Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 76 djela Bartholomeus Spranger u našem katalogu
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Adoration of the Magi (1606) je slika autora Bartholomeus Spranger koja privlači najviše pogleda. Nakon toga, pogled se usmjerava na Ulysses and Circe (1586) i Allegory of Emperor Rudolf II (1592). Među 76 djela umjetnika Bartholomeus Spranger u našem katalogu, ovih 74 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
The work titled Adoration of the Magi, also recognized as The Adoration of the Kings, is a creation of the artist Bartholomeus Spranger. Born in Antwerp, Belgium, in 1546, Spranger brought a specific Northern sensibility to the religious scene. He remained active in his craft until his death in 1611. This specific piece emerged from his hand during a period of intense creative output, dated around 1590 or around 1595-6.
The air in the room feels heavy, thick with the scent of old stone and spilled wine. In this Mannerist encounter, the bodies do not merely exist; they twist. Circe, seen from behind, turns her torso in a serpentine arc, her pale skin catching a sharp, luminous light that cuts through the gloom. Her form is a curve of white against the deep, dark shadows of the background. Opposite her,…
The Allegory of Emperor Rudolf II emerges from the brush of Bartholomeus Spranger, a painter who captures a moment of intense, swirling movement. Created in 1592, this work presents a complex arrangement of figures that seem to dance through a bright, open sky. The composition draws the eye upward toward a winged figure, while below, a pyramidal structure of deities and warriors creates a sense of layered depth. Every line…
The air in this scene feels heavy, thick with the sudden, violent shift of fate. In a swirling composition of interlocking limbs and muscular torsos, the figures of Hercules, Deianira, and Nessus collide in a moment of profound struggle. The movement is restless, a serpentine energy that pulls the eye through a tangle of bodies. Hercules dominates the center, his form rendered with a powerful anatomical precision that catches the…
In this dynamic Mannerist oil painting, the goddess Minerva Victorious over Ignorance emerges as a central force of triumph. Created by Bartholomeus Spranger around 1591, the scene captures a moment of intense movement and theatrical energy. Minerva dominates the vertical space, her body held in an elegant, elongated contrapposto pose that suggests both grace and power. She wears a gleaming silver breastplate with a golden relief, paired with a light…
This oil portrait, titled Self-portrait, was executed by the artist Bartholomeus Spranger in 1585. It offers a direct encounter with the painter himself, captured during a period of significant professional development. The work measures 45 x 63 cm, providing an intimate scale for such a personal study of identity and presence.
The religious art piece "Fall of Man" by Bartholomeus Spranger presents a scene centered on the biblical narrative of the expulsion from Paradise. The composition focuses on the figures of Adam and Eve in the immediate aftermath of their transgression. These two figures occupy the central space of the work, positioned within a landscape that reflects the consequences of their actions. The subject matter specifically addresses the moment of humanity's…
A celestial hierarchy unfolds within an oval composition, capturing a moment of profound spiritual descent. At the apex, God the Father gazes downward with a solemn expression, one hand raised in blessing while the other rests upon a luminous orb that represents the universe. Beneath him, the Holy Ghost descends as a white dove, enveloped in radiant golden light. The scene is populated by cherubic angel faces emerging from soft,…
In this Mannerist oil painting, we find ourselves drawn into a crowded, dynamic scene where mythology meets a lush, hilly landscape. Apollo sits at the center of this movement, a radiant figure distinguished by a halo, his fingers engaged with a stringed instrument. He is not alone; he is surrounded by several female Muses, each caught in a moment of music or quiet conversation. The composition feels intentional yet restless,…
The oil on canvas work titled Mercury and Venus was executed by the artist Bartholomeus Spranger. This painting is dated to about 1585. It captures a moment of mythic intimacy through the presence of two central nude figures. These figures, likely Mercury and Venus, are caught in the middle of an embrace.
