Portret Sir Godfrey Kneller

100 najpoznatijih djela umjetnika Sir Godfrey Kneller, galerijska selekcija

Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 372 djela Sir Godfrey Kneller u našem katalogu

Ukratko

Od svih originala koje je Sir Godfrey Kneller ostavio, najpoznatiji je Isaac Newton (1702). Samo iza njih slijede Portrait of Pyotr Potyomkin (1682) i William Russell, 1st Duke of Bedford (1690). Naš katalog sadrži 372 djela umjetnika Sir Godfrey Kneller; galerija je čuvala onih 100 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1646 – 1723, Lübeck Baroque painting Najviše djela: National Portrait Gallery

Top 10 djela umjetnika Sir Godfrey Kneller: izbor galerije

1
Isaac Newton (1702) od Sir Godfrey Kneller

Isaac Newton

1702 · Oil On Canvas

This portrait of Isaac Newton was executed by Sir Godfrey Kneller, Bt. in 1702. The sitter, recognized as one of the greatest of all scientists and thinkers, is presented through the meticulous technique of a painter who served the courts of Charles II, James II, William and Mary, and George I. Kneller’s position as a prominent portraitist is reflected in this depiction of a man whose intellectual contributions fundamentally altered…

2
Portrait of Pyotr Potyomkin (1682) od Sir Godfrey Kneller

Portrait of Pyotr Potyomkin

1682 · Oil On Canvas · Ermitaž, Sankt Peterburg

Sir Godfrey Kneller’s “Portrait of Pyotr Potyomkin” (1682) is more than just a likeness; it's a meticulously crafted tableau of power, ambition, and the carefully constructed image of a formidable Russian statesman. Painted during the reign of Charles II in England, this remarkable work offers a rare glimpse into the intricate world of European diplomacy and the burgeoning influence of Russia on the continent. The portrait depicts Potyomkin, a high-ranking…

3
William Russell, 1st Duke of Bedford (1690) od Sir Godfrey Kneller

William Russell, 1st Duke of Bedford

1690 · Oil On Canvas · National Portrait Gallery, London

A single figure occupies the center of the frame, anchored by the gravity of his own station. William Russell, 1st Duke of Bedford, is rendered in a moment of stillness, his presence defined by the heavy architecture of his ceremonial robes. The light catches the sharp, white edges of a lace cravat and the powdered texture of a voluminous periwig. He is a pillar of fabric and bone against a…

4
Thomas Wharton, 1st Marquess of Wharton (1710) od Sir Godfrey Kneller

Thomas Wharton, 1st Marquess of Wharton

1710 · Oil On Canvas · National Portrait Gallery, London

A single light source strikes from the upper left, carving the face of Thomas Wharton out of a deep, somber shadow. He sits in a three-quarter pose, his gaze fixed directly upon the viewer with a steady, unblinking authority. The darkness behind him is a warm, muted brown, pushing his figure forward into the room. His hair, a voluminous mass of light brown curls, frames a face of smooth skin…

5
Richard Lumley, 2nd Earl of Scarbrough (1717) od Sir Godfrey Kneller

Richard Lumley, 2nd Earl of Scarbrough

1717 · Oil On Canvas · National Portrait Gallery, London

A single, heavy shadow anchors the room. Within this darkness, Richard Lumley, 2nd Earl of Scarbrough, emerges through a sudden collision of light and texture. He is positioned in a three-quarter view, his body turned slightly away while his eyes lock onto the viewer with a steady, direct gaze. A voluminous, light brown periwig frames a face rendered with smooth, pale precision. The light catches the crest of his white…

6
Queen Anne (1690) od Sir Godfrey Kneller

Queen Anne

1690 · Oil · National Portrait Gallery, London

In this 1690 portrait, Queen Anne is presented with a quiet, commanding dignity that defines the Baroque era. She is captured in a three-quarter length pose, standing with a poised elegance that suggests both her royal status and a certain personal composure. The composition draws the eye through the sweeping curves of her heavy drapery and the fluid folds of her gown, creating a sense of movement within a formal…

