Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 69 djela Carl Rottmann u našem katalogu
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Od svih originala koje je Carl Rottmann ostavio, najpoznatiji je Marathon (1848) u kolekciji muzeja Neue Pinakothek, München. Samo iza njih slijede Cefalu (1830) i River Landscape with Castle Ruins (1820). Naš katalog sadrži 69 djela umjetnika Carl Rottmann; galerija je čuvala onih 69 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848, transcends mere landscape depiction; it is a profound meditation on power, transition, and the sublime indifference of the natural world. The scene unfolds with an almost overwhelming sense of depth, drawing the viewer's eye across rugged terrain where massive boulders litter the…
A Sicilian Vista: Rottmann’s Cefalu The painting “Cefalu” by Carl Anton Joseph Rottmann stands as a testament to Romanticism's fascination with the sublime—the awe-inspiring grandeur of nature combined with an acute awareness of human emotion. Completed in 1830, this oil on canvas captures not merely the physical landscape of Sicily but also the spirit of its time, reflecting a burgeoning interest in geological formations and dramatic vistas that challenged prevailing…
In this 1820s oil work, we find ourselves standing before a scene of profound stillness. The composition draws the eye toward the left, where the weathered stone of castle ruins anchors the foreground. These architectural fragments, once perhaps a seat of power, now sit in quiet repose against the organic curves of the landscape. A winding river flows from the right, its surface catching the soft, diffused light of an…
Carl Rottmann, jedan od najvažnijih nemačkih pejzažista 19. stoljeća, ostavio je nezaboravno djelo koje danas možemo pronaći u Bavarskim Državnim slikarskim zbirkama – “Pogled na Ejsee”. Ova slika nije samo vizualno impresivna već i simbolički bogata, predstavljajući vrhunac bavarskog romantizma i prikazujući prirodnu ljepotu koja je inspiracija umjetnicima tog vremena.
Carl Anton Joseph Rottmann’s “The Cemetery at Pronoia near Nauplia” isn't merely a landscape painting; it’s a carefully constructed meditation on mortality, memory, and the weight of history. Completed around 1846-47 as part of a larger series commissioned by King Ludwig I of Bavaria, this evocative work transports us to a windswept hillside overlooking the ancient burial ground at Pronoia, nestled near the historic fortress town of Nauplia in Greece.…
“The Battlefield at Marathon,” painted in 1849 by Carl Anton Joseph Rottmann, stands as a monumental testament to the Romantic movement’s fascination with dramatic landscapes and emotive storytelling. More than just a depiction of an historical event—the decisive Battle of Marathon against invading Persian forces—it embodies a profound meditation on human vulnerability confronted by the overwhelming power of nature.
In the delicate, translucent layers of View of Monte Serone from Civitella, we are invited to step into a world where the earth meets the heavens in a quiet, dramatic dialogue. Created in 1829 by the German Romantic master Carl Anton Joseph Rottmann, this watercolor landscape transcends mere topographical recording to capture the very soul of the rugged terrain. The composition draws the eye along a winding, meandering road that…
Το έργο του Καρλ Αντώνιου Ζώης Ροτμαν αποτελεί μια συναρπαστική αναδρομή στην αρχιτεκτονική ομορφιά των ελληνικών βουνών και την ατμόσφαιρα της εποχής του Βαυαρικού Διαδοχήματος. Η σκηνή απεικονίζει ένα εκτεταμένο πεδίο με καταπληκτικά κορυφώματα στο βάθος και τον ουρανό καλυμμένο από σύννεφα που προσθέτουν βάθος στην αισθητική εμπειρία του θεατή.
