Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 55 djela Giovanni Lanfranco u našem katalogu
Ukratko
Od svih originala koje je Giovanni Lanfranco ostavio, najpoznatiji je The Council of Gods (1624) u kolekciji muzeja Galleria Borghese, Rim. Samo iza njih slijede Roman Naumachia (1635) i Madonna and Child with the Infant Saint John the Baptist (1630). Naš katalog sadrži 55 djela umjetnika Giovanni Lanfranco; galerija je čuvala onih 55 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
Giovanni Lanfranco’s fresco “The Council of Gods,” adorning the Galleria Borghese in Rome, stands as a testament to the artistic fervor of the Baroque period. Painted in 1624 during the reign of Pope Urbano VIII, this monumental artwork transcends mere decoration; it embodies the theological debates and intellectual currents shaping Renaissance Europe.
A panoramic naval engagement unfolds across a wide horizontal plane, capturing the violent energy of a Roman Naumachia. The composition is crowded, pulling the viewer into a frantic struggle between wooden vessels. Figures are locked in combat, their muscular forms straining against the weight of spears and the pull of the sea. The scene is defined by a sense of immense scale and continuous, churning movement.
In the heart of Rome, a quiet intimacy unfolds within Madonna and Child with the Infant Saint John the Baptist. The Italian artist Giovanni Lanfranco breathes life into this scene, capturing a tender moment that feels as though it is happening in the present. Created about 1630–1632, the work emerges from a period of intense creative energy in the city. The figures exist in a space of soft light and…
In this large-scale oil on canvas, we find ourselves witnessing a moment of profound upheaval. The scene, titled Funeral Rites of a Roman Emperor, captures the chaotic energy of a historical transition. A diagonal composition directs the eye through a crowded, swirling mass of figures, leading upward toward the central, deceased emperor. There is a palpable sense of movement here, driven by the muscular, twisting bodies of combatants in the…
Giovanni Lanfranco’s 1610 fresco, located within the San Carlo ai Catinari church in Rome, captures the moment the angel Gabriel delivers the divine message to the Virgin Mary. The composition is structured through a pyramidal arrangement, anchoring the kneeling Mary at the base and directing the eye upward toward the celestial messenger. Light functions as a primary narrative tool; an unseen source bathes Mary in a luminous glow, while Gabriel’s…
Gladiators Fighting by Giovanni Lanfranco captures a violent struggle within a grand, classical arena. The scene centers on muscular male figures engaged in intense combat, their bodies defined by forceful, diagonal lines and twisting poses. In the foreground, fallen combatants lie prone upon the dusty ground, rendered with anatomical detail. This central conflict is framed by an imposing classical structure, where tall columns and a colonnade rise into the background.…
The Allocution of a Roman Emperor is a significant oil on canvas by Giovanni Lanfranco. This work, also attributed to the artist as Giovanni di Stefano Lanfranco, captures a moment of intense oratorical address within a Roman setting. The painting depicts a leader delivering a formal speech to an assembly of troops and onlookers, a subject that allows for a profound exploration of human emotion and physical presence.
In the evocative engraving Christ Served by Angels, created in 1616, the Italian master Giovanni Lanfranco invites viewers into a profound moment where the earthly and the divine intersect. This work is far more than a mere religious illustration; it is a masterful display of Baroque dynamism, capturing a scene that vibrates with both tension and spiritual grace. Through his expert use of line and shadow, Lanfranco orchestrates a narrative…
We are looking at Gladiators at a Banquet, a significant work by the Italian painter Giovanni Lanfranco. This oil on canvas was executed about 1638, a period when the artist was establishing his presence within the Baroque movement. The scale of the piece is substantial, measuring 232.0 x 355.0cm, which lends a certain physical weight to the scene it depicts.