7
Robert Harley, 1st Earl of Oxford (1714) od Sir Godfrey Kneller

Robert Harley, 1st Earl of Oxford

1714 · Oil On Canvas · National Portrait Gallery, London

The portrait presents Robert Harley, 1st Earl of Oxford, in a vertical three-quarter length composition. He is positioned slightly off-center against a muted, dark ochre background. The subject wears a large powdered wig and an elaborate lace cravat. A heavy blue mantle, lined with white ermine fur, drapes over his shoulders and falls in voluminous, flowing curves. Beneath this, his period clothing features structured silhouettes and textures of silk and…

8
Sir Samuel Garth (1707) od Sir Godfrey Kneller

Sir Samuel Garth

1707 · Oil · National Portrait Gallery, London

The room falls away into a deep, impenetrable darkness, leaving only the man to emerge from the gloom. He sits in a three-quarter view, his body angled toward the right while his gaze meets the viewer from the left, creating an immediate sense of encounter. A strong, singular light source strikes his face and the voluminous, snowy curls of his powdered wig, casting the rest of his form into a…

9
Charles Townshend, 2nd Viscount Townshend (1704) od Sir Godfrey Kneller

Charles Townshend, 2nd Viscount Townshend

1704 · Oil On Canvas · National Portrait Gallery, London

This oil on canvas portrait by Sir Godfrey Kneller, Bt. depicts Charles Townshend, 2nd Viscount Townshend. The subject is presented in a full-length, vertical composition, positioned slightly off-center against a dark, atmospheric background. He is shown wearing voluminous red velvet robes accented by white ermine fur and a lace cravat. A large, white wig frames his face, which is illuminated by a light source from the side, creating a chiaroscuro…

10
Charles Fitzroy, 2nd Duke of Grafton (1703) od Sir Godfrey Kneller

Charles Fitzroy, 2nd Duke of Grafton

1703 · Oil On Canvas · National Portrait Gallery, London

The subject is a young man positioned in a three-quarter length view against a dark, indistinct background. He wears a deep reddish-orange velvet jacket that catches the light, creating highlights on the folds of the fabric. A white, ruffled shirt is visible at the neck, providing a sharp tonal contrast to the darker tones of his attire. On his head, he wears a turban-like cap with voluminous folds. The lighting…