The Fragrance1578 · Bavarske državne slikopisne zbirke
12
Saint Mary Magdalene1578 · Bavarske državne slikopisne zbirke
13
Holy Family1578 · Bavarske državne slikopisne zbirke
14
Lamentation of Christ1576 · Bavarske državne slikopisne zbirke
15
Sine Cerere et Baccho friget Venus1590 · Kunsthistorisches Museum
16
Mountain landscape with a scene of the early history of man1569 · Staatliche Kunsthalle Karlsruhe
17
The contest between Apollo and Pan1587 · Bavarske državne slikopisne zbirke
18
Saint Luke painting the Virgin1582 · Bavarske državne slikopisne zbirke
19
The Flagellation of Christ1586 · Statens Museum For Kunst
20
Jael Kills Sisera1586 · Statens Museum For Kunst
21
Ecce Homo1580
22
God the father with the holy spirit and angels1582
23
Diana Resting after Hunt1597 · Szépművészeti Múzeum
24
Diana - Luna1600 · Szépművészeti Múzeum
25
Venus and Mercury put a blindfold over Cupid's eyes1597 · Germanisches Nationalmuseum
26
Portrait of Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568-1628)1600 · Narodní galerie Praha
27
The Suicide of Sophonisba1605 · Narodní galerie Praha
28
Amor fleeing Psyche1599
29
Standing Nude Man (Bacchus)1600
30
Diana and Actaeon1600
31
Saint Barbara1611 · Szépművészeti Múzeum
32
Venus and Mercury1585 · Kunsthistorisches Museum
33
Jupiter and Antiope1596 · Kunsthistorisches Museum
34
Allegory of Justice and Prudence1599 · Louvre
35
Venus and Adonis1587 · Rijksmuseum
36
Venus and Mars warned by Mercury1587 · Kunsthistorisches Museum
37
Hermes and Athena1585 · Praški hrad
38
Venus and Vulcan1610 · Kunsthistorisches Museum
39
Mountain landscape with a hermit1567 · Staatliche Kunsthalle Karlsruhe
40
Figure Studies1575
41
Glaucus and Scylla1582 · Kunsthistorisches Museum
42
Diana and Actaeon1585
43
Saint Margaret1583
44
Engelen dragen het lichaam van Christus (Engelenpietà), Bartholomeus Spranger, c. 15871587 · Rijksmuseum
45
The Baptism of Christ1603 · National Museum in Wrocław
46
The Triumph of Venus1600
47
Study of a Female Nude (Venus in a Drapery)1605 · Narodni muzej u Varšavi
48
Achelous and Deianeira1600
49
The Adoration of the Kings1595 · National Gallery
50
Adoration of the Kings1595 · National Gallery
51
Mercury Carrying Psyche to Mount Olympus1611
52
Odysseus and Circe1585 · Kunsthistorisches Museum
53
St Wenceslas and St VitusNarodní galerie Praha
54
St Sigismund and St AdalbertNarodní galerie Praha
55
Vulcan and Maia1575 · Kunsthistorisches Museum
56
Ceres and Bacchus
57
AllegoryMusée des Beaux-Arts
58
Apotheosis of the Arts (Fame leading the Arts to Olympus)Narodní galerie Praha
59
Faun with Wounded Foot
60
La Peinture, la Sculpture et l'Architecture
61
Le Christ sauveur du monde
62
ALLEGORIE DE LA JUSTICELouvre
63
Venus + Mercury und Amus
64
Peter and John Heal a Cripple at the Gate of the Temple
65
Salvator Mundi
66
Faith, Hope and Charity
67
Sarah Presenting Hagar to Abraham
68
Christ blessing little children
69
Female Warrior Crushing a Satyr
70
Venus and Adonis1597 · Kunsthistorisches Museum
71
Epitaph of Goldsmith Nicolas Müller of Prague1592 · Narodní galerie Praha
72
Angelica and Medoro1600 · Alte Pinakothek
73
Hermaphrodite and the nymph Salmacis1582 · Kunsthistorisches Museum
74
Herakles and Omphale1585 · Kunsthistorisches Museum
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Bartholomeus Spranger | Slike iz ovog popisa |
|---|---|---|---|
 Kunsthistorisches Museum |
Beč | 19 | Ulysses and Circe, Allegory of Emperor Rudolf II, Hercules, Deianira, and Nessus |
 Bavarske državne slikopisne zbirke |
München | 7 | Mercury and Venus, The Fragrance, Saint Mary Magdalene |
 Narodní galerie Praha |
Prag | 6 | Portrait of Zdenko Adalbert Popel, 1st Prince Lobkowicz (1568-1628), The Suicide of Sophonisba, St Wenceslas and St Vitus |
 Szépművészeti Múzeum |
Budimpešta | 3 | Diana Resting after Hunt, Diana - Luna, Saint Barbara |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 2 | Mountain landscape with a scene of the early history of man, Mountain landscape with a hermit |
 Statens Museum For Kunst |
Kopenhagen | 2 | The Flagellation of Christ, Jael Kills Sisera |
 Louvre |
Pariz | 2 | Allegory of Justice and Prudence, ALLEGORIE DE LA JUSTICE |
 Rijksmuseum |
Amsterdam | 2 | Venus and Adonis, Engelen dragen het lichaam van Christus (Engelenpietà), Bartholomeus Spranger, c. 1587 |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
In this work, titled Mountain landscape with a scene of the early history of man, we encounter a significant example of the artist's early development. Painted by Bartholomeus Spranger in 1569, the piece reflects a period when the artist was refining his command over complex compositions. It is a Mannerist-style landscape, characterized by its intricate and somewhat theatrical arrangement of natural elements.
