Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 293 djela Félix Ziem u našem katalogu
Ukratko
Od svih originala koje je Félix Ziem ostavio, najpoznatiji je Le vieux port de Marseille et la tour Saint Jean. Samo iza njih slijede Portrait of a Young Girl (1846) i Marseille, marché sur le Cours (1845). Naš katalog sadrži 293 djela umjetnika Félix Ziem; galerija je čuvala onih 100 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
This work, titled Le vieux port de Marseille et la tour Saint Jean, was painted by Felix Ziem. It offers a quiet glimpse into the maritime atmosphere of the Mediterranean, captured around 1850. The piece is a modest study in scale, measuring 14 × 21 cm, which invites a close, intimate inspection of its details.
Portrait of a Young Girl by Felix Ziem, created about 1846, presents a close-up bust-length portrait of a single human figure. The subject is positioned slightly off-center against a dark, textured background. This placement creates a sense of depth between the girl and the space behind her. The perspective is direct and at eye-level, establishing a steady connection between the subject and the viewer.
Marseille, marché sur le Cours is a watercolor painting by the French artist Felix Ziem. Created about 1845, the work captures a bustling street scene reminiscent of 19th-century urban life. Although the title references Marseille, the composition focuses on the activity of a Parisian street, documenting the movement of pedestrians and the presence of carriages amidst a backdrop of architectural forms.
A single light source carves a face out of the dark. The subject, a woman, emerges from a deep, umber void, her features caught in a moment of quiet stillness. This is not a portrait of a person, but a study of how light meets skin. The shadows are heavy, swallowing the contours of her neck and the back of her head, leaving only the essential geometry of her gaze…
A single light source strikes the brow and the bridge of the nose, carving a face out of the surrounding gloom. The man is weathered, his beard a thicket of textured strokes that catch the light in uneven patches. He looks downward, eyes lost to the heavy shadows of the sockets. There is a weight to his presence, a quiet gravity that pulls the viewer into his private moment of…
![Study of a Man [The Syndics], copy after Rembrandt (1851) od Félix Ziem](/media/artworks/images-full/68/a4/68a441f78c6dd45491c676c37504fe4b.jpg)
A single man emerges from a void of deep black. The light strikes the ridge of a nose and the curve of a forehead, leaving the rest of the face to dissolve into shadow. He wears a broad, dark hat that presses down upon the brow, casting a heavy gloom over the eyes. A white collar cuts through the darkness, a sharp, bright line of impasto paint that anchors the…
The air in this room feels heavy, thick with the scent of old rugs and unmoving dust. A woman reclines in the foreground, her body angled toward the left, draped in light, flowing garments that catch a diffused, indirect light. She rests upon a floor layered with cushions and textiles, her form partially dissolving into the soft, blurred contours of the room. Behind her, other figures emerge from the dimness,…
A group of men gathers around a table in a shallow, crowded space, their presence heavy with communal purpose. This 1853 oil painting, a copy after Rembrandt, captures the solemnity of the Syndics of the Drapery Guild. The subjects are arranged in a way that emphasizes their collective dignity, their faces and white collars emerging from an almost impenetrable dark background. The atmosphere is one of quiet importance, a pause…
In this oil portrait, Head of a Man after Rembrandt, Felix Ziem presents a somber study of character. The composition focuses on the head and shoulders of a bearded man, captured in profile. The subject is framed within an oval-like vignette, where the darker edges of the painting allow the central figure to emerge from the shadows. This arrangement directs the eye toward the weathered texture of the skin and…