Izbor umjetnika Sir Godfrey Kneller se nastavlja, od 11 do 100

11Anthony Leigh (1689) od Sir Godfrey KnellerAnthony Leigh1689 · National Portrait Gallery 12Sir John Vanbrugh (1707) od Sir Godfrey KnellerSir John Vanbrugh1707 · National Portrait Gallery 13Unknown man, formerly known as Henry Sidney, Earl of Romney (1700) od Sir Godfrey KnellerUnknown man, formerly known as Henry Sidney, Earl of Romney1700 · National Portrait Gallery 14Edward Southwell (1702) od Sir Godfrey KnellerEdward Southwell1702 15Sidney Godolphin, 1st Earl of Godolphin (1707) od Sir Godfrey KnellerSidney Godolphin, 1st Earl of Godolphin1707 · National Portrait Gallery 16Aubrey de Vere, 20th Earl of Oxford (1690) od Sir Godfrey KnellerAubrey de Vere, 20th Earl of Oxford1690 · National Portrait Gallery 17Charles Seymour, 6th Duke of Somerset (1703) od Sir Godfrey KnellerCharles Seymour, 6th Duke of Somerset1703 · National Portrait Gallery 18Portrait of Johann Philipp Schönborn, elector of Mainz (1666) od Sir Godfrey KnellerPortrait of Johann Philipp Schönborn, elector of Mainz1666 · Kunsthistorisches Museum 19Arthur Maynwaring (1707) od Sir Godfrey KnellerArthur Maynwaring1707 · National Portrait Gallery 20William Pulteney, 1st Earl of Bath (1717) od Sir Godfrey KnellerWilliam Pulteney, 1st Earl of Bath1717 · National Portrait Gallery 21Edward Russell, Earl of Orford, Captain John Benbow and Admiral Ralph Delavall (1692) od Sir Godfrey KnellerEdward Russell, Earl of Orford, Captain John Benbow and Admiral Ralph Delavall1692 · Government Art Collection 22King George I (1716) od Sir Godfrey KnellerKing George I1716 · National Portrait Gallery 23Self-portrait (1670) od Sir Godfrey KnellerSelf-portrait1670 24Sir Henry Booth, 1st Earl of Warrington (1651-1694) (1674) od Sir Godfrey KnellerSir Henry Booth, 1st Earl of Warrington (1651-1694)1674 · Dunham Massey Hall 25Abraham banishes Hagar and Ishmael (1670) od Sir Godfrey KnellerAbraham banishes Hagar and Ishmael1670 · Bavarske državne slikopisne zbirke 26Georg Schweigger (1674) od Sir Godfrey KnellerGeorg Schweigger1674 · Herzog Anton Ulrich Museum 27A scholar in his study (1668) od Sir Godfrey KnellerA scholar in his study1668 · Agnes Etherington Art Center 28Scholar in His Study (1668) od Sir Godfrey KnellerScholar in His Study1668 29Portrait of Johann Adam Reincken (1674) od Sir Godfrey KnellerPortrait of Johann Adam Reincken1674 · Museum für Hamburgische Geschichte 30The Philosopher (1668) od Sir Godfrey KnellerThe Philosopher1668 · St. Anne's Museum 31Walter Charleton MD (1619-1707) (1670) od Sir Godfrey KnellerWalter Charleton MD (1619-1707)1670 · The Hunterian Museum and Art Gallery 32Elijah and the Angel (1672) od Sir Godfrey KnellerElijah and the Angel1672 · Tate Britain 33Margrave Johann Friedrich von Brandenburg-Ansbach (1681) od Sir Godfrey KnellerMargrave Johann Friedrich von Brandenburg-Ansbach1681 · Bavarske državne slikopisne zbirke 34Barbara Talbot, Viscountess Longueville (c.1670-1763) as a girl (1677) od Sir Godfrey KnellerBarbara Talbot, Viscountess Longueville (c.1670-1763) as a girl1677 · Lacock Abbey 35Catherine Sedley, Countess of Dorchester (1657-1717) (1685) od Sir Godfrey KnellerCatherine Sedley, Countess of Dorchester (1657-1717)1685 · Kedleston Hall 36Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) (1680) od Sir Godfrey KnellerCharles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1680 · Hardwick Hall 37Possibly Colonel William Windham I, MP (1647-1689) (1684) od Sir Godfrey KnellerPossibly Colonel William Windham I, MP (1647-1689)1684 · Felbrigg Hall 38Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons, 1708 - 1710 (1680) od Sir Godfrey KnellerSir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons, 1708 - 17101680 · Clandon Park 39Princess Anne, later Queen Anne (1665-1714) (1683) od Sir Godfrey KnellerPrincess Anne, later Queen Anne (1665-1714)1683 40Catherine Wheatley, Mrs Thomas Lucy, later Duchess of Northumberland (d.1714) (1680) od Sir Godfrey KnellerCatherine Wheatley, Mrs Thomas Lucy, later Duchess of Northumberland (d.1714)1680 · Charlecote Park 41Captain Thomas Lucy (c.1655 – 1684) (1680) od Sir Godfrey KnellerCaptain Thomas Lucy (c.1655 – 1684)1680 · Charlecote Park 42Alice Sherard, Lady Brownlow (1659-1721) (1680) od Sir Godfrey KnellerAlice Sherard, Lady Brownlow (1659-1721)1680 · Belton House 43Sarah Churchill, Duchess of Marlborough (1660–1744) (1680) od Sir Godfrey KnellerSarah Churchill, Duchess of Marlborough (1660–1744)1680 · Antony House 44Admiral Sir Thomas Allin, 1612-85 (1680) od Sir Godfrey KnellerAdmiral Sir Thomas Allin, 1612-851680 · National Maritime Museum 45Portrait of John Banckes (1676) od Sir Godfrey KnellerPortrait of John Banckes1676 46Philip, 4th Lord of Wharton (1685) od Sir Godfrey KnellerPhilip, 4th Lord of Wharton1685 47James II (1633-1701) when Duke of York (1684) od Sir Godfrey KnellerJames II (1633-1701) when Duke of York1684 · Royal Collection 48Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library (1680) od Sir Godfrey KnellerSir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · Skotska nacionalna galerija portreta 49Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library (1680) od Sir Godfrey KnellerSir George Mackenzie, 1636 - 1691. Founder of the Advocates Library1680 · Skotska nacionalna galerija portreta 50Self-Portrait (1680) od Sir Godfrey KnellerSelf-Portrait1680 · Yale Center for British Art 51The Moroccan Ambassador (1684) od Sir Godfrey KnellerThe Moroccan Ambassador1684 52Edward Loveden (1680) od Sir Godfrey KnellerEdward Loveden1680 · Llyfrgell Genedlaethol Cymru 53Portrait of Sir Robert Howard (1698) od Sir Godfrey KnellerPortrait of Sir Robert Howard1698 54Sarah Jennings, Duchess of Marlborough (1660-1744) (1694) od Sir Godfrey KnellerSarah Jennings, Duchess of Marlborough (1660-1744)1694 · Petworth House 55Sir Thomas Osborne, 1st Earl of Danby, later 1st Duke of Leeds (1631 - 1712) in Garter Robes (1691) od Sir Godfrey KnellerSir Thomas Osborne, 1st Earl of Danby, later 1st Duke of Leeds (1631 - 1712) in Garter Robes1691 56King Charles II (1630–1685) (1694) od Sir Godfrey KnellerKing Charles II (1630–1685)1694 · Mompesson House 57Charles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1638-1706) (1694) od Sir Godfrey KnellerCharles Sackville, 6th Earl of Dorset and 1st Earl of Middlesex (1638-1706)1694 · Knole House 58Sir Thomas Felton (1649-1708/9) (1699) od Sir Godfrey KnellerSir Thomas Felton (1649-1708/9)1699 · Ickworth 59An Unknown Lady with her Son (1696) od Sir Godfrey KnellerAn Unknown Lady with her Son1696 · Hartwell House 60Rachel Russell, Duchess of Devonshire (1674 – 1725) (1692) od Sir Godfrey KnellerRachel Russell, Duchess of Devonshire (1674 – 1725)1692 · Hardwick Hall 61Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704) (1695) od Sir Godfrey KnellerCharles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)1695 · Hardwick Hall 62Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717) (1690) od Sir Godfrey KnellerCatherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717)1690 · Felbrigg Hall 63Ashe Windham, MP (1673-1749) (1689) od Sir Godfrey KnellerAshe Windham, MP (1673-1749)1689 · Felbrigg Hall 64Colonel William Windham I, MP (1647-1689) (1696) od Sir Godfrey KnellerColonel William Windham I, MP (1647-1689)1696 · Felbrigg Hall 65Samuel Pepys, 1633-1703 (1689) od Sir Godfrey KnellerSamuel Pepys, 1633-17031689 · National Maritime Museum 66Admiral Edward Russell, 1652-1727, 1st Earl of Orford (1693) od Sir Godfrey KnellerAdmiral Edward Russell, 1652-1727, 1st Earl of Orford1693 · National Maritime Museum 67William Hewer, 1642-1715 (1689) od Sir Godfrey KnellerWilliam Hewer, 1642-17151689 · National Maritime Museum 68William III (1650-1702), Prince of Orange, King of England (1690) od Sir Godfrey KnellerWilliam III (1650-1702), Prince of Orange, King of England1690 69Portrait of William III of Orange 1650-1702) (1690) od Sir Godfrey KnellerPortrait of William III of Orange 1650-1702)1690 70Thomas Papillon (1698) od Sir Godfrey KnellerThomas Papillon1698 · National Portrait Gallery 71Charles Sackville, 6th Earl of Dorset (1697) od Sir Godfrey KnellerCharles Sackville, 6th Earl of Dorset1697 · National Portrait Gallery 