reflektirajuće društvo u svim njegovim složenostima. Ovo razdoblje razvoja obilježeno je željom da postigne ono što je nazivao grand style—način na koji bi rustični žanr prožeti osjećajem monumentalne važnosti i bezvremenskosti.
Njegova tehnika obilježena je pedantnim detaljima i luminousnom paletom boja, koju je vješto koristio kako bi dočarao teksture prirodnog svijeta. Bilo da je prikazivao meku svjetlost zore nad livadom ili težak, suncem okupan atmosferu ljetnog polja, Breton je koristio ulje na platnu kako bi postigao nevjerojatnu dubinu. Njegove kompozicije često prizivaju osjećaj pastoralne tišine, prikazujući scene kao što su:
Kroz ove teme, Breton nije samo ukrašavao platno; on je stvarao meditacije o trajnoj vezi između čovječanstva i zemlje.
Povijesni značaj Julesa Bretona leži u njegovoj sposobnosti da premosti jaz između akademskih tradicija prošlosti i modernog realizma 19. stoljeća. Primjenom sofisticiranih, klasičnih metoda na prikaz seljačkog života, podario je osjećaj trajnosti i dostojanstva sloju ljudi koji su često bili zanemaren od strane visoke umjetnosti. Njegovo djelo duboko je odjeknulo kod publike njegovog vremena, donoseći mu značajno priznanje na Pariskom salonu i utvrđujući ga kao vodeću figuru u francuskoj umjetnosti.
Izvan njegovih pojedinačnih platna, Bretonov utjecaj širio se kroz njegovu obitelj i njegovu ulogu u širem umjetničkom zajednici. Njegova kći, Virginie Demont-Breton, također će postati slavna slikarica, nastavljajući naslijeđe dubokog promatranja i tehničke majstorije. Danas se djela Julesa Bretona i dalje cijene zbog njihove nostalgične moći i sposobnosti da gledatelja prenesu u nestalo doba francuskog pastoralnog života. Njegova slikarska djela služe kao bezvremenski prozor u dušu 19. stoljeća, podsjećajući nas na tihu ljepotu koja se nalazi u najjednostavnijim trenucima postojanja.
