Portret Thomas Beach

58 najpoznatijih djela umjetnika Thomas Beach, galerijska selekcija

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Od svih originala koje je Thomas Beach ostavio, najpoznatiji je Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset (1760). Samo iza njih slijede The Hand that Was Not Called (1775) i Sir Richard Edwards (d. 1794) (1774). Naš katalog sadrži 70 djela umjetnika Thomas Beach; galerija je čuvala onih 58 koja svijet najviše divi, a svako je prikazano s datumom nastanka, muzejom i pričanom.

1738 – 1806, Dorchester Neoclassicism Najviše djela: Victoria Art Gallery

Top 10 djela umjetnika Thomas Beach: izbor galerije

1
Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset (1760) od Thomas Beach

Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset

1760 · Oil On Canvas

This formal 18th-century oil portrait depicts William Helyar in a three-quarter length pose. The gentleman stands against a backdrop featuring heavy drapery and classical architectural elements, including a column. He is shown holding a design for the Georgian wing of Coker Court, Somerset, a detail that serves to symbolize his connection to land and architecture. The composition is a standard eye-level portrait view, creating an intimate yet respectful distance between…

2
The Hand that Was Not Called (1775) od Thomas Beach

The Hand that Was Not Called

1775 · Oil · Muzej fine umjetnosti u Houstonu, Houston

In this 1775 oil painting, titled The Hand that Was Not Called, six men are gathered around a small wooden table in an indoor setting. The composition forms a dense, pyramidal arrangement of figures, creating a sense of social intimacy. The scene captures a moment of calm, focused concentration and gentlemanly camaraderie as the men engage in a game of cards, with hands holding cards and others scattered across the…

3
Sir Richard Edwards (d. 1794) (1774) od Thomas Beach

Sir Richard Edwards (d. 1794)

1774 · Oil On Canvas · Royal Collection, London

The gaze of Sir Richard Edwards (d. 1794) meets the viewer from within this formal oil portrait. Painted by Thomas Beach, the work captures the subject in a moment of quiet authority. The likeness remains fixed in time, preserving the presence of a man who lived through the shifting social landscapes of the eighteenth century. This portrait exists today as a part of the Royal Collection, held within its prestigious…

4
Francis Woodward (1770) od Thomas Beach

Francis Woodward

1770 · Oil On Canvas · Victoria Art Gallery, Bath

This oil painting on canvas, executed around 1770, presents a formal portrait of a man identified as Francis Woodward. The subject is depicted from the upper body, positioned slightly off-center with his gaze directed toward the viewer. He is characterized by a pale complexion with subtle rosy cheeks and wears a large white wig typical of the period. His attire consists of a white shirt collar and cuffs paired with…

5
Portrait of a Man (1782) od Thomas Beach

Portrait of a Man

1782 · Oil · National Gallery of Ireland, Dublin

In Thomas Beach's Portrait of a Man, the subject is captured in a three-quarter view, positioned slightly off-center. This placement creates a subtle tension against the dark, indeterminate background. The composition relies on a strong chiaroscuro effect, where the void behind the man pushes his form forward into the viewer's space. The perspective remains at eye-level, establishing a direct and intimate connection.

6
Portrait of Sarah Siddons (1782) od Thomas Beach

Portrait of Sarah Siddons

1782 · Oil On Canvas · Auckland Art Gallery Toi o Tāmaki, Auckland

The gaze of the subject meets the observer in this Portrait of Sarah Siddons, a work that captures the presence of the celebrated actress. Thomas Beach, the artist behind this oil on canvas, brings a sense of quiet dignity to the woman who lived from 1755 to 1831. He renders her with a focused attention that suggests a moment of stillness, holding her within the frame of the composition. The…

7
The Honourable Mrs Craven (1776) od Thomas Beach

The Honourable Mrs Craven

1776 · Oil On Canvas

The subject sits in a quiet, centered stillness. She is an elderly woman, her presence defined by the soft weight of her years and the dignity of her station. Her face, etched with the subtle lines of experience, emerges from a background of minimal depth. Light falls across her features in a diffused glow, casting gentle shadows that trace the contours of her cheeks and the delicate folds of her…

8
Mrs Charles Davis (1781) od Thomas Beach

Mrs Charles Davis

1781 · Oil On Canvas · Victoria Art Gallery, Bath

In this 1781 portrait, the sitter is presented in a three-quarter pose, her gaze meeting the viewer with a directness that suggests both composure and social standing. She is draped in a golden gown, accented by delicate white lace at the neckline, while a dark shawl rests upon her shoulders. The composition relies on a soft, diffused light that illuminates her features against an indistinct, dark background, focusing all attention…