The work functions as a stylistic homage, bridging the gap between the structured traditions of the 19th century and the dramatic lighting of the Dutch Golden Age. It conveys themes of duty and collective strength through its depiction of a militia in motion. The heavy, textured application of paint suggests a visceral, physical presence, turning a historical subject into a study of light and shadow. The result is a scene…
The Entrance to the Old Port of Marseille1862 · Calouste Gulbenkian Foundation
12
L'Entrée dans le Grand Bassin, Venise
13
Istanboul, soleil couchant Istambul (autre titre) Vue de Constantinople (autre titre)
14
View of Venice1800 · Museo de Arte de Ponce
15
Tobolsk, Siberia1844 · Petit Palais
16
The Storm1846 · Petit Palais
17
Saint Petersburg, Saint Isaac1844 · Petit Palais
18
A Street in Florence1846 · Petit Palais
19
Nude Woman Sitting, Viewed from Behind1846 · Petit Palais
20
The Chariot1843 · Petit Palais
21
The Red Skirt1846 · Petit Palais
22
Panel of Six Cart Studies (on the front); Landscape (on the back)1843 · Petit Palais
23
Parasol Pines near Naples1847 · Petit Palais
24
Festival in a Palace in Naples1847 · Petit Palais
25
Martigues, tartane sur le canal de Caronte1845 · Musee Felix Ziem
26
Marseille, entrée du Port1841 · Musee D'histoire de Marseille
27
Martigues, rives de l'étang de Berre1845 · Musee Felix Ziem
28
Marseille, étude de ciel sur les toits1845 · Musee Felix Ziem
29
The Watering Hole1851 · Dordrechts Museum
30
Landscape with Rainbow (‘Arc en Ciel’)1852 · Museum Gouda
31
River Bend (on front); three studies (on back)1855 · Petit Palais
32
The Cottage1855 · Petit Palais
33
The Pond1855 · Petit Palais
34
Forest Edge (on front), Animated Landscape (on reverse)1855 · Petit Palais
35
Riverside1855 · Petit Palais
36
Twilight1855 · Petit Palais
37
Corner of a Forest1855 · Petit Palais
38
The Seine1855 · Petit Palais
39
Skiff and Sailboats, Sunset. On the reverse: Marine1855 · Petit Palais
40
The Wave1855 · Petit Palais
41
Body of Water, Sunset. On reverse: Two Studies1855 · Petit Palais
42
Environs of Barbizon1855 · Petit Palais
43
The Gust of Wind1855 · Petit Palais
44
The Barge1851 · Petit Palais
45
The Oaks1855 · Petit Palais
46
Sunset1855 · Petit Palais
47
The Forest1855 · Petit Palais
48
The Road1855 · Petit Palais
49
The Turkeys1852 · Petit Palais
50
The Fishing Sloops1852 · Petit Palais
51
Holland, the Mill1853 · Petit Palais
52
Antwerp, seascape1850 · Petit Palais
53
View of İstanbul1850 · Pera Museum
54
The Grand Canal, Venice1850
55
View of İstanbul1850 · Pera Museum
56
Venice - the grand canal1850 · National Museum of Fine Arts
57
Windmill on riverbank1850 · National Museum of Fine Arts
58
Fête de Saint Marc, Venise1850 · Art Institute of Chicago
59
The frigates1855 · Petit Palais
60
Environs de Nice, montagnes enneigées1850 · Musee Felix Ziem
61
Hollande, vieilles chaumières au bord d'un canal1850
62
Saint Mark's Square, Flood of 18631863 · Petit Palais
63
Naples, Parasol Pines1856 · Petit Palais
64
The Waterfall1860 · Petit Palais
65
The Rhône between Arles and Avignon1862 · Petit Palais
66
Still Life with Flask and Pomegranates1862 · Petit Palais
67
Near Algiers1859 · Petit Palais
68
Windmill in Montmartre1857 · National Gallery of Ireland
69
The Bosphorus1856 · Musée des Ursulines
70
Harbor Quay in Marseille1858 · Musée des Beaux-Arts
71
Le Pont Royal, Paris1859
72
A Windmill, Snow Effect1860 · Bowes Museum
73
Égypte Damanhuor1856 · Musee Felix Ziem
74
Banks of the Bosphorus1865 · Musée des Beaux-Arts
75
The Giardini Pubblici in Venice1870 · Bavarske državne slikopisne zbirke
76
Flowers1865 · Amsterdam Museum
77
Venice, Procession of Saint George1870 · Petit Palais
78
The Exit from the Palais des Doges under the Bridge of Sighs1870 · Petit Palais
79
Harbor in Marseilles1864 · Brooklyn Museum
80
Venice, Morning1864 · Walters Art Museum
81
Venice, Midday1868 · Walters Art Museum
82
Venice, Evening1865 · Walters Art Museum
83
Venice, Doge's Palace1867 · Petit Palais
84
The Grand Canal, Venice (Gondola before San Giorgio)1865
85
Venice the Bacino di San Marco with Fishing Boats1865 · Wallace Collection
86
Fontaine de la Sultane Mihrisah, Eaux Douces d'Asie1870
87
Martiques, le retour des Tartanes1865 · Musee Felix Ziem
88
Environs de Marseille, Le Rove1865 · Musee Felix Ziem
89
