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Iz perspektive galerije, najpoznatije djelo umjetnika Frederic Edwin Church je Srce Ande (1859), čiji se original nalazi u muzeju Metropolitan Museum of Art, New York. Twilight in the Wilderness (1860) i The Heart of the Andes (1859) upotpunjuju triju koju svako oko prepoznaje. Od 270 djela umjetnika Frederic Edwin Church u našem katalogu, galerija u nastavku prikazuje 100 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.
Naslikan 1859. godine, ovaj monumentalni pejzaž prenosi gledatelje u samo srce Ande, bilježeći idealiziranu viziju južnoameričke divljine. Djelo Frederica Edwina Churcha, “Srce Ande”, nije tek prikaz krajolika; to je prožimajuće iskustvo, pedantno oblikovano kako bi izazvalo strahopoštovanje i duboko poštovanje prema prirodnom svijetu.
, središnja figura Hudson River School pokreta, bio je poznat po svojim pedantnim krajolizima koji su dočaravali veličinu i duhovnu bit prirode. Rođen u imućnoj obitelji u Hartfordu, Connecticut, Churchov umjetnički put započeo je pod mentorstvom Thomasa Colea, utemeljitelja Hudson River School. Njegova djela, obilježena realističnim detaljima, dramatičnom svjetlošću i panoramskim pogledima, postala su utjelovljenje američke romantičarske tradicije krajolikotvornog slikarstva.
A Window Into the Soul of the Andes Frederic Edwin Church’s *The Heart of the Andes*, completed in 1863, isn't merely a landscape painting; it’s an immersive experience, a portal to a remote and awe-inspiring corner of South America. This monumental canvas—measuring over six feet tall and nearly ten feet wide—captures the essence of Ecuador’s Andean region with breathtaking detail and dramatic luminosity, establishing Church as a pivotal figure in…
To gaze upon Frederic Edwin Church’s Fern Walk is to step across the threshold of time and into a realm saturated with emerald life. This magnificent canvas, painted in 1865, is far more than a mere depiction of foliage; it is an immersive meditation on nature's enduring majesty. The air itself seems thick with the scent of damp earth and blooming life as one follows the winding path suggested by…
The painting "Autumn," executed by Frederic Edwin Church in 1875, stands as a testament to the Hudson River School's unwavering devotion to capturing the sublime beauty of the American wilderness. More than just a depiction of a picturesque landscape, it embodies a profound philosophical contemplation on mortality and regeneration—themes deeply rooted in Victorian sensibilities and subtly interwoven into Church’s masterful artistic vision.
The sun begins its slow ascent over the Atlantic, casting a deep, reddened glow across a heavy bank of clouds that stretches wide above the ocean. In this quiet moment, a low, wooded promontory reaches out toward the right, its dark silhouette anchored in the middle distance. Boulders rest heavily in the foreground, their rugged textures catching the first light of day. Below the sky, the sea moves with a…
To gaze upon Frederic Edwin Church's depiction of The Falls of Tequendama, Near Bogota, New Granada, is to be swept away by the sheer, untamed power of the natural world. This painting is not merely a record of a geographical location; it is an immersive experience, a visual poem celebrating the sublime. As the eye travels across the canvas, one witnesses the monumental cascade—the main waterfall plunging with breathtaking force…
To gaze upon this depiction of Cotopaxi is to be transported to the very edge of the known world, to a place where the earth seems to breathe with monumental power. Frederic Edwin Church captured not merely a view, but an overwhelming experience—the sublime confrontation between human perception and untamed natural grandeur. This landscape, steeped in the romance of 19th-century exploration, presents the magnificent Ecuadorian volcano rising against a sky…
A Window on the Wilderness: Frederic Church’s “Otter Creek, Mount Desert” Frederic Edwin Church's "Otter Creek, Mount Desert," painted in 1850, isn’t merely a landscape; it’s an immersive experience. This monumental canvas, now meticulously reproduced for discerning collectors, transports the viewer to the rugged beauty of Maine’s Mount Desert Island. More than just a picturesque scene, Church's work embodies the core tenets of the Hudson River School – a celebration…