9
George Hanger, 4th Lord Coleraine (1751-1824) (1787) od Thomas Beach

George Hanger, 4th Lord Coleraine (1751-1824)

1787 · Oil On Canvas · Royal Collection, London

The portrait presents a gentleman in a three-quarter view, his presence defined by the structured silhouette of a military-style jacket in deep forest green. Light enters from the upper left, carving the contours of his face and casting soft shadows that lend a three-dimensional volume to his features. A crisp white cravat provides a sharp tonal contrast against the dark, heavy wool of his coat, while the large, airy ostrich…

10
George Damer, Viscount Milton (1795) od Thomas Beach

George Damer, Viscount Milton

1795 · Oil On Canvas · Art Gallery of New South Wales, Sydney

This portrait depicts George Damer, Viscount Milton. The subject was the second son of Joseph Damer, 1st Earl of Dorchester. Between the years 1792 and 1798, the sitter was styled as Viscount Milton. The painting was executed by the English portraitist Thomas Beach.

Izbor umjetnika Thomas Beach se nastavlja, od 11 do 58

11Sir Abraham Isaac Elton (1718–1790), 4th Bt (1790) od Thomas BeachSir Abraham Isaac Elton (1718–1790), 4th Bt1790 · National Trust 12Charles Penruddock (c.1742–1788), MP, of Compton Chamberlayne (1788) od Thomas BeachCharles Penruddock (c.1742–1788), MP, of Compton Chamberlayne1788 · National Trust 13Miss Jenny Davis (1796) od Thomas BeachMiss Jenny Davis1796 · Victoria Art Gallery 14Lewis Dimoke Grosvenor Tregonwell (1753–1831), Dorset Yeomanry (1798) od Thomas BeachLewis Dimoke Grosvenor Tregonwell (1753–1831), Dorset Yeomanry1798 · Bournemouth Town Hall 15Anne Templer (d.1832), Lady De la Pole (1793) od Thomas BeachAnne Templer (d.1832), Lady De la Pole1793 · National Trust 16Portrait of Elizabeth, Lady Craven (Later Margravine of Anspach) od Thomas BeachPortrait of Elizabeth, Lady Craven (Later Margravine of Anspach) 17William, Mary Ann, and John De la Pole as Children (Sir William Templer Pole, 1782–1847, 7th Bt, Mary Ann Pole, b.1783, and John George Pole, 1787–1803) (1793) od Thomas BeachWilliam, Mary Ann, and John De la Pole as Children (Sir William Templer Pole, 1782–1847, 7th Bt, Mary Ann Pole, b.1783, and John George Pole, 1787–1803)1793 · National Trust 18Portrait of a Gentleman in a Green Robe (1773) od Thomas BeachPortrait of a Gentleman in a Green Robe1773 19Miss Elizabeth Phelips, Dressed as Diana (1770) od Thomas BeachMiss Elizabeth Phelips, Dressed as Diana1770 · Manchester Art Gallery 20Francis Woodward (1721–1785) (1770) od Thomas BeachFrancis Woodward (1721–1785)1770 · Victoria Art Gallery 21Portrait of the Children of Charles Blair (1769) od Thomas BeachPortrait of the Children of Charles Blair1769 22Portrait of Francis Steward (1743 1798), Mayor of Weymouth and Melcombe Regis od Thomas BeachPortrait of Francis Steward (1743 1798), Mayor of Weymouth and Melcombe Regis 23Reverend William Phelips II (1755–1806) (1780) od Thomas BeachReverend William Phelips II (1755–1806)1780 · Montacute House 24Edward Phelips VI (1753–1792), MP (1780) od Thomas BeachEdward Phelips VI (1753–1792), MP1780 · Montacute House 25Miss Davis as a Bride (1780) od Thomas BeachMiss Davis as a Bride1780 · Victoria Art Gallery 26Cornet Edmund Pitts Middleton, 2nd Queen's Dragoon Guards (1778) od Thomas BeachCornet Edmund Pitts Middleton, 2nd Queen's Dragoon Guards1778 27Charles Davis (1741–1805) (1784) od Thomas BeachCharles Davis (1741–1805)1784 · Victoria Art Gallery 28Portrait of a Gentleman in Georgian Dress (1780) od Thomas BeachPortrait of a Gentleman in Georgian Dress1780 · Ludlow Library - Museum Resource Centre 29William 'Memory' Woodfall (1746–1803) (1782) od Thomas BeachWilliam 'Memory' Woodfall (1746–1803)1782 30Portrait of a Man (1785) od Thomas BeachPortrait of a Man1785 · Dulwich Picture Gallery 31Mrs Charles Davis (1726–1782) (1781) od Thomas BeachMrs Charles Davis (1726–1782)1781 · Victoria Art Gallery 32The Honourable Mrs Craven (1776) od Thomas BeachThe Honourable Mrs Craven1776 · Walker Art Gallery 33Rebecca Steward (1766–1859) (1783) od Thomas BeachRebecca Steward (1766–1859)1783 34Miss Davis as a Bride (1780) od Thomas BeachMiss Davis as a Bride1780 · Bath Pump Room 35William Woodfall (1782) od Thomas BeachWilliam Woodfall1782 · National Portrait Gallery 36George Pitt (1721–1803), 1st Lord Rivers (1779) od Thomas BeachGeorge Pitt (1721–1803), 1st Lord Rivers1779 · The Keep Military Museum 37Maria Craven (1769–1851), Later Countess of Sefton, as a Young Girl (1776) od Thomas BeachMaria Craven (1769–1851), Later Countess of Sefton, as a Young Girl1776 · Walker Art Gallery 38Portrait of a Gentleman, Aged 53 (1782) od Thomas BeachPortrait of a Gentleman, Aged 531782 · Government Art Collection 39Dr Richard Pulteney (1730–1801), FRS, FLS (1788) od Thomas BeachDr Richard Pulteney (1730–1801), FRS, FLS1788 40The Reverend Edward Pole (1758–1836) (1794) od Thomas BeachThe Reverend Edward Pole (1758–1836)1794 · National Trust 41Sarah Siddons (1755–1831) (1790) od Thomas BeachSarah Siddons (1755–1831)1790 · Llyfrgell Genedlaethol Cymru / The National Library of Wales 42Peter Palmer (Huntsman to Sir John William De la Pole, 6th Bt) (1793) od Thomas BeachPeter Palmer (Huntsman to Sir John William De la Pole, 6th Bt)1793 · National Trust 43The Stapleton Family (1789) od Thomas BeachThe Stapleton Family1789 · The Holburne Museum 44Sir John William De la Pole (1757–1799), 6th Bt (1794) od Thomas BeachSir John William De la Pole (1757–1799), 6th Bt1794 · National Trust 45Portrait of a Girl of the Burnaby Family (1801) od Thomas BeachPortrait of a Girl of the Burnaby Family1801 46Mrs Charles Davis, Grandmother of Major C. E. Davis (1796) od Thomas BeachMrs Charles Davis, Grandmother of Major C. E. Davis1796 · Victoria Art Gallery 47Miss Jenny Davis (1796) od Thomas BeachMiss Jenny Davis1796 · Bath Pump Room 48Thomas Tyndall with Wife and Children (1800) od Thomas BeachThomas Tyndall with Wife and Children1800 · University of Bristol 49Mrs Charles Davis, Grandmother of Major C. E. Davis (1796) od Thomas BeachMrs Charles Davis, Grandmother of Major C. E. Davis1796 · Bath Pump Room 50Thomas Beach (1802) od Thomas BeachThomas Beach1802 · National Portrait Gallery 51John Hungerford Penruddock (1770–1841), MP, DL, of Compton Chamberlayne (1800) od Thomas BeachJohn Hungerford Penruddock (1770–1841), MP, DL, of Compton Chamberlayne1800 · National Trust 52John Montagu, 4th Earl of Sandwich, PC, FRS od Thomas BeachJohn Montagu, 4th Earl of Sandwich, PC, FRSMinistry of Defence 53Henry Hoare of Mitcham Grove, Surrey (1750–1820) od Thomas BeachHenry Hoare of Mitcham Grove, Surrey (1750–1820)National Trust 54John Montagu (1718–1792), 4th Earl of Sandwich (after Thomas Gainsborough) od Thomas BeachJohn Montagu (1718–1792), 4th Earl of Sandwich (after Thomas Gainsborough)Huntingdon Town Hall 55Portrait of the Children of William Craven, 6th Baron Craven od Thomas BeachPortrait of the Children of William Craven, 6th Baron Craven 56Henry Thomas Fox Strangways (1747–1802), 2nd Earl of Ilchester od Thomas BeachHenry Thomas Fox Strangways (1747–1802), 2nd Earl of IlchesterLacock Abbey 57Colonel George Worden Baynton (1738–1806) od Thomas BeachColonel George Worden Baynton (1738–1806)Royal Welch Fusiliers Regimental Museum 58John Montagu, 4th Earl of Sandwich od Thomas BeachJohn Montagu, 4th Earl of Sandwich

Slavna djela Thomas Beach po razdobljima

Motivi koji su privukli pažnju Thomas Beach

Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.