Environs de Marseille, arbres dans un paysage1865 · Musee Felix Ziem
90
Sailing Ships Leaving the Grand Canal in Venice1875 · Musee Felix Ziem
91
Sailboats at the Entrance of the Grand Canal1875 · Musee Felix Ziem
92
Seascape. Venice, entrance of the Grand Canal, sailboat on the Adriatic.1875 · Musee Felix Ziem
93
Martigues, Twilight Effect1875 · Petit Palais
94
Venice, the Church of the Gesuati1875 · Petit Palais
95
Old Houses1875 · Petit Palais
96
Venice at Sunset1875 · Petit Palais
97
Venice, La Giudecca at Twilight1875 · Petit Palais
98
Venice, la Salute. Morning Effect1875 · Petit Palais
99
The Torrent. Environs of Clermont-Ferrand1875 · Petit Palais
100
Deer in the Forest of Fontainebleau1877 · Petit Palais
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Félix Ziem | Slike iz ovog popisa |
|---|---|---|---|
 Petit Palais |
Pariz | 115 | Portrait of a Young Girl, Study of a Woman, Copy after Rembrandt, The Drum, Head of a Man after Rembrandt |
 Musee Felix Ziem |
Martigues | 15 | Marseille, marché sur le Cours, Martigues, tartane sur le canal de Caronte, Martigues, rives de l'étang de Berre |
 Walters Art Museum |
Baltimore | 3 | Venice, Morning, Venice, Midday, Venice, Evening |
 Pera Museum |
Istanbul | 3 | View of İstanbul, View of İstanbul |
 National Museum of Fine Arts |
Buenos Aires | 2 | Venice - the grand canal, Windmill on riverbank |
 Musée des Beaux-Arts |
Marsilya | 5 | Harbor Quay in Marseille |
 National Gallery of Ireland |
Dublin | 4 | Windmill in Montmartre |
 Musée des Beaux-Arts |
Toulon | 4 | Banks of the Bosphorus |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Portrait of a Young Girl by Felix Ziem, created about 1846, presents a close-up bust-length portrait of a single human figure. The subject is positioned slightly off-center against a dark, textured background. This placement creates a sense of depth between the girl and the space behind her. The perspective is direct and at eye-level, establishing a steady connection between the subject and the viewer.
A single light source carves a face out of the dark. The subject, a woman, emerges from a deep, umber void, her features caught in a moment of quiet stillness. This is not a portrait of a person, but a study of how light meets skin. The shadows are heavy, swallowing the contours of her neck and the back of her head, leaving only the essential geometry of her gaze…
In his evocative masterpiece, The Entrance to the Old Port of Marseille, Félix Ziem invites the viewer to step into the rhythmic pulse of a nineteenth-century Mediterranean morning. Painted in 1862, this work is far more than a mere maritime study; it is a luminous window into a bygone era of maritime commerce and coastal tranquility. The composition captures the bustling vitality of the harbor, where a fleet of diverse…
Le vieux port de Marseille et la tour Saint Jean. Sljedeći su Portrait of a Young Girl (1846) i Marseille, marché sur le Cours (1845).
Le vieux port de Marseille et la tour Saint Jean, Portrait of a Young Girl, Marseille, marché sur le Cours, Study of a Woman, Copy after Rembrandt, The Drum, Head of a Man after Rembrandt, Study of a Man [The Syndics], copy after Rembrandt, The Harem, The Syndics of the Drapery Guild, copy after Rembrandt, Head of a Man after Rembrandt i The Night Watch after Rembrandt. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 293 djela umjetnika Félix Ziem, datiranih od 1841 do 1877.
Većinom u Petit Palais (Pariz), Musee Felix Ziem (Martigues) i Walters Art Museum (Baltimore). Gornja tablica muzeja navodi sve njih.
U 1850s: 47 od 100 djela na ovoj stranici nastalo je tada, od čega je Study of a Woman, Copy after Rembrandt Study of a Woman, Copy after Rembrandt.
Na ovoj stranici najstarije djelo je iz Marseille, entrée du Port (1841), a najnovije iz Deer in the Forest of Fontainebleau (1877).
Portrait (4), Person (3) i Face (3), kroz svih 100 djela na ovoj stranici.
Oil, za 6 od 100 djela na ovoj stranici.
Barbizon i Impressionism, sudeći po originalima na ovoj stranici.
Portrait of a Young Girl, Study of a Woman, Copy after Rembrandt i The Drum, Head of a Man after Rembrandt: Petit Palais, Pariz posjeduje 58 djela s ove stranice.