72Charles Townshend, 2nd Viscount Townshend (1690) od Sir Godfrey KnellerCharles Townshend, 2nd Viscount Townshend1690 · National Portrait Gallery 73Charles Montagu, 1st Earl of Halifax (1690) od Sir Godfrey KnellerCharles Montagu, 1st Earl of Halifax1690 · National Portrait Gallery 74Sir Anthony Deane (1690) od Sir Godfrey KnellerSir Anthony Deane1690 · National Portrait Gallery 75William, Duke of Gloucester (1689-1700), when a Child (1691) od Sir Godfrey KnellerWilliam, Duke of Gloucester (1689-1700), when a Child1691 · Royal Collection 76Diana De Vere, Duchess of St. Albans (d.1742) (1691) od Sir Godfrey KnellerDiana De Vere, Duchess of St. Albans (d.1742)1691 · Hampton Court Palace 77Mary Scrope, later Mrs Pitt (b.1676) (1691) od Sir Godfrey KnellerMary Scrope, later Mrs Pitt (b.1676)1691 · Hampton Court Palace 78Carey Fraser, Countess of Peterborough (d.1709) (1690) od Sir Godfrey KnellerCarey Fraser, Countess of Peterborough (d.1709)1690 · Hampton Court Palace 79Mary Bentinck, Countess of Essex (d.1726) (1690) od Sir Godfrey KnellerMary Bentinck, Countess of Essex (d.1726)1690 · Hampton Court Palace 80Mary Compton, Countess of Dorset (1669-91) (1690) od Sir Godfrey KnellerMary Compton, Countess of Dorset (1669-91)1690 · Hampton Court Palace 81Isabella Bennett, Duchess of Grafton (1667-1723) (1690) od Sir Godfrey KnellerIsabella Bennett, Duchess of Grafton (1667-1723)1690 · Hampton Court Palace 82Mary II (1662-1694) (1690) od Sir Godfrey KnellerMary II (1662-1694)1690 · Royal Collection 83Frances Whitmore, Lady Middleton (c. 1666-94) (1690) od Sir Godfrey KnellerFrances Whitmore, Lady Middleton (c. 1666-94)1690 · Hampton Court Palace 84William III (1650-1702) in Garter Robes (1697) od Sir Godfrey KnellerWilliam III (1650-1702) in Garter Robes1697 · Royal Collection 85William, Duke of Gloucester (1689-1700) (1699) od Sir Godfrey KnellerWilliam, Duke of Gloucester (1689-1700)1699 · Royal Collection 86Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss (1697) od Sir Godfrey KnellerPortrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss1697 · Yale Center for British Art 87Portrait of canon Frans de Cock, cantor of the cathedral of Antwerp (1697) od Sir Godfrey KnellerPortrait of canon Frans de Cock, cantor of the cathedral of Antwerp1697 · Kraljevski muzej fine umjetnosti u Antverpenu 88Portrait of Johan Hulft (1697) od Sir Godfrey KnellerPortrait of Johan Hulft1697 · Museum Het Valkhof 89John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite (1688) od Sir Godfrey KnellerJohn Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite1688 · Skotska nacionalna galerija portreta 90John Dryden (1693) od Sir Godfrey KnellerJohn Dryden1693 · National Portrait Gallery 91A Warrior (1700) od Sir Godfrey KnellerA Warrior1700 · Birmingham Museum and Art Gallery 92A Warrior (1700) od Sir Godfrey KnellerA Warrior1700 · Birmingham Museum and Art Gallery 93King William III of England Returning from the Peace of Ryswick, Margate, 1697 (1701) od Sir Godfrey KnellerKing William III of England Returning from the Peace of Ryswick, Margate, 16971701 · National Gallery of Ireland 94Sir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons (1708 - 1710) (1710) od Sir Godfrey KnellerSir Richard Onslow, 1st Baron Onslow (1654-1717), Speaker of the House of Commons (1708 - 1710)1710 · Clandon Park 95Charles Sackville, 6th Earl of Dorset (1638-1706) (1700) od Sir Godfrey KnellerCharles Sackville, 6th Earl of Dorset (1638-1706)1700 · Sissinghurst Castle 96Admiral George Delaval, MP (1668 -1723) (1710) od Sir Godfrey KnellerAdmiral George Delaval, MP (1668 -1723)1710 97Queen Anne (1665-1714) (1705) od Sir Godfrey KnellerQueen Anne (1665-1714)1705 · Petworth House 98Arnold Joost Van Keppel, 1st Earl of Albemarle (1669-1718) (1701) od Sir Godfrey KnellerArnold Joost Van Keppel, 1st Earl of Albemarle (1669-1718)1701 · Mount Stewart 99Peter Legh XII (1669-1744) (1702) od Sir Godfrey KnellerPeter Legh XII (1669-1744)1702 · Lyme Park 100James Butler, 2nd Duke of Ormonde (1665-1745) (1707) od Sir Godfrey KnellerJames Butler, 2nd Duke of Ormonde (1665-1745)1707 · Knole House