Muzeji koji čuvaju originalna djela umjetnika Thomas Beach

8 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Thomas Beach Slike iz ovog popisa
Victoria Art Gallery, BathVictoria Art Gallery Bath 8 Francis Woodward, Mrs Charles Davis, Miss Jenny Davis
National Trust, AntonyNational Trust Antony 5 Anne Templer (d.1832), Lady De la Pole, William, Mary Ann, and John De la Pole as Children (Sir William Templer Pole, 1782–1847, 7th Bt, Mary Ann Pole, b.1783, and John George Pole, 1787–1803), The Reverend Edward Pole (1758–1836)
Bath Pump Room, BathBath Pump Room Bath 3 Miss Davis as a Bride, Miss Jenny Davis, Mrs Charles Davis, Grandmother of Major C. E. Davis
Royal Collection, LondonRoyal Collection London 2 Sir Richard Edwards (d. 1794), George Hanger, 4th Lord Coleraine (1751-1824)
National Trust, GuildfordNational Trust Guildford 2 Charles Penruddock (c.1742–1788), MP, of Compton Chamberlayne, John Hungerford Penruddock (1770–1841), MP, DL, of Compton Chamberlayne
Montacute HouseMontacute House 2 Reverend William Phelips II (1755–1806), Edward Phelips VI (1753–1792), MP
Walker Art Gallery, LiverpoolWalker Art Gallery Liverpool 2 The Honourable Mrs Craven, Maria Craven (1769–1851), Later Countess of Sefton, as a Young Girl
National Portrait Gallery, LondonNational Portrait Gallery London 2 William Woodfall, Thomas Beach

Thomas Beach desetljeće po desetljeće: original koji definira svako od njih

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Pitanja kolekcionara o slikama umjetnika Thomas Beach

Po kojem je djelu Thomas Beach najpoznatiji/a?Otkrijte odgovor

Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset (1760). Sljedeći su The Hand that Was Not Called (1775) i Sir Richard Edwards (d. 1794) (1774).

Koliko je godina Thomas Beach imao/la kada je nastalo djelo Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset?Otkrijte odgovor

22 godina: Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset datira iz 1760, a Thomas Beach je rođen/a 1738.

Koja su deset najpoznatijih djela umjetnika Thomas Beach?Otkrijte odgovor

Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset, The Hand that Was Not Called, Sir Richard Edwards (d. 1794), Francis Woodward, Portrait of a Man, Portrait of Sarah Siddons, The Honourable Mrs Craven, Mrs Charles Davis, George Hanger, 4th Lord Coleraine (1751-1824) i George Damer, Viscount Milton. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je slika ostavio/la Thomas Beach?Otkrijte odgovor

Naš katalog sadrži 70 djela umjetnika Thomas Beach, datiranih od 1760 do 1802.

U kojim se muzejima nalaze remek-djela umjetnika Thomas Beach?Otkrijte odgovor

Većinom u Victoria Art Gallery (Bath), National Trust (Antony) i Bath Pump Room (Bath). Gornja tablica muzeja navodi sve njih.

U kojim je godinama Thomas Beach naslikao svoja najpoznatija djela?Otkrijte odgovor

U 1780s: 19 od 58 djela na ovoj stranici nastalo je tada, od čega je Portrait of a Man Portrait of a Man.

Koja su prva i posljednja poznata originalna djela umjetnika Thomas Beach?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Portrait of William Helyar (d.1820), holding a design for the Georgian wing of Coker Court, Somerset (1760), a najnovije iz Thomas Beach (1802).

Koje je motive Thomas Beach najčešće birao?Otkrijte odgovor

Man (22), Woman (15) i Portrait (14), kroz svih 58 djela na ovoj stranici.

Koju je tehniku najčešće koristio/la Thomas Beach?Otkrijte odgovor

Oil On Canvas, za 30 od 58 djela na ovoj stranici.

Pripada li Thomas Beach kojem umjetničkom pokretu?Otkrijte odgovor

Neoclassicism, sudeći po originalima na ovoj stranici.

Koji se radovi umjetnika Thomas Beach nalaze u muzeju Victoria Art Gallery?Otkrijte odgovor

Francis Woodward, Mrs Charles Davis i Miss Jenny Davis: Victoria Art Gallery, Bath posjeduje 8 djela s ove stranice.

