Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 103 djela Thomas Sidney Cooper u našem katalogu
Ukratko
Od svih originala koje je Thomas Sidney Cooper ostavio, najpoznatiji je An Evening Drink (1897) u kolekciji muzeja Bolton Museum and Art Gallery, Bolton. Samo iza njih slijede An Evening Scene (1852) i Fording a brook, suburbs of Canterbury (1834). Naš katalog sadrži 103 djela umjetnika Thomas Sidney Cooper; galerija je čuvala onih 99 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.
The quietude of the pastoral world finds a steady presence in An Evening Drink. Painted by Thomas Sidney Cooper, this work captures a fleeting moment of rest within the natural landscape. The scene unfolds with a sense of stillness, as if the day is exhaling its final warmth. It is a piece that invites a slow gaze, drawing the viewer into a tranquil setting where the rhythm of life follows…
The sun hangs low, casting a heavy, amber glow over a quiet corner of the English countryside. Beneath the twisted, skeletal limbs of a gnarled tree, three cattle rest in the tall grass. Their bodies catch the fading light, creating bright, sharp edges against the deepening shadows of the landscape. The air feels thick and warm, saturated with the colors of ochre and sepia. It is a moment of stillness,…
Fording a brook, suburbs of Canterbury is a work by Thomas Sidney Cooper, executed in 1834. This piece reflects the early period of an artist who would eventually become a celebrated figure within the Royal Academy. The painting captures a quiet moment in the landscape, rooted in the specific geography of the artist's origins.
In "The Home Farm" by Thomas Sidney Cooper, a quiet moment in the English countryside unfolds under a soft, diffused light. Created about 1844, the scene brings together a gathering of farm animals seeking shelter beneath a heavy, thatched roof. The air feels still, as if an overcast sky has paused the movement of the day. Sheep cluster in the foreground, their thick, white wool catching the gentle light, while…
In Sheep In The Isle of Skye, Thomas Sidney Cooper directs our attention toward a large group of sheep that occupies the foreground and midground. These animals rest upon a rugged, rocky outcrop, their presence grounding the composition against the wilder elements of the landscape. The perspective is a low-angle view, looking upward toward the cliffside, which emphasizes the scale of the terrain. This viewpoint creates a sense of height,…
In An Evening Repose by Thomas Sidney Cooper, a tranquil pastoral scene unfolds at the quiet hour of dusk. The air feels heavy with the stillness of the fading day as a herd of cattle and sheep graze peacefully across a wide field. These animals move through the grass with a slow, rhythmic grace, their presence grounding the landscape in a moment of profound rest. It is a quintessential depiction…
In the quietude of 1888, Thomas Sidney Cooper captures a moment of rural stillness in his work, Cattle and Sheep in a Landscape. This English landscape painter brings a sense of life to the pastoral scene, focusing his attention on the steady, rhythmic existence of livestock. The animals occupy the heart of the view, existing in a space where the air feels heavy with the scent of damp earth and…
The quietude of the English countryside finds its voice in The Lord Of The Pastures, a work by the artist Thomas Sidney Cooper. Within this scene, the pastoral life of the nineteenth century remains suspended in a moment of stillness. Thomas Sidney Cooper, who lived from 1803 to 1902, brings a specific, grounded presence to the meadow through his depiction of the animals that inhabit it.
