Portret Robert Smithson

Slike autora Robert Smithson: Najpoznatijih 4 djela, iz perspektive galerije

Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 6 djela Robert Smithson u našem katalogu

Ukratko

Iz perspektive galerije, najpoznatije djelo umjetnika Robert Smithson je Non Site - Site Uncertain, čiji se original nalazi u muzeju Detroit Institute of Arts, Detroit. Three-Sided Vortex (1966) i Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) upotpunjuju triju koju svako oko prepoznaje. Od 6 djela umjetnika Robert Smithson u našem katalogu, galerija u nastavku prikazuje 4 najpoznatijih, od kojih je svako originalno, s navedenom godinom nastanka, muzejom i onim što ga čini jedinstvenim.

1938 – 1973, Passaic Najviše djela: Detroit Institute of Arts
Non Site - Site Uncertain od Robert Smithson1. Non Site - Site Uncertain Three-Sided Vortex (1966) od Robert Smithson2. Three-Sided Vortex 1966 Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967) od Robert Smithson3. Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) 1967

Top 10 najpopularnijih djela umjetnika Robert Smithson u galeriji

Muzeji koji čuvaju originalna djela umjetnika Robert Smithson

2 muzeja u kojima se nalazi najviše djela s ove stranice.

Muzej Grad Djela autora Robert Smithson Slike iz ovog popisa
Detroit Institute of Arts, DetroitDetroit Institute of Arts Detroit 1 Non Site - Site Uncertain
Chrysler Museum of Art, NorfolkChrysler Museum of Art Norfolk 1 Three-Sided Vortex

Robert Smithson, najprepoznatljivija djela svake godine

5 godina, od 1966 do 1970, prikazuje cijelu datiranu karijeru umjetnika Robert Smithson na ovoj stranici: kratku, prikazanu ovdje godinu po godinu kroz njegova najpoznatija originalna djela.

Djela po godinama

Odaberite godinu kako biste vidjeli originalna djela.

Slike umjetnika Robert Smithson: odgovori galerije

Koja je najpoznatija slika umjetnika Robert Smithson?Otkrijte odgovor

Non Site - Site Uncertain, Detroit Institute of Arts, Detroit. Nakon njih slijede Three-Sided Vortex (1966) i Ruin of Map of Hipparchus (100 B.C.) in Oswego Lake Quadrangle (1954 55) (1967).

Koliko je djela stvorio/la Robert Smithson?Otkrijte odgovor

Naš katalog sadrži 6 djela umjetnika Robert Smithson, datiranih od 1966 do 1970.

Gdje se nalaze najpoznatija originalna djela umjetnika Robert Smithson?Otkrijte odgovor

Većinom u Detroit Institute of Arts (Detroit) i Chrysler Museum of Art (Norfolk). Gornja tablica muzeja navodi sve njih.

Koja su najranija i najkasnija poznata djela umjetnika Robert Smithson?Otkrijte odgovor

Na ovoj stranici najstarije djelo je iz Three-Sided Vortex (1966), a najnovije iz Torn Photograph from the 2nd Stop (Rubble) (2nd Mountain of Six Stops on a Section) from Artists Photographs (1970).

Robert Smithson: umjetnik

Early Life and Artistic Beginnings

  • Born: January 2, 1938, in Passaic, New Jersey
  • Early years spent in Rutherford and Clifton, New Jersey
  • Studied painting and drawing at the Art Students League of New York (1955-1956)
  • Early artwork explored collage influenced by homoerotic themes, science fiction, and pop art. Primarily identified as a painter during this period.
  • Influenced by William Carlos Williams, who was his pediatrician.

The Shift to Minimalism and Conceptual Art

  • After a three-year break from the art world, emerged in 1964 as a proponent of the minimalist movement.
  • Abandoned figurative work, focusing on glass sheet and neon lighting tubes exploring visual refraction and mirroring.
  • Developed interest in entropy (the second law of thermodynamics) – decay, renewal, chaos, order, non-sites, and earthworks. Saw entropy not as a disadvantage but as a form of transformation.
  • Associated with minimalist artists like Nancy Holt (his wife), Robert Morris, and Sol LeWitt.
  • Became a critic for *Arts Magazine* and *Artforum*, gaining recognition as a writer before his art.

Land Art and Earthworks: Spiral Jetty and Beyond

  • Fascination with industrial areas in New Jersey led to the development of "Non-Sites" – sculptures incorporating earth and rocks from specific locations, often combined with mirrors or glass.
  • Spiral Jetty (1970): His most famous work, a massive coil of basalt rock extending into the Great Salt Lake in Utah. A key example of land art, exploring themes of entropy, time, and geological processes.
  • Explored temporary sculptures using mirrors in the Yucatan Peninsula, documented in "Incidents of Mirror-Travel in the Yucatan."
  • Recovered 18th- and 19th-century conceptions of landscape architecture, influencing his later earthwork explorations.

Theoretical Writings and Landscape Perspectives

  • Wrote extensively on art theory, including "A Heap of Language," exploring how writing could become an artwork.
  • Examined Frederick Law Olmsted's design for Central Park in New York City, recovering issues of site specificity, human intervention, and the picturesque landscape.
  • His writings demonstrate a deep engagement with history, philosophy, geology, and cultural theory.

Legacy and Historical Significance

  • Died: July 20, 1973, in Tucson, Arizona (due to a heart attack while hiking).
  • Considered a pivotal figure in Land Art and Earthworks movements.
  • His work expanded the definition of art, blurring boundaries between sculpture, landscape, and natural processes.
  • Influenced generations of artists with his conceptual approach, exploration of entropy, and engagement with geological time scales.
  • The Holt/Smithson Foundation continues to preserve and promote his legacy.
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