Thomas Beach: život i djelo

Naslijeđe tihe elegancije: Život i umjetnost Thomasa Beacha

U veličanstvenom, sveobuhvatnom narativu britanske portretne slikarstva, određena imena zauzimaju središnje mjesto svojom teatralnom briljantnošću, dok druga šapuću s dubljom, suptilnom gracioznošću. Thomas Beach (1738. – 1806.) pripada toj drugoj, intimnijoj kategoriji. Kao slikar čiji je kist zarakao samu esenciju dostojanstva ere regencije, Beach je plovio umjetničkim prostranstvom kojim su dominirali divovi, no uspio je iznijeti vlastitu nišu definiranu prepoznatljivom senzibilitetnošću i melankoličnom pięonom koja i danas duboko potresava modernog promatrača.

Rođen oko 1738. godine u živopisnom, kulturno usponatom gradu Bathu, Beachove su rane godine bile prožete okruženjem naglo rastućeg društvenog prestiža. Iako većina njegove osobne povijesti ostaje skrivena u magli osamnaestog stoljeća, njegova umjetnička linija jasno se vuče do jedne od najznačajnijih figura u povijesti umjetnosti: Sir Joshua Reynolds. Vjeruje se da je Beach svoje temeljno obrazovanje stekao u Chiswick House pod izravnim mentorstvom Reynoldsa. To je učenje bilo više od puke tehničke instrukcije; bilo je to uranjanje u filozofiju slikarstva koja je davanla prednost klasičnoj kompoziciji, tonalnim gradacijama i težnji prema psihološkoj dubini. Od Reynoldsa je Beach naslijedio sposobnost da ne prikazuje samo fizički lik, već i dušu, iako će se kasnije odmaknuti od majčine sklonosti prema dramatičnosti u korist suzdržanije, refleksivne elegancije.

Bathske godine: Majstorstvo i utjecaj

Kako se Beachova karijera razvijala tijekom 1760-ih i 1770-ih, postao je stalni stanovnik umjetničke scene u Bathu, razdoblja u kojem se njegova reputacija vrhunskog portretista učvrstila među aristokratskim i intelektualnim krugovima grada. Njegovo djelo iz tog doba služi kao prekrasna sinteza Reynoldsovog stila — obilježenog preciznim prikazivanjem lica i majstorskom upotrebom svjetla — ublaženog Beachovom vlastitom, jedinstvenim emocionalnim paletom. Tamo gdje bi Reynolds mogao upotrijebiti grandiozne pokrete i prostrane pejzaže kako bi uzdigao svoje subjekte, Beach se često oslanjao na suptilnu, tihu gracioznost, koristeći meko sjenciranje i promišljene kompozicije kako bi potaknuo osjećaj introspektivnog mira.

Njegova sposobnost da uhvati karakter svojih modela dovela je do prestižnih narudžbi koje su ga postavile u srce britanskog kulturnog života. Među njegovim najznačajnijim postignućima bilo je portretiranje Sarah Siddons, legendarne glumice čije je prisustvo na sceni bilo podjednako moćno kao što je Beachov potez kistom bilo delikatno. Kroz te portrete, Beach je učinio više od dokumentiranja lica tog doba; uhvatio je samu atmosferu društva zarobljenog između prosvjetiteljstva i pokreta romantizma.

Umjetnička značajnost i trajni dojam

Povijesni značaj Thomasa Beacha leži u njegovoj ulozi mosta između grandioznosti sredine osamnaestog stoljeća i nijansiranijeg, emotivnog portretizma koji će uslijediti. Iako možda nije tražio slavu kao što su to činili ekscentrični majstori, njegov doprinos britanskoj školi slikarstva je neosporan. Njegova djela obilježena su nekoliko trajnih elemenata koji čine njegov stil jedinstvenim:

  • Psihološki uvid: Duboka sposobnost prenošenja unutarnjeg temperamenta i tihe dostojanstvenosti svojih subjekata kroz suptilne izrazi lica.
  • Tonalno majstorstvo: Upotreba svjetla i sjene za stvaranje atmosfere koja djeluje istovremeno bezvremenski i intimno.
  • Rafinirana kompozicija: Posvećenost klasičnim principima koja svakom platnu pruža strukturiranu, uravnoteženu ljepotu.

Danas djela Thomasa Beacha nude prozor u izgubljeni svijet rafiniranosti. Pogledati Beachov portret znači iskusiti trenutak tišine usred povijesne buke, pronalazeći ljepotu u mekoj sjeni i tihoj, postojanoj snazi njegovih subjekata. On ostaje vitalna figura za svakog proučavatelja britanske umjetnosti, podsjećajući nas da prava veličina često ne boravi u najglasnijem glasu, već u najrazmišljenijem potezu kista.