To gaze upon this magnificent depiction of "Syria by the Sea" is to be transported across continents and through time itself. Frederic Edwin Church, master chronicler of the sublime American landscape, captures here a scene imbued with both breathtaking natural grandeur and the quiet dignity of human presence. The composition immediately draws the eye toward the horizon, where the setting sun bleeds its final, glorious hues across the vast expanse…
Jerusalem from the Mount of Olives1870 · Nelson-Atkins Museum of Art
12
Christian on the Borders of the "Valley of the Shadow of Death", Pilgrim's Progress1847
13
Tequendama Falls, near Bogota, New Granada1854 · Cincinnati Art Museum
14
New England Landscape (also known as Evening after a Storm)1849 · Amon Carter Museum of American Art
15
Mount Katahdin1856 · Addison Gallery of American Art
16
Cross in the Wilderness1857 · Thyssen-Bornemisza Museum
17
The Old Boat (also known as The Abandoned Skiff)1850 · Thyssen-Bornemisza Museum
18
View of Cotopaxi1857 · Art Institute of Chicago
19
In the Tropics1856 · Virginia Museum of Fine Arts
20
CotopaxiDetroit Institute of Arts
21
Rainy Season in the Tropics1866 · Fine Arts Museums of San Francisco
22
Our Banner in the Sky
23
South American Landscape1856 · Thyssen-Bornemisza Museum
24
Cotopaxi1855 · Smithsonian American Art Museum
25
Ridges in the Blue Mountains, Jamaica1865
26
View of Mount Katahdin1878
27
Mount Katahdin from Millinocket Camp1895 · Portland Museum of Art
28
July Sunset, Berkshire County, Massachusetts1847
29
Mount Ktaadn (also known as Mount Katahdin)1853 · Yale University Art Gallery
30
Niagara Falls1857 · Corcoran Gallery of Art
31
Cotopaxi1853
32
Tamaca Palms1854 · National Gallery of Art
33
The Star in the East1860
34
Scene in the Blue Mountains, Jamaica1865
35
Lake Scene (Landscape in the Adirondacks)1878
36
Cayambe1858
37
Scene on the Magdalena1854
38
Oosisoak1861
39
South American Landscape1857
40
Pichincha1867 · Philadelphia Museum of Art
41
The Icebergs1861 · Dallas Museum of Art
42
La Magdalena (also known as Scene on the Magdalena)1854
43
Winter on the Hudson River Near Catskill, New York
44
Sunset, Bar HarborOlana State Historic Site
45
Aurora Borealis
46
Chimborazo 1Henry E. Huntington Library
47
Niagara Falls (Horseshoe Falls)1844 · Gilcrease Museum
48
Vision of the Cross1847 · Cooper Hewitt, Smithsonian Design Museum
49
Sunrise1847 · Olana State Historic Site
50
Rutland Falls, Vermont1848
51
The Oxbow1844
52
North Lake1847
53
New England Landscape with Ruined Chimney1846
54
To the Memory of Cole1848
55
Study for View near Stockbride, Massacusetts1847
56
View near Stockbridge, Mass.1847
57
Hooker and Company Journeying through the Wilderness from Plymouth to Hartford, in 16361846 · Wadsworth Atheneum
58
Twilight among the Mountains1845
59
New England Landscape1847
60
Morning, Looking East over the Husdon Valley from Catskill Mountains1848 · Albany Institute of History - Art
61
The Charter Oak1847 · Olana State Historic Site
62
Scene on the Catskill Creek, New York1847
63
Storm in the Mountains1847 · Cleveland Museum of Art
64
The Charter Oak at Hartford1846
65
A Passing Storm1849 · Muzej likovnih umjetnosti
66
Twilight in the Catskills1849 · High Museum of Art
67
Turner Pond with Pomola Peak and Baxter Peak, Maine1853 · Cooper Hewitt, Smithsonian Design Museum
68
Sunset on Catskill Lake1854
69
Summer in South America1853 · Frances Lehman Loeb Art Center
70
Mount Desert Island ?, Landscape1850 · Cooper Hewitt, Smithsonian Design Museum
71
Mount Desert Island, Maine Coast1850 · Cooper Hewitt, Smithsonian Design Museum
72
Lower Falls, Rochester1849 · Los Angeles County Museum of Art
73
Home by the Lake1852 · Crystal Bridges Museum of American Art
74
Figures in a New England Landscape1852
75
Cotopaxi seen from Ambato, Ecuador1853 · Cooper Hewitt, Smithsonian Design Museum
76
Cotopaxi1855 · Muzej fine umjetnosti u Houstonu
77
Colombia or Ecuador, Church Roofs1853 · Cooper Hewitt, Smithsonian Design Museum
78
Beacon, off Mount Desert Island1851
79
A Waterfall in Colombia1853 · Cooper Hewitt, Smithsonian Design Museum
80
Cotopaxi1855
81
Drawing. Sketches. The village Guarumo, probably in Colombia.1853
82
Camp Fire in the Maine Wilderness1851
83
On Otter Creek1849
84
Fog off Mount Desert1850
85
Lake Scene in Mount Desert1851
86
View of Newport Mountain, Mount Desert1851 · National Gallery of Art
87
South American Landscape1854 · Cooper Hewitt, Smithsonian Design Museum
88
Newport Mountain, Mount Desert1851
89
Coast Scene1852
90
Mountain Landscape with Mill, Cows and Stream1852
91
Home by the Lake1852 · New York Historical Society
92
Home of the Pioneer1852
93
Ira Mountain, Vermont1849
94
West Rock, New Haven1849 · New Britain Museum of American Art
95
New England Scenery1851
