Ažurirano Studeni 2026 · rangirano prema našoj ocjeni popularnosti (pretraživanja, posjeti i narudžbe za svako djelo) · 345 djela Robert Henri u našem katalogu
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Betalo Rubino, Dramatic Dancer (1916) je slika autora Robert Henri koja privlači najviše pogleda; original se nalazi u muzeju Saint Louis Art Museum, Saint Louis. Nakon toga, pogled se usmjerava na The Green Fan (Girl of Toledo, Spain) i O'Malley Home (Achill Island, County Mayo, Ireland) (1913). Među 345 djela umjetnika Robert Henri u našem katalogu, ovih 100 su najpoznatija, od kojih je svako jedinstveni original predstavljen s godinom nastanka, muzejom i razlogom zbog kojeg je vječno.
The air in the room feels heavy, charged with the residue of a performance just concluded or perhaps one about to begin. Betalo Rubino stands at the center of the frame, a figure of immense strength and theatricality. She does not merely pose; she occupies the space with a direct, unyielding gaze that meets the viewer head-on. Her hands rest firmly on her hips, a gesture of confidence that anchors…
In "The Green Fan (Girl of Toledo, Spain)", the American artist Robert Henri captures a quiet moment of stillness. A young girl occupies the center of the scene, her presence commanding the viewer's immediate attention. She holds a green fan, a singular point of color that anchors the composition. Her attire carries the warmth of red and orange tones, reflecting the traditional clothing of her surroundings. This palette breathes life…
To gaze upon Robert Henri’s O'Malley Home is to be gently swept away from the clamor of modern life and deposited into the emerald embrace of Achill Island in County Mayo. Painted in 1913, this oil on panel piece transcends mere landscape depiction; it is a profound meditation on rural permanence and the enduring spirit of community. Henri captures not just a vista, but a feeling—a deep, abiding sense of…
Young Woman in Black is an oil on canvas portrait executed by the artist Robert Henri. The painting was created in 1902 within New York City. This work is a vertical composition that focuses on the subject's face and upper body against a dark, monochromatic background.
The artwork is a portrait of an elegant woman dressed in formal attire, featuring a black velvet dress and a matching hat. The composition is vertical, with the figure occupying most of the frame and positioned slightly off-center. The woman's body is turned slightly away from the viewer, and her gaze is directed downward. She is set against a plain, undifferentiated background that focuses all attention on the subject.
In this 1906 oil on canvas, we encounter Felix Asiego, a man defined by the gravity of his profession. He stands poised, draped in the heavy, ceremonial attire of a Spanish matador. There is a quiet dignity in his posture, a stillness that suggests the calm before the storm of the bullring. A red scarf provides a sharp point of color against the more muted tones of his ensemble, while…
In this 1913 oil on canvas, Robert Henri presents us with My Friend Brien. The portrait captures Brien O’Malley, a man who served as the artist's friend and guide. Henri painted this work during his first visit to the town of Achill, Ireland, a trip that occurred in 1913. It is a direct encounter between the painter and his subject, recorded in a moment of shared presence.
An elderly man sits in a quiet, heavy stillness, his profile cutting through a dark and indistinct background. He wears a suit and tie, the fabric rendered in deep blues and blacks that seem to merge with the shadows surrounding him. His face, the focal point of this 1913 oil on canvas, tells a story of years lived through a palette of warm reds, pinks, and yellows. These tones suggest…
A fifteen-year-old dancer named Josefa Cruz turns her head over a shoulder. She occupies a space carved out by deep shadows and midnight blues. Her skin holds a pale, luminous quality against the dark, undefined background. A pink headband rests in her reddish-brown hair, with ribbons that fall softly toward her shoulders. The light enters from the upper left, catching the curve of her neck and the edge of her…
Montparnasse by Robert Henri captures a specific pulse of life from about 1898. The canvas holds a busy street scene in Montparnasse, Paris. It is a moment of urban movement caught in oil. Pedestrians drift across the sidewalks, their figures scattered through the depth of the city. They move between the shadows of buildings and the light of the open road.