In the sweeping, dramatic tradition of the Italian Baroque, Giovanni Lanfranco’s "Norandino and Lucina Discovered by the Ogre" serves as a breathtaking window into a world where myth and peril collide. Painted in 1624, this masterpiece captures a pivotal moment of high drama: the sudden, terrifying intrusion of a monstrous force into a pastoral sanctuary. The composition is masterfully orchestrated to guide the viewer’s eye through a landscape of both…
Penitent Mary Magdalene1614 · Bavarske državne slikopisne zbirke
12
Roger Arriving in Bretagne Dismounts Angélique from the Hippogriff1616 · Galleria Nazionale delle Marche
13
Young Naked Man on a Bed with Cat1621
14
The Glorification of Christ surrounded by Saints1614 · Statens Museum For Kunst
15
Miracle of Saint Veranus1610
16
Assumption of Mary1631 · Bavarske državne slikopisne zbirke
17
Alexander and the Physician Filippo1630
18
Alexander Refuses the Water1630
19
The Last Supper1624 · National Gallery of Ireland
20
Three Capuchin Saints and a Bishop Worshipping Christ and the Cross1630 · Städel Museum
21
Elijah and the Raven1625
22
Saint Andrew Kneeling Before the Cross1637 · Gemäldegalerie
23
Coronation of the Virgin with St Augustine and St William of Aquitaine1616 · Louvre
24
Mary Magdalen Raised by Angels1616 · Museo di Capodimonte
25
Miracle of the Bread and Fish1620 · National Gallery of Ireland
26
Ecstasy of St Margaret of Cortona1622
27
The Prophet Elijah Awakened in the Desert by an Angel, Giovanni Lanfranco, 1624 - 16251625 · Rijksmuseum
28
Madonna and Child with Sts Anthony Abbot and James the Greater1622 · Kunsthistorisches Museum
29
LE COURONNEMENT DE LA VIERGE AVEC SAINT AUGUSTIN ET SAINT GUILLAUME D'AQUITAINELouvre
30
St Ursula and the Virgins1622 · Galleria Nazionale d’Arte Antica
31
Saint SebastianStatens Museum For Kunst
32
SAINT CONRADMusée des Beaux-Arts de Lyon
33
AGAR DANS LE DESERT
34
Angélica e MedoroMuseu Nacional de Belas Artes
35
Liberation of Saint PeterBirmingham Museum of Art
36
Senecas dödNationalmuseum
37
Angelica and MedoroFondantico di Tiziana Sassòli
38
Right nave of Fidenza cathedralMuseo del Duomo e Cattedrale di Fidenza
39
Left nave of Fidenza cathedralMuseo del Duomo e Cattedrale di Fidenza
40
Saint OctaviusPinacoteca Stuard
41
Fidenza cathedral insideMuseo del Duomo e Cattedrale di Fidenza
42
Christ and the Woman of Samaria1620 · The Ashmolean Museum of Art and Archaeology
43
Hagar in the WildernessLouvre
44
Saint LukeMusei Civici di Palazzo Farnese
45
Ecstasy of Saint Margaret of Cortona1622 · Palazzo Pitti
46
St Peter Healing St Agatha1614 · Galleria Nazionale
47
Moses and the Messengers from Canaan1621 · J. Paul Getty Museum
48
A Priest sacrificing for a Roman Emperor1635 · Muzej Prado
49
Elijah Receiving Bread from the Widow of Zarephath1621 · J. Paul Getty Museum
50
Nativity1600
51
Annunciation1620 · San Carlo ai Catinari
52
Christ Served by Angels1616 · Museo di Capodimonte
53
Venus Playing the Harp (Allegory of Music)1630 · Galleria Nazionale d’Arte Antica
54
La séparation de saint Paul et de saint Pierre allant au martyreChâteau de Versailles
55
St Andrea Avellino1624 · Sant'Andrea della Valle
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Giovanni Lanfranco | Slike iz ovog popisa |
|---|---|---|---|
 Muzej Prado |
Madrid | 6 | Roman Naumachia, Funeral Rites of a Roman Emperor, Gladiators Fighting |
 J. Paul Getty Museum |
Los Angeles | 3 | Madonna and Child with the Infant Saint John the Baptist, Moses and the Messengers from Canaan, Elijah Receiving Bread from the Widow of Zarephath |
 Museo di Capodimonte |
Napulj | 3 | Christ Served by Angels, Mary Magdalen Raised by Angels, Christ Served by Angels |
 Louvre |
Pariz | 3 | Coronation of the Virgin with St Augustine and St William of Aquitaine, LE COURONNEMENT DE LA VIERGE AVEC SAINT AUGUSTIN ET SAINT GUILLAUME D'AQUITAINE, Hagar in the Wilderness |
 Museo del Duomo e Cattedrale di Fidenza |
Fidenza | 3 | Right nave of Fidenza cathedral, Left nave of Fidenza cathedral, Fidenza cathedral inside |
 Galleria Borghese |
Rim | 2 | The Council of Gods, Norandino and Lucina Discovered by the Ogre |
 Bavarske državne slikopisne zbirke |
München | 2 | Penitent Mary Magdalene, Assumption of Mary |
 Statens Museum For Kunst |
Kopenhagen | 2 | The Glorification of Christ surrounded by Saints, Saint Sebastian |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Gladiators Fighting by Giovanni Lanfranco captures a violent struggle within a grand, classical arena. The scene centers on muscular male figures engaged in intense combat, their bodies defined by forceful, diagonal lines and twisting poses. In the foreground, fallen combatants lie prone upon the dusty ground, rendered with anatomical detail. This central conflict is framed by an imposing classical structure, where tall columns and a colonnade rise into the background.…
Giovanni Lanfranco’s 1610 fresco, located within the San Carlo ai Catinari church in Rome, captures the moment the angel Gabriel delivers the divine message to the Virgin Mary. The composition is structured through a pyramidal arrangement, anchoring the kneeling Mary at the base and directing the eye upward toward the celestial messenger. Light functions as a primary narrative tool; an unseen source bathes Mary in a luminous glow, while Gabriel’s…
Giovanni Lanfranco’s fresco “The Council of Gods,” adorning the Galleria Borghese in Rome, stands as a testament to the artistic fervor of the Baroque period. Painted in 1624 during the reign of Pope Urbano VIII, this monumental artwork transcends mere decoration; it embodies the theological debates and intellectual currents shaping Renaissance Europe.