Slavna djela Sir Godfrey Kneller po razdobljima

Motivi koji su privukli pažnju Sir Godfrey Kneller

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Sir Godfrey Kneller

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Sir Godfrey Kneller Slike iz ovog popisa
National Portrait Gallery, LondonNational Portrait Gallery London 70 William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough
Hampton Court Palace, LondonHampton Court Palace London 10 Diana De Vere, Duchess of St. Albans (d.1742), Mary Scrope, later Mrs Pitt (b.1676), Carey Fraser, Countess of Peterborough (d.1709)
Royal Collection, LondonRoyal Collection London 12 James II (1633-1701) when Duke of York, William, Duke of Gloucester (1689-1700), when a Child, Mary II (1662-1694)
National Maritime Museum, LondonNational Maritime Museum London 23 Admiral Sir Thomas Allin, 1612-85, Samuel Pepys, 1633-1703, Admiral Edward Russell, 1652-1727, 1st Earl of Orford
Felbrigg Hall, NorwichFelbrigg Hall Norwich 4 Possibly Colonel William Windham I, MP (1647-1689), Catherine Bower, Lady Ashe or Mrs Packer (c.1671 - 1717), Ashe Windham, MP (1673-1749)
Hardwick HallHardwick Hall 9 Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704), Rachel Russell, Duchess of Devonshire (1674 – 1725), Charles Boyle, 3rd Earl of Cork and 2nd Earl of Burlington (c.1662-1704)
Skotska nacionalna galerija portreta, EdinburghSkotska nacionalna galerija portreta Edinburgh 6 Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, Sir George Mackenzie, 1636 - 1691. Founder of the Advocates Library, John Drummond, 1st Earl of Melfort, Secretary of State for Scotland and Jacobite
Yale Center for British Art, New HavenYale Center for British Art New Haven 6 Self-Portrait, Portrait of a Woman as St. Agnes, Traditionally Identified as Catherine Voss

Sir Godfrey Kneller desetljeće po desetljeće: original koji definira svako od njih

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Pitanja kolekcionara o slikama umjetnika Sir Godfrey Kneller

Po kojem je djelu Sir Godfrey Kneller najpoznatiji/a?Otkrijte odgovor

Isaac Newton (1702). Sljedeći su Portrait of Pyotr Potyomkin (1682) i William Russell, 1st Duke of Bedford (1690).

