Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 77 djela Robert Smirke u našem katalogu
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The Cession Of Matavai je slika autora Robert Smirke koja privlači najviše pogleda. Nakon toga, pogled se usmjerava na The wreck of the 'Grosvenor' (1792) i The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay (1793). Među 77 djela umjetnika Robert Smirke u našem katalogu, ovih 77 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
In The Cession Of Matavai, Robert Smirke presents a complex historical scene centered on the era of European colonization in the Pacific. The work captures a moment of profound cultural encounter, focusing on the tension between two distinct worlds. Smirke, an artist known for his ability to translate narrative depth into visual form, uses this setting to explore themes of power and the shifting dynamics of dominance and vulnerability.
In The wreck of the 'Grosvenor' by Robert Smirke, the chaos of a maritime disaster unfolds before the eyes. This scene captures the harrowing moment an East Indiaman meets its end. The vessel, a three-masted ship of 729 tons, struggles against the fury of the sea. It is a moment frozen in time, reflecting the tragedy that occurred on 4 August 1782. The water churns with a violent energy that…
The oil painting titled The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay was executed by the artist Robert Smirke. This work dates to about 1793. The canvas depicts a specific moment of naval combat, focusing on the central figure of the Earl of Sandwich. The subject matter centers on themes of courage, duty, and leadership during the Battle of Solebay.
The artwork titled Falstaff rebuked was painted by the English painter and illustrator Robert Smirke. This specific work dates to 1795. The piece is an oil on canvas that captures a scene of confrontation between a youthful, regal figure and an older, disheveled man.
The composition centers on a single female figure positioned within a dramatic setting. She is depicted in the role of Lady Macbeth, captured in a moment of intense psychological tension. The subject's posture and facial expression convey a sense of internal turmoil. Her gaze is directed away from the viewer, focused on an unseen point of distress. The lighting emphasizes the contours of her face and the heavy folds of…
The Awakening of King Lear by Robert Smirke centers on a dramatic moment of human interaction. An elderly man with a white beard sits in a large chair, serving as the focal point of the composition. Kneeling before him is a woman in white and light blue drapery, her posture suggesting a gesture of supplication or comfort. This central pairing is framed by two other men who observe the scene…
To gaze upon this depiction of the Port of Zakynthos is to be instantly transported across the azure expanse of the Aegean Sea, far from the clamor of modern life. This work captures not merely a harbor scene, but a moment suspended in time—a vibrant tableau vivant rendered with the delicate precision characteristic of early nineteenth-century topographical studies. The composition itself sings of industry and repose; boats, some moored peacefully…
A Scene From 'the Busybody' From By Mrs Centlivre is a painting by the artist Robert Smirke. This work depicts a specific moment taken from the play written by Mrs Centlivre. The composition captures a dramatic instance from the theatrical text, focusing on the interactions between the characters within a domestic setting.
Diana and ActaeonYale Center for British Art
12
Juliet Nurse
13
Lady Jane Grey
14
The Slaughter Of The Suitors Of Penelope
15
Title Not Known - (10)
16
The SoldierYale Center for British Art
17
Title Not Known -
18
The Afflicted Matron, The Countess Trifaldi, From 'don Quixote'
19
'henry Iv', Part I, Act Ii, Scene 1, The Inn Yard With Gadshill And The Carriers
20
King Lear
21
Mary Isabella Somerset
22
The Treachery Of Colonel Kirke
23
Ulysses And Nausicä
24
Children Playing
25
Cromwell suppressing the mutiny in the army
26
Ulysses Discovered By His Nurse
27
Sancho Panza And The Duchess
28
His Majesty Reviewing The Volunteer Corps Assembled In Hyde Park, In Honour Of His Birthday
29
The Deserter Apprehended
30
The Merry Wives Of Windsor
31
The Martyrdom of Archbishop Cranmer
32
The SchoolboyYale Center for British Art
33
Kneeling female figure with a cup
34
Title Not Known -
35
Title Not Known -
36
The LoverYale Center for British Art
37
Title Not Known
38
Title Not Known -
39
The Order Of Knighthood Conferred On Don Quixote By The Inn Keeper
40
Title Not Known - (9)
41
Title Not Known -
42
Casimire And Lady Pentweazel, From Samuel Foote's Taste
43
Title Not Known -
44