96
Figures in a New England Landscape1852
97
The Wreck1852
98
Grand Manan Island, Bay of Fundy1852 · Wadsworth Atheneum
99
A Country Home1854 · Art Museum
100
Scene among the Andes1854
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Frederic Edwin Church | Slike iz ovog popisa |
|---|---|---|---|
 Cooper Hewitt, Smithsonian Design Museum |
New York City | 19 | Vision of the Cross, Turner Pond with Pomola Peak and Baxter Peak, Maine, Mount Desert Island ?, Landscape |
 Thyssen-Bornemisza Museum |
Madrid | 6 | Autumn, Cross in the Wilderness, The Old Boat (also known as The Abandoned Skiff) |
 Olana State Historic Site |
Greenport | 9 | Sunset, Bar Harbor, Sunrise, The Charter Oak |
 Muzej likovnih umjetnosti |
Boston | 7 | Otter Creek, Mount Desert, A Passing Storm |
 Metropolitan Museum of Art |
New York | 4 | Srce Ande, The Heart of the Andes |
 Cleveland Museum of Art |
Cleveland | 3 | Twilight in the Wilderness, Storm in the Mountains |
 Detroit Institute of Arts |
Detroit | 3 | Syria by the Sea, Cotopaxi |
 National Gallery of Art |
Washington | 3 | Tamaca Palms, View of Newport Mountain, Mount Desert |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
The composition is defined by a stark, monochromatic palette of gray, black, and pale white. A single figure stands at the edge of a rugged, rocky terrain, positioned centrally but rendered on a small scale against the vastness of the environment. To the left, a gnarled tree extends its jagged, dark branches toward a sky filled with diffused, misty clouds. The ground consists of uneven, stony surfaces and steep slopes…
Naslikan 1859. godine, ovaj monumentalni pejzaž prenosi gledatelje u samo srce Ande, bilježeći idealiziranu viziju južnoameričke divljine. Djelo Frederica Edwina Churcha, “Srce Ande”, nije tek prikaz krajolika; to je prožimajuće iskustvo, pedantno oblikovano kako bi izazvalo strahopoštovanje i duboko poštovanje prema prirodnom svijetu.
, središnja figura Hudson River School pokreta, bio je poznat po svojim pedantnim krajolizima koji su dočaravali veličinu i duhovnu bit prirode. Rođen u imućnoj obitelji u Hartfordu, Connecticut, Churchov umjetnički put započeo je pod mentorstvom Thomasa Colea, utemeljitelja Hudson River School. Njegova djela, obilježena realističnim detaljima, dramatičnom svjetlošću i panoramskim pogledima, postala su utjelovljenje američke romantičarske tradicije krajolikotvornog slikarstva.
The painting "Autumn," executed by Frederic Edwin Church in 1875, stands as a testament to the Hudson River School's unwavering devotion to capturing the sublime beauty of the American wilderness. More than just a depiction of a picturesque landscape, it embodies a profound philosophical contemplation on mortality and regeneration—themes deeply rooted in Victorian sensibilities and subtly interwoven into Church’s masterful artistic vision.
The landscape painting titled Mount Katahdin from Millinocket Camp was executed by the artist Frederic Edwin Church. This work captures a specific view of the United States, rendered in oil on canvas. The scene focuses on the rugged presence of the mountain rising above the quietude of the camp.
Srce Ande (1859), Metropolitan Museum of Art, New York. Nakon njih slijede Twilight in the Wilderness (1860) i The Heart of the Andes (1859).
33 godina: Srce Ande datira iz 1859, a Frederic Edwin Church je rođen/a 1826.
Srce Ande, Twilight in the Wilderness, The Heart of the Andes, Fern Walk, Autumn, Schoodic Peninsula from Mount Desert at Sunrise, The Falls of Tequendama, Near Bogota, New Granada, Cotopaxi, Ecuador, Otter Creek, Mount Desert i Syria by the Sea. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 270 djela umjetnika Frederic Edwin Church, datiranih od 1844 do 1895.
Većinom u Cooper Hewitt, Smithsonian Design Museum (New York City), Thyssen-Bornemisza Museum (Madrid) i Olana State Historic Site (Greenport). Gornja tablica muzeja navodi sve njih.
U 1850s: 51 od 100 djela na ovoj stranici nastalo je tada, od čega je Srce Ande Srce Ande.
Na ovoj stranici najstarije djelo je iz Niagara Falls (Horseshoe Falls) (1844), a najnovije iz Mount Katahdin from Millinocket Camp (1895).
Landscape (34), Mountains (25) i Sunset (13), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 31 od 100 djela na ovoj stranici.
Hudson river school, sudeći po originalima na ovoj stranici.
Vision of the Cross, Turner Pond with Pomola Peak and Baxter Peak, Maine i Mount Desert Island ?, Landscape: Cooper Hewitt, Smithsonian Design Museum, New York City posjeduje 8 djela s ove stranice.
