Portret Signe Scheel

Slike autora Signe Scheel: Najpoznatijih 16 djela, iz perspektive galerije

Ažurirano Listopad 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 16 djela Signe Scheel u našem katalogu

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Iz perspektive galerije, najpoznatije djelo umjetnika Signe Scheel je Study of Light (1884), čiji se original nalazi u muzeju National Museum of Art, Architecture and Design, Oslo. Portrait of Marie Tannæs (1892) i The Artist's Home, Undesløs, at Toten (1888) upotpunjuju triju koju svako oko prepoznaje. Od 16 djela umjetnika Signe Scheel u našem katalogu, galerija u nastavku prikazuje 16 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1860 – 1942, Hamar Municipality Najviše djela: National Museum of Art, Architecture and Design

Top 10 najpopularnijih djela umjetnika Signe Scheel u galeriji

Slike autora Signe Scheel, rangirane od 11 do 16

Muzeji koji čuvaju originalna djela umjetnika Signe Scheel

3 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Signe Scheel Slike iz ovog popisa
National Museum of Art, Architecture and Design, OsloNational Museum of Art, Architecture and Design Oslo 14 Study of Light, The Artist's Home, Undesløs, at Toten, Portrait of Sara Scheel
Oslo Museum, OsloOslo Museum Oslo 1 Portrait of Marie Tannæs
Trondheim Kunstmuseum, TrondheimTrondheim Kunstmuseum Trondheim 1 Mary's Visit to Elizabeth

Signe Scheel, jedna prepoznatljiva slika po desetljeću

Djela po desetljećima

Odaberite desetljeće kako biste vidjeli original koji ga definira.

Slike umjetnika Signe Scheel: odgovori galerije

Koja je najpoznatija slika umjetnika Signe Scheel?Otkrijte odgovor

Study of Light (1884), National Museum of Art, Architecture and Design, Oslo. Nakon njih slijede Portrait of Marie Tannæs (1892) i The Artist's Home, Undesløs, at Toten (1888).

Koliko je godina Signe Scheel imao/la kada je dovršio/la Study of Light?Otkrijte odgovor

24 godina: Study of Light datira iz 1884, a Signe Scheel je rođen/a 1860.

Koje su najpoznatije slike umjetnika Signe Scheel?Otkrijte odgovor

Study of Light, Portrait of Marie Tannæs, The Artist's Home, Undesløs, at Toten, Portrait of Sara Scheel, Psyche, Portrait of the Painter Helga Ring (Reusch), Figure Study of the Painter Helga Ring (Reusch), Halvakt, Portrait of Tora Scheel, The Artist's Sister i Portrait of Valborg Nicolaysen, the Artist's Sister. Gornji rang prikazuje godinu i muzej za svako od njih.

Koliko je djela stvorio/la Signe Scheel?Otkrijte odgovor

Naš katalog sadrži 16 djela umjetnika Signe Scheel, datiranih od 1884 do 1923.

Gdje se nalaze najpoznatija originalna djela umjetnika Signe Scheel?Otkrijte odgovor

Većinom u National Museum of Art, Architecture and Design (Oslo), Oslo Museum (Oslo) i Trondheim Kunstmuseum (Trondheim). Gornja tablica muzeja navodi sve njih.

Kada je Signe Scheel stvorio svoje najpoznatije slike?Otkrijte odgovor

U 1890s: 6 od 16 djela na ovoj stranici nastalo je tada, od čega je Portrait of Marie Tannæs Portrait of Marie Tannæs.

Koja su najranija i najkasnija poznata djela umjetnika Signe Scheel?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Study of Light (1884), a najnovije iz Flowers at the Window (1923).

Koje originale Signe Scheel ima u svojoj kolekciji National Museum of Art, Architecture and Design?Otkrijte odgovor

Study of Light, The Artist's Home, Undesløs, at Toten i Portrait of Sara Scheel: National Museum of Art, Architecture and Design, Oslo posjeduje 14 djela s ove stranice.

Signe Scheel: umjetnik

A life near the water and the brush

Signe Scheel spent her early years at Villa Ekely, where the presence of Lake Mjøsa was a constant neighbor. Born in Hamar, she grew up in a large family of eleven children. Her talent first caught the eye of Hans Gude, a friend of her father, who encouraged her to pursue the brush. This support allowed her to move toward formal training, eventually leading her back to Kristiania at the age of twenty.

Her education was shaped by several hands across different cities. In Norway, she studied under Christian Krohg and attended the women's class at the art school run by Krohg, Heyerdahl, and Werenskiold. She also learned from Eilif Peterssen. Her studies took her beyond Norway to Berlin, where she worked with Karl Gussow, and to Paris, where she attended the Académie Colarossi under Pascal Dagnan-Bouveret.

The eye for detail and light

Her work often focused on the people closest to her. She frequently used her mother and sisters as models, finding a quiet efficiency in their presence. While portraiture remained close to her heart, her interests shifted toward landscapes and figures within nature. She had a way of placing subjects within their surroundings, connecting them to the space they occupied.

As she painted, her technique changed. She was a colorist who used light to find different nuances in a single shade. Over time, her brushwork became broader and her expression grew rougher. Her body of work, estimated between 120 and 140 pieces, shows this progression from precise observation to a more textured approach.

Recognition and presence

She debuted at the Autumn Exhibition in Kristiania in 1884 with a portrait of her sister, Mrs. Frederikke Lütken. This early success was followed by frequent exhibitions at the Høstutstillingen. Some of her notable pieces include:

Her paintings are kept in important collections, including the National Museum of Art, Architecture and Design in Oslo. She lived much of her life in places like Skrivergarden Undesløs and eventually passed away in Oslo in 1942.