A panoramic naval engagement unfolds across a wide horizontal plane, capturing the violent energy of a Roman Naumachia. The composition is crowded, pulling the viewer into a frantic struggle between wooden vessels. Figures are locked in combat, their muscular forms straining against the weight of spears and the pull of the sea. The scene is defined by a sense of immense scale and continuous, churning movement.
The Council of Gods (1624), Galleria Borghese, Rim. Nakon njih slijede Roman Naumachia (1635) i Madonna and Child with the Infant Saint John the Baptist (1630).
42 godina: The Council of Gods datira iz 1624, a Giovanni Lanfranco je rođen/a 1582.
The Council of Gods, Roman Naumachia, Madonna and Child with the Infant Saint John the Baptist, Funeral Rites of a Roman Emperor, The Annunciation, Gladiators Fighting, The Allocution of a Roman Emperor, Christ Served by Angels, Gladiators at a Banquet i Norandino and Lucina Discovered by the Ogre. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 55 djela umjetnika Giovanni Lanfranco, datiranih od 1600 do 1638.
Većinom u Muzej Prado (Madrid), J. Paul Getty Museum (Los Angeles) i Museo di Capodimonte (Napulj). Gornja tablica muzeja navodi sve njih.
U 1620s: 16 od 55 djela na ovoj stranici nastalo je tada, od čega je The Council of Gods The Council of Gods.
Na ovoj stranici najstarije djelo je iz Nativity (1600), a najnovije iz The Allocution of a Roman Emperor (1638).
People (10), Man (10) i Figures (8), kroz svih 55 djela na ovoj stranici.
Oil On Canvas, za 24 od 55 djela na ovoj stranici.
Baroque, sudeći po originalima na ovoj stranici.
Roman Naumachia, Funeral Rites of a Roman Emperor i Gladiators Fighting: Muzej Prado, Madrid posjeduje 6 djela s ove stranice.
Giovanni Gaspare Lanfranco rođen je u Parmi 1582. godine, kao treći sin Stefana i Cornelije Lanfranchi. Njegov umjetnički talent prepoznat je vrlo rano, što ga je dovelo do naučeništva kod Agostina Carracija, brata istaknutog bolonjskog umjetnika Annibalea Carracija. Također je surađivao sa Sisto Badalochio u palačama Farnese u Parmi. Lanfrancova edukacija nastavila se u velikoj radionici Annibalea Carracija u Rimu, gdje je sudjelovao u projektima poput Galleria Farnese, uključujući rad na panelu koji prikazuje Polifema i Galateju. Ovo razdoblje izložilo ga je živopisnom umjetničkom okruženju i postavilo temelje za njegovu buduću karijeru.
Nakon smrti Annibalea Carracija 1609. godine, Lanfranco se nakratko vratio u Parmu prije nego što se do 1612. godine ponovno učvrstio u Rimu. Razvio je prepoznatljiv stil koji karakteriziraju dinamične kompozicije, teatralno osvjetljenje i vizionarski pristup posebno prikladan za stropne freske. Iako je bio pod utjecajem kasnih djela Ludovica Carracija, a možda i Caravaggia, pokazao je i snažnu bliskost s dekorativnim stilom majstora Correggia. Njegova rana djela pokazuju eklektičan raspon, uključujući elemente raznih majstora dok je postupno stvarao vlastiti put. Ključni aspekt njegovog razvoja bila je sposobnost stvaranja iluzionističkih efekata u freskom, što je značajno doprinijelo baroknoj estetici.
Lanfrancova je karijera cvjetala pod pokroviteljstvom pape Pavla V., koji mu je naručio brojna djela. Neka od njegovih najznačajnijih postignuća uključuju:
Giovanni Lanfranco odigrao je ključnu ulogu u oblikovanju umjetničkog krajolika Rima 17. stoljeća. Natjecao se s Domenichinom za velike narudžbe, doprinoseći razdoblju intenzivne konkurencije među vodećim umjetnicima. Njegov inovativni pristup slikanju fresaka, osobito majstorstvo u iluzionističkim tehnikama i dramatičnim kompozicijama, utjecalo je na sljedeće generacije umjetnika. Lanfrancovo djelo odražava šire trendove barokne ere — fokus na dinamiku, emociju i veličanstvenost — te je učvrstilo njegovo mjesto kao jednog od najvažnijih slikara svog vremena. Njegov utjecaj može se vidjeti u kasnijim djelima Francesco Solimene i drugih talijanskih umjetnika.