In the quietude of a rolling landscape, Sheep in a Pasture brings a moment of rural stillness to life. This oil painting by Thomas Sidney Cooper captures a flock of sheep resting upon a grassy hill, their forms nestled under a dramatic, cloudy sky. The scene unfolds with a sense of peace, as the animals cluster in the foreground and middle ground, leading the eye toward a distant, soft horizon.…
Cattle by a river1835 · Fitzwilliam Museum
12
The Entrance to Carisbrooke Castle1837 · Royal Collection
13
Cattle in a Stream1841 · Birmingham Museum and Art Gallery
14
Cattle reposing (1846)1846 · Fitzwilliam Museum
15
The Victoria Cow1848 · Royal Collection
16
The Halt on the Hills1847 · Sheffield City Art Galleries
17
Goats and Kids in a Shed1846 · Nottingham City Museums And Galleries
18
Mountain Sheep1845
19
Mountain Sheep (also known as Morning Mist Clearing Off)1846 · Nottingham Castle Museum And Art Gallery
20
In the Meadows of Fordwich1840
21
Cattle1850 · Reading Public Museum
22
Landscape with Cows and Sheep1850
23
The Evening Drink in the Canterbury Meadows1851 · Russell
24
In the Whitehall Meadows, Canterbury, Kent1854 · Sheffield City Art Galleries
25
Mountain Sheep1862 · Touchstones Rochdale Arts And Heritage Centre
26
In the Canterbury Meadows1863 · Wolverhampton Art Gallery
27
Heat Showers in August1857 · Manchester Art Gallery
28
Midday Repose1866 · Laing Art Gallery
29
Milking Time in the Meadows1869
30
Morning, Canterbury Meadows, Kent1869 · Sheffield City Art Galleries
31
In the Kentish Meadows1868
32
Five Cows in a Landscape1874 · Kingston Lacy
33
A Group of Cattle1877
34
Landscape with Cattle and Sheep1875 · York Art Gallery
35
Landscape with Cattle and Fowl1874 · Wolverhampton Art Gallery
36
Clearing the Wood for the Iron Way1880
37
Landscape with Cows1881
38
Landscape with cattle1890 · National Library of Wales
39
Fordwich Meadows, Canterbury, Kent1889 · Victoria Art Gallery
40
Study of a Working Horse1900 · Yale Center for British Art
41
Village Landscape (from McGuire Scrapbook)
42
Farm Landscape
43
A Cow and Two Sheep
44
The Rustic Foot Bath
45
A Shepherd With His Flock
46
Milking Time - Study of a Farm-Yard near Canterbury
47
Gathering CloudsAmgueddfa Cymru
48
The Chill of Winter
49
Cattle Resting By A Brook
50
Waiting for the Ferry
51
April Showers
52
Inquiring for the Tilbury Ferry
53
Summer Evening
54
In the Highlands
55
Four Sheep1874 · Wolverhampton Art Gallery
56
Cattle and Sheep at a Watering Place
57
Landscape and Cattle
58
The Lowland Herd
59
Sheep In An Extensive Landscape
60
Sheep In Winter
61
A Cow And Sheep On The Cliffs
62
The Church Meadows
63
Sheep At Pasture
64
Cows In A Meadow 1
65
A Cow With Sheep In A Landscape
66
Leader benjamin williams tintern abbey moonlight on the wye
67
Canterbury Meadows
68
Among the Cumberland Mountains - Mist Clearing Off
69
In The Highlands
70
Cattle resting beside a river
71
Evening In The Meadows
72
Dairy Cows Resting
73
Cattle Wattering
74
Sheep In A Winter Landscape
75
Cattle Watering
76
Rams And A Bull In A Highland Landscape
77
Cattle Sheep and Goats
78
Cattle Resting
79
Cows in a Meadow
80
In The Canterbury Meadows
81
Cattle and Sheep Resting in an Extensive Landscape
82
Landscape with Sheep
83
Highland Cattle by a StreamSunnycroft
84
Landscape with SheepAmgueddfa Cymru
85
A Wooded Ford
86
LandscapeGrundy Art Gallery
87
Cattle and Sheep in a Field
88
Near Canterbury. a Boy on a Donkey driving Cattle along a Road, the Cathedral beyond
89
Sheep in the Highlands
90
A Bull and Cow with Two Sheep and Goat
91
A Farm in Kent
92
Friesian Bull in a LandscapeOwletts
93
Cattle and Sheep Probably in Canterbury Meadows
94
CATTLE GRAZING IN CANTERBURY MEADOWS
95
Sheep In Canterbury Water Meadows
96
Peasants and Sheep
97
Meadows Near Canterbury
98
Landscape with a Flock of Sheep Resting
99
Sheep in a Moorland Landscape
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Thomas Sidney Cooper | Slike iz ovog popisa |
|---|---|---|---|
 Sheffield City Art Galleries |
Sheffield | 3 | The Halt on the Hills, In the Whitehall Meadows, Canterbury, Kent, Morning, Canterbury Meadows, Kent |
 Wolverhampton Art Gallery |
Wolverhampton | 3 | In the Canterbury Meadows, Landscape with Cattle and Fowl, Four Sheep |
 Birmingham Museum and Art Gallery |
Birmingham | 2 | Landscape With Cattle And Sheep, Cattle in a Stream |
 Fitzwilliam Museum |
2 | Cattle by a river, Cattle reposing (1846) | |
 Royal Collection |
London | 2 | The Entrance to Carisbrooke Castle, The Victoria Cow |
 Amgueddfa Cymru |
Cardiff | 2 | Gathering Clouds, Landscape with Sheep |
 Bolton Museum and Art Gallery |
Bolton | 1 | An Evening Drink |
 Wallace Collection |
London | 1 | An Evening Scene |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Fording a brook, suburbs of Canterbury is a work by Thomas Sidney Cooper, executed in 1834. This piece reflects the early period of an artist who would eventually become a celebrated figure within the Royal Academy. The painting captures a quiet moment in the landscape, rooted in the specific geography of the artist's origins.