Deer Hunt at Hintersee near Berchtesgaden1823 · Lenbachhaus
12
Mountain Landscape with Fleeing Stag1823 · Bavarske državne slikopisne zbirke
13
Taormina mit dem Ätna1829 · Bavarske državne slikopisne zbirke
14
landscape with horse frightened by lightening1823
15
landscape river-valley in the mountains1823
16
Italian landscape with ruins and travellers1831
17
Sicyon with Parnass1839 · Bavarske državne slikopisne zbirke
18
Sicyon with Corinth1838 · Bavarske državne slikopisne zbirke
19
Sicyon with Corinth1836 · Bavarske državne slikopisne zbirke
20
Corfu1835 · Bavarske državne slikopisne zbirke
21
Kopaissee1839 · Bavarske državne slikopisne zbirke
22
The Lion Gate of Mykene1839 · Bavarske državne slikopisne zbirke
23
Olympia1837
24
Landscape1835
25
Poros1845 · Bavarske državne slikopisne zbirke
26
Sparta - Plain1841 · Bavarske državne slikopisne zbirke
27
The Hohe Göll with the Hintersee1846 · Bavarske državne slikopisne zbirke
28
Delos1840 · Bavarske državne slikopisne zbirke
29
Eleusis1843 · Bavarske državne slikopisne zbirke
30
The Spring Kallirrhoe near Athens1848 · Bavarske državne slikopisne zbirke
31
Tiryns1843 · Bavarske državne slikopisne zbirke
32
Salamis1840 · Bavarske državne slikopisne zbirke
33
Epidauros1843 · Bavarske državne slikopisne zbirke
34
The Hohe Göll with the Hintersee1846 · Bavarske državne slikopisne zbirke
35
Marathon (Oil Sketch)1848 · Bavarske državne slikopisne zbirke
36
Epidaurus1843 · Bavarske državne slikopisne zbirke
37
The High Göll in Alpenglühen1845 · Bavarske državne slikopisne zbirke
38
Thebes1842 · Bavarske državne slikopisne zbirke
39
Naxos1845 · Bavarske državne slikopisne zbirke
40
Sparta with the Taygetos1841 · Bavarske državne slikopisne zbirke
41
Athens1844 · Bavarske državne slikopisne zbirke
42
Cliff in the Aegean Sea1847 · Bavarske državne slikopisne zbirke
43
Pronia1847 · Bavarske državne slikopisne zbirke
44
Chalkis1840 · Bavarske državne slikopisne zbirke
45
Dachstein Landscape1840 · Bavarske državne slikopisne zbirke
46
Aigina with the Temple of Aphaiia1841 · Bavarske državne slikopisne zbirke
47
The Island of Delos1847 · Staatliche Kunsthalle Karlsruhe
48
The Kopaisee1847 · Staatliche Kunsthalle Karlsruhe
49
Aulis1847 · Bavarske državne slikopisne zbirke
50
Hoher Goll in the Alpine Glow1846 · Germanisches Nationalmuseum
51
The Hofe Göll at sunset1848
52
Epidaurus1849 · Lenbachhaus
53
Delos1849 · Lenbachhaus
54
Nemea1850 · Bavarske državne slikopisne zbirke
55
Greek Coast in a Storm1849 · Bavarske državne slikopisne zbirke
56
Olympia1839 · Neue Pinakothek
57
Foothill Landscape near MurnauLenbachhaus
58
Foothill Landscape near MurnauLenbachhaus
59
Palermo with Monte PellegrinoBavarske državne slikopisne zbirke
60
View of Monte Pellegrino with PalermoBavarske državne slikopisne zbirke
61
Evening Landscape with Castle RuinBavarske državne slikopisne zbirke
62
Landscape of BavariaMusée des Beaux-Arts de Strasbourg
63
Vorgebirgs - Landschaft
64
Vorgebirgslandschaft
65
Südl. Landschaft
66
Epidaurus
67
Creek landscape
68
landscape bei Brannenburg
69
The Kochel Lake1825 · Bavarske državne slikopisne zbirke
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Carl Rottmann | Slike iz ovog popisa |
|---|---|---|---|
 Bavarske državne slikopisne zbirke |
München | 37 | Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna, Sicyon with Parnass |
 Lenbachhaus |
München | 6 | River Landscape with Church Ruin, Deer Hunt at Hintersee near Berchtesgaden, Epidaurus |
 Neue Pinakothek |
München | 4 | Marathon, Pogled na Ejsee, Κόρινθος και Ακροκόρινθος |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 3 | View of Monte Serone from Civitella, The Island of Delos, The Kopaisee |
 Wallraf-Richartz-Museum |
Köln | 1 | Cefalu |
 Metropolitan Museum of Art |
New York | 1 | The Cemetery at Pronoia near Nauplia |
 Nationalgalerie |
Berlin | 1 | The Battlefield at Marathon |
 Germanisches Nationalmuseum |
Nürnberg | 1 | Hoher Goll in the Alpine Glow |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In this 1820s oil work, we find ourselves standing before a scene of profound stillness. The composition draws the eye toward the left, where the weathered stone of castle ruins anchors the foreground. These architectural fragments, once perhaps a seat of power, now sit in quiet repose against the organic curves of the landscape. A winding river flows from the right, its surface catching the soft, diffused light of an…
A Sicilian Vista: Rottmann’s Cefalu The painting “Cefalu” by Carl Anton Joseph Rottmann stands as a testament to Romanticism's fascination with the sublime—the awe-inspiring grandeur of nature combined with an acute awareness of human emotion. Completed in 1830, this oil on canvas captures not merely the physical landscape of Sicily but also the spirit of its time, reflecting a burgeoning interest in geological formations and dramatic vistas that challenged prevailing…
To stand before Carl Anton Joseph Rottmann’s Marathon is to be enveloped by the raw, untamed breath of nature itself. This monumental oil on canvas, painted in 1848, transcends mere landscape depiction; it is a profound meditation on power, transition, and the sublime indifference of the natural world. The scene unfolds with an almost overwhelming sense of depth, drawing the viewer's eye across rugged terrain where massive boulders litter the…
Marathon (1848), Neue Pinakothek, München. Nakon njih slijede Cefalu (1830) i River Landscape with Castle Ruins (1820).