The Astronomers' ClubNational Maritime Museum
45
Don Quixote And Sancho Panza
46
The JusticeYale Center for British Art
47
The InfantYale Center for British Art
48
The Rivals
49
Scene From Samuel Richardson's Pamela
50
Mrs Henry Siddons
51
Melinda And Lucy Consult Kite
52
He Seven Ages Of Man The PantaloonYale Center for British Art
53
Title Not Known - (11)
54
Much Ado About Nothing
55
Lady Pentweazle From Samuel Foote's 'taste'Upton House
56
The Rivals from `Tom Jones
57
Title Not Known - (8)
58
The Two Sons Of Tipu Sahib, Sultan Of MysoreYale Center for British Art
59
Measure For Measure
60
Scene From Bickerstaffe's Play 'the Hypocrite'
61
Falstaff Disguised As Herne With Mrs Ford And Mrs Page
62
The Scandal
63
The Duel
64
Second ChildishnessYale Center for British Art
65
Young Man Lifted From A River, Apparently Drowned
66
The Merry Wives Of Windsor -
67
Scipio And The Hermit
68
Don Quixote At Home, After The Termination Of His Second Sally
69
'henry Iv', Part I, Act V, Scene 4, Falstaff And The Dead Body Of Hotspur
70
The Sleeper Awakened
71
Illustration From Francis Beaumont And John Fletcher's 'the Humorous Lieutenant'
72
Title Not Known -
73
Resuscitation By Doctor Hawes Of A Man Believed Drowned
74
A Scene From 'taste' A Play By Samuel Foote
75
Illustration To Le Strange's 'gil Blas'
76
'love For Love' By William Congreve
77
The Rival Waiting-womenHatchlands Park
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
4 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Robert Smirke | Slike iz ovog popisa |
|---|---|---|---|
 Yale Center for British Art |
New Haven | 13 | The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Port of Zakynthos, Greece, Woman Sleeping in the Nude in a Wooded Landscape |
 Upton House |
Banbury | 2 | A Scene From 'the Busybody' From By Mrs Centlivre, Lady Pentweazle From Samuel Foote's 'taste' |
 National Maritime Museum |
London | 1 | The Astronomers' Club |
 Hatchlands Park |
Guildford | 1 | The Rival Waiting-women |
15 godina razmika između prvog i posljednjeg datiranog originala umjetnika Robert Smirke prikazanog ovdje, 1790 i 1804: svaka godina ima svoje mjesto u nastavku.
Odaberite godinu kako biste vidjeli originalna djela.
The composition centers on a single female figure positioned within a dramatic setting. She is depicted in the role of Lady Macbeth, captured in a moment of intense psychological tension. The subject's posture and facial expression convey a sense of internal turmoil. Her gaze is directed away from the viewer, focused on an unseen point of distress. The lighting emphasizes the contours of her face and the heavy folds of…
In The wreck of the 'Grosvenor' by Robert Smirke, the chaos of a maritime disaster unfolds before the eyes. This scene captures the harrowing moment an East Indiaman meets its end. The vessel, a three-masted ship of 729 tons, struggles against the fury of the sea. It is a moment frozen in time, reflecting the tragedy that occurred on 4 August 1782. The water churns with a violent energy that…
Još od 1792
The oil painting titled The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay was executed by the artist Robert Smirke. This work dates to about 1793. The canvas depicts a specific moment of naval combat, focusing on the central figure of the Earl of Sandwich. The subject matter centers on themes of courage, duty, and leadership during the Battle of Solebay.
The artwork titled Falstaff rebuked was painted by the English painter and illustrator Robert Smirke. This specific work dates to 1795. The piece is an oil on canvas that captures a scene of confrontation between a youthful, regal figure and an older, disheveled man.
To gaze upon this depiction of the Port of Zakynthos is to be instantly transported across the azure expanse of the Aegean Sea, far from the clamor of modern life. This work captures not merely a harbor scene, but a moment suspended in time—a vibrant tableau vivant rendered with the delicate precision characteristic of early nineteenth-century topographical studies. The composition itself sings of industry and repose; boats, some moored peacefully…
The Cession Of Matavai. Sljedeći su The wreck of the 'Grosvenor' (1792) i The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay (1793).
The Cession Of Matavai, The wreck of the 'Grosvenor', The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Falstaff rebuked, Sarah Siddons as Lady Macbeth, The Awakening of King Lear, Port of Zakynthos, Greece, A Scene From 'the Busybody' From By Mrs Centlivre, Woman Sleeping in the Nude in a Wooded Landscape i Figure Study of a Nude Woman in a Wooded Landscape. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 77 djela umjetnika Robert Smirke, datiranih od 1790 do 1804.