In "The Home Farm" by Thomas Sidney Cooper, a quiet moment in the English countryside unfolds under a soft, diffused light. Created about 1844, the scene brings together a gathering of farm animals seeking shelter beneath a heavy, thatched roof. The air feels still, as if an overcast sky has paused the movement of the day. Sheep cluster in the foreground, their thick, white wool catching the gentle light, while…
The sun hangs low, casting a heavy, amber glow over a quiet corner of the English countryside. Beneath the twisted, skeletal limbs of a gnarled tree, three cattle rest in the tall grass. Their bodies catch the fading light, creating bright, sharp edges against the deepening shadows of the landscape. The air feels thick and warm, saturated with the colors of ochre and sepia. It is a moment of stillness,…
In Sheep In The Isle of Skye, Thomas Sidney Cooper directs our attention toward a large group of sheep that occupies the foreground and midground. These animals rest upon a rugged, rocky outcrop, their presence grounding the composition against the wilder elements of the landscape. The perspective is a low-angle view, looking upward toward the cliffside, which emphasizes the scale of the terrain. This viewpoint creates a sense of height,…
The quietude of the pastoral world finds a steady presence in An Evening Drink. Painted by Thomas Sidney Cooper, this work captures a fleeting moment of rest within the natural landscape. The scene unfolds with a sense of stillness, as if the day is exhaling its final warmth. It is a piece that invites a slow gaze, drawing the viewer into a tranquil setting where the rhythm of life follows…
An Evening Drink (1897), Bolton Museum and Art Gallery, Bolton. Nakon njih slijede An Evening Scene (1852) i Fording a brook, suburbs of Canterbury (1834).
94 godina: An Evening Drink datira iz 1897, a Thomas Sidney Cooper je rođen/a 1803.
An Evening Drink, An Evening Scene, Fording a brook, suburbs of Canterbury, The Home Farm, Sheep In The Isle of Skye, An Evening Repose, Cattle and Sheep in a Landscape, The Lord Of The Pastures, Sheep in a Pasture i Landscape With Cattle And Sheep. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 103 djela umjetnika Thomas Sidney Cooper, datiranih od 1834 do 1900.
Većinom u Sheffield City Art Galleries (Sheffield), Wolverhampton Art Gallery (Wolverhampton) i Birmingham Museum and Art Gallery (Birmingham). Gornja tablica muzeja navodi sve njih.
U 1840s: 9 od 99 djela na ovoj stranici nastalo je tada, od čega je The Home Farm The Home Farm.
Na ovoj stranici najstarije djelo je iz Fording a brook, suburbs of Canterbury (1834), a najnovije iz Study of a Working Horse (1900).
Animals (22), Landscape (19) i Rural landscape (14), kroz svih 99 djela na ovoj stranici.
Oil On Canvas, za 7 od 99 djela na ovoj stranici.
Romanticism, sudeći po originalima na ovoj stranici.
The Halt on the Hills, In the Whitehall Meadows, Canterbury, Kent i Morning, Canterbury Meadows, Kent: Sheffield City Art Galleries, Sheffield posjeduje 3 djela s ove stranice.