51 godina: Marathon datira iz 1848, a Carl Rottmann je rođen/a 1797.
Marathon, Cefalu, River Landscape with Castle Ruins, Pogled na Ejsee, The Cemetery at Pronoia near Nauplia, The Battlefield at Marathon, View of Monte Serone from Civitella, Κόρινθος και Ακροκόρινθος, Ruin of a Chapel near a River with Rising Moon i River Landscape with Church Ruin. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 69 djela umjetnika Carl Rottmann, datiranih od 1820 do 1850.
Većinom u Bavarske državne slikopisne zbirke (München), Lenbachhaus (München) i Neue Pinakothek (München). Gornja tablica muzeja navodi sve njih.
U 1840s: 34 od 69 djela na ovoj stranici nastalo je tada, od čega je Marathon Marathon.
Na ovoj stranici najstarije djelo je iz River Landscape with Castle Ruins (1820), a najnovije iz Nemea (1850).
Landscape (5), Stormy sky (2) i Dramatic scene (2), kroz svih 69 djela na ovoj stranici.
Oil On Canvas, za 4 od 69 djela na ovoj stranici.
Romanticism, sudeći po originalima na ovoj stranici.
Mountain Landscape with Fleeing Stag, Taormina mit dem Ätna i Sicyon with Parnass: Bavarske državne slikopisne zbirke, München posjeduje 37 djela s ove stranice.
Da, kao reprodukcija: original ostaje u svom muzeju, ali svaku sliku s ove stranice može se za vas ručno naslikati, po narudžbi, jednu po jednu, iz rubrike same slike.
Born in the tranquil setting of Handschuhsheim, Germany, in 1797, Carl Anton Joseph Rottmann emerged as a profound voice within the movement of German Romanticism. His life and artistry were deeply intertwined with the shifting landscapes of 19th-century Europe, reflecting a period where the sublime beauty of nature met the burgeoning spirit of national identity. Unlike many of his contemporaries who focused on the intimate or the domestic, Rottmann possessed an expansive vision, seeking to capture the monumental scale of the world through sweeping vistas and mythic atmospheres. His journey was one of constant movement, traveling through the rugged terrains of Greece, Italy, and the Bavarian Alps, each location leaving an indelible mark on his palette and his perception of the divine within the natural world.
The development of Rottmann’s style was a masterful evolution from classical precision to a more emotive, atmospheric approach. Influenced by the grand traditions of landscape painting, he moved beyond mere topographical accuracy to embrace the sublime—that specific Romantic quality of awe and terror inspired by the vastness of nature. His technique involved a sophisticated understanding of light and shadow, using them not just to define form, and shape, but to evoke a sense of historical weight and mythic presence. In his hands, a mountain range was never just stone and ice; it was a silent witness to antiquity, a stage for the legends of old. This ability to infuse physical geography with spiritual and historical narrative became the hallmark of his mature period.
Rottmann’s achievements are most notably seen in his ability to bridge the gap between the tangible world and the realm of imagination. His works often serve as windows into a lost era, where the ruins of ancient civilizations seem to breathe under the soft glow of a Mediterranean sun or the misty shroud of a northern forest. Through his meticulous attention to the interplay of light upon textures—the roughness of weathered stone, the translucency of water, and the softness of clouds—he achieved a level of luminosity that captivated the art world of his time.
The historical significance of his oeuvre lies in its role as a cornerstone of Romantic landscape art. His contributions can be summarized through several key artistic pillars:
Ultimately, the work of Carl Rottmann remains a testament to the power of the gaze to transform the ordinary into the extraordinary. He did not merely paint what he saw; he painted what he felt in the presence of greatness. His legacy continues to resonate with those who find beauty in the monumental and meaning in the silent, enduring features of our earth, ensuring his place as a vital figure in the tapestry of 19th-century European art.