Većinom u Yale Center for British Art (New Haven), Upton House (Banbury) i National Maritime Museum (London). Gornja tablica muzeja navodi sve njih.
U 1792: 2 od 77 djela na ovoj stranici nastalo je tada, od čega je The wreck of the 'Grosvenor' The wreck of the 'Grosvenor'.
Na ovoj stranici najstarije djelo je iz Sarah Siddons as Lady Macbeth (1790), a najnovije iz Port of Zakynthos, Greece (1804).
Women (7), Scenes (4) i Historical scene (3), kroz svih 77 djela na ovoj stranici.
Oil, za 4 od 77 djela na ovoj stranici.
Romanticism i Neoclassicism, sudeći po originalima na ovoj stranici.
The Earl of Sandwich Refusing to Abandon His Ship During the Battle of Solebay, Port of Zakynthos, Greece i Woman Sleeping in the Nude in a Wooded Landscape: Yale Center for British Art, New Haven posjeduje 13 djela s ove stranice.
U veličanstvenom tapiseriji britanske povijesti umjetnosti, gdje su mnogi tražili slavu kroz sveobuhvatne scene bitaka ili monumentalne portrete, Robert Smirke izdubio je svoju nježnu i duboko intimnu nišu. Rođen 1753. godine u mirnom mjestu Wigton, blizu Carlislea, Smirke je bio čovjek čiji je kist vodio ritam stiha više nego drama povijesti. Kao sin putujućeg umjetnika, njegovo je djetinjstvo bilo prožeto samom srži promatranja; učio je gledati svijet kroz prizmu pokreta i svjetlosti puno prije nego što je ikada kročio u formalno šegrtovanje. To rano izlaganje nomadnom životu u njemu je usadilo doživotno poštovanje prema suptilnim detaljima prirodnog svijeta, osobinu koja će kasnije definirati njegov jedinstveni pristup književnom krajoliku.
Smirkino umjetničko putovanje bilo je prožeto postepenim i pedantnim usavršavanjem. Nakon što je izbrušio svoje tehničke vještine kod londonskog heraldičkog slikara, počeo se probijati u profesionalne krugove kroz Ujedinjeno društvo umjetnika 1775. godine. Iako su njegove rane izložbe bile skromne, otkrile su bujajući talent za dočaravanje tihe elegancije scene. On nije samo slikao krajolike; on je slikao priče. Njegovo pravo majstorstvo ležalo je u sposobnosti da pisane riječi pretvori u vizualnu poeziju, fokusirajući se posebno na djela engleskih pjesnika poput Jamesa Thomsona. Odabirom monokromatskih paleta i zamršenih kompozicija, Smirke je stvorio osjećaj bezvremenosti, dopuštajući promatraču da iskorači izravno u stihove klasične književnosti.
Uspon Roberta Smirkea unutar prestižnih dvorana Kraljevske akademije služi kao svjedočanstvo njegove tehničke vještine i sposobnosti da očara najrazboritije kritičare tog doba. Njegovo izbora za podudarnika akademije 1791. godine, nakon čega je slijedio puni status akademičara 1793., označilo je njegov prijelaz iz obećavajućeg ilustratora u temelj britanskog umjetničkog etabliranja. Upravo je tijekom tog razdoblja njegova najslavnija djela počela odjekivati u javnoj mašti. Djela poput Narcissa i dame i Sabrine—tema iz Miltonovog djela Comus—demontirala su duboku osjetljivost prema atmosferskim kvalitetama mita i legende.
Smirkino djelo karakteriziraju nekoliko ključnih elemenata koji ga izdvajaju od suvremenika:
Čak je i njegovo diplomsko djelo, Don Quixote i Sancho, odražavalo njegovu posvećenost likovima i narativnoj dubini. Iako možda nije tražio slavu onih koji su slikali epsku razmjere carstva, Smirkina povijesna važnost leži u njegovoj ulozi vizualnog čuvara engleskog književnog naslijeđa. Pretvorio je platno u stranicu knjige, osiguravajući da romantizam pjesnika 18. stoljeća opstane kroz trajnu moć njegove slike. Njegov život, koji se proteže od kasnog 18. stoljeća do 1845. godine, ostaje predivno poglavlje u priči o britanskoj umjetnosti—priča koja se ne pripovijeda glasnim objavama, već mekim, evokativnim šapatima vrhunskog pripovjedača.