U srcu engleskog krajolika, gdje se valovita brda Canterburyja susreću s nježnom svjetlošću kentskog neba, duh Thomasa Sidneyja Coopera nastavlja živjeti kroz njegova platna. Njegovi su suvremenici s naklonjenosti nazivali ga „cow cooper“, no Cooper je bio daleko više od običnog slikara stoke; bio je pjesnik pastoralnog svijeta, čovjek koji je posjedovao rijetku sposobnost oživljavanja tihih, okosom nagnutih masa ovca i goveda. Rođen 1803. godine, njegovo putovanje nije počelo u grandioznim londonskim ateljeima, već kroz skromno i disciplinirano promatranje prirode. Čak i kao dvanaestogodišnji šegrt slikara kočija, njegove su oči neprestano tražile suptilne teksture zemlje i ritmično kretanje životinja, što je postala navika skiciranja iz prirodnog izvora koja će na kraju definirati samu srž njegovog profesionalnog identiteta.
Put razvoja Cooperove karijere obilježen je dubokim prijelazom od lokalnog zanatlije do slavne figure unutar Kraljevske akademije. Njegov odlazak u London u ranim dvadesetima omogućio mu je da uroni u intelektualne i umjetničke struje Britanskog muzeja, pružajući mu povijesnu dubinu potrebnu za uzdizanje njegovog rada iznad jednostavnog realizma. Iako je zadržao snažnu povezanost sa svojim korijenima u Canterburyju — radeći kao učitelj crtanja i tražeći stabilnost u lokalnom krajoliku — upravo je njegova sposobnost spajanja sirove stvarnosti ruralnog života s romantičnim, atmosferskim veličanstvenom osigurala mu mjesto u viktorijanskom kanonu. Njegova je tehnika obilježena namjernim, majstorskim slojevitim potezima četkice, stvarajući osjećaj dubine i vlage u zraku koji je njegovim pejzažima davao dojam kao da dišu.
Jedno od najfascinantnijih poglavlja u Cooperovom životu bila je njegova dugotrajna umjetnička partnerstvo s Frederickom Richardom Leejem. Ova suradnja omogućila je jedinstvenu sintezu stilova koja je postala zaštitni znak pejzažnog slikarstva srednjeg viktorijanskog doba. Dok se Lee fokusirao na prostrane, monumentalne vidike i dramatičnu arhitekturu prirodnog svijeta, Cooper je kroz pedantno prikazivanje životinja davao dušu kompoziciji. Ova sinergija najsjajnije je ostvarena u njihovom zajedničkom remek-djelu, „Poraz Kellermannovih korašnjaka“, monumentalnom radu koji slavi bitku kod Waterlooa. U ovom djelu veličina krajolika susreće dirljivo, detaljno prisustvo životinja, stvarajući narativ koji je istovremeno epskih razmjera i intimnih detalja.
Izvan grandioznih povijesnih narudžbi, Cooperova je prava strast ležala u tihim trenucima ruralnog postojanja. Njegova djela, poput „Goveda i ovca na odmaranju u prostranom krajoliku“*, služe kao prozori u nestajući svijet engleskog pastoralizma. Kroz njegove oči vidimo:
Kako je viktorijanska era napredovala, Cooperovo djelo stajalo je kao svjedočanstvo neprolazne ljepote engleskog krajolika usred nadolazećih sjena industrijske revolucije. On je uhvatio osjećaj mira i postojanosti koji je duboko odjekivao u društvu koje prolazi kroz brze promjene. Njegova plodna tvorba i stalno prisustvo u Kraljevskoj akademiji donijeli su mu kritičko priznanje i trajnu reputaciju majstora žanra animalier. Čak i danas, njegova su djela slavljena ne samo zbog tehničke preciznosti, već i zbog sposobnosti da izazovu duboku emocionalnu povezanost s zemljom.
Naslijeđe Thomasa Sidneyja Coopera je posvećenost malim, često zanemarenim detaljima prirodnog svijeta. Naučio nas je da u mirnom pogledu ovce postoji jednaka veličina kao i u najdramatičnijem planinskom lancu. Kroz svoje prikaze „cow cooper“, on je očuvao dostojanstvo ruralnog života, osiguravši da tiha, pastoralna ljepota Engleske 19. stoljeća ostane vječno živopisna za generacije koje dolaze.