The oil on canvas work titled Mercury and Venus was executed by the artist Bartholomeus Spranger. This painting is dated to about 1585. It captures a moment of mythic intimacy through the presence of two central nude figures. These figures, likely Mercury and Venus, are caught in the middle of an embrace.
The air in the room feels heavy, thick with the scent of old stone and spilled wine. In this Mannerist encounter, the bodies do not merely exist; they twist. Circe, seen from behind, turns her torso in a serpentine arc, her pale skin catching a sharp, luminous light that cuts through the gloom. Her form is a curve of white against the deep, dark shadows of the background. Opposite her,…
The Allegory of Emperor Rudolf II emerges from the brush of Bartholomeus Spranger, a painter who captures a moment of intense, swirling movement. Created in 1592, this work presents a complex arrangement of figures that seem to dance through a bright, open sky. The composition draws the eye upward toward a winged figure, while below, a pyramidal structure of deities and warriors creates a sense of layered depth. Every line…
The work titled Adoration of the Magi, also recognized as The Adoration of the Kings, is a creation of the artist Bartholomeus Spranger. Born in Antwerp, Belgium, in 1546, Spranger brought a specific Northern sensibility to the religious scene. He remained active in his craft until his death in 1611. This specific piece emerged from his hand during a period of intense creative output, dated around 1590 or around 1595-6.
The air in the room seems to thicken with a sense of solemnity as Saint Barbara emerges from the shadows. She sits centrally, a figure of quiet strength amidst a landscape that recedes into a soft, blurred distance. The light, descending from an unseen source above and to her left, carves her features out of the darkness, casting dramatic shadows that lend a profound depth to her presence. Her face,…
Adoration of the Magi (1606). Sljedeći su Ulysses and Circe (1586) i Allegory of Emperor Rudolf II (1592).
60 godina: Adoration of the Magi datira iz 1606, a Bartholomeus Spranger je rođen/a 1546.
Adoration of the Magi, Ulysses and Circe, Allegory of Emperor Rudolf II, Hercules, Deianira, and Nessus, Minerva Victorious over Ignorance, Self-portrait, Fall of Man, God the Father with the Holy Ghost and angels, Apollo and the Muses i Mercury and Venus. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 76 djela umjetnika Bartholomeus Spranger, datiranih od 1567 do 1611.
Većinom u Kunsthistorisches Museum (Beč), Bavarske državne slikopisne zbirke (München) i Narodní galerie Praha (Prag). Gornja tablica muzeja navodi sve njih.
U 1580s: 21 od 74 djela na ovoj stranici nastalo je tada, od čega je Ulysses and Circe Ulysses and Circe.
Na ovoj stranici najstarije djelo je iz Mountain landscape with a hermit (1567), a najnovije iz Saint Barbara (1611).
Woman (34), Man (32) i Skin (13), kroz svih 74 djela na ovoj stranici.
Oil, za 26 od 74 djela na ovoj stranici.
Northern mannerism, sudeći po originalima na ovoj stranici.
Ulysses and Circe, Allegory of Emperor Rudolf II i Hercules, Deianira, and Nessus: Kunsthistorisches Museum, Beč posjeduje 19 djela s ove stranice.