George Cotton Smith1908 · National Gallery of Art
12
Spanish Girl of Segovia (also known as Peasant Girl of Segovia)1912 · New Britain Museum of American Art
13
Newsgirl, Madrid, Spain1908
14
An Imaginative Boy1915 · New Britain Museum of American Art
15
Paris Night1898 · Metropolitan Museum of Art
16
Portrait of Maja in Dark Blue1903
17
Marine with Rocks1909
18
Wee Maureen
19
Irish Girl (Mary Lavelle)1913
20
Carleton Eldredge Noyes (1872-1950)1903 · Harvard Art Museums
21
Spanish Urchin (also known as Laugh Cheeks)
22
Portrait of Carl Gustav Waldeck1896 · Saint Louis Art Museum
23
Snow in New York1902 · National Gallery of Art
24
Eakers1904 · Harvard Art Museums
25
Spanish Girl of Madrid (Una Chula)1908 · Virginia Museum of Fine Arts
26
St. Nozaire, France1890
27
Irish Boy1898
28
Ballet Dancer1901 · Muzej fine umjetnosti u Houstonu
29
The Irish Girl1900
30
Calero (Antonio Baños)1908 · Muzej fine umjetnosti u Houstonu
31
John Sloan1909
32
Edith Reynolds1908 · National Gallery of Art
33
Volendam Street Scene1910 · National Gallery of Art
34
Modiste of Madrid1906
35
Cori Laughing1907
36
Modestilla de Madrid1906
37
The Laughing Boy (also known as Jobie)1910
38
Dutch Soldier1907
39
Patience Serious1915 · Cincinnati Art Museum
40
Figure in Motion1913
41
Irish Lad1913
42
La Mora1912
43
Irish Lad1913
44
Upper Hudson1917
45
Sis1913
46
Julianita Ready for the Dance1917
47
Viv in Blue Stripe1914
48
Sammy and His Mother1915
49
Helen1919 · Indianapolis Museum of Art
50
Young Sport1922
51
Mary with a Red Ribbon1926 · Rhode Island School of Design Museum of Art
52
Untitled (also known as Alanna)1928
53
Spanish Girl1912
54
El Segoviano1924
55
John1908 · Metropolitan Museum of Art
56
Laughing Child1907 · Whitney Museum of American Art
57
Head of a Woman1896 · New Britain Museum of American Art
58
Segovian Girl1912
59
The Young Girl1915 · Detroit Institute of Arts
60
Cathedral Woods, Monhegan Island1911 · Toledo Museum of Art
61
O in Black with Scarf (also known as Marjorie Organ Henri)1910 · Fine Arts Museums of San Francisco
62
Indian Girl in White Blanket1917 · National Gallery of Art
63
Girl seated by the seaMuzej likovnih umjetnosti
64
Nelson1914
65
La Madrelenita1910
66
Tam Gan1914 · Buffalo AKG Art Museum
67
The Laundress1916
68
Sissy in Yellow1924
69
KathleenHuntington Museum of Art
70
Old Spaniard - Lagartija,'' Florencio Rodriques''1923
71
Irish girl (Mary O'Donnel)Muzej likovnih umjetnosti
72
Catharine1913 · National Gallery of Art
73
Summer Storm1902
74
Fay Bainter1918 · Brigham Young University Museum of Art
75
Nora1913
76
Early Morning, Venice1891
77
Beach at Atlantic City1893 · Phoenix Art Museum
78
Street Corner1893
79
Sunlight, Girl on Beach, Avalon1893
80
Street Corner in Paris1896
81
Place in Paris1895
82
Night on Boardwalk1898 · Muzej fine umjetnosti u Houstonu
83
George Luks1904 · Nacionalna galerija Kanade
84
The Model1899 · Muzej fine umjetnosti u Houstonu
85
Ice Floe1902 · Fine Arts Museums of San Francisco
86
F. Ambrose Clark1904 · Metropolitan Museum of Art
87
Notre Dame and the Seine1900 · New Britain Museum of American Art
88
Young Woman in White1904 · National Gallery of Art
89
Study for Storm Tide1903
90
Portrait of Miss Leora Dryer in Riding Custume1902
91
Spanish Dancer - Seviliana (also known as Dancer with Castanet)1904
92
Rough Seas near Lobster Point1903
93
The March Wind1902
94
Fete du Dieu - Concarneau1899
95
The Rain Clouds (Paris)1902
96
Willie Ge1904
97
William Glackens1904
98
Leunkin Bay, June1903
99
Storm Weather - Wyoming Valley1902
100
Storm Tide1903
Četiri teme koje se najčešće ponavljaju u ovim originalima, svaka s svojim vrhunskim primjerom.