Koliko je godina Sir Godfrey Kneller imao/la kada je nastalo djelo Isaac Newton?Otkrijte odgovor

56 godina: Isaac Newton datira iz 1702, a Sir Godfrey Kneller je rođen/a 1646.

Koja su deset najpoznatijih djela umjetnika Sir Godfrey Kneller?Otkrijte odgovor

Isaac Newton, Portrait of Pyotr Potyomkin, William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton, Richard Lumley, 2nd Earl of Scarbrough, Queen Anne, Robert Harley, 1st Earl of Oxford, Sir Samuel Garth, Charles Townshend, 2nd Viscount Townshend i Charles Fitzroy, 2nd Duke of Grafton. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika ostavio/la Sir Godfrey Kneller?Otkrijte odgovor

Naš katalog sadrži 372 djela umjetnika Sir Godfrey Kneller, datiranih od 1666 do 1717.

U kojim se muzejima nalaze remek-djela umjetnika Sir Godfrey Kneller?Otkrijte odgovor

Većinom u National Portrait Gallery (London), Hampton Court Palace (London) i Royal Collection (London). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Sir Godfrey Kneller naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1690s: 38 od 100 djela na ovoj stranici nastalo je tada, od čega je William Russell, 1st Duke of Bedford William Russell, 1st Duke of Bedford.

Koja su prva i posljednja poznata originalna djela umjetnika Sir Godfrey Kneller?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Portrait of Johann Philipp Schönborn, elector of Mainz (1666), a najnovije iz Richard Lumley, 2nd Earl of Scarbrough (1717).

Koje je motive Sir Godfrey Kneller najčešće birao?Otkrijte odgovor

Man (40), Wig (17) i Dark background (14), kroz svih 100 djela na ovoj stranici.

Koju je tehniku najčešće koristio/la Sir Godfrey Kneller?Otkrijte odgovor

Oil On Canvas, za 46 od 100 djela na ovoj stranici.

Pripada li Sir Godfrey Kneller kojem umjetničkom pokretu?Otkrijte odgovor

Baroque painting, sudeći po originalima na ovoj stranici.

Koji se radovi umjetnika Sir Godfrey Kneller nalaze u muzeju National Portrait Gallery?Otkrijte odgovor

William Russell, 1st Duke of Bedford, Thomas Wharton, 1st Marquess of Wharton i Richard Lumley, 2nd Earl of Scarbrough: National Portrait Gallery, London posjeduje 23 djela s ove stranice.