Félix Ziem predstavlja očaravajuću figuru u tapiseriji francuske umjetnosti 19. stoljeća, umjetnik čija je kist posjedovao jedinstvenstvo da poveže duševne, utemeljene tradicije Barbizon škole s egzotičnim, suncem okupanim šarmom orijentalizma. Rođen kao Félix François Georges Philibert Ziem 1821. godine u povijesnom gradu Beaune u Burgundiji, njegov rani život obilježen je napetošću između strukture i duha. Iako je u početku slijedio disciplinirani put arhitekture, poziv platna proveo se neodoljivim. Ova tranzicija bila je duboko oblikovana njegovim mentorstvom pod Adolpheom Monticellijem u Marseilleu, što je zauvijek proželo Ziemovo djelo živopisnim, gotovo impresionističkim pristupom svjetlosti i teksturi.
Bit Ziemove umjetničke izvedbe najbolje se može razumjeti kroz njegov duboki odnos sa svjetlošću. Njegovo putovanje nije bilo samo geografsko kretanje, već emocionalna odiseja kroz različite atmosfere. Ključni trenutak u njegovom razvoju dogodio se tijekom posjeta Veneciji 1841. godine, gradu koji će postati njegova vječna muza. U svjetlucavim kanalima i propadajućoj veličini venecijanskih palača, Ziem je pronašao način pretvoriti atmosferu u pigment. Nije težio dokumentiranju arhitekture s akademskom krutošću; umjesto toga, koristio je slobodne poteze kista i luminousnu paletu kako bi uhvatio prolaznu kvalitetu odsjaja na vodi i meku, maglovitu svjetlost jadranskog sumraka.
Kako je njegova karijera cvjetala u umjetničkim središćima Marseillea i Pariza, Ziemova je vizija proširila se daleko izvan granica Francuske. Postao je putnik kako svijeta, tako i osjetila, dokumentirajući raznolike krajolike s iznimnom osjetljivošću prema boji. Njegova istraživanja odvela su ga u srce Osmanskog Carstva, gdje djela poput Caiques and Sailboats at the Bosphorus pokazuju njegovu sposobnost prikazivanja živopisnih plavetnila turskih voda i siluetiranog veličanstva džamija. Ova fascinacija Istokom omogućila mu je da ovlada orijentalističkim stilom, spajajući egzotiku Carigrada i Egipta s francuskom slikarom osjećajnošću.
Ziemova svestranost omogućila mu je neprimjetno kretanje između različitih okruženja, od spokojnih krajolika Martiguesa ispunjenih borovima u djelima poput Midi, étude de pins do mirnih riječnih scena sjeverne Europe, kao što je njegov prikaz rijeke Amstel. Njegova tehnika često se oslanjala na delikatnu ravnotežu detalja i apstrakcije, gdje je sama tema—bilo da je riječ o obalnom vidiku ili užurbanoj luci—služila kao posrednik u istraživanju interakcije sjene i sjaja. Upravo ta sposobnost prizivanja osjećaja mjesta samo putem svjetlosti ono je što njegovo djelo uzdiže iz običnog pejzažnog slikarstva u duboko senzorno iskustvo.
Povijesna važnost Félica Ziema leži u njegovoj ulozi prijelaznog majstora. Stajao je na raskrižju nekoliko pokreta, upijajući naturalizam slikara Barbizonske škole dok je istovremeno predskazivao revolucije usmjerene na svjetlost unutar impresionizma. Njegovo djelo služi kao vitalna karika između romantiziranih krajolika ranog 19. stoljeća i eksperimentalnijih, atmosferskih istraživanja koja su uslijedila. Prioritetom emocionalne rezonance i "osjećaja" svjetlosti nad preciznom topografskom točnošću, on je utrljao put subjektivnijem pristupu slikarstvu krajolika.
Danas Ziemovo naslijeđe nastavlja očaravati kolekcionare i povjesničare umjetnosti. Njegova sposobnost da gledaoca prebaci u drugo vrijeme i mjesto—bilo da je riječ o maglovitom jutru na nizozemskoj rijeci ili suncem okupanom poslijepodnevu u Mediteranu—ostaje neumanjenjena. Cjelokupno njegovo životno djelo stoji kao svjedočanstvo moći promatranja i trajne magije prirodnog svijeta, uhvaćene kroz leću čiste, neiskvarene svjetlosti.
![Study of a Man [The Syndics], copy after Rembrandt (1851), Félix Ziem](/media/artworks/images-thumb/a6/2e/a62e1f67ac7bb827d2e29456c6aff115.jpg)