8 muzeja u kojima se nalazi najviše djela s ove stranice.
| Muzej | Grad | Djela autora Robert Henri | Slike iz ovog popisa |
|---|---|---|---|
 National Gallery of Art |
Washington | 9 | George Cotton Smith, Snow in New York, Edith Reynolds |
 New Britain Museum of American Art |
New Britain | 5 | Spanish Girl of Segovia (also known as Peasant Girl of Segovia), An Imaginative Boy, Head of a Woman |
 Muzej fine umjetnosti u Houstonu |
Houston | 4 | Ballet Dancer, Calero (Antonio Baños), Night on Boardwalk |
 Metropolitan Museum of Art |
New York | 8 | Paris Night, John, F. Ambrose Clark |
 Muzej likovnih umjetnosti |
Boston | 6 | Girl seated by the sea, Irish girl (Mary O'Donnel) |
 Art Institute of Chicago |
Chicago | 4 | Young Woman in Black, La Madrilenita |
 Saint Louis Art Museum |
Saint Louis | 2 | Betalo Rubino, Dramatic Dancer, Portrait of Carl Gustav Waldeck |
 Harvard Art Museums |
Cambridge | 2 | Carleton Eldredge Noyes (1872-1950), Eakers |
Odaberite desetljeće kako biste vidjeli original koji ga definira.
Montparnasse by Robert Henri captures a specific pulse of life from about 1898. The canvas holds a busy street scene in Montparnasse, Paris. It is a moment of urban movement caught in oil. Pedestrians drift across the sidewalks, their figures scattered through the depth of the city. They move between the shadows of buildings and the light of the open road.
In this 1906 oil on canvas, we encounter Felix Asiego, a man defined by the gravity of his profession. He stands poised, draped in the heavy, ceremonial attire of a Spanish matador. There is a quiet dignity in his posture, a stillness that suggests the calm before the storm of the bullring. A red scarf provides a sharp point of color against the more muted tones of his ensemble, while…
The air in the room feels heavy, charged with the residue of a performance just concluded or perhaps one about to begin. Betalo Rubino stands at the center of the frame, a figure of immense strength and theatricality. She does not merely pose; she occupies the space with a direct, unyielding gaze that meets the viewer head-on. Her hands rest firmly on her hips, a gesture of confidence that anchors…
In this intimate portrait, titled Young Sport, Robert Henri turns his attention to a young boy seated in a chair. Painted about 1922, the work captures a quiet, candid moment that feels far removed from the formal, staged portraiture of the era. There is a certain unhurried dignity in the boy's direct gaze and the slight, perhaps mischievous, smile that touches his expression.
Betalo Rubino, Dramatic Dancer (1916), Saint Louis Art Museum, Saint Louis. Nakon njih slijede The Green Fan (Girl of Toledo, Spain) i O'Malley Home (Achill Island, County Mayo, Ireland) (1913).
51 godina: Betalo Rubino, Dramatic Dancer datira iz 1916, a Robert Henri je rođen/a 1865.
Betalo Rubino, Dramatic Dancer, The Green Fan (Girl of Toledo, Spain), O'Malley Home (Achill Island, County Mayo, Ireland), Young Woman in Black, Lady in Black Velvet, Portrait of El Matador, Felix Asiego, My Friend Brien, The Guide to Croaghan (also known as Brien O'Malley), La Madrilenita i Montparnasse. Gornji rang prikazuje godinu i muzej za svako od njih.
Naš katalog sadrži 345 djela umjetnika Robert Henri, datiranih od 1890 do 1928.
Većinom u National Gallery of Art (Washington), New Britain Museum of American Art (New Britain) i Muzej fine umjetnosti u Houstonu (Houston). Gornja tablica muzeja navodi sve njih.
U 1900s: 37 od 100 djela na ovoj stranici nastalo je tada, od čega je Portrait of El Matador, Felix Asiego Portrait of El Matador, Felix Asiego.
Na ovoj stranici najstarije djelo je iz St. Nozaire, France (1890), a najnovije iz Untitled (also known as Alanna) (1928).
Portrait (31), Woman (25) i Dark background (11), kroz svih 100 djela na ovoj stranici.
Oil On Canvas, za 62 od 100 djela na ovoj stranici.
Ashcan school, sudeći po originalima na ovoj stranici.
George Cotton Smith, Snow in New York i Edith Reynolds: National Gallery of Art, Washington posjeduje 7 djela s ove stranice.
Robert Henri, rođen Robert Henry Cozad u Cincinnatiju, Ohio, 1865. godine, nosio je od samog početka osjećaj raseljenosti i ponovnog izuma koji će duboko oblikovati njegov život i umjetnost. Njegovo djetinjstvo nije bilo idilično; zasjenjeno burnim odnosom između oca, Johna Jacksona Cozada – čovjeka ambicije i rizika kao kockara i nekretninskog developera – i majke, Therese Gatewood Cozad. Ova nestabilnost kulminirala je dramatičnim događajem 1882.: smrtonosnim pucanjem zbog spora oko zemljišta koje je prisililo obitelj na bijeg, usvajajući nove identitete kako bi izbjegli odmazdu. Mladi Robert postao je Robert Henri, namjerno prekidanje s prošlošću opterećenom sukobima i simboličko ponovno rođenje kao umjetnik. Put prema zapadu kroz Nebrasku i Kolorado, koji je kulminirao naseljavanjem u New Yorku, a zatim Atlantic Cityju, usadio mu je duboko suosjećanje za one koji žive na rubu društva – suosjećanje koje će postati definirajuća karakteristika njegovog umjetničkog vida. Ovo rano iskustvo previranja i ponovnog izuma potaknulo je duh neovisnosti i predanost prikazivanju života kakav stvarno jest, nevezan konvencijama ili društvenim očekivanjima.
Henrijevo formalno umjetničko obrazovanje započelo je na Pennsylvania Academy of the Fine Arts u Philadelphiji pod Thomasom Anshutzom, gdje je brusio svoje tehničke vještine. Međutim, njegovo naknadno putovanje u Pariz 1888. godine zaista je potaknulo njegov umjetnički probuđenje. U početku privučen akademskom tradicijom na Académie Julian i pod utjecajem majstora poput Williama-Adolphe Bouguereaua i Françoisa Milleta, Henri se postupno sve više okretao impresionizmu. Ipak, nije bio zadovoljan samo repliciranjem onoga što je vidio; tražio je dublji angažman sa stvarnošću – način da uhvati ne samo prolazne efekte svjetlosti, već i sirove emocije i vitalnost modernog života. Ova potraga ga je dovela do prihvaćanja hrabrijeg, izravnijeg pristupa, pod utjecajem nizozemskog realista Franza Halsa, čiji labavi potezi kistom i psihološki uvid duboko su rezonirali s Henrijevim vlastitim umjetničkim osjećajima. Počeo je eksperimentirati s pochadama, malim drvenim panelima koji se koriste za brze skice, potičući spontanost i neposrednost u svom radu. Vrativši se u Ameriku, postao je posvećen učitelj, prenoseći ne samo tehniku, već i filozofiju umjetnosti ukorijenjenu u promatranju, iskrenosti i individualnom izrazu.
Utjecaj Roberta Henрија na američku umjetnost protezao se daleko izvan njegovih vlastitih platna; postao je katalizator promjena, osporavajući konzervativne norme utvrđenog umjetničkog svijeta. Bio je središnja figura u nastanku Ashcan School – grupe umjetnika koji su se usudili prikazati grubu stvarnost urbanog života, od užurbanih gradskih ulica do prenatrpanih stambenih zgrada. Henrijeva predanost realizmu i odbijanje akademske pretencioznosti dovelo ga je do organiziranja “The Eight” 1908. – kolektiva umjetnika istomišljenika uključujući Williama Glackensa, Georgea Luksa, Everetta Shinna i Johna Sloana – koji su organizirali neovisnu izložbu kao izravan protest protiv restriktivnih politika Nacionalne akademije dizajna. Ovaj čin prkos bio je prekretnica u povijesti američke umjetnosti, označavajući pomak od europske dominacije prema jedinstvenom američkom umjetničkom glasu. Henrijeva djela tijekom ovog razdoblja, poput “Žena u kaputu” (1899.) i njegovih evocativnih portreta, uhvatila su dostojanstvo i otpornost običnih ljudi, nudeći snažan kontrast idealiziranim prikazima koje su favorizirali establišment.
Utjecaj Roberta Henрија na kasnije generacije američkih umjetnika je nemjerljiv. Kao učitelj, mentorirao je izvanredan popis talenata, uključujući Josepha Stellu, Edwarda Hoppera, Rockwella Kenta, Georgea Bellowsa, Normana Raebena, Louisa D. Fanchera i Stuarta Davisa – umjetnike koji su oblikovali tijek umjetnosti 20. stoljeća. Njegova knjiga, *The Art Spirit*, objavljena posthumno 1923., ostaje temeljna tekst za nadajuće se umjetnike, nudeći vječnu mudrost o promatranju, tehnici i važnosti umjetničkog integriteta. Henrijeva predanost prikazivanju života s iskrenošću i empatijom, odbijanje konvencija i nepokolebljiva vjera u moć umjetnosti da se poveže s publikom nastavljaju inspirirati umjetnike danas. Njegova djela nisu samo prikazi stvarnosti; ona su prozori u ljudsko stanje – svjedočanstva o ljepoti, borbi i otpornosti duha. Ostavio je neizbrisiv trag na američkom realizmu, utirući put demokratičnijem i inkluzivnijem umjetničkom svijetu koji slavi svakodnevno iskustvo običnih ljudi. Njegovo nasljeđe traje ne samo kroz njegova vlastita majstorska djela, već i kroz bezbroj umjetnika koje je inspirirao da pronađu svoje glasove i ispričaju svoje priče.