Sir Godfrey Kneller: život i djelo

Sir Godfrey Kneller: Majstor Manira

Godfrey Kneller (1646-1723) stoji kao monumentalna figura u engleskom baroknom slikarstvu, prepoznatljiv po svojoj neusporedivoj vještini hvatanja lika istaknutih pojedinaca – posebno onoga što je postalo poznato kao „portreti mačaka“. Ove izuzetno detaljne prikazi mačaka koji ukrašavaju aristokratske interiore primjeri su njegove pedantne tehnike i dubokog razumijevanja vizualne kulture. Rođen Gottfried Kniller u Lübecku, Njemačka, emigrirao je u Englesku oko 1675., gdje se uspostavio kao plodan portretista, osiguravši prestižne narudžbe od kraljevstva i plemstva tijekom vladavina Charlesa II i Georgea I. Njegovo naslijeđe proteže se iznad čiste umjetničke spremnosti; igrao je ključnu ulogu u oblikovanju vizualnog pejzaža Georgijanske Britanije i poticanju trajnog fasciniranja kraljevskim patronatom.
  • Rani život i učenje: Knellerovi formativni godini proveli su proučavajući kod Johann Zachariasa Knellera, svog brata, koji mu je usadio rigorosan pristup crtanju i slikanju – temelj njegove umjetničke filozofije. Ovo disciplinirano treniranje izoštrilo je njegove zapaženske vještine i pripremilo ga za zahtjeve stvaranja portreta koji su prenijeli ne samo fizički izgled, već i psihološki karakter.
  • Fenomen portreta mačaka: Knellerova slava eksplodirala je zahvaljujući njegovim inovativnim „portretima mačaka“. Ove platna prikazuju mačke pažljivo namalovane uz svoje aristokratske vlasnike, odražavajući rastući trend u dekorativnim umjetnostima i signalizirajući pomak prema prikazivanju subjekata unutar njihovih kućanstava. Simbolika ugrađena u ove portrete – predstavljaju bogatstvo, status i intelektualne težnje – demonstrira Knellerovo oštro razumijevanje suvremenih društvenih konvencija.
  • Kraljevski patronat i umjetnički razvoj: Knellerova karijera cvjetala je pod patronatom Charlesa II i Georgea I, osiguravajući narudžbe koje mu su omogućile usavršavanje stila i istraživanje ambicioznih projekata. Postao je dvorski slikar za oba monarha, stvarajući portrete kraljeva, kraljica, princeza i diplomata – djela koja su učvrstila njegovu reputaciju kao jednog od vodećih umjetnika Engleske. Njegova pedantna pažnja na detalje i majstorska upotreba kiaroscuro (dramatična igra svjetlosti i sjene) primjeri su veličanstvenosti Stila Velik Manira koji je bio prisutan tijekom njegove ere.
  • Značajna djela i naslijeđe: Među Knellerovim najslavljenijim dostignućima su portreti Charlesa II, Henryja Purcella, Christophera Wrena, Isaaka Newtona i Benjamina Franklina – svako hvatajući subjekte s izvanrednom točnošću i prenoseći njihove osobnosti osjetljivošću. Njegov utjecaj protezao se izvan portretiranja; radio je kao direktor Kraljevske vojne škole glazbe u Twickenhamu desetljećima, potičući umjetnički talenat i doprinoseći kulturnoj vitalnosti Georgijanskog Londona.
  • Trajan utisak: Knellerova pedantna tehnika i stilističke inovacije i danas inspiriraju umjetnike. On ostaje simbol umjetničkog izvrsnosti i primjeruje trajne moći portretiranja kao medija za dokumentiranje povijesti i hvatanje suštine ljudskog karaktera. Njegovo djelo nalazi se u velikim muzejima širom svijeta, osiguravajući da će njegov doprinos engleskom baroknom slikarstvu biti sjećan generacijama koje dolaze.

Utjecaji i umjetnički stil

Knellerov umjetnički vizion bio je duboko oblikovan tradicijama flamiški i talijanski baroknog slikarstva – posebno Rembrandta van Rijna i Caravaggia – čiji je dramatični rad svjetlosti i sjene uspostavio presedan za prikaz emocija i psihološke složenosti. Prigrlio je Stil Velik Manir, karakteriziran monumentalnim razmjerima, idealiziranim likovima i pažljivo orkestriranim kompozicijama dizajniranim da prenesu dostojanstvo i autoritet. Ovaj stilski pristup odražavao je težnje engleskog monarhije tijekom njegovog vremena i cementirao Knellerovu poziciju kao zagovornika umjetničkih inovacija.

Knellerova palača i njena važnost

Kuća koju je Kneller izgradio u Whittonu, blizu Twickenhama, postala je Knellerova palača sredinom 19. stoljeća – svjedočanstvo njegovog trajnog utjecaja na britansko društvo i kulturu. Ova veličanstvena vila služila je kao dom za Kraljevsku vojnu školu glazbe, simbolizirajući Knellerov angažman u umjetničkoj edukaciji i poticanje tradicije glazbene izvrsnosti. Sama palača stoji kao arhitektonsko znamenje, odražavajući veličanstvenost Georgijanske Britanije i utjelmljujući vrijednosti koje je Kneller zagovarao – disciplinu, rafiniranost i intelektualnu znatiželju.

Daljnja istraživanja

Za dublje uvide u život i djela Godfreyja Knellera, konzultirajte resurse kao što su: